The various Batak cultures differ in their pre-colonial religious ideas as they do in many other aspects of culture. Information about the old religious ideas of the
Mandailing and Angkola in southern Batakland is incomplete, and very little is known about the religion of the
Pakpak and
Simalungun Batak. For the
Toba and
Karo on the other hand the evidence in the writings of missionaries and colonial administrators is relatively abundant. Information on the traditional forms of Batak religion is derived mainly from the writings of
German and Dutch missionaries who became increasingly concerned with Batak beliefs towards the end of the 19th century. Various influences affected the Batak through their contact with Tamil and
Javanese traders and settlers in southern Batakland, and the east and west coast near Barus and
Tapanuli, in particular the large
Padang Lawas temple complex in Tapanuli. These contacts took place many centuries ago and it is impossible to reconstruct just how far the religious ideas of these foreigners were adopted and reworked by the Batak. It is suggested that the Batak adopted aspects of these religions, specifically
Mahayana Buddhist,
Shaivist, and
Tantrist practices The modern Indonesian state is founded on the principles of
pancasila, which requires the belief in 'one and only God', the practice of either Protestantism, Catholicism, Islam, Buddhism or Hinduism, one of which must be entered on an individual's
KTP. Traditional religions are not officially recognised, and accordingly traditional religions are increasingly marginalised, although aspects of the traditional Batak religion are still practised alongside Christianity.
Creation myths There are many different versions in circulation. These were formerly passed down through oral tradition but have now been written down in the local languages. There are also large collections of Batak tales collected by European scholars since the mid-19th century and recorded in European languages, mostly Dutch. At the beginning of time there was only the sky with a great sea beneath it. In the sky lived the gods and the sea was the home of a mighty underworld
dragon Naga Padoha. The earth did not yet exist and human beings, too, were as yet unknown. All the surviving
myths record that at the beginning of creation stands the god
Mula Jadi Na Bolon. His origin remains uncertain. A rough translation of the name is the "beginning of becoming". The creation of everything that exists can be traced back to him.
Mula Jadi lives in the upper world which is usually thought of as divided into seven levels. His three sons,
Batara Guru,
Mangalabulan and
Soripada were born from eggs laid by a hen fertilized by
Mula Jadi. Two swallows act as messengers and helpers to
Mula Jadi in his act of creation. Their functions vary in the different versions.
Mula Jadi begets three daughters whom he gives as wives for his three sons. Mankind is the result of the union of the three couples. Besides the three sons of
Mula Jadi there is another god,
Asiasi, whose place and function in the world of the gods remains largely unclear. There is some evidence that
Asiasi can be seen as the balance and unity of the trinity of gods. The ruler of the underworld, i. e. the primeval sea, is the serpent-dragon
Naga Padoha. He too existed before the beginning and seems to be the opponent of
Mula Jadi. As ruler of the underworld
Naga Padoha also has an important function in the creation of the earth. What all the six gods so far mentioned have in common is that they play a minor role in ritual. They do not receive any sacrificial offerings from the faithful and no places of
sacrifice are built for them. They are merely called on in prayers for help and assistance. The origin of the earth and of mankind is connected mainly with the daughter of
Batara Guru,
Sideak Parujar, who is the actual creator of the earth. She flees from her intended husband, the lizard-shaped son of
Mangalabulan, and lets herself down on a spun thread from the sky to the middle world which at that time was still just a watery waste. She refuses to go back but feels very unhappy. Out of compassion
Mula Jadi sends his granddaughter a handful of earth so that she can find somewhere to live.
