1971–1988: Early life and career beginnings Selena Quintanilla was born on April 16, 1971, at Freeport Community Hospital in
Lake Jackson, Texas, a suburb of
Houston. She was the youngest child of Marcella Ofelia Quintanilla (née Samora), who was Mexican-American with some
Cherokee ancestry, and
Abraham Quintanilla Jr., a
Mexican-American former musician. The obstetrician-gynecologist at her birth was future
House of Representatives member
Ron Paul. Selena was raised as a
Jehovah's Witness. Quintanilla Jr. noticed her musical abilities when she was six years old. He told
People magazine, "Her timing, her pitch were perfect, I could see it from day one." In 1980, Quintanilla Jr. opened his first Tex-Mex restaurant in
Lake Jackson, Papa Gayo's, where Selena and her siblings A.B. (on bass guitar) and Suzette (on drums) would often perform. The following year, the restaurant was forced to close due to a recession caused by the
1980s oil glut. The family declared bankruptcy and was evicted from their home. They then settled in
Corpus Christi, Texas; Quintanilla Jr. became manager of the newly formed band
Selena y Los Dinos and began promoting it to support the family. The name Los Dinos came from the band Quintanilla Jr. was a part of in the 1970s. They played on street corners, at weddings,
quinceañeras, and fairs. Her teacher Marilyn Greer disapproved of Selena's musical career. She threatened to report Quintanilla Jr. to the
Texas Board of Education, believing the conditions to which Selena was exposed were inappropriate for a girl her age. Quintanilla Jr. refurbished an old bus which he named "Big Bertha" and the band used it as their tour bus. In the first years of touring, the family sang for food and barely had enough money to pay for gasoline. In 1984, Selena recorded her first
LP record,
Selena y Los Dinos, for Freddie Records. Despite wanting to record English-language songs, Selena recorded
Tejano music compositions—a male-dominated, Spanish-language genre with German influences of
polka,
jazz, and
country music, popularized by Mexicans living in the United States. Quintanilla Jr. believed that Selena should record musical compositions related to her heritage. During the recording sessions for the album, Selena had to learn Spanish phonetically with guidance from her father. In 1985, to promote the album, Selena appeared on the
Johnny Canales Show, a popular Spanish-language radio program, on which she continued to appear for several years. Selena was discovered by musician Rudy Trevino, founder of the
Tejano Music Awards, where she won the
Female Vocalist of the Year award in 1987 and for nine consecutive years after. The band was often turned down by Texas music venues because of the members' ages and because Selena was their lead singer. Her father was often told by promoters that Selena would never be successful because she was a woman in a genre historically dominated by men. By 1988, Selena had released five more LP records;
Alpha (1986),
Muñequito de Trapo (1987),
And the Winner Is... (1987),
Preciosa (1988), and
Dulce Amor (1988).
1989–1991: Selena, Ven Conmigo, and relationship with Chris Pérez (pictured in 2012) and Selena began a relationship, despite her father's disapproval
José Behar of newly formed label
EMI Latin Records, together with the new head of
Sony Music Latin, watched Selena perform at the
1989 Tejano Music Awards. Behar was searching for new Latin acts and wanted to sign Selena to EMI's label Capitol Records, while Sony Music Latin offered Quintanilla Jr. twice Capitol's signing fee. Behar thought he had discovered the "next
Gloria Estefan" but his superior called Behar illogical because he had been in South Texas less than a week. Quintanilla Jr. chose EMI Latin's offer because of the potential for a
crossover album and wanted his children to be the first musicians to sign to the label. Before Selena began recording for her debut album, Behar and
Stephen Finfer requested a crossover album for her. She recorded three English-language compositions for the heads of EMI's pop division. Behar and Finfer's request for a crossover album was denied and Selena was told she needed a bigger fan base to sell such an album. Behar thought EMI Records and the public did not believe that a Mexican American woman could have "crossover potential" after
Charles Koppelman denied the project. The singer recorded most of the songs at AMEN Studios in
San Antonio, Texas; "
Sukiyaki" and "My Love" were recorded at Sunrise Studios in
Houston. Selena wrote "My Love" and wanted the song to be included on the album. Her brother A.B., became Selena's principal record producer and songwriter for most of her musical career, though did not write the tracks "Sukiyaki", "
Contigo Quiero Estar", and "No Te Vayas". "Sukiyaki" was originally recorded in Japanese in the 1960s by
Kyu Sakamoto; Selena used a translation into Spanish of an English version of the song by
Janice Marie Johnson.
