Yupʼik (as Yupʼik and Cupʼik) culture is one of five cultural groups of the Alaska Natives. The
Yupiit Piciryarait Cultural Center is a non-profit
cultural center of the Yupʼik culture centrally located in
Bethel near the
University of Alaska Fairbanks' Kuskokwim Campus and city offices. The mission of the center is to promote, preserve and develop the traditions of the Yupʼik through traditional and non-traditional art forms of the
Alaska Native art, including arts and crafts, performance arts, education, and Yupʼik language. The center also supports local artists and entrepreneurs.
Language and literature Language The Yupʼik speak four or five
Yupik languages. The Yupʼik people constitute the largest ethnic group in Alaska and the Yupʼik languages are spoken by the largest number of native persons. Yupʼik, like all Northern Indigenous languages, is a suffixing language made up of noun and verb bases to which one or more
postbases and a final
ending or
enclitics are added to denote such features as a number, case, person, and position. The Yupʼik category of
number distinguishes
singular,
plural, and
dual. Yupʼik does not have a category of
gender and
articles. The Yupʼik orthography one sees nowadays was developed at the
University of Alaska Fairbanks in the 1960s by native speakers of Yupʼik
elders working with linguists. , a Yup'ik singer and dancer from
Toksook Bay, performs to
President Obama's cabinet. It is a single well-defined language (now called Yupʼik or Yupʼik and Cupʼik) a
dialect continuum with five major dialects: extinct Egegik (Aglegmuit-Tarupiaq), and living Norton Sound or Unaliq-Pastuliq dialect (two subdialects: Unaliq and Kotlik), General Central Yupʼik dialect (seven subdialects: Nelson Island and Stebbins, Nushagak River, Yukon or Lower Yukon, Upper or Middle Kuskokwim, Lake Iliamna, Lower Kuskokwim, and Bristol Bay), Hooper Bay-Chevak dialect (two subdialects: Hooper Bay Yupʼik and
Chevak Cupʼik), and
Nunivak Cupʼig dialect. Nunivak Island dialect (Cupʼig) is distinct and highly divergent from mainland Yupʼik dialects.
Education Yupʼik was not a written language until the arrival of Europeans, the Russians, around the beginning of the 19th century. , the school (blue), lake, and condemned old school (red) 17 Yupʼik villages had adopted local elementary bilingual programs by 1973. In the 1980s and 1990s, Yupʼik educators became increasingly networked across village spaces. Between the early 1990s and the run of the century, students in Yupʼik villages, like youth elsewhere became connected to the
Internet and began to form a "Yupʼik Worldwide Web". Through
Facebook and
YouTube, youth are creating new participatory networks and multimodal competencies.
Bilingualism is still quite common in Alaska today, especially among Native people who speak English in addition to their own language. •
Lower Kuskokwim School District (LKSD). English and Yupʼik (with Cupʼig at the Nunivak Island) bilingual education is done at these schools:
Atmautluak, Akiuk-Kasigluk, Akula-Kasigluk, Ayaprun, BABS School, Bethel High School, Chefornak, EEK, Goodnews Bay, Gladys Jung, Kipnuk, Kongiganak, Kwethluk, Kwigillingok, M.E. School, Mekoryuk, Napakiak, Napaskiak, Newtok, Nightmute, Nunapitchuk, Oscarville, Platinum, Quinhagak, Toksook Bay, Tuntutuliak, Tununak, Pre-School. •
Yupiit School District (YSD) English and Yupʼik (with Cupʼig at the Nunivak Island) bilingual education is done at these schools:
Akiachak, Akiak, Tuluksak •
Kashunamiut School District (KSD) is within the village of
Chevak. English and
Cupʼik bilingual education is done at this school. •
Kuspuk School District. English and Yupʼik bilingual education is done at these schools:
Lower Kalskag, Kalskag, Aniak, Chuathbaluk, Crooked creek, Red Devil, Sleetmute, Stony River. •
Southwest Region School District (SWRSD). English and Yupʼik bilingual education are done at these schools:
Aleknagik, Clarks Point, Ekwok, Koliganek, Manokotak, New Stuyahok, Togiak, Twin Hills Literature Yupʼik
oral storytelling stories or tales are often divided into the two categories of
Qulirat (traditional legends) and
Qanemcit (historical narratives). In this classification then, what is identified as
myth or
fairytale in the Western (European) tradition is a
quliraq, and a personal or historical narrative is a
qanemciq. • Traditional
Legends (
quliraq sg
qulirat pl in Yupʼik and Cupʼik,
qulirer in Cupʼig) are traditional Yupʼik legends or mythical tales that have been transmitted from generation to generation and often have supernatural elements. These traditional stories that have been handed down by word of mouth and involve fictional, mythical, legendary, or historical characters, or animals taking on human characteristics, told for entertainment and edification. Yupʼik family legends (
ilakellriit qulirait) are oral stories that have been handed down through the generations within a certain family. • Historical
Narratives (
qanemciq sg
qanemcit pl or
qanemci, qalamciq, qalangssak in Yupʼik and Cupʼik,
qanengssi, univkangssi in Cupʼig) are a personal and historical Yupʼik narratives that can be attributed to an individual author, even though he or she has been forgotten. The stories that previous generations of Yupʼik heard in the
qasgi and assimilated as part of a life spent hunting, traveling,
dancing, socializing, preparing food, repairing tools, and surviving from one season to the next. Yupʼik oral stories (
qulirat and
qanemcit) of the storytellers (
qulirarta) were embedded in many social functions of the society. Storyknifing (
yaaruilta literally "let's go story knife!") stories a traditional and still common activity of young girls and is told by children of all ages in the Yupʼik lands. These stories are illustrated by figures sketched on mud or snow with a ceremonial knife, known as a story knife or storytelling knife (
yaaruin, saaruin, ateknguin, quliranguarrsuun in Yupʼik,
qucgutaq in Cupʼik,
igaruarun in Cupʼig). Story knives are made of wood (
equaq is a wooden story knife) ivory or bone (
cirunqaaraq is an antler story knife). In the Yupʼik storytelling tradition, an important aspect of traditional stories is that each listener can construct his or her own meaning from the same storytelling.
