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Akkadian literature

Akkadian literature is the ancient literature written in the East Semitic Akkadian language in Mesopotamia during the period spanning the Middle Bronze Age to the Iron Age.

Literature in Akkadian society
Most of what we have from the Assyrians and Babylonians was inscribed in cuneiform with a metal stylus on tablets of clay, called laterculae coctiles by Pliny the Elder; papyrus seems to have also been utilised, but not been preserved. ==Relation to other ancient literatures==
Relation to other ancient literatures
(Wales). Castle apartments: Library (1870s) - Allegory of Assyrian literature (relief by Thomas Nicholls). A considerable amount of Akkadian, Assyrian and Babylonian literature was translated from Sumerian originals, and the language of religion and law long continued to be the old agglutinative language of Sumer, which was a language isolate. Vocabularies, grammars, and interlinear translations were compiled for the use of students, as well as commentaries on the older texts and explanations of obscure words and phrases. The characters of the syllabary were all arranged and named, and elaborate lists of them were drawn up. Assyrian culture and literature came from the same source as Babylonia, but even here, there was a difference between the two ethnolinguistically similar countries. Assyrian literature was similar to that of Babylonia, however, in the early periods, education was mostly restricted to a single class of society in Assyria, unlike Babylonia. Under the second Assyrian empire, when Nineveh had become a great centre of trade, Aramaic — the language of commerce and diplomacy — was added to the number of subjects that the educated class was required to learn, dialects of which still survive among the Assyrian people today. Under the Seleucids, Greek was introduced into Babylon, and fragments of tablets have been found with Sumerian and Assyrian (i.e. Semitic) words transcribed into Greek letters. ==Notable works==
Notable works
According to A. Leo Oppenheim, the corpus of cuneiform literature amounted to around 1,500 texts at any one time or place, approximately half of which, at least from the first millennium, is extant in fragmentary form, and the most common genres included (in order of predominance) are omen texts, lexical lists, ritual incantations, cathartic and apotropaic conjurations, historical and mythological epics, fables and proverbs. Annals, chronicles and historical epics The Assyrian dialect of Akkadian is particularly rich in royal inscriptions from the end of the 14th century BC onward, for example the epics of Adad-nārārī, Tukulti-Ninurta, and Šulmānu-ašarēdu III and the annals which catalogued the campaigns of the neo-Assyrian monarchs. The earliest historical royal epic is, however, that of Zimri-Lim (–1698 BC short) of Mari. Similar literature of the middle Babylonian period is rather poorly preserved with a fragmentary epic of the Kassite period, that of Adad-šuma-uṣur and of Nabû-kudurrī-uṣur I and Marduk. The chronicle traditional is first attested in the compositions of the early Iron Age which hark back to earlier times, such as the Chronicle of Early Kings, the Dynastic Chronicle, Chronicle P and the Assyrian Synchronistic History. A series of fifteen neo to late Babylonian Chronicles have been recovered which narrate the period spanning Nabû-nasir (747–734 BC) to Seleucus III Ceraunus (243–223 BC) and were derived from the political events described in Babylonian astronomical diaries. Humorous literature Exemplars of comical texts span the genres of burlesque to satire and include humorous love poems and riddles. “At the cleaners” is a tale of the dispute between an insolent scrubber and his client, a “sophomoric fop” who lectures the cleaner in ridiculous detail on how to launder his clothes, driving the exasperated cleaner to suggest that he lose no time in taking it to the river and doing it himself. The Dialogue of Pessimism was seen as a saturnalia by Böhl, where master and