, commissioned right after his death in 1405–1409, by his grandson
Khalil Sultan. Although the Timurids hailed from the
Barlas tribe, which was of Turkicized Mongol origin, they converted to Islam, and resided in
Turkestan and
Khorasan. Thus, the Timurid era had a dual character, The major language of the period, however, was
Persian, the native language of the
Tājīk (Persian) component of society and the language of learning acquired by all literate or urban people. Timur was already steeped in Persian culture and in most of the territories he incorporated, Persian was the primary language of administration and literary culture. Thus the language of the settled "
diwan" was Persian, and its scribes had to be thoroughly adept in Persian culture, whatever their ethnic origin. Persian became the official state language of the Timurid Empire and served as the language of administration, history, belles lettres, and poetry. The Chaghatay language was the native and "home language" of the Timurid family, while Arabic served as the language
par excellence of science, philosophy, theology and the religious sciences.
Literature Persian (right) makes a triumphal entrance in Samarkand in September 1394, after Timur names him Governor of the city,
Zafarnama (1436) Persian literature, especially Persian poetry, occupied a central place in the process of assimilation of the Timurid elite to the Perso-Islamic courtly culture. The Timurid sultans, especially
Shāh Rukh Mīrzā and his son
Mohammad Taragai Oloğ Beg, patronized Persian culture. Among the most important literary works of the Timurid era is the Persian biography of
Timur, known as
Zafarnāmeh (), written by
Sharaf al-Din Ali Yazdi, which itself is based on an older
Zafarnāmeh by
Nizam al-Din Shami, the official biographer of Timur during his lifetime. The most famous poet of the Timurid era was
Nūr ud-Dīn Jāmī, the last great medieval
Sufi mystic of Persia and one of the greatest figures in
Persian poetry. Hearing of the Persian culture of the Timurid empire, the Ottoman sultan Mehmed II encouraged those under his patronage to engage with the models provided by Persian cultural centers like Shiraz and Tabriz, and in particular by the Timurid court of
Sultan Husayn Bayqara (r. 1469–1506) in Herat. Mehmed II was determined to foster the creation of a new language and literary-artistic culture for his burgeoning court in Istanbul. In addition, some of the
astronomical works of the Timurid sultan
Ulugh Beg were written in Persian, although the bulk of it was published in Arabic. The Timurid prince
Baysunghur also commissioned a new edition of the Persian national epic
Shāhnāmeh, known as
Shāhnāmeh of Baysunghur, and wrote an introduction to it. The Persian poet 'Ismat Allah Bukhari taught poetry to
Khalil Sultan, grandson of Timur. According to T. Lenz: '', depicting
Sultan Husayn Bayqara and his court. Herat, c. 1488 Following the publication of
Mukhtar al-Ikhtiyar, a legal manual that was used until the twentieth century, by the head magistrate of Bayqara in Herat, Persian was used as a language of jurisprudence (
fiqh) under the late Timurids. During the reign of sultan Husayn Bayqara, the ''Irshad al-zira'a
, a Persian agricultural treatise, was written by Qasim b. Yusuf Abu Nasiri. Based on in-depth, first-hand conversations with farmers, the Irshad al-zira'a'', covered the agricultural development of Herat and included minor architectural suggestions for gardens.
Chagatai was commissioned by
Shahrukh and composed in 1436 in
Chaghatai Turkic using the
Uighur script, c.1436 in Herat. The multi-headed deity is inspired from the Chinese Buddhist
Avalokitesvara. The Timurids also played a very important role in the history of
Turkic literature. Based on the established Persian literary tradition, a national Turkic literature was developed in the
Chagatai language. Chagatai poets such as
Mīr Alī Sher Nawā'ī,
Sultan Husayn Bāyqarā, and
Zāhiruddīn Bābur encouraged other Turkic-speaking poets to write in their own vernacular in addition to Arabic and Persian. as well as Mīr Alī Sher Nawā'ī's Chagatai poetry are among the best-known Turkic literary works and have influenced many others. Despite being spread throughout Central and South Asia, Chaghatai Turkic remained the junior partner to Persian, and was not promoted systemically in the Timurid Empire to replace Persian. Chaghatai texts were found at Sultan Husayn Bayqara's court, but the Timurid chancery and court continued to use Persian. Although the body of Turkic literature produced in Central Asia increased during the Timurid era of the fifteenth century—partially as a result of Mir 'Ali Shir Nawa'i's independent efforts toward the end of the Timurid century—it was still dwarfed by the Persian literary output that the Timurid elite supported. There are no surviving Turkic historical work from the Timurids, although two Turkic histories seem to have been written during the Timurid period before the flowering of the Timurid historiography in Persian.
Art '' mosaic.
Ulugh Beg Madrasa,
Samarkand, 1417-1421 The golden age of Persian painting began during the reign of the Timurids. During this period – and analogous to the developments in
Safavid Iran –
Chinese art and artists had a significant influence on Persian art. The Mongol ethnicity of the
Chaghatayid and Timurid
khans was the source of the stylistic depiction of
Persian art during the Middle Ages. These same Mongols intermarried with the Persians and Turks of Central Asia, even adopting their religion and languages. Yet their simple control of the world at that time, particularly in the 13th–15th centuries, reflected itself in the idealised appearance of Persians as Mongols. Though the ethnic make-up gradually blended into the
Iranian and
Mesopotamian local populations, the Mongol stylism continued well after and crossed into
Asia Minor and even
North Africa. File:Frise architecturale à inscription coranique - Arts de l'Islam Rennes 20220320.jpg|Timurid deocrative element, Central Asia or Iran, 1375–1400 File:Fragmentary tombstone in the shape of a mihrab - Uzbekistan, Samarkand - 14th century - Louvre - OA 4080.jpg|Fragmentary tombstone in the shape of a
mihrab.
Samarkand, 1385–1400.
Louvre Museum OA 4080. File:Timurid Anthology Zhertva.jpg|The Angel Hinders the Offering of Isaac.
Anthology of Sultan Iskandar,
Shiraz 1410.
Architecture at the
Registan in Samarkand (1417–1420). The two other buildings of the Registan date from the
Khanate of Bukhara in the 17th century.
Timurid architecture elaborated on the existing tradition of
Iranian and
Central Asian architecture that had grown up to the preceding
Ilkhanid period. The Timurid style is distinguished by large-scale buildings, layouts with strong
axial symmetry, prominent double-shelled domes in
bulbous form, rich exterior
tile decoration (in both tile
mosaic and ''
banna'i'' techniques), and sophisticated interior
vaulting. Timur used various tools for legitimisation, including urban planning in his capital, Samarkand. One of the earliest surviving Timurid monuments is the
Mausoleum of Khoja Ahmed Yasawi in present-day
Kazakhstan (1389–1399). File:Gur-I Amir - Tomb of the King.jpg|
Gur-e Amir, "Tomb of the King": Timur's tomb in Samarkand File:SamarkandBibiKhanym.jpg|Façade of the
Bibi Khanum Mosque in Samarkand File:نمای کلی میل اخنگان (cropped).jpg|Akhangan Tower, the tomb of
Gawhar Shad's sister Gowhartāj, in
Akhangan (northeastern Iran) ==Military==