1954–1961: Early work and rise to prominence O'Toole began working in the theatre, gaining recognition as a
Shakespearean actor at the
Bristol Old Vic and with the
English Stage Company, before making his television debut in 1954. He played a soldier in an episode of
The Scarlet Pimpernel in 1954. He was based at the Bristol Old Vic from 1956 to 1958, appearing in productions of
King Lear,
The Recruiting Officer,
Major Barbara,
Othello, and
The Slave of Truth (all 1956). He was Henry Higgins in
Pygmalion, Lysander in ''
A Midsummer Night's Dream, Uncle Gustave in Oh! My Papa!
, and Jimmy Porter in Look Back in Anger'' (all 1957). O'Toole was Tanner in Shaw's
Man and Superman (1958), a performance he reprised often during his career, including an 1982 production that toured and then played at the
Haymarket Theatre in London. He was also in
Hamlet,
The Holiday, ''Amphitryon '38
, and Waiting for Godot (as Vladimir; all 1958). He hoped The Holiday'' would take him to the West End but it ultimately folded in the provinces; during that show he met
Siân Phillips who became his first wife. O'Toole continued to appear on television, being in episodes of
Armchair Theatre ("The Pier", 1957), and
BBC Sunday-Night Theatre ("The Laughing Woman", 1958) and was in the TV adaptation of
The Castiglioni Brothers (1958). He made his London debut in a musical,
Oh, My Papa. He gained fame on the
West End in the play
The Long and the Short and the Tall, performed at the Royal Court beginning in January 1959. His co-stars included
Robert Shaw and
Edward Judd, and it was directed by
Lindsay Anderson. O'Toole reprised his performance for television on
Theatre Night in 1959 (although he did not appear in the
1961 film version). The show transferred to the West End in April and won O'Toole Best Actor of the Year in 1959. O'Toole was in much demand. He reportedly received five offers of long-term contracts but turned them down. His second feature was
The Savage Innocents (1960) with
Anthony Quinn for director
Nicholas Ray, although his voice was dubbed by that of another actor. With his then wife Sian Phillips he did ''Siwan: The King's Daughter
(1960) for TV. In 1960 he had a nine-month season at the Royal Shakespeare Company in Stratford, appearing in The Taming of the Shrew (as Petruchio), The Merchant of Venice (as Shylock) and Troilus and Cressida'' (as Thersites). He could have made more money in films but said "You've got to go to Stratford when you've got the chance." O'Toole had been seen in
The Long and the Short and the Tall by
Jules Buck who later established a company with the actor. Buck cast O'Toole in
The Day They Robbed the Bank of England (1960), a heist thriller from director
John Guillermin. O'Toole was billed third, beneath
Aldo Ray and
Elizabeth Sellars. The following year he appeared in several episodes of the TV series
Rendezvous ("End of a Good Man", "Once a Horseplayer", "London-New York"). He lost the role in the film adaptation of
Long and the Short and the Tall to
Laurence Harvey. The role introduced him to a global audience and earned him the first of his eight nominations for the
Academy Award for Best Actor. He received the
BAFTA Award for Best British Actor. His performance was ranked number one in
Premiere magazine's list of the 100 Greatest Performances of All Time. In 2003, Lawrence as portrayed by O'Toole was selected as the
tenth-greatest hero in cinema history by the
American Film Institute.
Janet Maslin of
The New York Times wrote in 1989 "The then unknown Peter O'Toole, with his charmingly diffident manner and his hair and eyes looking unnaturally gold and blue, accounted for no small part of this film's appeal to impressionable young fans". O'Toole played
Hamlet under
Laurence Olivier's direction in the premiere production of the
Royal National Theatre in 1963. The casting of O'Toole as the Dane was met with some controversy with
Michael Gambon describing him as a "god with bright blonde hair". On playing the role O'Toole stated he was "sick with nerves", adding "If you want to know what it's like to be lonely, really lonely, try playing Hamlet."
