Early career (1969–1972) Bachchan made his film debut in 1969, as a voice narrator in
Mrinal Sen's
National Award–winning film
Bhuvan Shome. His first acting role was as one of the seven protagonists in the film
Saat Hindustani, directed by
Khwaja Ahmad Abbas and featuring
Utpal Dutt,
Anwar Ali (brother of comedian
Mehmood),
Madhu and
Jalal Agha.
Anand (1971) followed, in which Bachchan starred alongside
Rajesh Khanna. His role as a doctor with a cynical view of life garnered Bachchan his first
Filmfare Award for Best Supporting Actor. He then played his first antagonist role as an infatuated lover-turned-murderer in
Parwana (1971). Following
Parwana, he starred in several films, including
Sunil Dutt's
Reshma Aur Shera (1971) where he played a mute character. During this time, he made a guest appearance in the film
Guddi which starred his future wife
Jaya Bhaduri. He narrated part of the film
Bawarchi. In 1972, he made an appearance in the road action comedy
Bombay to Goa directed by
S. Ramanathan which was moderately successful. Many of Bachchan's films during this early period did not do well. His only film with
Mala Sinha,
Sanjog (1972) was also a box office failure.
Rise to prominence (1973–1974) Bachchan was struggling, seen as a "failed newcomer" who, by the age of 30, had only two successes (as a lead in
Bombay to Goa and a supporting role in
Anand). Bachchan was then discovered by screenwriter duo
Salim–Javed, consisting of
Salim Khan and
Javed Akhtar. Salim Khan wrote the story, screenplay and script of
Zanjeer (1973), and conceived the "angry young man" persona of the lead role. Javed Akhtar came on board as co-writer, and
Prakash Mehra, who saw the script as potentially groundbreaking, as the film's director. However, they were struggling to find an actor for the lead "angry young man" role; it was turned down by several actors, owing to it going against the "romantic hero" image dominant in the industry at the time. According to Salim Khan, they "strongly felt that Amitabh was the ideal casting for
Zanjeer". He earned his first
Filmfare Award nomination for
Best Actor, with
Filmfare later considering this one of the most iconic performances in Bollywood history. It was the first of many collaborations between Salim-Javed and Amitabh; the duo wrote many of their subsequent scripts with Bachchan in mind for the lead role, and insisted on him being cast for their later films. The year 1973 was also when he married Jaya, and around this time they appeared in several films together: not only
Zanjeer but also subsequent films such as
Abhimaan, which was released around the same time after their wedding and was also successful at the box office. Later, he played the role of Vikram, once again along with
Rajesh Khanna, in the film
Namak Haraam, a social drama directed by
Hrishikesh Mukherjee and addressing themes of friendship. The film proved to be a superhit and Bachchan won his second
Filmfare Award for Best Supporting Actor for his performance. The flow of successes continued for Bachchan in 1974. He began the year with a guest appearance in
Dulal Guha's blockbuster social drama film
Dost. After this, he starred in Aravind Sen's drama film
Kasauti and
Narendra Bedi's
crime thriller Benaam, both of which ended up as moderate commercial successes. Bachchan's next release was
Manoj Kumar's fourth directional venture
Roti Kapada Aur Makaan. The film opened to excellent response all over the country, eventually taking top spot at the box office that year and emerging an
All Time Blockbuster as well as Bachchan's biggest up to that point of time. Written by Salim-Javed, it also had
Pran and
Parveen Babi in the lead.
Peak years (1975–1988) In 1975, Bachchan starred in a variety of film genres, from the comedy
Chupke Chupke and the crime drama
Faraar to the romantic drama
Mili. This was also the year in which he starred in two films regarded as important in
Hindi cinema history, both written by Salim-Javed, who again insisted on casting Bachchan. Indiatimes ranks
Deewaar among the
Top 25 Must See Bollywood Films. in which Bachchan played the role of Jaidev.