Art The Yupʼik traditionally decorate almost all of their tools, even ones that perform smaller functions. Traditionally sculptures are not made for decoration. One of their most popular forms of the
Alaska Native art is the
Yupʼik mask. They most often create masks for ceremonies but the masks are traditionally destroyed after being used. These masks are used to bring the person wearing them luck and good fortune in hunts. Other art forms, including
Yupʼik clothing, and
Yupʼik dolls are the most popular.
Clothing -like beaded circular cap (
uivqurraq), photograph by Edward Curtis, 1930 The traditional
clothing system developed and used by the Yupʼik and other Northern Indigenous peoples is the most effective cold-weather clothing developed to date. Yupʼik clothing tended to fit relatively loosely. Skin sewing is an artistic arena in which Yupʼik women and a few younger men excel. Yupʼik women made clothes and
footwear from animal
skins (especially
hide and
fur of
marine and land mammals for
fur clothing, sometimes
birds, also
fish), sewn together using
needles made from animal
bones,
walrus ivory, and bird bones such as front part of a
crane's foot and
threads made from other animal products, such as
sinew. The semilunar woman's knife
ulu is used to process and cut skins for clothing and footwear. Women made most clothing of
caribou (wild
caribou Rangifer tarandus granti and domestic
reindeer Rangifer tarandus tarandus) and
sealskin. The English words
kuspuk (parka cover or overshirt) and
mukluk (skin boot) which is derived from the Yupʼik word
qaspeq and
maklak. Before the arrival of the Russian fur traders (
promyshlennikis), caribou and beaver skins were used for traditional clothing but Northern Indigenous peoples were compelled to sell most of their furs to the Russians and substitute (inferior) manufactured materials. Everyday functional items like skin mittens, mukluks, and jackets are commonly made today, but the elegant fancy parkas (
atkupiaq) of traditional times are now rare. Today, many Yupʼik have adopted western-style clothing.
Mask , Dallas, Texas
Yupʼik masks (
kegginaquq and
nepcetaq in Yupʼik,
agayu in Cupʼig) are expressive shamanic ritual
masks. One of their most popular forms of the
Alaska Native art is masks. The masks vary enormously but are characterized by the great invention. They are typically made of wood and painted with few colors. The Yupʼik masks were carved by men or women but mainly were carved by men. They most often create masks for ceremonies but the masks are traditionally destroyed after being used. After Christian contact in the late 19th century, masked dancing was suppressed, and today it is not practiced as it was before in the Yupʼik villages. The
National Museum of the American Indian, as a part of the
Smithsonian Institution, provided photographs of Yupʼik ceremonial masks collected by Adams Hollis Twitchell, an explorer and trader who traveled Alaska during the
Nome Gold Rush newly arrived in the Kuskokwim region, in Bethel in the early 1900s. There are dances for fun, social gatherings, exchange of goods, and thanksgiving. Yupʼik ways of dancing (
yuraryaraq) embrace six fundamental key entities identified as
ciuliat (ancestors),
angalkuut (shamans),
cauyaq (drum),
yuaruciyaraq (song structures),
yurarcuutet (regalia) and
yurarvik (dance location). The
Yuraq is used as a generic term for Yupʼik/Cupʼik regular dance. Also, yuraq is concerned with animal behavior and hunting of animals or with the ridicule of individuals (ranging from affectionate teasing to punishing public embarrassment). But, used for inherited dance is
Yurapik or
Yurapiaq (lit. "real dance"). The dancing of their ancestors was
banned by Christian missionaries in the late 19th century. After a century, the Cama-i dance festival is a cultural celebration that started in the mid-1980s with the goal to gather dancers from outlying villages to share their music and dances. There are now many groups that perform dances in Alaska. The most popular activity in the Yupʼik-speaking area is rediscovered Yupʼik dancing.