The Times wrote, "Mr O'Toole, like Olivier, is an electrifyingly outgoing actor, and it is a surprise to see him make his first appearance...with his features twisted into melancholy" He performed in
Baal (1963) at the Phoenix Theatre. '' (1968) Even prior to the making of
Lawrence of Arabia, O'Toole announced he wanted to form a production company with Jules Buck. In November 1961 they said their company, known as Keep Films (also known as Tricolor Productions) would make a film starring Terry-Thomas,
Operation Snatch. In 1962 O'Toole and Buck announced they wanted to make a version of
Waiting for Godot for £80,000. The film was never made. Instead their first production was
Becket (1964), where O'Toole played
King Henry II opposite Richard Burton. The film, done in association with
Hal Wallis, was a financial success. O'Toole turned down the lead role in
The Cardinal (1963). and a film about
the Charge of the Light Brigade, but neither project happened. Instead O'Toole went into ''
What's New Pussycat? (1965), a comedy based on a script by Woody Allen, taking over a role originally meant for Warren Beatty and starring alongside Peter Sellers. It was a huge success. He and Buck helped produce The Party's Over'' (1965). O'Toole returned to the stage with
Ride a Cock Horse at the Piccadilly Theatre in 1965, which was harshly reviewed. Less popular was
Great Catherine (1968) with
Jeanne Moreau, an adaptation of the play by
George Bernard Shaw which Buck and O'Toole co-produced. In 1969, he played the title role in the film
Goodbye, Mr. Chips, a musical adaptation of
James Hilton's novella, starring opposite
Petula Clark. He was nominated for an
Academy Award as Best Actor and won a
Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. O'Toole fulfilled a lifetime ambition in 1970 when he performed on stage in
Samuel Beckett's
Waiting for Godot, alongside
Donal McCann, at Dublin's
Abbey Theatre. In other films, he played a man in love with his sister (played by
Susannah York) in
Country Dance (1970). O'Toole starred in a war film for director
Peter Yates, ''
Murphy's War (1971), appearing alongside Sian Phillips. He was reunited with Richard Burton in a film version of Under Milk Wood'' (1972) by
Dylan Thomas, produced by himself and Buck;
Elizabeth Taylor co-starred. The film was not a popular success. but the other actors did their own singing. O'Toole and co-star
James Coco, who played both Cervantes's manservant and
Sancho Panza, both received
Golden Globe nominations for their performances.
1973–1999: Established actor O'Toole did not make a film for several years. He performed at the Bristol Old Vic from 1973 to 1974 in
Uncle Vanya,
Plunder,
The Apple Cart and
Judgement. He returned to films with
Rosebud (1975), a flop thriller for
Otto Preminger, in which O'Toole replaced
Robert Mitchum at the last minute. He followed it with
Man Friday (1975), an adaptation of the
Robinson Crusoe story, which was the last work from Keep Films. He did
Dead Eyed Dicks on stage in Sydney in 1976. Less well received was
Power Play (1978), made in Canada, and
Zulu Dawn (1979), shot in South Africa. He toured
Uncle Vanya and
Present Laughter on stage. In 1979, O'Toole starred as
Tiberius in the controversial
Penthouse-funded biopic
Caligula acting alongside
Malcolm McDowell,
Helen Mirren and
John Gielgud. In 1980, he received critical acclaim for playing the director in the behind-the-scenes film
The Stunt Man. His performance earned him an Oscar nomination. He appeared in a mini-series for Irish TV,
Strumpet City, in which he played
James Larkin. He followed this with another mini-series,
Masada (1981), playing
Lucius Flavius Silva. In 1980, he performed in
Macbeth at the Old Vic for $500 a week (), a performance that famously earned O'Toole some of the worst reviews of his career. O'Toole was nominated for another Oscar for