Deewaar and
Sholay are often credited with exalting Bachchan to the heights of superstardom, two years after he became a star with
Zanjeer, and consolidating his domination of the industry throughout the 1970s and 1980s. In 1999,
BBC India declared
Sholay the "Film of the Millennium" and, like
Deewaar, it has been cited by
Indiatimes Movies as among the
Top 25 Must See Bollywood Films. In that same year, the judges of the 50th annual Filmfare Awards awarded it with the special distinction award called the Filmfare Best Film of 50 Years. starrer
Sholay (1975) recorded an estimated 15-18 crore footfalls, making it the highest grossing Indian film in terms of audience attendance to date. In 1976, he was cast by
Yash Chopra in the
romantic musical Kabhi Kabhie. Bachchan starred as a young poet, Amit Malhotra, who falls deeply in love with a beautiful young girl named Pooja (
Rakhee Gulzar) who ends up marrying someone else (
Shashi Kapoor). The film was notable for portraying Bachchan as a romantic hero, a far cry from his "angry young man" roles like
Zanjeer and
Deewaar. Despite its heavy theme,
Kabhi Kabhie went on to become a superhit. Its soundtrack composed by
Khayyam and lyrics written by
Sahir Ludhianvi dominated the year-end annual list of
Binaca Geetmala and was one of the best-selling Hindi film albums of the 1970s. Bachchan was again nominated for the Filmfare Best Actor Award for his role in the film. That same year, he played a double role in another hit
Adalat as father and son. In 1977, he won his first
Filmfare Best Actor Award for his performance in
Amar Akbar Anthony, in which he played the third lead opposite
Vinod Khanna and
Rishi Kapoor as Anthony Gonsalves. The film was the highest-grossing film of that year. His other major hits that year include
Parvarish and
Khoon Pasina. He once again resumed double roles in films such as
Kasme Vaade (1978) as Amit and Shankar and
Don (1978) playing the characters of
Don, a leader of an underworld gang and his look-alike Vijay. His performance won him his second Filmfare Best Actor Award. He also gave towering performances in Yash Chopra's
Trishul and Prakash Mehra's
Muqaddar Ka Sikandar both of which earned him further Filmfare Best Actor nominations. 1978 is arguably considered his most successful year at the box office since all of his six releases in the same year, namely
Muqaddar Ka Sikandar,
Trishul,
Don,
Kasme Vaade,
Ganga Ki Saugandh and
Besharam were box office successes, with the former three being the consecutive highest-grossing films of the year, a rare feat in
Hindi cinema. In 1979, Bachchan starred in
Suhaag which was the highest-earning film of that year. In the same year, he also enjoyed critical acclaim and commercial success with films like
Jurmana,
Mr. Natwarlal and
Kaala Patthar. He was required to use his singing voice for the first time in a song from the film
Mr. Natwarlal in which he starred with
Rekha. Bachchan's performance in the film saw him nominated for both the Filmfare Award for Best Actor and the
Filmfare Award for Best Male Playback Singer. He also received a Best Actor nomination for
Kaala Patthar and then went on to be nominated again in 1980 for the
Raj Khosla directed superhit film
Dostana, in which he starred opposite
Shatrughan Sinha and
Zeenat Aman. His other releases of 1980,
Do Aur Do Paanch and
Shaan underperformed with the latter ending its run with average numbers owing to huge costs, but
Vijay Anand's
Ram Balram alongside Dharmendra was a box office hit. This changed in 1981 with back-to-back huge blockbusters in
Naseeb and
Laawaris, both of which were among the top 5
highest-grossing films of 1981. Bachchan also had two hits,
Yaarana and
Kaalia, and received praise for his performance in Yash Chopra's
romantic drama Silsila, which attracted considerable attention from the media when it was in production due to its casting. Although the film did not do well commercially, it gained cult status in later years and is considered one of Chopra's best works ever. The same year, he made his debut in
Bengali cinema with
Shakti Samanta's action thriller
Anusandhan. Simultaneously shot in Hindi as
Barsaat Ki Ek Raat, the film was a
blockbuster in
West Bengal, running for over 23 weeks. In 1982, he played double roles in the musical
Satte Pe Satta and action
drama Desh Premee which succeeded at the box office along with highly successful ventures like action
comedy Namak Halaal, action
drama Khud-Daar and the critically acclaimed films
Shakti and
Bemisal. On 26 July 1982, while filming a fight scene with co-actor
Puneet Issar for
Coolie, Bachchan had a near-fatal intestinal injury. Bachchan was performing his stunts in the film and one scene required him to fall onto a table and then on the ground. However, as he jumped towards the table, the corner of the table struck his abdomen, resulting in a
splenic rupture from which he lost a significant amount of blood. He required an emergency
splenectomy and remained critically ill in the hospital for many months, at times close to death. There were long queues of well-wishing fans outside the hospital where he was recuperating; the public response included prayers in places of worship and offers to sacrifice limbs to save him. Nevertheless, he resumed filming later that year after a long period of recuperation. The director,
Manmohan Desai, altered the ending of
Coolie: Bachchan's character was originally intended to have been killed off; but, after the change of script, the character lived in the end. Desai felt it would have been inappropriate for the man who had just fended off death in real life to be killed on screen. The footage of the fight scene is frozen at the critical moment, and a caption appears onscreen marking it as the instant of the actor's injury. The film was released in 1983, and partly due to the huge publicity of Bachchan's accident, it emerged an
All Time Blockbuster and top-grossing film of the year. He then played a triple role in
S. Ramanathan's action drama
Mahaan, which proved to be a flop. During a stint in politics from 1984 to 1987, five of his completed films were released, out of which four emerged major successes, these were - Manmohan Desai's
action film
Mard (1985), which proved to be a massive blockbuster, followed by superhits,
Sharaabi (1984) and
Geraftaar (1985) and a hit film
Aakhree Raasta (1986). After his stint in politics ended, Bachchan returned to films in 1988, playing the title role in
Tinnu Anand's
vigilante action film
Shahenshah, which opened to bumper response all over the nation and emerged a huge hit as well as the
second highest-grossing film of the year.