Selena peaked at number seven on the US
Billboard Regional Mexican Albums chart, becoming Selena's first recording to debut on a national music chart. The album performed better than other recordings from other contemporaneous female Tejano singers. In the same year,
Coca-Cola wanted Selena to become one of their spokespeople in Texas. Three tracks from
Ven Conmigo were released as singles; "Ya Ves", "La Tracalera", and "
Baila Esta Cumbia". The latter, a
Tejano cumbia song, became one of Selena's most successful singles. Its popularity grew in Mexico, where a compilation album bearing the single's name was released there, which was certified platinum by the
Asociación Mexicana de Productores de Fonogramas y Videogramas (AMPROFON), denoting sales of 150,000 units. A registered nurse and fan named
Yolanda Saldívar asked Quintanilla Jr. permission to start a fan club in San Antonio. Saldívar had the idea after attending one of Selena's concerts. Quintanilla Jr. approved Saldívar's request; he believed the fan club would bring more exposure for the band. Saldívar soon became a close friend to Selena and the family, opening the fan club in 1991 and fulfilling the role of president. That same year,
Salvadoran singer
Álvaro Torres composed a duet he wanted to record with Selena. The song, "
Buenos Amigos", was produced by Enrique Elizondo and was released on Torres' tenth studio album
Nada Se Compara Contigo (1991). "
Buenos Amigos" peaked at number one on the US
Billboard Top Latin Songs chart, giving Selena her first number-one single. The song's music video earned Selena and Torres two nominations at the 1992
Billboard Music Awards. The track was also nominated for Duo of the Year at the
1992 Tejano Music Awards. Biographer Deborah Parédez wrote that the track enabled Selena to tour the west and east coasts of the United States. According to John Lannert of
Billboard magazine, "Buenos Amigos" was helped by increased airplay on regional Mexican and Tejano radio stations, which had previously dismissed Selena's recordings.
1992–1993: Elopement, Entre a Mi Mundo, and Selena Live Selena's sister Suzette claimed to have caught Selena and Pérez flirting with each other and immediately informed their father. Quintanilla Jr. took Pérez off the bus and told him his relationship with Selena was over. Selena and Pérez continued their relationship despite Quintanilla Jr's disapproval; Selena's mother Marcella approved of their relationship. Quintanilla Jr. saw Selena and Pérez romantically together on the bus after he informed them of his disapproval; he pulled over and an argument between him and Selena ensued. He called Pérez a "cancer in my family" and threatened to disband the group if they continued their relationship. Selena and Pérez relented; Quintanilla Jr. fired Pérez from the band and prevented Selena from leaving with him. After his dismissal, Pérez and Selena secretly continued their relationship. On the morning of April 2, 1992, Selena and Pérez decided to
elope, believing Quintanilla Jr. would never approve of their relationship. Selena thought her father would have to accept them if they were married and would not have to hide their feelings for each other. Within hours of their marriage, the media announced the couple's elopement. Selena's family tried to find her; Quintanilla Jr. did not take the news well and alienated himself for some time. Selena and Pérez moved into an apartment in Corpus Christi. In interviews, Quintanilla Jr. expressed how he feared Pérez could be a
machista (Spanish for a male chauvinist), who would force Selena to end her career and music goals, a move that prevented Quintanilla Jr. to accept Pérez as being suitable for Selena at the time. Quintanilla Jr. later approached Pérez, apologized, accepted the marriage, and took Pérez back into the band. A month after her elopement, Selena released her third studio album,
Entre a Mi Mundo, in May 1992. The album was critically acclaimed as her "breakthrough album". The record peaked at number one on the US
Billboard Regional Mexican Albums chart for eight consecutive months; it was certified 10× platinum by the RIAA for sales of 600,000
album-equivalent units, while in Mexico, the album sold 385,000 units.
Entre a Mi Mundo became the first Tejano album by a female artist to sell over 300,000 copies. Selena was booked for a high-profile border press tour in
Monterrey, Mexico, with music media figures in a meet-and-greet conference. At the time, Tejanos were looked down on as "hayseed pochos" among Mexican citizens. The singer's Spanish was far from fluent; EMI Latin executives were "terrified" about the singer's limited Spanish during the press conference for the album in Mexico. According to Patoski, Selena "played her cards right" during the conference and won over the Mexican media after newspapers hailed her as "an artist of the people". The newspapers found her to be a refreshing change from Mexican
telenovela actors "who were fair-skinned, blond-haired, and green-eyed." After her publicity press, Selena was booked to play at several concerts throughout Mexico, including a performance at Festival Acapulco in May 1993, which garnered her critical acclaim. Her performance in
Nuevo León on September 17, 1993, was attended by 70,000 people, garnering her the title of the biggest Tejano act in Mexico. The album produced four singles; "
Como la Flor", "
¿Qué Creías?", "
La Carcacha", and "
Amame". "Como la Flor" became Selena's
signature recording; it was critically acclaimed by music critics as a career launcher for Selena. "Como la Flor" helped Selena to dominate the Latin music charts and become immensely popular in Mexico—where Mexican-Americans were generally not liked among citizens—and was well received by critics. The track was nominated for
Song of the Year at the
1993 Tejano Music Awards. The single peaked at number six on the US
Billboard Top Latin Songs chart. In 1994,
Entre a Mi Mundo ranked as the second best-selling regional Mexican album of all-time. Selena released
Live! a year after
Entre a Mi Mundo; it was recorded during a free concert at the
Memorial Coliseum in Corpus Christi, on February 7, 1993. The album included previously released tracks that were sung live and three studio recordings; "
No Debes Jugar", "
La Llamada", and "Tú Robaste Mi Corazón"—a duet with Tejano musician
Emilio Navaira. The tracks "No Debes Jugar" and "La Llamada" peaked within the top five on the US
Billboard Top Latin Songs chart.
