Corea began his professional recording and touring career in the early 1960s with
Mongo Santamaria,
Willie Bobo,
Blue Mitchell,
Herbie Mann, and
Stan Getz. In 1966, he recorded his debut album, ''
Tones for Joan's Bones. In March 1968, he recorded the highly regarded trio album, Now He Sings, Now He Sobs, with drummer Roy Haynes and bassist Miroslav Vitouš. Corea began recording and touring with Miles Davis, appearing on the widely praised Davis studio albums Filles de Kilimanjaro, In a Silent Way, Bitches Brew, and On the Corner. He also appeared on later compilation albums Big Fun
, Water Babies
, and Circle in the Round''. He left Davis' band shortly after its performance at the
1970 Isle of Wight Festival. In 1971, Corea, at the behest of ECM producer
Manfred Eicher, began playing solo piano, recording the sessions that became
Piano Improvisations Vol. 1 and
Piano Improvisations Vol. 2 in April of that year. In 1974, Corea collaborated with Richie Grasso on the latter's album
Season of Grace, produced by
Morris Levy's
Tiger Lily Records.
Jazz fusion in
Jerusalem, 1981 Named after their eponymous 1972 album, Corea's
Return to Forever band combined acoustic and electronic instrumentation, and initially drew upon Hispanic music styles more than rock music. On their first two records, the group consisted of
Flora Purim on vocals and percussion,
Joe Farrell on flute and soprano saxophone, Miles Davis bandmate
Airto on drums and percussion, and
Stanley Clarke on acoustic double bass. In 1976, Corea released
My Spanish Heart, influenced by Hispanic music and featuring vocalist
Gayle Moran (Corea's wife) and violinist
Jean-Luc Ponty. The album combined jazz and
flamenco, supported by
Minimoog synthesizer and a horn section. He collaborated with flamenco guitarist
Paco De Lucía years later on the
Touchstone and
Zyryab albums.
Duet projects concert in
London, April 2012 In the 1970s, Corea started working with vibraphonist
Gary Burton, with whom he recorded several duet albums for ECM, including 1972's
Crystal Silence. They reunited in 2006 for a concert tour. A new record called
The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the
Sydney Symphony Orchestra. Towards the end of the 1970s, Corea embarked on a series of concerts with fellow pianist Herbie Hancock. These concerts were presented in elegant settings with both artists dressed formally and performing on concert grand pianos. The two played each other's compositions, as well as pieces by other composers such as
Béla Bartók, and duets. In 1982, Corea performed
The Meeting, a live duet with the classical pianist
Friedrich Gulda. In December 2007, Corea recorded a duet album,
The Enchantment, with banjoist
Béla Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the
49th Grammy Awards for the track "Spectacle". In 2008, Corea collaborated with Japanese pianist
Hiromi Uehara on the live album
Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's
Budokan arena on April 30. In 2015, Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both now integrated synthesizers into their repertoire. The first concert in this series was at the
Paramount Theatre in
Seattle and included improvisations, compositions by the duo, and standards by other composers.
Later work at the
Blue Note in
New York City, 2007 Corea's other bands included the
Chick Corea Elektric Band, its trio reduction called "Akoustic Band", Origin, and its trio reduction called the New Trio. Corea signed a record deal with
GRP Records in 1986 which led to the release of ten albums between 1986 and 1994, seven with the Elektric Band, two with the Akoustic Band, and a solo album,
Expressions. The Akoustic Band released a self-titled album in 1989 and a live follow-up,
Alive, in 1991, both featuring
John Patitucci on bass and
Dave Weckl on drums. It marked a return to traditional jazz trio instrumentation in Corea's career, and the bulk of his subsequent recordings have featured acoustic piano. In 1992, Corea started his own label,
Stretch Records. In 2008, the third version of Return to Forever (Corea, Stanley Clarke,
Lenny White, and Di Meola) reunited for a worldwide tour. The reunion received positive reviews from jazz and mainstream publications. Most of the group's studio recordings were re-released on the compilation
Return to Forever: The Anthology to coincide with the tour. A concert DVD recorded during their performance at the
Montreux Jazz Festival was released in May 2009. He also worked on a
collaboration CD with the vocal group
The Manhattan Transfer. at the NYC Blue Note, 2016 A new group, the
Five Peace Band, began a world tour in October 2008. The ensemble included John McLaughlin, whom Corea had previously worked with in Miles Davis's late 1960s bands, including the group that recorded Davis's classic album
Bitches Brew. Joining Corea and McLaughlin were saxophonist
Kenny Garrett and bassist
Christian McBride. Drummer
Vinnie Colaiuta played with the band in Europe and on select North American dates;
Brian Blade played all dates in Asia and Australia, and most dates in North America. The vast reach of Corea's music was celebrated in a 2011 retrospective with Corea guesting with the
Jazz at Lincoln Center Orchestra in the
Lincoln Center for the Performing Arts; a
New York Times reviewer had high praise for the occasion: "Mr. Corea was masterly with the other musicians, absorbing the rhythm and feeding the soloists. It sounded like a band, and Mr. Corea had no need to dominate; his authority was clear without raising volume." A new band, Chick Corea & The Vigil, featured Corea with bassist
Hadrien Feraud,
Marcus Gilmore on drums (carrying on from his grandfather,
Roy Haynes), saxes, flute, and bass clarinet from Origin vet
Tim Garland, and guitarist Charles Altura. Corea celebrated his 75th birthday in 2016 by playing with more than 20 different groups during a six-week stand at the
Blue Note Jazz Club in
Greenwich Village, New York City. "I pretty well ignore the numbers that make up 'age'. It seems to be the best way to go. I have always just concentrated on having the most fun I can with the adventure of music." ==Personal life==