Health issues He was later diagnosed with
Myasthenia gravis. The illness weakened him both mentally and physically. At this time he became pessimistic, expressing concern with how a new film would be received, and stating before every release, "Yeh film to flop hogi!" ("This film will flop").
Career fluctuations, sabbatical, business ventures (1989–1999) After the success of his comeback film however, Bachchan's star power began to wane as his subsequent releases like
Gangaa Jamunaa Saraswati (1988),
Jaadugar,
Toofan and
Main Azaad Hoon (all released in 1989) did not do well commercially. He did gain success during this period with superhits in
K.C. Bokadia's
crime drama film
Aaj Ka Arjun (1990) and
Mukul Anand's
masala film
Hum (1991), but this momentum was short-lived and his string of box office failures continued with
Ajooba,
Indrajeet and
Akayla. Notably, despite a decline in number of hits, it was during this era that Bachchan won his first
National Film Award for Best Actor for his performance as a Mafia don in the
cult film
Agneepath (1990). After the release of Mukul Anand's moderately successful, but critically acclaimed 1992 epic film
Khuda Gawah, Bachchan announced his semi retirement from the film industry. With the exception of the delayed release
Insaniyat (1994), Bachchan did not act for five years. He set up the
Amitabh Bachchan Corporation, Ltd. (ABCL) in 1996. ABCL's strategy was to introduce products and services covering an entire cross-section of India's entertainment industry. ABCL's operations were mainstream commercial film production and distribution, audio cassettes and video discs, production and marketing of television software, and celebrity and event management. Soon after the company was launched in 1996, the first film it produced was
Tere Mere Sapne, which was a box office hit and launched the careers of actors like
Arshad Warsi and southern film star
Simran. In 1997, Bachchan attempted to make his acting comeback with the film
Mrityudata, produced by ABCL. Though
Mrityudaata attempted to reprise Bachchan's earlier success as an action hero, the film was a failure both financially and critically. ABCL was the main sponsor of the
1996 Miss World Beauty Pageant, which was held in
Bangalore, but lost millions. The fiasco and the consequent legal battles surrounding ABCL and various entities after the event, coupled with the fact that ABCL was reported to have overpaid most of its top-level managers, eventually led to its financial and operational collapse in 1997. The company went into administration and was later declared a failed company by the Indian Industries board. The Bombay High Court, in April 1999, restrained Bachchan from selling off his Bombay
bungalow 'Prateeksha' and two flats until the pending loan recovery cases of
Canara Bank were disposed of. Bachchan had, however, pleaded that he had mortgaged his bungalow to raise funds for his company. He appeared in
Bade Miyan Chote Miyan (1998) and
Major Saab (1998), and received positive reviews for
Sooryavansham (1999). However, films such as
Lal Baadshah (1999) and
Kohram (1999) were box office failures.