Yupik Dance Festivals Every year, the Yupiit of the Qaluuyaaq (Nelson Island) and the surrounding villages of Nelson Island gather up every weekend in each village. Each village hosts a Yupik dance festival which they call the festival
Yurarpak (you-rawr-puk). The
qelutviaq is a one-string fiddle or lute played by the Yupʼik of Nelson Island.
Drums of Winter or
Uksuum Cauyai: Drums of Winter (1977) is an ethnographic documentary on the culture of the Yupʼik people, focusing primarily on dance, music, and potlatch traditions in the community of
Emmonak, Alaska.
Toys and games (
qawaliqtar in Cupʼig), 1940 or 1941 An
Eskimo yo-yo or Alaska yo-yo is a traditional two-balled
skill toy played and performed by the
Eskimo-speaking
Alaska Natives, such as
Inupiat,
Siberian Yupik, and Yupʼik. It resembles fur-covered
bolas and
yo-yo. It is regarded as one of the most simple, yet most complex, cultural artifacts/toys in the world. The Eskimo yo-yo involves simultaneously swinging two sealskin balls suspended on
caribou sinew strings in
opposite directions with one hand. It is popular with Alaskans and tourists alike.
Doll Yupʼik dolls (
yugaq, irniaruaq, sugaq, sugaruaq, suguaq in Yupʼik,
cugaq, cugaruaq in Cupʼik,
cuucunguar in Cupʼig) are dressed in traditional-style clothing, intended to protect the wearer from cold weather, and are often made from traditional materials obtained through food gathering. Play dolls from the Yupʼik area were made of driftwood, bone, or walrus ivory and measured from one to twelve inches in height or more. Some human figurines were used by shamans. Dolls also mediated the transition between childhood and adulthood in the Yupʼik shamanism.
Cuisine , circa 1910 Yupʼik
cuisine is based on traditional subsistence
food harvests (hunting, fishing, and berry gathering) supplemented by seasonal subsistence activities. The Yupʼik region is rich in waterfowl, fish, and sea and land mammals. Yupʼik settled where the water remained ice-free in winter, where walruses, whales, and seals came close to shore, and where there was a fishing stream or a bird colony nearby. Even if a place was not very convenient for human civilization, but had a rich game, Yupʼik would settle there. The coastal settlements rely more heavily on sea mammals (
seals,
walrusses,
beluga whales), many species of fish (
Pacific salmon,
herring,
halibut,
flounder,
trout,
burbot,
Alaska blackfish),
shellfish,
crabs, and
seaweed. The inland settlements rely more heavily on Pacific salmon and
freshwater whitefish, land mammals (
moose,
caribou), migratory waterfowl, bird eggs, berries, greens, and roots help sustain people throughout the region. Traditional subsistence foods are mixed with what is commercially available. Today about half the food is supplied by subsistence activities (subsistence foods), and the other half is purchased from commercial stores (market foods, store-bought foods). Traditional Yupʼik
delicacies is,
akutaq (Eskimo ice cream), tepa (stink heads),
mangtak (muktuk). Elevated cache or raised log cache, also raised cache or log storehouse (
qulvarvik sg
qulvarviit pl [Yukon, Kuskokwim, Bristol Bay, NR, Lake Iliamna],
qulrarvik [Egegik],
neqivik [Hooper Bay-Chevak, Yukon, Nelson Island],
enekvak [Hooper Bay-Chevak],
mayurpik [Hooper Bay-Chevak],
mayurrvik [Nelson Island],
ellivik [Kuskokwim],
elliwig [Nunivak]) is a
bear cache-like safe
food storage place designed to store food outdoors and prevent animals from accessing it. Elevated cache types include log or plank caches, open racks, platform caches, and tree caches. The high cabin-on-post cache was probably not an indigenous form among either Eskimos or
Alaskan Athabaskans. Cabin-on-post caches are thought to have appeared in the 1870s. The cabin on-post form may thus have been introduced by early traders, miners, or missionaries, who would have brought with them memories of the domestic and storage structures constructed in their homelands.
Fish ) are main food for the Yupʼik: Sockeye or Red salmon (sayak
), Chum or Dog salmon (kangitneq
), Chinook or King salmon (taryaqvak
), Coho or Silver salmon (qakiiyaq
), Pink or Humpback salmon (amaqaayak'').
