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Yuan Hongdao

Yuan Hongdao was a scholar-official and one of the greatest Chinese poets and littérateurs of the Ming Dynasty. He is also a well known author on Pure Land Buddhism.

Life
. This work depicts the first public presentation of Yuan's Xīfāng hélùn. Yuan Hongdao is depicted on the far left next to a tree. Hongdao's life spanned nearly the whole of the Wanli period (1573-1620) in Chinese history. A native of Gong'an in Hukuang, his family had been officials for generations. Hongdao showed an interest in literature from youth and formed his own literary club at age fifteen. At an early age, Yuan took the jinshi examination (the highest gentry position in China) and subsequently received the official jinshi position in the government bureaucracy in 1594. Yuan soon became well known in literati circles and famed for his writing, moving in the intellectual circles of the Ming elite. In 1597, Yuan had already grown tired of working as a government magistrate and so he resigned. This systematic treatise on Pure Land Buddhism is actually the longest surviving text written by Yuan Hongdao. In spite of this, most scholars have ignored it, focusing mostly on Yuan's secular literature. In this work, Yuan breaks with the radical antinomian Chan of his teacher Li Zhi, advocating for a kind of Buddhism which affirms the importance of moral and religious cultivation. Yuan remained working in the capital for some time as a conscientious and respected magistrate. He remained a well known and prolific writer and literary critic. == Works ==
Works
Yuan's Collected Works include essays on Buddhism, Confucianism and Daoism, along with poems, short essays (xiao pin wen), travelogues, prefaces, memorials, Buddhist commentaries, many letters, and works on civil examinations. He also published an excerpted and highly edited and modified Platform Sutra. Regarding his poetry, it is found in various compilations including Collection from the Studio of Vase Flowers (Pinghua zhai ji 瓶花齋集), Collection from the Verdant Hall (Xiaobi tang ji 瀟碧堂集), and Collection of Liberation (Jietuo ji 解脫集). == Pure Land thought ==
Pure Land thought
Yuan's Xīfāng hélùn (Comprehensive Treatise on the West) presents a comprehensive Pure Land Buddhist philosophy in ten fascicles (juan). The work answers numerous questions and critiques of Pure Land Buddhism with rational arguments and scriptural citations. According to Yuan, these Chan teachings on non-grasping and the provisional nature of Buddhist practice is like water, which can put out a fire. When used too much, it can cause a flood. As such, Yuan wanted to bring some balance back to Buddhism by emphasizing the conventional truths of classic Buddhist practices. In this, Yuan was influenced by earlier figures like Zhiyi, Li Tongxuan, and Yongming Yanshou, as well as by the Da Zhi Du Lun. Yuan criticizes those who claimed that Pure Land was dualistic and that Buddhism was all about transcending dualities (and thus reject Pure Land). For Yuan, it is the critics of Pure Land who lack true understanding, since if they truly understood non-duality and emptiness, they would see that the provisional truth of the pure land is not negated by these teachings on ultimate truth. Likewise, the Huayan doctrine of the interpenetration of all phenomena does not negate the individuality of specific realms or relative phenomena. According to Yuan, Pure Land Buddhism is not just in accord with the highest principles of Mahayana philosophy, but it fulfills them in ways that Chan cannot rival. This is because Pure Land relies on the unity of the ultimate and conventional reality as seen by ordinary people (and is thus skillful for all types of people not just the wise). Furthermore, as Jones explains, if it were true that one needed to fully purify one's mind and have knowledge of the ultimate truth before attaining the pure land, then this would lead to the absurd conclusion that "one would have to be able to adopt the fully enlightened viewpoint before being enlightened - a vicious circle." As such, the Chan critique of Pure Land practitioners is a trivial critique which just points out the obvious, that unenlightened people are not enlightened to the ultimate truth. However, according to Yuan, the Buddha knows how to make use of the very dualistic viewpoints of ordinary beings in order to guide them to awakening through skillful means. Once born in the pure land, ordinary beings will become awakened to the ultimate truth. To the detractors of Pure land who saw themselves as beyond beyond Pure Land practice, Yuan writes: You say, "Only purify your own mind, and then what need is there to discriminate?" If you enter a latrine, could you remain there for long? Go into a charnel-house where air is filthy with black smoke. Could you refrain from holding your nose? Could you share your dishes and bed with someone who has scabrous sores oozing pus and blood? If not, then this is a sign that you detest the five defilements. If you still need a clean room and sanitary companions, then this is a sign that you would delight in the Pure Land. Yuan