Return to success (2000–present) In 2000, when he was deeply in debt after a period of financial failure, Bachchan went to visit
Yash Chopra (whom he had previously worked with on a number of films including
Deewaar, Trishul, and
Kaala Patthar) and said, "Look, I don't have a job, nobody is giving me work anymore, my movies aren't working, and I've come to ask you to please give me a film to work in." Chopra immediately offered him a role in
Aditya Chopra's
Mohabbatein, a role which would reboot Bachchan's career, and lead to his third
Filmfare Award for Best Supporting Actor. It also marked his first appearance with
Shahrukh Khan. Bachchan then went on to then work in a number of films including
Ek Rishtaa: The Bond of Love (2001),
Kabhi Khushi Kabhie Gham (2001) and
Baghban (2003). As an actor, he continued to perform in a range of characters, receiving critical praise for his performances in
Aks (2001),
Aankhen (2002),
Kaante (2002),
Khakee (2004),
Dev (2004) and
Veer-Zaara (2004). His performance in
Aks won him his first
Filmfare Critics Award for Best Actor. One project that did particularly well for Bachchan was
Sanjay Leela Bhansali's
Black (2005). The film starred Bachchan as an ageing teacher of a deaf-blind girl and followed their relationship. His performance was unanimously praised by critics and audiences and won him his second National Film Award for Best Actor, his fourth
Filmfare Best Actor Award, and his second Filmfare Critics Award for Best Actor. Taking advantage of this resurgence, Amitabh began endorsing a variety of products and services, appearing in many television and billboard advertisements. In 2005 and 2006, he starred with his son Abhishek in the films
Bunty Aur Babli (2005), the
Godfather adaptation
Sarkar (2005), and
Kabhi Alvida Naa Kehna (2006). All of them were successful at the box office. His later releases in 2006 and early 2007 were
Baabul (2006),
Ekalavya (2007) and
Nishabd (2007), which failed to do well at the box office but his performances in each of them were praised by critics. In May 2007, two of his films, the romantic comedy
Cheeni Kum and the multi-starrer action drama
Shootout at Lokhandwala, were released.
Shootout at Lokhandwala did well at the box office and was declared a hit in India, while
Cheeni Kum picked up after a slow start and was declared a semi-hit by the end of its theatrical run. A remake of his biggest hit,
Sholay (1975), entitled
Ram Gopal Varma Ki Aag, released in August of that same year and proved to be a major commercial failure in addition to its poor critical reception. Bachchan was slated to play a supporting role in his first international film,
Shantaram, directed by
Mira Nair and starring Hollywood actor
Johnny Depp in the lead. The film was due to begin filming in February 2008 but due to the writer's strike, was pushed to September 2008. The film is currently "shelved" indefinitely. in the premiere of
Paa. Bachchan received his third
National Film Award for Best Actor at the
57th National Film Awards for his performance and his fifth
Filmfare Award for Best Actor for Paa.
Vivek Sharma's
Bhoothnath, in which he plays the title role as a ghost, was released on 9 May 2008.
Sarkar Raj, the sequel of the 2005 film
Sarkar, released in June 2008 and received a positive response at the box office.
Paa, which was released at the end of 2009 was a highly anticipated project as it saw him playing his own son Abhishek's
Progeria-affected 13-year-old son, and it opened to favourable reviews, particularly towards Bachchan's performance and was one of the top-grossing films of 2009. It won him his third National Film Award for Best Actor and fifth Filmfare Best Actor Award. In 2010, he debuted in
Malayalam film through
Kandahar, directed by
Major Ravi and co-starring
Mohanlal. The film was based on the hijacking incident of the
Indian Airlines Flight 814. Bachchan declined any remuneration for this film. In 2011 he played an aged retired former gangster in
Bbuddah... Hoga Terra Baap who protects his son
Sonu Sood who is an honest daring police officer from a notorious gangster
Prakash Raj who unknowingly hired the latter to perform a contract killing not knowing that the police officer is the gangster's son. Despite significant expectations, it had poor returns at the box office. In 2013, he made his Hollywood debut in
The Great Gatsby making a special appearance opposite
Leonardo DiCaprio and
Tobey Maguire. In 2014, he played the role of the friendly ghost in the sequel
Bhoothnath Returns. The next year, he played the role of a grumpy father experiencing chronic constipation in the critically acclaimed
Piku which was also one of the biggest hits of 2015. A review in
Daily News and Analysis (DNA) summarised Bachchan's performance as "The heart and soul of Piku clearly belong to Amitabh Bachchan who is in his elements. His performance in Piku, without doubt, finds a place among the top 10 in his illustrious career." Rachel Saltz wrote for
The New York Times, "Piku", an offbeat Hindi comedy, would have you contemplate the intestines and mortality of one Bhashkor Banerji and the actor who plays him, Amitabh Bachchan. Bhashkor's life and conversation may revolve around his constipation and fussy hypochondria, but there's no mistaking the scene-stealing energy that Mr. Bachchan, India's erstwhile Angry Young Man, musters for his new role of Cranky Old Man." Well known Indian critic Rajeev Masand wrote on his website, "Bachchan is pretty terrific as Bhashkor, who reminds you of that oddball uncle that you nevertheless have a soft spot for. He bickers with the maids, harrows his hapless helper, and expects Piku to stay unmarried so she can attend to him. At one point, to ward off a possible suitor, he casually mentions that his daughter isn't a virgin; that she's financially independent and sexually independent too. Bachchan embraces the character's many
idiosyncrasies, never once slipping into caricature while all along delivering big laughs thanks to his spot-on comic timing."
