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Bhima

Bhima, also known as Bhimasena, is a hero and one of the most prominent characters in the Hindu epic Mahabharata. As the second of the five Pandava brothers, Bhima was born to Kunti—the wife of King Pandu—fathered by Vayu, the wind god, which bestowed upon him superhuman strength from birth. His rivalry with the Kauravas, especially Duryodhana, defined much of his life, with this tension ultimately erupting in the Kurukshetra War, where Bhima killed all hundred Kaurava brothers.

Etymology and epithets
The word Bhīma in Sanskrit means "terrifying," "formidable," or "fearsome," describing someone who inspires awe or fear through their sheer strength or power. In the Mahabharata, Bhima is renowned for his vast size, immense physical strength and fierce nature. In the Mahabharata, Bhima is referred to by several synonyms, including: • Vṛkodara — 'wolf bellied', referring to his large appetite • Anilātmaja, Mārutātmaja, Māruti, Pavanātmaja, Prabhañjanasuta, Samīraṇasuta, Vāyuputra, Vāyusuta — all meaning 'son of the wind god' • Kaunteya, Pārtha — meaning 'son of Pritha or Kunti' • Arjunāgraja, Arjunapūrvaja — 'elder brother of Arjuna' • Acyutānuja — younger brother of AchyutaVallava — 'cook' • Pāṇḍava — 'a descendant of Pandu' • Bhīmadhanvā — 'having a formidable bow' • Jaya — 'victory' • Kaurava — 'a descendant of Kuru', though this term is more prominently used for his cousins—the sons of DhritarashtraKuśaśārdūla — 'fierce like a tiger' • Rākṣasakaṇṭaka — 'one who is a torment to the demons' ==Literary background==
Literary background
Bhima is a significant character in the Mahabharata, one of the Sanskrit epics from the Indian subcontinent. It mainly narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandavas. The work is written in Classical Sanskrit and is a composite work of revisions, editing and interpolations over many centuries. The oldest parts in the surviving version of the text may date to near 400 BCE. The Mahabharata manuscripts exist in numerous versions, wherein the specifics and details of major characters and episodes vary, often significantly. Except for the sections containing the Bhagavad Gita which is remarkably consistent between the numerous manuscripts, the rest of the epic exists in many versions. The differences between the Northern and Southern recensions are particularly significant, with the Southern manuscripts more profuse and longer. Scholars have attempted to construct a critical edition, relying mostly on a study of the "Bombay" edition, the "Poona" edition, the "Calcutta" edition and the "south Indian" editions of the manuscripts. The most accepted version is one prepared by scholars led by Vishnu Sukthankar at the Bhandarkar Oriental Research Institute, preserved at Kyoto University, Cambridge University and various Indian universities. Bhima also appears in few of the later written Puranic scriptures, most prominent being the Krishna-related Bhagavata Purana. ==Biography==
Biography
Birth and early life , 1914|left Bhima was the second of the five Pandava brothers, the adoptive sons of retired Kuru king Pandu, and was born to Kunti with divine intervention due to Pandu's inability to conceive. According to the epic, Kunti invoked the wind god, Vayu, using a mantra provided by the sage Durvasa, resulting in Bhima's birth. This divine connection bestowed upon him immense physical strength. At the time of his birth, a celestine prophecy declared that he would become the mightiest warrior. A notable incident in his infancy underscored his extraordinary strength: when he accidentally fell from his mother's lap onto a rock, the rock shattered into pieces while Bhima remained unscathed. This event served as an early indication of his formidable abilities. After Pandu's demise in the forest, the Pandavas were raised alongside their cousins, Kauravas, in Hastinapura, the capital of Kuru. During his childhood, Bhima's strength was frequently displayed, often to the dismay of the Kauravas, particularly Duryodhana. Bhima's physical prowess frequently led to his victories in their childhood games, resulting in animosity and jealousy among the Kauravas. This enmity culminated in a plot by Duryodhana, who conspired to eliminate Bhima. In one such plot, Bhima was given poisoned food and thrown into the Ganges River while unconscious. However, this plan inadvertently led to Bhima's encounter with the Nagas (divine serpents) in their underwater realm. As Bhima descended into the river's depths, he reached the Naga realm, where the serpents bit him. Their venom neutralised the poison in his body, effectively reviving him. In this realm, Bhima met Aryaka, a Naga chieftain and his maternal relative. Recognising Bhima's divine heritage, Aryaka