Live! won the
Grammy Award for
Best Mexican/American Album at the
36th Grammy Awards. In May 1994,
Live! was named Album of the Year by the
Billboard Latin Music Awards. At the
1994 Tejano Music Awards,
Live! won
Album of the Year, while at the
1994 Lo Nuestro Awards, it was nominated for
Regional Mexican Album of the Year.
Live! was certified gold by the RIAA for shipments of 500,000 copies, while in Mexico it sold 250,000 units. Selena briefly appeared opposite
Erik Estrada in a Mexican telenovela titled
Dos Mujeres, Un Camino. In 1995 she entered negotiations to star in another telenovela produced by
Emilio Larrosa. She appeared in two episodes, which garnered record ratings for the series.
1994–1995: Fashion venture, film debut, and Amor Prohibido Aside from music, in 1994 Selena began designing and manufacturing a line of clothing; she opened two boutiques called
Selena Etc., one in Corpus Christi and the other in San Antonio. Both were equipped with in-house beauty salons. By the end of 1994, Selena Etc. had held two fashion shows to showcase their clothing line. Selena (alongside her band, Selena y Los Dinos) held a concert after Selena Etc.'s second fashion show on December 3, 1994, at the Hemisfair Arena in San Antonio. She was in negotiations to open more stores in
Monterrey, Mexico, and
Puerto Rico. Saldívar managed both boutiques after the Quintanilla family were impressed with the way she managed the fan club.
Hispanic Business magazine reported that the singer earned over five million dollars from these boutiques. She was ranked among the twentieth-wealthiest Hispanic musicians who grossed the highest income in 1993 and 1994. Selena released her fourth studio album,
Amor Prohibido, in March 1994. The recording debuted at number three on the US
Billboard Top Latin Albums chart and number one on the US
Billboard Regional Mexican Albums charts. After peaking at number one on the Top Latin Albums, the album remained in the top five for the rest of the year and into early 1995.
Amor Prohibido became the second Tejano album to reach year-end sales of 500,000 copies, which had previously only been accomplished by
La Mafia. It became one of the
best-selling Latin albums in the United States.
Amor Prohibido spawned four number-one singles; the
title track, "
Bidi Bidi Bom Bom", "
No Me Queda Más", and "
Fotos y Recuerdos".
Amor Prohibido was among the
best selling U.S. albums of 1995, and has been certified 36× platinum by the RIAA for sales of 2.16 million album-equivalent units in the United States. The two singles, "Amor Prohibido" and "No Me Queda Más", were the most successful US Latin singles of
1994 and 1995, respectively. The album's commercial success led to a Grammy nomination for Best Mexican/American Album at the
37th Grammy Awards in 1995. It won Record of the Year at the
1995 Tejano Music Awards After
Amor Prohibidos release, Selena was considered "bigger than Tejano itself", and broke barriers in the Latin music world. She was called the "Queen of Tejano Music" by many media outlets.
Billboard magazine ranked
Amor Prohibido among the most essential Latin recordings of the past 50 years and included it on its list of the top 100 albums of all-time. In 2017,
NPR ranked
Amor Prohibido at number 19 on their list of the 150 greatest albums made by women. Sales of the album and its titular single represented Tejano music's first commercial success in Puerto Rico. which enabled Selena to tour in New York City, Argentina, Puerto Rico, the Dominican Republic, and Central America, where she was not well known. In late 1994, EMI chairman Charles Koppelman decided Selena had achieved her goals in the Spanish-speaking market. He wanted to promote her as an English-language solo pop artist. Selena continued touring while EMI began preparing the crossover album, engaging Grammy Award-winning composers. By the time Selena performed to a record-breaking, sold-out concert at the
Houston Astrodome in February 1995, work had already begun on her crossover album. In 1995, she made a
cameo appearance in
Don Juan DeMarco, which starred
Marlon Brando,
Johnny Depp, and
Faye Dunaway. == Murder ==