The Guardian summed up, "Bachchan seizes upon his cranky character part, making Bashkor as garrulously funny in his theories on caste and marriage as his system is backed-up." The performance won Bachchan his fourth National Film Award for Best Actor and his third Filmfare Critics Award for Best Actor. |258x258px|leftIn 2016, he appeared in the women-centric courtroom drama film
Pink which was highly praised by critics and with an increasingly good word of mouth, was a resounding success at the domestic and overseas box office. Bachchan's performance in the film received acclaim. According to Raja Sen of Rediff.com, "Amitabh Bachchan, a retired lawyer with bipolar disorder, takes up cudgels on behalf of the girls, delivering courtroom blows with pugilistic grace. As we know from Prakash Mehra movies, in each life some Bachchan must fall. The girls hang on to him with incredulous desperation, and he bats for them with all he has. At one point Meenal hangs by Bachchan's elbow, words entirely unnecessary. Bachchan towers through Pink – the way he bellows "et cetera" is alone worth having the heavy-hitter at play—but there are softer moments like one where he appears to have dozed off in court, or where he lays his head by his convalescent wife's bedside and needs his hair ruffled and his conviction validated." Writing for
Hindustan Times, noted film critic and author
Anupama Chopra said of Bachchan's performance, "A special salute to Amitabh Bachchan, who imbues his character with a tragic majesty. Bachchan towers in every sense, but without a hint of showboating. Writing for
NDTV, Troy Ribeiro of
Indo-Asian News Service (IANS) stated, "Amitabh Bachchan as Deepak Sehgall, the aged defence lawyer, shines as always, in a restrained, but powerful performance. His histrionics come primarily in the form of his well-modulated baritone, conveying his emotions and of course, from the well-written lines." Mike McCahill of
The Guardian remarked, "Among an electric ensemble, Taapsee Pannu, Kirti Kulhari and Andrea Tariang give unwavering voice to the girls' struggles; Amitabh Bachchan brings his moral authority to bear as their sole legal ally. In 2017, he appeared in the third instalment of the
Sarkar film series:
Ram Gopal Varma's
Sarkar 3. That year, he started filming for the swashbuckling action-adventure film
Thugs of Hindostan with
Aamir Khan,
Katrina Kaif and
Fatima Sana Shaikh which released in November 2018. He co-starred with Rishi Kapoor in
102 Not Out, a
comedy drama film directed by
Umesh Shukla based on a
Gujarati play of the same name written by
Saumya Joshi. This film released in May 2018 and reunited him with Kapoor onscreen after a gap of 27 years. In 2019, Bachchan appeared in
Sujoy Ghosh's
mystery thriller Badla. The film did a lifetime business of worldwide to emerge a box office hit. The following year, he co-starred alongside
Ayushmann Khurana in
Shoojit Sircar's
comedy drama Gulabo Sitabo, which won him
Filmfare Award for Best Actor (Critics). He then collaborated with
Emraan Hashmi for
Chehre (2021), a critical and commercial failure. The next year, Bachchan had five releases, out of which
Ayan Mukerji's highly anticipated
fantasy action-adventure film
Brahmāstra: Part One – Shiva proved to be a hit as well as the
highest-grossing Hindi film of 2022 while
Jhund,
Runway 34 and
Uunchai did not do well at the box office, but met with critical acclaim. In 2024, he played
Ashwatthama in
Nag Ashwin's
Kalki 2898 AD, marking his
Telugu debut. Made on a budget of , it opened to positive reception with Bachchan receiving immense praise for his performance. At the box office, it grossed more than to emerge a superhit as well as the
second highest-grossing Indian film of 2024. == Other works ==