introduced him to Vasuki, the king of the Nagas. Impressed by Bhima's lineage and potential, Vasuki offered him a divine elixir. Bhima consumed eight pots of this elixir, thereby acquiring the strength of a thousand elephants. He spent eight days in the Naga realm to fully assimilate this power. On the ninth day, the Nagas, honouring his newfound strength, returned Bhima to Hastinapura, where he rejoined his family. Bhima was also renowned for his giant appetite – at times, half of the total food consumed by the Pandavas was eaten by him. Hiding and encounters with Rakshasas The rivalry between the Pandavas and the Kauravas intensified as they grew older. Bhima's physical strength and assertiveness were sources of constant irritation for Duryodhana, who viewed him as a significant threat. The poisoning incident was one of several attempts by the Kauravas to eliminate Bhima. Another major scheme involved sending the Pandavas, along with Kunti, to Varanavata, where they were placed in a palace made of lac, known as Lakshagriha, with the intention of burning them alive. However, the Pandavas, forewarned by their uncle Vidura, managed to escape through a secret tunnel they had prepared, marking the beginning of their period of concealment to avoid further problems from the Kauravas. After their escape from the burning Lakshagriha, the Pandavas, accompanied by their mother Kunti, traversed the forest to avoid further threats from the Kauravas. During their journey, Kunti and her sons, except Bhima, were overcome with fatigue. Demonstrating his exceptional strength, Bhima carried his mother and brothers on his shoulders through the forest. Their journey led them to the Kamyaka forest, inhabited by the Rakshasa (here, man-eating race) Hidimba and his sister Hidimbi. While the Pandavas rested under a tree, Hidimba, who desired to consume them, dispatched his sister Hidimbi to lure them. However, upon encountering Bhima, Hidimbi was struck by his physical appearance and power, and she proposed marriage to him. When Hidimba discovered her intentions, he became enraged and attacked Bhima. Bhima engaged in combat with Hidimba and, after a fierce battle, killed him. Moved by Hidimbi's plight, Kunti consented to Bhima's marriage to her, on the condition that he would rejoin his family after some time. Bhima and Hidimbi had a son, Ghatotkacha, who later became a significant ally of the Pandavas. Marriages and children The Adi Parva mentions three wives of Bhima-Hidimbi, Draupadi and Balandhara, with whom he had one son each. Bhima's first wife, Hidimbi, also known as Hidimbā, was from the Rakshasa race—supernatural beings typically associated with evil deeds, such as consuming humans. Together, they had a son named Ghatotkacha (see previous section for details). Both Hidimbi and Ghatotkacha are notable exceptions, exhibiting benevolent qualities despite their Rakshasa origins. The Bhagavata Purana records Balandhara as Kali and Savarga as Sarvagata. Simon Brodbeck theorizes that this marriage might have taken place after the Kurukshetra War, as this unnamed wife is not mentioned elsewhere. Bhima's campaign expanded with the defeat of King Subahu of Kasi and King Kratha of Suparsa, followed by conquests in Matsya, Maladas, Pasubhumi, Madahara, Mahidara, and the Somadheyas. He subdued Vatsabhumi, Bhargas, Nishadas, Manimat, Southern Mallas, and the Bhagavanta mountains. Through diplomacy, he gained the submission of the Sarmakas and Varmakas, and easily conquered King Janaka of Videha. Bhima also overcame the Sakas and several barbarian tribes, defeated seven Kirata kings near Indra mountain, and subjugated the Suhmas and Prasuhmas. En route to Magadha, he subdued Kings Danda and Dandadhara. Afterwards, Bhima conquered Anga and slew the mighty ruler of Madagiri. He continued his conquests against Vasudeva of Pundra, Mahaujah of Kausika-kachchha, and the king of Vanga, also subduing Samudrasena, Chandrasena, Tamralipta, and the rulers of Karvatas and Suhmas. Bhima subdued the Mlechchha tribes along the coast, amassed wealth from Lohitya, and returned to Indraprastha. Game of Dice and vows to slay the Kauravas The splendour of Yudhishthira's Rajasuya Yajna and the prosperity of the Pandavas caused intense jealousy among the Kauravas, particularly Duryodhana. Seeking to usurp the Pandavas' power and wealth, Duryodhana, with the counsel of his maternal uncle Shakuni, invited Yudhishthira to a game of dice. Despite his misgivings, Yudhishthira accepted the challenge, driven by the codes of Kshatriya honour and hospitality. The game of dice was a turning point in the epic. Shakuni, who played on behalf of Duryodhana, used deceitful means to ensure Yudhishthira's defeat. As the game progressed, Yudhishthira lost his kingdom, wealth, and