for "first", can be read Braille was based on a tactile
code, now known as
night writing, developed by
Charles Barbier. (The name "night writing" was later given to it when it was considered as a means for soldiers to communicate silently at night and without a light source, but Barbier's writings do not use this term and suggest that it was originally designed as a simpler form of writing and for the visually impaired.) In Barbier's system, sets of 12 embossed dots were used to encode 36 different sounds. Braille identified three major defects of the code: first, the symbols represented phonetic sounds and not letters of the alphabetthus the code was unable to render the orthography of the words. Second, the 12-dot symbols could not easily fit beneath the pad of the reading finger. This required the reading finger to move in order to perceive the whole symbol, which slowed the reading process. (This was because Barbier's system was based only on the number of dots in each of two 6-dot columns, not the pattern of the dots.) Third, the code did not include symbols for numerals or punctuation. Braille's solution was to use 6-dot cells and to assign a specific pattern to each letter of the alphabet. Braille also developed symbols for representing numerals and punctuation. At first, braille was a one-to-one transliteration of the French alphabet, but soon various abbreviations (contractions) and even
logograms were developed, creating a system much more like shorthand. In English, some variations in the braille codes have traditionally existed among English-speaking countries. In 1991, work to standardize the braille codes used in the English-speaking world began.
Unified English Braille (UEB) has been adopted in all seven member countries of the
International Council on English Braille (ICEB) as well as
Nigeria.
Derivation Braille is derived from the Latin alphabet, albeit indirectly. In Braille's original system, the dot patterns were assigned to letters according to their position within the
alphabetic order of the French alphabet of the time, with
accented letters and
w sorted at the end. Unlike print, which consists of mostly arbitrary symbols, the braille alphabet follows a logical sequence. The first ten letters of the alphabet,
a–
j, use the upper four dot positions: (black dots in the table below). These stand for the ten digits
1–
9 and
0 in an
alphabetic numeral system similar to
Greek numerals (as well as derivations of it, including
Hebrew numerals,
Cyrillic numerals,
Abjad numerals, also Hebrew
gematria and Greek
isopsephy). Though the dots are assigned in no obvious order, the cells with the fewest dots are assigned to the first three letters (and lowest digits),
abc =
123 (), and to the three vowels in this part of the alphabet,
aei (), whereas the even digits
4,
6,
8,
0 () are right angles. The next ten letters,
k–
t, are identical to
a–
j respectively, apart from the addition of a dot at position 3 (red dots in the bottom left corners of the cells in the table below): : : The next ten letters (the next "
decade") are the same again, but with dots also at both position 3 and position 6 (green dots in the bottom rows of the cells in the table above). Here
w was left out as it was not part of the official French alphabet in Braille's time; the French order of the decade was
u v x y z ç é à è ù (). The next ten letters, ending in
w, are the same again, except that for this series position 6 (purple dot in the bottom right corner of the cell in the table above) is used without a dot at position 3. In French braille these are the letters
â ê î ô û ë ï ü œ w ().
W had been tacked onto the end of 39 letters of the French alphabet to accommodate English. The
a–
j series shifted down by one dot space () is used for punctuation. Letters
a and
c , which only use dots in the top row, were shifted two places for the apostrophe and hyphen: . (These are also the decade diacritics, on the left in the table below, of the second and third decade.) In addition, there are ten patterns that are based on the first two letters () with their dots shifted to the right; these were assigned to non-French letters (
ì ä ò ), or serve non-letter functions: (superscript; in English the accent mark), (currency prefix), (capital, in English the
decimal point), (
number sign), (emphasis mark), (symbol prefix). : The first four decades are similar in that the numeric sequence is extended by adding the decade dots, whereas in the fifth decade it is extended by shifting it downward. Originally there had been nine decades. The fifth through ninth used dashes as well as dots, but they proved to be impractical to distinguish by touch under normal conditions and were soon abandoned. From the beginning, these additional decades could be substituted with what we now know as the number sign () applied to the earlier decades, though that only caught on for the digits (the old 5th decade being replaced by applied to the 1st decade). The dash occupying the top row of the original sixth decade was simply omitted, producing the modern fifth decade. (See
1829 braille.)
Assignment Historically, there have been three principles in assigning the values of a
linear script (print) to Braille: Using Louis Braille's original French letter values; reassigning the braille letters according to the
sort order of the print alphabet being transcribed; and reassigning the letters to improve the efficiency of writing in braille. Under international consensus, most braille alphabets follow the French sorting order for the 26 letters of the
basic Latin alphabet, and there have been attempts at unifying the letters beyond these 26 (see
international braille), though differences remain, for example, in
German Braille. This unification avoids the chaos of each nation reordering the braille code to match the sorting order of its print alphabet, as happened in
Algerian Braille, where braille codes were numerically reassigned to match the order of the Arabic alphabet and bear little relation to the values used in other countries (compare modern
Arabic Braille, which uses the French sorting order), and as happened in an early American version of English Braille, where the letters
w,
x,
y,
z were reassigned to match English alphabetical order. A convention sometimes seen for letters beyond the basic 26 is to exploit the physical symmetry of braille patterns iconically, for example, by assigning a reversed
n to
ñ or an inverted
s to
sh. (See
Hungarian Braille and
Bharati Braille, which do this to some extent.) A third principle was to assign braille codes according to frequency, with the simplest patterns (quickest ones to write with a stylus) assigned to the most frequent letters of the alphabet. Such frequency-based alphabets were used in Germany and the United States in the 19th century (see
American Braille), but with the invention of the braille typewriter their advantage disappeared, and none are attested in modern use they had the disadvantage that the resulting small number of dots in a text interfered with following the alignment of the letters, and consequently made texts more difficult to read than Braille's more arbitrary letter assignment. Finally, there are braille scripts that do not order the codes numerically at all, such as
Japanese Braille and
Korean Braille, which are based on more abstract principles of syllable composition. Texts are sometimes written in a script of eight dots per cell rather than six, enabling them to encode a greater number of symbols. (See
Gardner–Salinas braille codes.)
Luxembourgish Braille has adopted eight-dot cells for general use; for example, accented letters take the unaccented versions plus dot 8. == Form ==