Hector Zazou

Pierre Job was born in a "pieds-noirs" family (French citizens living in Algeria when Algeria was still a French colony - his father was French and his mother was Spanish). when he first came to international attention as part of ZNR, a duo with Joseph Racaille, where both played electric keyboards. Their 1976 debut album Barricade 3 was notable for its "strong Satie influence, stripped to minimal essentials, everything counts". Zazou's Long-time collaborators included trumpeter Mark Isham; guitarist Lone Kent; cellist and singer Caroline Lavelle; trumpeter Christian Lechevretel, who appeared on all of his albums after Sahara Blue; clarinetist and flutist Renaud Pion, who appeared on all of his albums since his record production work with Les Nouvelles Polyphonies Corses in 1991. He also often worked with drummer Bill Rieflin Japanese recording artist Ryuichi Sakamoto. His discography demonstrated his affinity for cross-cultural collaborations, and incorporated modern techniques and sounds in re-recordings of traditional material. His groundbreaking 1983 album Noir et blanc with Congolese singer Bony Bikaye released under the banner "Zazou/Bikaye", garnered a lot of international attention, and is widely recognized as one of the earliest and most impressive experiments in fusing African music and electronica. Zazou regarded his work during the 1980s as his time of apprenticeship in the studio. On his 1986 solo album, Reivax au Bongo, he experimented with fusing classical vocals with an electronic backdrop. On his 1989 solo album, Géologies, he combined electronic music with a string quartet. The albums that he released under his own name from the 1990s onwards were usually concept albums that drew from literary or folk sources and revolve around a specific theme. The collection of songs on each album assembled contributions from a diverse and global range of pop, folk, world music, avant-garde, and classical recording acts. Songs from the Cold Seas (issued in Europe as Chansons des mers froides). The album was based on ocean-themed traditional folk songs from northern countries, such as Canada, Finland, Iceland, and Japan. Songs from the Cold Seas featured vocals by pop and rock artists such as Björk, Suzanne Vega, John Cale, Värttina, Jane Siberry, and Siouxsie Sioux in addition to recordings of shamanic incantations and lullabies from Ainu, Nanai, Inuit, and Yakut singers. Musicians included Mark Isham, Brendan Perry, Budgie and the Balanescu Quartet. A cameraman accompanied Zazou on the project and they shot and recorded in Alaska, Canada, Greenland, Japan, Scandinavia, and Siberia. The single "The Long Voyage" was a duet by "John Cale and Suzanne Vega": a second CD single featured remixes by Mad Professor. His 1998 album, Lights in the Dark, showcased ancient Celtic music sung by Irish singers. Zazou's released a collaborative album Las Vegas Is Cursed with Sandy Dillon. In the book "Sonora Portraits 2", which accompanies the CD Strong Currents, Zazou said that 12 (Las Vegas Is Cursed) was his most elaborate album. He describes it as a work of black humour and regards his instrumental composition "Sombre" on the album as one of his best songs ever. Strong Currents was released in 2003 and featured an all-female vocal cast which included Laurie Anderson, Lori Carson, Lisa Germano, Irene Grandi, Nina Hynes, Jane Birkin, and Caroline Lavelle. Musicians included Ryuichi Sakamoto, Dennis Rea, Bill Rieflin and Archaea Strings. The album took six years to complete. In 2004 Zazou released a companion CD of sorts, ''L'absence, which included instrumentals, many of the same female vocalists that were featured on Strong Currents,'' and one male vocalist, French singer Edo. Zazou was a member of the musical collective named Slow Music. The lineup also included Robert Fripp and Peter Buck on guitars, Fred Chalenor on bass, Matt Chamberlain on drums, and Bill Rieflin on keyboards and percussion. He contributed electronics to the group's music. At the same time, he was exploring other electronic music in other work, including a soundtrack for Carl Theodor Dreyer's silent film La passion de Jeanne d’Arc and the multimedia collaboration released as a CD in 2006, Quadri+Chromies. Zazou's last projects were documented on the Music Operator interactive multimedia web site, which graphically documented his collaborations while in the background his music was played. In January 2008 Zazou released his Corps électriques album, featuring "one of the original riot grrrls" KatieJane Garside, Bill Rieflin, Lone Kent and nu-jazz trumpeter Nils Petter Molvær. The last project he worked on was an album entitled In the House of Mirrors, on Crammed Discs, in which he offered a new take on classical Asian music, subtly reprocessed with a nod to some of the music produced in the 1970s by Terry Riley and Fripp & Eno. In the House of Mirrors was recorded in Mumbai with the collaboration of four outstanding instrumentalists from India and Uzbekistan, as well as guests such as Diego Amador and Nils Petter Molvær. This album came out only a few weeks following his death in September 2008. == Discography ==