Fish as food, especially
Pacific salmon (or in some places, non-salmon) species are the primary main subsistence food for the Yupʼik. Both
food and
fish (and salmon) called
neqa (sg)
neqet (pl) in Yupʼik. Also for salmon called
neqpik ~ neqpiaq (sg)
neqpiit ~ neqpiat (pl) in Yupʼik, means literally "real food". But, the main food for the
Iñupiaq is
meat of whale and caribou (both food and meat called
niqi in Iñupiaq, also for meat called
niqipiaq "real food"). Alaska subsistence communities are noted to obtain up to 97% of the
omega-3 fatty acids through a subsistence diet.
Mammals . June 24, 2007.
Muktuk (
mangtak in Yukon, Unaliq-Pastuliq, Chevak,
mangengtak in Bristol Bay) is the traditional meal of frozen raw beluga whale skin (dark
epidermis) with attached subcutaneous fat (
blubber).
Plants The tundra provides berries for making jams, jellies, and a Yupʼik delicacy commonly called
akutaq or "Eskimo ice cream". The
mousefood (
ugnarat neqait) consists of the roots of various tundra plants which are cached by voles in burrows
Ceremonies The dominant
ceremonies are:
Nakaciuq (Bladder Festival),
Elriq (Festival of the Dead),
Kevgiq (Messenger Feast),
Petugtaq (request certain items), and
Keleq (invitation).
Religion Shamanism (
angalkuq) exorcising evil spirits (
caarrluk) from a sick boy. The enormous wooden hands with shortened thumbs (
inglukellriik unatnquak ayautaunatek) worn by the shaman. Nushagak Bay, ca. 1890s. Shaman masks or plaque masks (
nepcetaq sg
nepcetak dual
nepcetat pl) were empowered by shamans and are powerful ceremonial masks represented a shaman's helping spirit (
tuunraq). Shamans wearing masks of bearded seal, moose, wolf, eagle, beaver, fish, and the north wind were accompanied by drums and music. The first Native Americans to become
Russian Orthodox were the
Aleuts (Unangan) living in contact with Russian fur traders (
promyshlennikis) in the mid 18th century. Saint
Jacob (or Iakov) Netsvetov, a Russian-Alaskan
creole (his father was Russian from
Tobolsk, and his mother was an Aleut from
Atka Island) who became a priest of the Orthodox Church, being the first Alaska Native Orthodox priest in Alaska, and continued the missionary work of St.
Innocent among his and other Alaskan Native people. He moved to the
Russian Mission (
Iqugmiut) on the Yukon River in 1844 and served there until 1863. Netsvetov invented an alphabet and translated church materials and several
Bible texts into Yupʼik and kept daily journals. The Russian Orthodox presence in Yupʼik territory was challenged in the late 1880s by Moravian and Catholic missions. Eventually, the Russian Orthodox missions in Alaska consolidated into a whole
Diocese of Alaska, a part of the larger
Orthodox Church in America which was formed from the original Russian Orthodox dioceses in North America. The
Moravian Church is the oldest
Protestant denomination in Alaska, and is organized into four provinces in
North America: Northern, Southern, Alaska, and Labrador. The Moravian mission was first founded at Bethel, along the Kuskokwim River in 1885. (
Mamterilleq literally "site of many caches") or Mumtreklogamute or Mumtrekhlagamute (
Mamterillermiut literally "people of Mamterilleq"). In 1885, the Moravian Church established a mission in Bethel, under the leadership of the Kilbucks and John's friend and classmate William H. Weinland (1861–1930) and his wife with carpenter Hans Torgersen.
John Henry Kilbuck (1861–1922) and his wife, Edith Margaret Romig (1865–1933), were Moravian missionaries in southwestern Alaska in the late 19th and early 20th centuries. John H. Kilbuck was the first
Lenape to be ordained as a Moravian minister. They served the Yupʼik, used their language in the Moravian Church in their area, and supported the development of a writing system for Yupʼik.
Joseph H. Romig (1872–1951) was a frontier physician and Moravian Church missionary and Edith Margaret's brother, who served as Mayor of Anchorage, Alaska, from 1937 to 1938. Although the resemblances between Yupʼik and Moravian ideology and action may have aided the initial presentation of Christianity, they also masked profound differences in expectation. The
Society of Jesus is a Christian male
religious congregation of the
Catholic Church. The members are called Jesuits. In 1888, a
Jesuit mission was established on Nelson Island and a year later moved to Akulurak (
Akuluraq, the former site of St. Mary's Mission) at the mouth of the Yukon River.
Segundo Llorente (1906–1989) was a Spanish Jesuit, philosopher, and author who spent 40 years as a missionary among the Yupʼik people in the most remote parts of Alaska. His first mission was at Akulurak. During
Christmas Yupʼiks give gifts commemorating the departed. == Health ==