even his brothers, including Bhima, one by one. Eventually, he wagered Draupadi and lost her as well. After the Kauravas exiled the Pandavas for thirteen years, Bhima swore terrible oaths of vengeance. He vowed to kill Duryodhana by breaking his thigh, a reference to Duryodhana's insulting gesture during the dice game, when he exposed his thigh (a euphemism for the genitals Exile and Life in the Forest (Persian translation of the Mahabharata'', c. 16th century) During their twelve-year exile in the forest following their loss in the game of dice, the Pandavas encountered numerous adversities and engaged in various significant events. Bhima, with his immense strength and courage, was instrumental in addressing many challenges that arose during this period. At one point, Arjuna departed to the Himalayas to undertake severe penance in order to acquire celestial weapons from the god Shiva. During Arjuna's prolonged absence, Bhima and the remaining Pandavas grew increasingly concerned for his safety. The Pandavas ventured to Mount Gandhamadana in search of Arjuna. During this arduous journey, they encountered numerous challenges, including fatigue and harsh terrains. At one point, Draupadi fainted from exhaustion. Bhima then invoked his son Ghatotkacha, who promptly arrived and assisted the Pandavas. Ghatotkacha carried the Pandavas on his shoulders, allowing them to continue their journey with greater ease. Their journey eventually led them to the ashrama of Nara and Narayana. While resting there, Bhima noticed a fragrant Saugandhika flower, which had been carried to Draupadi by the northeast wind. Draupadi expressed her desire to possess more of these flowers. To fulfil her wish, Bhima set out in the northeast direction toward the Saugandhika forest. This journey brought Bhima to Kadalivana, where he encountered Hanuman, his half-brother, as both were sons of the wind god, Vayu. Initially, Hanuman tested Bhima's strength and humility by blocking his path with his tail. Despite Bhima's efforts, he was unable to move Hanuman's tail. Recognising the limits of his strength, Bhima humbled himself, prompting Hanuman to reveal his true identity. Hanuman blessed Bhima and provided him guidance to the Saugandhika forest. Following this encounter, Bhima ventured into the forest, overcame the Rakshasas known as Krodhavasas guarding it, and successfully collected the flowers, which he later presented to Draupadi. On another incident, Bhima was spurred into action when Draupadi expressed a desire to see the summit of the Gandhamadana mountain. On his way, he encountered fierce Rakshasas and Yakshas guarding the region around Kubera's palace and defeated them all in a brutal battle. They retreated after Bhima slew their leader, the mighty Rakshasa Maniman. However, through his seemingly rash actions, Bhima fulfilled an old curse placed on Kubera and Maniman by the sage Agastya. When Kubera arrived, he was not angry but was pleased, explaining that Bhima's deeds were destined. Another notable event during the Pandavas' exile involved the abduction attempt by Jayadratha, the king of Sindhu. While the Pandavas were away hunting, Jayadratha encountered Draupadi alone and abducted her. On learning of this, Bhima, along with his brothers, pursued and confronted Jayadratha. Bhima overpowered Jayadratha's forces, captured him, and expressed a desire to kill him for his transgression. However, Yudhishthira intervened, advocating for a less violent resolution. Consequently, Bhima and his brothers humiliated Jayadratha by shaving his head, leaving him with a mark of disgrace before releasing him. Incognito life in Virata's kingdom , c. 1670. Opaque watercolor and gold on paper. After completing their twelve-year exile, the Pandavas entered their thirteenth year, during which they were required to live incognito. They sought refuge in the kingdom of Matsya, ruled by King Virata, and assumed various disguises. Bhima took on the role of Vallabha, a cook, and wrestler in King Virata's palace. Within themselves, Pandavas called him Jayanta. His primary duties involved working in the royal kitchens, though his position as a wrestler occasionally necessitated the display of his physical prowess. There was a wrestling bout where a wrestler from a different state, Jimuta proved to be invincible. Much to the delight of King Virata and his subjects, Bhima challenged Jimuta and knocked him out in no time. This greatly enhanced the reputation of the Pandavas in unfamiliar territory. A significant incident during this period was Bhima's encounter with Kichaka, the brother-in-law of King Virata. Kichaka developed an infatuation with Draupadi, who was serving in the palace under the guise of a maid named Sairandhri. Kichaka's advances toward Draupadi escalated