Downey initially made his mark creating very low-budget independent films aligning with the
absurdist movement, in line with
counterculture,
anti-establishment, 1960s America. His work in the late 1960s and 1970s was quintessential anti-establishment, reflecting the nonconformity popularized by larger counterculture movements and given impetus by new freedoms in films, such as the breakdown of
film censorship codes. In keeping with the underground tradition, his 1970s films were independently made on shoestring budgets and were relatively obscure in the Absurdist movement, finding cult notoriety. In 1961, working with film editor
Fred von Bernewitz, Downey began writing and directing low-budget
16mm films that gained an
underground following, beginning with ''Ball's Bluff
(1961), a fantasy short about a Civil War soldier who awakens in Central Park in 1961. He moved into big-budget filmmaking with the surrealistic Greaser's Palace (1972). His last film was Rittenhouse Square'' (2005), a documentary capturing life in a Philadelphia park. Downey's films were often family affairs. His first wife appears in four of his films (
Chafed Elbows,
Pound, ''
Greaser's Palace, Moment to Moment), as well as co-writing one (Moment to Moment
). Daughter Allyson and son Robert Downey Jr. each made their film debuts in the 1970 absurdist comedy Pound
at the ages of 7 and 5, respectively; Allyson would appear in one more film by her father, Up the Academy''. Robert Jr.'s lengthy acting résumé includes appearances in eight films directed by his father (
Pound, ''
Greaser's Palace, Moment to Moment
, Up the Academy, America
, Rented Lips, Too Much Sun, Hugo Pool), as well as two acting appearances in movies where his father was also an actor (Johnny Be Good, Hail Caesar). and a film set to be executive produced by Paul Thomas Anderson in the 2000s, Forest Hills Bob''. ==Personal life and death==