Sideak Parudjar was ordered to spread out this earth and thus the earth became broad and long. But the goddess was not able to enjoy her rest for long. The earth had been spread out on the head of
Naga Padoha, the dragon of the underworld who lived in the water. He groaned under the weight and attempted to get rid of it by rolling around. The earth was softened by water and threatened to be utterly destroyed. With the help of
Mula Jadi and by her own cunning
Sideak Parudjar was able to overcome the dragon. She thrust a sword into the body of
Naga Padoha up to the hilt and laid him in an iron block. Whenever
Naga Padoha twists in the fetters an earthquake occurs. After the lizard-shaped son of
Mangalabulan, the husband the gods intended for her, had taken another name and another form,
Sideak Parujar marries him.
Sideak Parujar becomes the mother of twins of different sexes. When the two have grown up their divine parents return to the upper world leaving the couple behind on the earth. Mankind is the result of their
incestuous union. The couple settle on Pusuk Buhit, a volcano on the western shore of
Lake Toba, and found the village of Si Anjur Mulamula. The mythological ancestor of the Batak,
Si Raja Batak is one of their grandchildren.
The tendi cult Batak calendar. In the religious world of the Toba and Karo Batak the gods and the creation of mankind are far less significant than the complex concepts connected with the
tendi (Karo) or
tondi (Toba) and the
begu. Probably the most useful translations of these terms are "life-soul" and "death-soul". A person receives his "life-soul" (
tendi) from
Mula Jadi Na Bolon before he is born. The
destiny of the individual
tendi is decided by the
tendi itself before birth. Various myths are woven around manner in which the
tendi choose their destiny from
Mula Jadi. Warneck, a missionary and for a long time superintendent (
ephorus) of the Batak Church, recorded two particularly expressive myths in his major work on Batak religion. What is significant is that the
tendi themselves are responsible for their destiny: :"
Mula Jadi presents him with all kinds of things to choose from. If the
tendi asks for ripe eggs, then the person whom he animates will be a poor fellow; if he asks for flowers, then he will live only a short time; if he asks for a hen, the person will be restless; rags indicate poverty; an old mat, lack of fame; a gold piece, wealth; plate, spear, medicine pot indicate that he will become a great chief or understand magic arts." :"With
Mula Jadi in the upper world is a mighty tree called
Djambubarus.
Mula Jadi has written on all its leaves. On one leaf is written 'many children', on others 'wealth' or 'respect' and so on. 'Contemptible life', 'poverty', 'wretchedness' are also written on the leaves. All the possible different fates of the person are entered on the leaves. Every
tendi that wishes to descend to the middle world must first ask
Mula Jadi for one of the leaves. Whatever is written on the leaf chosen by him will be his destiny in the middle world." Among the Karo and the Toba there are sometimes widely diverging versions of where the
tendi dwells and how many
tendi there are. According to the Toba a person has seven
tendi. The second
tendi is found in the
placenta and
amniotic fluid of the new-born baby, and accordingly the afterbirth is given special attention after the birth of a child. It is usually buried under the house, is called
saudara (brother) and is regarded as the person's guardian spirit. Similar ideas about the afterbirth are also found among the Karo, who also bury the placenta and amniotic fluid under the house and regard them as two guardian spirits (
kaka and
agi) who always remain close to the person. All Batak regard the loss of
tendi as signifying a great danger for "body and soul".
Tendi can be separated from their owners through inattentiveness, or as a result of black magic by a
datu with evil intentions. In other words, the
tendi is not tied to the body; it can also live for a time outside the body. The final loss of the
tendi inevitably results in death. There are a variety of ideas about where exactly in the body the
tendi dwells. It is present to a particularly high degree in certain parts of the body, especially the blood, the liver, the head and the heart. Sweat too is described as rich in
tendi. It is believed that illnesses are connected with the absence of
tendi, and the bringing back of the
tendi is a main method of healing. The Karo, for instance, have gifts, called
upah tendi (
upah = wage, payment, gift), which they give to their
tendi so that their
tendi stay with them. These gifts may consist of a knife, a gong, a particular piece of clothing, a water buffalo or a small holy place. The gifts are carefully cared for in order to keep the
tendi satisfied.