servant switch roles, and as a burlesque by Speiser, where a fatuous master mouthes clichés and a servant echoes him. Lambert considered it a musing of a mercurial adolescent with suicidal tendencies. The Aluzinnu (“trickster,” a jester, clown or buffoon) text, extant in five fragments from the neo-Assyrian period concerns an individual, dābibu, ākil karṣi, “character assassin,” who made a living entertaining others with parodies, mimicry, and scatological songs. The Poor Man of Nippur provides a subversive narrative of the triumph of the underdog over his superior while Ninurta-Pāqidāt's Dog Bite is a school text of a slapstick nature. Laws The earliest Akkadian laws are the “Old Assyrian Laws” relating to the conduct of the commercial court of a trading colony in Anatolia, c. 1900 BC. The Laws of Eshnunna were a collection of sixty laws named for the city of its provenance and dating to around 1770 BC. The Code of Ḫammu-rapi, c. 1750 BC, was the longest of the Mesopotamian legal collections, extending to nearly three hundred individual laws and accompanied by a lengthy prologue and epilogue. The edict of Ammi-Saduqa, c. 1646 BC, was the last issued by one of Ḫammu-rapi’s successors. The Middle Assyrian Laws date to the fourteenth century BC, over a hundred laws are extant from Assur. The Middle Assyrian Palace Decrees, known as the “Harem Edicts,” from the reigns of Aššur-uballiṭ I, c. 1360 BC, to Tukultī-apil-Ešarra I, c. 1076 BC, concern aspects of courtly etiquette and the severe penalties (flagellation, mutilation and execution) for flouting them. The Neo-Babylonian Laws number just fifteen, c. 700 BC, probably from Sippar. Mythology One of the most famous of these was the Epic of Gilgamesh, and arranged upon an astronomical principle. Each division contains the story of a single adventure in the career of Gilgamesh, king of Uruk. The whole story is a composite product, and it is probable that some of the stories are artificially attached to the central figure. Exemplars of omen text appear during the earliest periods of Akkadian literature but come to their maturity early in the first millennium with the formation of canonical versions. Notable among these is the Enuma Anu Enlil (astrological omens), Šumma ālu (terrestrial omens), Šumma izbu (anomalous births), Alamdimmû (physiognomic omens), and Iškar Zaqīqu (dream omens). It is among this genre, also, that the Sakikkū (SA.GIG) “Diagnostic Handbook” belongs. The practice of extispicy, divination through the entrails of animals, was formalized into a science over the millennia by the Babylonians and supporting texts were eventually gathered into a monumental handbook, the Bārûtu, extending over a hundred tablets and divided into ten chapters. Divination, however, extended into other fields with, for example, the old Babylonian libanomancy texts, concerning interpreting portents from incense smoke, being one and Bēl-nadin-šumi's omen text on the flight paths of birds, composed during the reign of Kassite king Meli-Šipak, being another exemplar. Incantations form an important part of this literary heritage, covering a range of rituals from the sacred, Maqlû, "burning" to counter witchcraft, Šurpu, “incineration” to counter curses, Namburbi, to preempt inauspicious omens, Utukkū Lemnūtu (actually bilingual), to exorcise “Evil Demons,” and Bīt rimki, or “bath house,” the purification and substitution ceremony, to the mundane, Šà.zi.ga, “the rising of the heart,” potency spells, and Zu-buru-dabbeda, “to seize the ‘locust tooth’,” a compendium of incantations against field pests. Wisdom and didactic literature A particularly rich genre of Akkadian texts was that represented by the moniker of “wisdom literature,” although there are differences in opinion concerning which works qualify for inclusion. One of the earliest exemplars was the Dialogue between a Man and His God from the late Old Babylonian period. Perhaps the most notable were the Poem of the Righteous Sufferer (Ludlul bēl nēmeqi) and the Babylonian Theodicy. Included in this group are a number of