My Favorite Year (1982), a light romantic comedy about the behind-the-scenes at a 1950s TV variety-comedy show, in which O'Toole plays an ageing
swashbuckling film star reminiscent of
Errol Flynn. He returned to the stage in London with a performance in
Man and Superman (1982) that was better received than his
Macbeth. He focused on television, doing an adaptation of
Man and Superman (1983),
Svengali (1983),
Pygmalion (1984), and
Kim (1984), and providing the voice of
Sherlock Holmes for a series of animated TV movies. He played in
Pygmalion on stage in 1984 at the West End's
Shaftesbury Theatre. O'Toole returned to feature films in
Supergirl (1984),
Creator (1985),
Club Paradise (1986),
The Last Emperor (1987) as Sir
Reginald Johnston, and
High Spirits (1988). He appeared on Broadway in an adaptation of
Pygmalion (1987), opposite
Amanda Plummer. It ran for 113 performances. He won a
Laurence Olivier Award for his performance in
Jeffrey Bernard Is Unwell (1989). His other appearances that decade include
Uncle Silas (1989) for television. O'Toole's performances in the 1990s include
Wings of Fame (1990);
The Rainbow Thief (1990), with Sharif;
King Ralph (1991) with
John Goodman;
Isabelle Eberhardt (1992); ''
Rebecca's Daughters (1992), in Wales; Civvies (1992), a British TV series; The Seventh Coin (1993); Heaven & Hell: North & South, Book III (1994), for American TV; and Heavy Weather (1995), for British TV. He was in an adaptation of Gulliver's Travels (1996), playing the Emperor of Lilliput; FairyTale: A True Story (1997), playing Sir Arthur Conan Doyle; Phantoms (1998), from a novel by Dean Koontz; and Molokai: The Story of Father Damien (1999). He won a Primetime Emmy Award for his role as Bishop Pierre Cauchon in the 1999 mini-series Joan of Arc. He also produced and starred in a TV adaptation of Jeffrey Bernard Is Unwell'' (1999).
2000–2013: Resurgence and final roles O'Toole's work in the next decade included
Global Heresy (2002);
The Final Curtain (2003);
Bright Young Things (2003);
Hitler: The Rise of Evil (2003) for TV, as
Paul von Hindenburg; and
Imperium: Augustus (2004) as
Augustus Caesar. In 2004, he played
King Priam in
Troy. In 2005, he appeared on television as the older version of legendary 18th century Italian adventurer
Giacomo Casanova in the
BBC drama serial
Casanova. The younger Casanova, on screen for most of the action, was played by
David Tennant, who had to wear contact lenses to match his brown eyes to O'Toole's blue. He followed it with a role in
Lassie (2005). O'Toole was once again nominated for the Best Actor Academy Award for his portrayal of Maurice in the 2006 film
Venus, directed by
Roger Michell, his eighth such nomination. He was in
One Night with the King (2007) and co-starred in the
Pixar animated film
Ratatouille (2007), an animated film about a rat with dreams of becoming the greatest chef in Paris, as Anton Ego, a food critic. He had a small role in
Stardust (2007). O'Toole also appeared in the second season of
Showtime's drama series
The Tudors (2008), portraying
Pope Paul III, who
excommunicates
King Henry VIII from the church, an act which leads to a confrontation between the two men in seven of the ten episodes. Also in 2008, he starred with
Jeremy Northam and
Sam Neill in the New Zealand/British film
Dean Spanley, based on an Alan Sharp adaptation of Irish author Lord Dunsany's short novel,
My Talks with Dean Spanley. O'Toole appeared in ''
Thomas Kinkade's Christmas Cottage (2008) and Iron Road'' (2009), a Canadian-Chinese miniseries. O'Toole's final performances were in
Eldorado (2012) and
For Greater Glory: The True Story of Cristiada (2012). On 10 July 2012, O'Toole released a statement announcing his retirement from acting. A number of films were released after his retirement and death:
Decline of an Empire (2013), as
Gallus, and
Diamond Cartel (2017). == Personal life ==