Zeng Gong produced four hundred poems in his lifetime and a number of essays. His style of prose writing is mostly discursive rather than argumentative. Among Zeng Gong's collected works are fifty chapters of
Yuanfeng Leigao (), forty chapters of the
Xu Yuanfeng Leigao () and thirty chapters of the
Longping Ji (). Same as his mentor Ouyang Xiu, Zeng believed that prose writing shall draw inspiration from the ancient sages, as preserved in the
Six Classics. His prose was precisely structured, evenly paced, and characterized by crisp expression and clear thinking. Although his works may lack the innovations and vivid imagery found in the works of
Han Yu,
Liu Zongyuan, Ouyang Xiu, and Su Shi, He stood out for his refined techniques, accessible language, and steadfast adherence to Confucian principles. For this reason, Zeng was favored by the school of
Neo-Confucianism and the
Tongcheng School. While Zeng's achievement in literature is often overshadowed by his mentor Ouyang Xiu and his younger fellow Su Shi, he was a highly esteemed figure in his own time and in later dynasties. Ouyang Xiu regarded Zeng as his most outstanding protégé among thousands.
Wang Anshi remarked that Zeng's prose had no rival in his literary circles. Su Shi praised Zeng as Ouyang Xiu's most exceptional student. Zeng Gong's writing style and techniques were embraced by
Zhu Xi in the southern Song dynasty, as well as prose maters of the Ming and Qing dynasties. In May 2016 a calligraphy letter by Zeng sold for
¥207 million at an auction, setting a new price record for a Chinese calligraphy work. == References ==