and he tried to sexually assault her, prompting her to seek Bhima's protection. Bhima devised a plan to eliminate Kichaka without revealing their true identities. He arranged for Draupadi to lure Kichaka into a secluded area, where Bhima, disguised, awaited him. A physical confrontation ensued, during which Bhima killed Kichaka. This incident was carried out discreetly to avoid compromising the Pandavas' incognito status. Kichaka's brothers blamed Sairandhri (Draupadi) for his death and tried to forcefully cremate her along with Kichaka, but Bhima slew them and rescued Draupadi. Bhima wielded a celestial bow named Vayavya, gifted to him by his divine father, Vayu, and also possessed the massive conch named Paundra. Additionally, he wielded a colossal mace, said to have the strength of a hundred thousand maces, which had been presented to him by Mayasura. Before hostilities broke out, Krishna sought a final compromise to avoid war. During these peace talks, Bhima expressed his opinion that peace was preferable to war (Udyoga Parva, Chapter 74). However, he also asserted that he was prepared for battle and spoke confidently about his prowess in the upcoming conflict (Udyoga Parva, Chapter 76). When Duryodhana sent Uluka with a message to the Pandavas, Bhima responded with an insulting reply, rejecting any form of submission or negotiation (Udyoga Parva, Chapter 163). In a separate battle, Bhima killed Dussala, another warrior (Chapter 129). He later faced Karna once again (Chapter 131). In subsequent engagements, Bhima killed Durjaya (Chapter 133, Verse 13) and Durmukha (Chapter 134, Verse 20). He continued his campaign against the Kaurava brothers, killing Durmarshana, Dussaha, Durmada, Durdhara, and Jaya (Chapter 135, Verse 30). Subsequently, Bhima killed the prince of Kalinga by thrashing and kicking him (Chapter 155, Verse 24). He continued his offensive against key warriors, pushing and beating Jayarata, Dhruva, Durmada, and Dushkarna to death (Chapter 155). Bhima also rendered the great hero Somadatta unconscious with his club (Chapter 157, Verse 10). Bhima encountered Vikarna along with seven Kaurava brothers . In the battle that ensued, Vikarna was killed. Bhima grieved Vikarna's death by praising his noble deeds. In this chapter, Bhima also killed Bahlika (Chapter 157, Verse 11) and other warriors including Nagadatta, Dridharatha, Mahabahu, Ayobhuja, Dridha, Suhastha, Viraja, Pramathi, Ugra, and Anuyayi (Chapter 157, Verse 16). Bhima's son Ghatotkacha was killed by Karna, leading to Bhima lament over his death. Bhima then killed the elephant named Ashvatthama as part of a strategic deception to spread the false news that Drona's son, Ashvatthama, had been killed (Chapter 190, Verse 15). This ruse led to Drona's surrender and eventual downfall. Bhima then fought against the Narayanastra, a celestial weapon deployed by Ashvatthama (Chapter 199, Verse 45). During this encounter, Bhima's charioteer was killed (Chapter 199, Verse 45). Karna Parva (16th-17th days) In the Karna Parva, Bhima killed Kshemadhurti, the King of Kalata, in another battle (Chapter 12, Verse 25). He then fought Ashvatthama, but was struck down unconscious in this encounter (Chapter 15). Bhima killed Bhanusena, the son of Karna, in a subsequent duel (Chapter 48, Verse 27). He then killed Vivitsu, Vikata, Sama, Kratha, Nanda, and Upananda in another engagement (Chapter 51, Verse 12). Following this, Bhima killed ten more sons of Dhritarashtra: Nisangi, Kavaci, Pasi, Dandadhara, Dhanurgraha, Alolupa, Sala, Sandha, Vatavega, and Suvarcas (Chapter 84, Verse 2).Bhima continued his assault on the Kaurava forces, killing 25,000 infantrymen single-handedly in one engagement (Chapter 93, Verse 28). Though Bhima had superior strength, Duryodhana had superior skills. Krishna reminded Arjuna about Bhima's oath to smash Duryodhana's thigh during the duel. Arjuna signaled to Bhima by slapping his thigh. Understanding that sign, Bhima threw his mace towards Duryodhana's thigh while the latter was in mid-air during a jump. After defeating Duryodhana, Bhima taunted Duryodhana by kicking his head repeatedly and dancing madly. Enraged at this sight, Balarama grabbing his plough attempted to attack Bhima, but was stopped by Krishna. Krishna convinced his brother by reminding him of Bhima's oath and the encroaching onset of the Kali Yuga. Later years and death manuscript, c. 1616 - 1617 After the Kurukshetra War, Bhima played a significant role in the events that followed. He pursued Ashvatthama, who had killed Draupadi's sons (including Bhima's son Sutasoma) in a night raid on the Pandava camp (Sauptika Parva, Chapter 13, Verse 16). After Ashwatthama was subdued and his powerful gem was taken from him, Bhima presented the gem to Draupadi (Sauptika Parva, Chapter 