also saw his Pure Land treatise as a work which shows how Pure Land is deeply connected with other traditions like Chan, Consciousness-Only and Huayan. In a later work he even writes that "I made use of Pure Land in order to expound Chan". Various scholars have also noted how Yuan makes extensive use of Huayan thought in his treatise, especially the philosophy of Li Tongxuan. The ''Xīfāng hélùn's ten-fascicle structure itself might be based on the Huayan teaching of the ten gates. As such, Yuan was not seeking to refute Chan or present an exclusive view of Pure Land. Instead, he sought to use Pure Land to broaden and expand the understanding of Buddhist practice in his contemporaries.'' Throughout the Xīfāng hélùn, Yuan explains the nature of the various pure lands, answers numerous questions and objections about Pure Land Buddhism and provides a scriptural schema (panjiao) and an analysis of Pure Land scriptures. In fascicle five of the Xīfāng hélùn, Yuan discusses the relationship between the practitioner and Amitabha, as well as self-power and Buddha's other-power. According to Yuan (who cites Zhiyi), the Buddha's power is inconceivable and mysterious. As Jones writes, this means that "one cannot pin it down by saying that the practice is effective because of the Buddha's power, the devotee's power, both together, or neither...all dharmas are inconceivable, and one can never fully understand how causes produce effects." Thus, even if one is an unenlightened being or has different understandings of how other-power works, one can practice chanting the Buddha's name and one will still achieve the result of birth in the pure land. Drawing on the philosophy of Huayan (as well as Tiantai to a lesser extent), Yuan also shows how Pure Land Buddhism is actually in complete agreement with its most refined and deep metaphysical theories, arguing that Pure Land is thus the supreme truth of Buddhism when properly understood. For Yuan, Amitabha Buddha and Huayan's Cosmic Buddha Vairocana are not separate Buddhas and thus Amitabha pervades all realms. He also argues that the simple recitation of the nianfo, when done with a mind of compassion, bodhicitta, and coupled with a moral life, fulfills all Buddhist principles. Yuan also strongly defends the traditional Buddhist course of practice, including generating faith, taking vows, keeping precepts, living with good companions etc. Yuan's Xīfāng hélùn soon became popular in Chinese Buddhist circles. It was included in the Jiaxing Buddhist Canon and the patriarch Ouyi Zhixu (1599-1655) included it in his Ten Essential [Texts] of Pure Land (Jingtu shi yao 淨土十要). It remains popular to this day, as shown by the space given to it in Guo Peng's 1982 study of Ming and Qing Buddhism. == Poetry and literature ==
Poetry and literature
Yuan Hongdao wrote numerous poems and essays which became quite popular during his time. Together with his brothers, he founded a literary circle which came to be known as the Gong'an school. The literary theory of Yuan and his brothers was based on individual expression and individual feeling or "native sensibility" (hsing-ling), rather than some ancient literary model or method. As such, the Yuan brothers rejected the idea that writers had to mimic the work and styles of past Tang masters like Li Po. According to Yuan Hongdao, literary styles should naturally change to match the evolution of society. He wrote in a letter to a friend that "In general, things are prized when they are authentic. If I am to be authentic, then my face cannot be the same as your face, and how much less the face of some man of antiquity!". Yuan also admired the writings and literature of folk composers and vernacular Chinese authors, including Shi Nai'an's Water Margin. Some of Yuan's poems have been collected and translated in Jonathan Chaves' Pilgrim of the Clouds: Poems and Essays from Ming Dynasty China (first published in 1978). Longzhong (Within the Hill) The following poem from Yuan Hongdao captures the unity of stillness and movement, the interfusion of all phenomena, including human and natural events: Making Fun of Myself on "People Day" This official wears no official sash, this farmer pushes no plow, this Confucian does not read books, this recluse does not live in the wilds. In society, he wears lotus leaves for clothes, among commoners, he is decked out m cap and jade. His serenity is achieved without closing the door, his teaching is done without instruction. This Buddhist monk has long hair and whiskers, this Taoist immortal makes love to beautiful women. One moment, withering away in a silent forest, the next, bustling through crowds on city streets. When he sees flowers, he calls for singing girls; when he has wine to drink, he calls for a pair of dice. His body is as light as a cloud floating above the Great Clod. Try asking the bird, flying in the air: "What clear pond reflects your image?" How free! the dragon, curling, leaping, liberated! beyond this world, or in it. The official, Liu-hsia Hui, firm, yet harmonious; or Hermit Yi, pure in his retirement. == References ==
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