Tendi love the sound of the
surdam (a bamboo flute). If a
tendi has abandoned the body of a patient, the playing of the
surdam in the
raleng tendi ritual can contribute to the
tendi returning to the body of the sick person. It must be emphasized that only the
datuk are in a position to interpret and influence people's
tendi correctly. If their endeavors are unsuccessful, then clearly the
tendi has chosen another destiny for itself.
Death cult . At death the
tendi leaves the human body through the
fontanelle and the "death-soul" (
begu) is set free. It is thought that the
tendi vanishes and after the death of any human being only the
begu continues to exist. The Batak believe that the
begu continue to live near their previous dwelling (in a village of the dead which is thought to be situated not far from the cemetery) and that they may contact their descendants. Bad dreams, particular misfortune and such like may be signs that the
begu of an ancestor is not satisfied with the behavior of its descendants. Any individual can attempt to pacify an enraged
begu by means of food and drink offerings and prayers. If this does not work, a
datu or a
guru must be called in. The
begu are not immortal, since death also rules in the land of the dead: a
begu dies seven times before it is changed into a straw and finally becomes earth. The Batak believe that three categories of
begu exist. The
bicara guru are the
begu of stillborn babies or of babies who have died before teething. It is possible to turn
bicara guru into guardian spirits if misfortune has befallen the family of the child shortly after its death. With the help of a
guru sibaso, the
bicara guru can be made the family's guardian spirit for which a shrine is provided and to which sacrifices are regularly made. Once a year the
bicara guru is accorded a special feast, preceded by ritual hair washing. The
begu of members of the family who have had a sudden death (
mate sada-uari) can also act as guardian spirits for the family. They include the victims of accidents, suicides, murder victims, or people struck by lightning. A shrine is built where they are venerated and where sacrifices are made. A third category consists of the
begu of dead virgins (
tungkup). Their graves, called
bata-bata or
ingan tungkup, are maintained for a long time by their relatives.
Burial traditions Batak
burial traditions are very rich and complex. Immediately after death various ritual actions are performed to make the
begu understand that from now on its world is separate from that of its kin. Symbolically this is done by reversing the mat on which the corpse is laid out so that the body lies with its head at the foot of the mat. Thumbs and toes respectively are tied together and the body is rubbed all over with
camphor and its orifices stopped with
camphor, then it is wrapped in a white cotton cloth. During this
perumah begu ceremony a
guru sibaso declares to the
begu of the deceased that it is definitely dead and must take leave of its relatives. Wealthier families have their coffins (Karo:
pelangkah) made of the wood of the
kemiri tree (
Aleurites moluccanus), carved in the shape of a boat, its bow decorated with the carved head of a
hornbill, or a horse, or a
mythical beast known as a
singa. The lid is then sealed with
resin and the coffin may be placed in a special location near the family's house until a reburial ceremony can take place. Families that are not wealthy use simple wooden coffins or wrap the body in a straw mat. The corpse is carried a few times round the house, usually by women, and then to the
cemetery with musical accompaniment from the
gondang orchestra and the continual firing of guns. At any crossroads the corpse is put down and eleven people go around it four times to confuse the
begu. It is hoped that the
begu will then be unable to find its way back to the village. When the funeral procession arrives at the cemetery the grave is dug and the corpse laid in it, flat on its back. Care is taken that the head lies towards the village so that, in the unexpected event that the body should get up, he or she will not be looking in the direction of the village. The bodies of
datuk and those who have died from lightning are buried sitting up with their hands tied together. The palms of the hand are tied together and
betel placed between them.