16, Verse 26), consoling her. Later, Bhima apologised to Gandhari, the mother of the Kauravas (Stri Parva, Chapter 15), and Dhritarashtra, who attempted to kill him by crushing him in a bear hug. Krishna intervened by replacing Bhima with a metal statue, and Dhritarashtra's rage was appeased when he shattered the statue, allowing him to partially forgive him. and settled him in the palace that had belonged to Duryodhana (Shanti Parva, Chapter 44, Verse 6). During the Ashvamedha Yajna conducted by Yudhishthira, Bhima took on the responsibility of measuring the sacrificial ground alongside the Brahmins (Ashvamedha Parva, Chapter 88, Verse 6). During this period, Babhruvahana, a son of Arjuna, visited Bhima, who sent him back with gifts of money and food grains (Ashvamedha Parva, Chapter 88, Verse 6). Bhima initially opposed Dhritarashtra's request for funds to perform riyuals for those who had died in the war, but agreed after persuasions from Dhritarashta and Yudhishthira (Ashramavasika Parva, Chapter 11, Verse 7). After Dhritarashtra, Gandhari, and Kunti retired to the forest, Bhima visited them once (Ashramavasika Parva, Chapter 23). In some versions of the story, Yudhishthira points out Bhima's boastfulness, gluttony, and battle-lust as the reasons for his fall. Bhima is seen among the Maruts and sitting next to his father Vayu, when Yudhisthira ascended to Svarga. == Outside Indian subcontinent ==
Outside Indian subcontinent
Indonesia , Indonesia Bhima, also known as Werkudara in Indonesian and Javanese culture, is a prominent figure in Indonesia's wayang traditions, particularly within Javanese and Balinese cultures. Renowned for his strength, bravery, and wisdom, Bhima is portrayed as a figure who treats everyone equally, adhering to principles of honesty and loyalty. His character refrains from using refined speech or showing subservience, except in special circumstances, such as when he becomes a sage in the "Bhima Suci" play or during his meeting with Dewaruci. Bhima's presence in Indonesian mythology extends into the wayang puppet theater, where his stories are celebrated. He is depicted as the son of the wind god, Batara Bayu, and is known for his exceptional strength and ability to control the wind. Various tales recount his adventures, including his encounters with giants, his quest for divine knowledge, and his key role in the Mahabharata epic, particularly in the Baratayuda (the Javanese version of the Kurukshetra War). Wayang story , especially Java , a hero of the Mahabharata, who stands opposite a pedestaled god within a horseshoe-shaped arch. The figures are sculpted in wayang puppet style, resembling their. leather-puppet counterparts in posture, costume, and sideways presentation. In the Javanese and Balinese wayang tradition, Bhima (also known as Werkudara) is a prominent and revered character, representing strength, courage, and an unwavering sense of righteousness. The wayang (shadow puppet theater) performances have transformed the story of Bhima into a narrative deeply infused with spiritual and moral themes, often differing from the classical Indian Mahabharata. In these performances, Bhima's journey is not only physical but spiritual, as he seeks wisdom, power, and enlightenment. One of the most well-known stories in wayang featuring Bhima is his encounter with Dewaruci, a powerful spiritual episode that symbolizes Bhima's quest for inner knowledge. In this story, Bhima is tasked with finding the Tirta Amerta, the water of life, which symbolizes eternal truth. This leads him into the ocean, where he faces several trials. During this quest, Bhima meets Dewaruci, a miniature divine form of himself, who reveals the secrets of the universe to Bhima, teaching him the values of humility, inner strength, and the importance of enlightenment beyond physical might. The character of Bhima in wayang is also portrayed as a defender of the weak and a warrior who fights not only external battles but internal struggles as well. His devotion to his family, especially to his mother Kunti and brothers, is emphasized, highlighting his loyalty and dedication. His weapon of choice, the mace (gada), is a symbol of both his physical power and his ability to uphold justice. The wayang performances often extend Bhima's role beyond the original Indian epic, incorporating elements of local folklore, myth, and cultural values. As such, Bhima becomes a symbol of Javanese ideals—strength tempered by wisdom, loyalty to family and community, and the pursuit of spiritual knowledge. The wayang version of Bhima is deeply ingrained in Indonesian culture, serving as a moral guide and a heroic figure whose stories resonate with audiences across generations. ==References==
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