San Nicolás San Nicolás is one of the districts that shares most of the city and national government structure with neighboring
Montserrat, and is home of the business district's financial center. It's seldom referred to as
San Nicolás, but usually as
The Center ("City Centre"), and the part east of the
9 de Julio Avenue is called
Microcentro ("Micro-centre"). The growing importance of the area as a financial center was highlighted by the 1854 establishment of the
Buenos Aires Stock Exchange. San Nicolás remains the financial center of Argentina, something underscored by the presence of the
Central Bank and the
National Bank, Argentina's largest. The rapid development of the
Argentine economy after 1875 made itself evident in San Nicolás with the reclaiming of riverfront land by businessmen
Francisco Seeber and
Eduardo Madero, and the shore hitherto popular among washerwomen became the
Paseo de Julio (today
Leandro Alem Avenue). The construction of
Corrientes and
Nueve de Julio Avenues in the 1930s further modernized San Nicolás, which had hitherto been limited in its development by its colonial grid of narrow streets.
Florida Street, most of which is in San Nicolás, is the city's best-known
pedestrianized street. Its most discernible landmark is the
Galerías Pacífico shopping arcade. The district is home to the
Argentine Supreme Court, the
Buenos Aires Metropolitan Cathedral, the
Colón Opera House, headquarters of numerous leading Argentine firms, including
Aerolíneas Argentinas, the
Bank of the City of Buenos Aires,
La Nación,
Bunge y Born,
Pérez Companc, the
Macri Group, and most of the
Buenos Aires Stock Exchange leaders, as well as the local offices of a number of international companies, such as
BankBoston,
BBVA,
Citibank,
Deutsche Bank,
HSBC,
IBM,
Microsoft,
Santander Bank, and
Techint. Other significant landmarks opposite the Plaza are the
Kavanagh Building, a
reinforced concrete structure that when completed in 1936, was the tallest building in Latin America at . The nearby
Brunetta Building (formerly headquarters for
Olivetti's Latin American operations) was the first in Argentina to be built in the
International style. The district's led central location and its presence therein of much of Argentina's governmental structure led to monumental construction over the 1910s, notable among which are the
Pink House,
City Hall, the
City Legislature, the
Customs building, the offices of
La Prensa (today the
Buenos Aires House of Culture), the art-deco
NH City Hotel (off the Plaza de Mayo), the
Libertador Building (Ministry of Defense), and South Diagonal Avenue. Montserrat's western half was partitioned from the rest by the southward expansion of the massive
Nueve de Julio Avenue around 1950. The area became a largely bohemian quarter popular with
tango performers and artists, as well as many who preferred the area's close proximity to the growing
financial district to the north and its relatively low rent scale. Its rich architectural history and quiet, narrow streets have, as in neighboring
San Telmo, helped lead to renewed
tourist interest in Montserrat since around 1990. Puerto Madero has been redeveloped with international flair, drawing interest from renown architects such as
Santiago Calatrava,
Norman Foster,
César Pelli and
Philippe Starck, among others. Today one of the trendiest boroughs in Buenos Aires, it has become the preferred address for growing numbers of young professionals and retirees, alike. Increasing property prices have also generated interest in the area as a destination for foreign buyers, particularly those in the market for premium investment properties. The neighborhood's road network has been entirely rebuilt, especially in the east side. The layout of the east side consists currently of three wide boulevards running east–west crossed by the east side's main street, Juana Manso Avenue. The layout is completed with some other avenues and minor streets, running both east–west and north–south, and by several pedestrianised streets. All the streets of Puerto Madero are named after
women. The
Puente de la Mujer (Women's Bridge), designed in 2001 by Spanish architect
Santiago Calatrava, is the newest link between the east and west docks of Puerto Madero. Numerous new residential high-rises of up to 50 stories have been built facing on the eastern half of Puerto Madero since 2000. These include
El Mirador of Puerto Madero Towers,
Renoir Towers,
El Faro Towers,
Chateau Tower of Puerto Madero, and the
Mulieris Towers, among others. Notable non-residential structures include the
Repsol-YPF Tower, the
Hilton Buenos Aires, the
Faena Hotel+Universe (one of a number of refurbished former
Molinos Río de la Plata silos), and the
Fortabat Art Collection museum building. ==References==