fables or contest literature, in varying states of preservation, such as the Tamarisk and the Palm, the Fable of the Willow, Nisaba and Wheat (kibtu), the Ox and the Horse (Inum Ištar šurbutum, “When exalted Ishtar”), the Fable of the Fox, and the Fable of the Riding-donkey. W. G. Lambert and others include several popular sayings, and proverbs (both bilingual and Babylonian) together with the Lament of a Sufferer with a Prayer to Marduk, Counsels of Wisdom, Counsels of a Pessimist, and Advice to a Prince in this genre. “A Dialogue between Šūpê-amēli and His Father” (Šimâ milka) is a piece of wisdom literature in the manner of a deathbed debate from the Akkadian hinterland. Other genres Besides the purely literary works, there were others of varied nature, including collections of letters, partly official, partly private. Among them the most interesting are the letters of Hammurabi, which have been edited by Leonard William King. List of works The following gives the better-known extant works, excluding lexical and synonym lists. Abnu šikinšuAdad-nārārī I EpicAdad-šuma-uṣur EpicAdapa and EnmerkarAdapa and the South WindAdvice to a PrinceAgushaya HymnAlamdimmûAluzinnu textArdat-liliAsakkū marṣūtuAšipus' Almanac (or Handbook) • At the cleanersAtra-ḫasīsAutobiography of Adad-guppīAutobiography of KurigalzuAutobiography of MardukBabylonian AlmanacBabylonian King ListBabylonian TheodicyBārûtuBirth legend of SargonBīt mēseriBīt rimkiBīt salā’ mêBullussa-rabi’s Hymn to GulaCatalogue of Texts and AuthorsChronicle of Early KingsChronicle of the Market PricesChronicle of reign of ŠulgiChronicle PCode of HammurabiConsecration of a priestCounsels of a PessimistCounsels of WisdomCrimes and Sacrileges of Nabu-šuma-iškunCurse of AkkadCuthean Legend of Naram-SinDialogue between a Man and His GodDialogue of PessimismDingir.šà.dib.baDonkey DisputationDream of KurigalzuDynastic ChronicleDynastic ProphecyDynasty of Dunnum (Harab Myth) • Eclectic ChronicleEdict of Ammi-SaduqaEgalkura spells • Elegies Mourning the Death of TammuzEnlil and SudEnuma Anu EnlilEnûma ElišEpic of AnzuEpic of GilgamešEpic of the Kassite periodEpic of Nabû-kudurrī-uṣurEpic of the plague-god Erra (Erra and Išum) • EtanaFable of the FoxFable of the Riding-donkeyFable of the WillowGirra and ElamatumGreat Prayer to ŠamašGreat Prayer to NabûGreat Revolt Against Naram-SinHarem EdictsHemerology for Nazi-MaruttašHymn to Ištar (“Ištar 2”)Hymn to Ninurta as SaviorHymn to the Queen of NippurḪulbaziziInana's AscentIqqur IpušIškar ZaqīquIštar’s hell rideKalûtu catalogue • KAR 6KataduggûKedor-laomer textsKettledrum ritualsKing of Battle (šar tamḫāri) • Ki'utuLabbu mythLamaštuLament of a Sufferer with a Prayer to MardukLaws of EshnunnaLipšur litaniesLudlul bēl nēmeqiMaqlûMarduk's Address to the DemonsMarduk ProphecyMiddle Assyrian LawsMîs-pîMoon god and the cowMukīl rēš lemuttiMUL.APINMuššu'uNa'id-Šihu EpicNabonidus ChronicleNamburbiNamerimburrudûNeo-Babylonian LawsNergal and EreškigalNew year ritual-Akitu processionNigdimdimmûNinurta-Pāqidāt's Dog BiteNissaba and the WheatOx and the HorsePalm and VinePazuzuPoor Man of NippurProphecy AQutāruRecipes against AntašubbaReligious ChronicleRoyal inscription of Simbar-ŠipakSag-gig-ga-meš (Muruṣ qaqqadi) • SakikkūSalmānu-ašarēdu III EpicSynchronistic HistoryA Syncretistic Hymn to IštarȘēru šikinšuŠammu šikinšuŠar PūḫîŠà.zi.gaSeries of Ox and HorseSeries of the FoxSeries of Ox and HorseSeries of the PoplarSeries of the SpiderŠēp lemuttiStory of the Poor, Forlorn WrenŠu'ilaŠulgi ProphecyŠumma āluŠumma amēlu kašipŠumma immeruŠumma IzbuŠumma liptuŠumma sinništu qaqqada rabâtŠurpuTākultu ritual texts • Tamarisk and PalmTamītu OraclesTašritu hemerologyTukulti-Ninurta EpicTu-ra kìlib-ba • The therapeutic series UGU (Šumma amēlu muḫḫašu umma ukāl) • Uruhulake of GulaUruk King ListUruk ProphecyUšburrudaUtukkū LemnūtuVerse Account of NabonidusVision of the NetherworldWalker ChronicleWeidner ChronicleZimri-Lim EpicZi-pà incantationsZisurrû (Sag-ba Sag-ba) • Zu-buru-dabbeda == See also ==
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