Reburial , Lake Toba, December 1984. The burial tradition includes a reburial ceremony in which the bones of one's ancestors are reinterred several years after death. This secondary burial is known among the Toba Batak as
mangongkal holi, among the Karo as
nurun-nurun. In a ceremony lasting several days the bones of a particularly honored ancestor and those of his descendants are exhumed, cleaned, mourned and finally laid to rest again in a bone house known as a
tugu or
tambak: :"On the morning of the first day of the festival the graves in the cemetery are opened and the bones of the ancestors that are still there are removed. The unearthing of the skulls is presented as especially moving. The bones are collected in baskets lined with white cloth and then ritually cleaned by the women using the juice of various
citrus fruits. The exhumation and cleaning of the bones is accompanied by the singing of laments. The bones are kept in the baskets in the
tugu until the next morning, when the remains are wrapped in traditional cloths (
ulos) and transferred from the baskets to small wooden coffins. After long speeches and a communal prayer the coffins are nailed down and placed in the chambers of the
tugu. A feast consisting of meat and rice follows and traditional dances are performed." In ancient times these
sarcophagi were carved from stone or constructed from wood and later brick. Nowadays they are made of cement or concrete. Large and very ornate
tugu can be seen around Lake Toba and on the island of
Samosir. One motive for the reburial ceremony appears to be to raise the status of the
begu of the deceased. Traditional Batak beliefs hold that the dead occupy a hierarchical status similar to the social position they held in life. This means that a rich and powerful individual remains influential after death, and this status can be elevated if the family holds a reburial ceremony. A rich descendant can advance a
begu to the status of a
sumangot by means of a great ceremony and a
horja feast which can last up to seven days. In antiquity a vast number of pigs, cattle or even buffalo were slaughtered at such festivals, and the
gondang orchestra provided an accompaniment. The next level up from the
sumangot is the
sombaon, who are the spirits of important ancestors who lived ten to twelve generations ago. To raise a
sumangot to a
sombaon requires another great festival, a
santi rea, often lasting several months, during which the inhabitants of the whole district come together. These powerful ancestor spirits offer protection and good fortune to their descendants, but the ceremony also serves to establish new
kinship groups descended from the ancestor thus honored.
Traditional Batak medicine in 1984. She is consulting a paperback edition of the
New Testament in lieu of a
pustaha. On the shelf are components of herbal remedies. In front of her is a
kaffir lime in a bowl of water, a form of divination used to locate lost items or people. In traditional Batak society
datuk (animist priests) as well as
gurus practiced
traditional medicine, although the former were exclusively male. Both professions were attributed with supernatural powers and the ability to predict the future. Treatments and healing rituals bear some resemblance to those practiced by
dukuns in other parts of Indonesia. Following the Christianization of the Toba and Karo Batak in the late 19th century, missionaries discouraged traditional healing and divination and they became largely
clandestine activities. Both
datu and
guru healers also practiced
divination by consulting a
pustaha, a handwritten book made of wood and bark in which were inscribed recipes for healing remedies, incantations and songs, predictive calendars, and other notes on magic, healing and divination written in
poda, an archaic
Batak shorthand. According to Winkler, there were three categories of
Pustaha based on the purpose of their usage: :1.
Protective Magic, which includes diagnosis, therapy, medicinal mixes which have magical properties, such as
amulets,
parmanisan (love charms), etc. :2.
Destructive Magic, which encompasses the art of making poison, the art of controlling or utilizing the power of certain spirits, calling the
pangulubalang, and the art of making
dorma (magical formulas for causing a person to fall in love). :3.
Divination, which involves
oracles (words of the gods), the wishes of the spirits, commands from the gods and from the spirits of the ancestors, and an
almanac or calendrical system (
porhalaan), and
astrology to determine auspicious days and months to accomplish certain actions or goals. The
datu or
guru consulted the
pustaha when presented with a difficult problem, and in time this became in itself a ritual. When missionaries began to discourage traditional healing and
augury the
Bible may have been adopted by some
gurus in place of the
pustaha. Traditional healers are not powerful enough to cure illness due to the loss of a person's
tendi (this falls under the jurisdiction of the
datuk); however, they do play a role in communicating with
begu and influencing their behavior. ==Religions==