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Harriet Lee (singer)

Harriet Lee was an American radio singer during the Golden Age of Radio in the 1920s–1930s. She was best known as a blues contralto on the Columbia Broadcasting System (CBS) and, later, NBC Radio Networks. Called the "Songbird of the Air", she was named Miss Radio 1931 based on nationwide submittals from radio stations, judged by Flo Ziegfeld and McClelland Barclay, to select the "most beautiful radio artist" for the Radio World's Fair in New York City. Lee was one of the highest paid radio stars that year. She hosted the Harriet Lee show on experimental New York City station W2XAB in 1931, making her one of the first singers to have a show on U.S. television.

Early life
Lee was a great-great niece of Sam Houston and grew up in Chicago, Illinois, where she was somewhat of a tomboy as a girl. Her father had an automobile dealership in Chicago, where she answered phones as a teen. Lee later studied piano and voice at the Chicago College of Music in the evening, while working during the day at a music store. ==Radio singer==
Radio singer
Lee began singing off-stage with Ted Fiorito's band at the Edgewater Beach Hotel. Called "Bobby Lee" as a publicity stunt because of her low contralto voice, many in the audience assumed the unseen singer they were hearing was a man. While with WLS, Lee sang as part of the "Harmony Team" and also played "Aunt May" on the ''Children's Hour show. She then left Chicago for New York to sing on CBS full-time. On January 4, 1930, she performed on a coast-to-coast radio production from both New York and Los Angeles, singing from New York on the Paramount Playhouse show originating on KNX-AM in Los Angeles and picked up by KHJ-AM, the CBS affiliate in Los Angeles. Later that year, she was featured on the cover of the May–October 1930 issue of Radio Digest'' magazine, dubbed "The Songbird of the Air". By 1931, Lee was one of the highest paid and best known singers on network radio. In September, 1931, impresario Flo Ziegfeld and artist McClelland Barclay judged a nationwide survey of radio stations to crown the "most beautiful radio artist" as Miss Radio 1931 for the Radio World's Fair. Lee was their unanimous choice from among 600 candidates. In early 1932, Lee left CBS for the NBC Blue Network, debuting April 7 on flagship station WJZ in New York. After two years, Lee moved to Hartford, Connecticut, to perform on WTIC-AM, where her program was carried on the NBC Red Network, beginning in October 1934. By 1936, her popularity had diminished when she appeared on WOR's radio show, Return Engagement, which featured radio stars of yesteryear. In his syndicated newspaper gossip column of May 3, 1938, Jimmy Fidler said Lee had "slipped into oblivion" as far as the radio listening public was concerned, but noted she had found a new, behind-the-scenes role as voice teacher for actress Dorothy Lamour. ==Early television==
Early television
Using mechanical television technology, the Columbia Broadcasting System's W2XAB (now WCBS-TV) in New York City began regular broadcasting on July 21, 1931. One of the new station's first programs, Harriet Lee, featured Lee as Columbia's popular radio singer. The Harriet Lee television show aired in a 15-minute evening time-slot on Wednesdays and Fridays, produced live at W2XAB's Manhattan studios. It was among the earliest entertainment programs to have aired on U.S. television on something resembling a regular basis, with at least 12 episodes being scheduled. W2XAB broadcast an early Harriett Lee episode on Wednesday, July 29, 1931, at 8:30 p.m., preceded by ''Tony's Scrap Book'' and followed by an interview. A later episode aired Wednesday September 30, 1931, at 8:00 p.m. and was the first show on the day's schedule of limited broadcasting. At the time, there were an estimated nine thousand television sets in the New York area. Because W2XAB was broadcasting in the shortwave band, the station's signal could be received beyond the New York metropolitan area, as far away as Boston and Baltimore. In Allentown, Pennsylvania, some distant, W2XAB's daily program schedules were listed by the local newspaper, as did the Ithaca Journal in upstate New York, northwest. None of the episodes are known to exist, as methods to record live television were not practical until the 1940s when kinescope recording began. ==Films and recordings==
Films and recordings
Between 1926 and 1933, Lee made several recordings on the RCA Victor, Columbia, and Brunswick Records labels. Some of her recordings were solos and others were with accompanists such as organist Jesse Crawford and ensembles, such as Anson Weeks and his Orchestra. Lee appeared in some Vitaphone short films during the 1930s, such as ''Rambling 'Round Radio Row in 1934. She did the voice of Betty Boop in the 1931 animated film, The Bum Bandit Her final film work was in 1951, which she was the voice double for Barbara Stanwyck in The Man with a Cloak''. == Voice teacher ==
Voice teacher
In September 1936, Lee left New York for Hollywood, having received a lucrative contract as a voice teacher. She worked at Paramount Pictures and MGM in the 1930s–1940s with such Hollywood stars as Dorothy Lamour, Ava Gardner, and Rhonda Fleming. She also did music arrangements for such entertainers as French singer Jean Sablon in 1938. In 1940, students from Lee's Los Angeles voice studio performed on Stage One, a Sunday afternoon radio program on KMPC. On August 29, 1951, Lee returned to television in Los Angeles, making a guest singing appearance with Craig Stevens on KTTV's Open House show. The 1950s saw Lee continuing her career as a vocal coach for aspiring Hollywood stars. While living in Malibu Beach, she signed in 1952 with Universal International Pictures as a singing teacher. In 1953, actor Tony Curtis studied voice with Lee and in 1957, Kim Novak did her own singing in the films, Pal Joey and Jeanne Eagels, after studying with Lee. By 1960, syndicated columnist Hedda Hopper was writing of Lee, "She's taught more [stars] how to sing than you could shake a stick at", mentioning Ginger Rogers and Janet Leigh. Lee continued to operate her Los Angeles voice studio for would-be singers in the 1960s. In the 1960s–1970s, Lee worked with a number of performers on the Broadway stage. Among them were Ann Miller in Mame and Hello, Dolly!, Anne Baxter in Applause, and Gene Nelson in Follies. She also coached other singers who would play the role of Dolly in Hello, Dolly!, including Ginger Rogers, Eve Arden, and Pamela Britton. In 1973, Lee coached Eva Gabor for her role in a touring version of another hit Broadway musical, Applause. In discussing the art of voice coaching with newspaper columnist Norton Mockridge in 1972, Lee said: "I can teach the technique of singing and I can teach a serious student how to use her speaking voice in song. But no one in the world can put a voice in someone's throat if it isn't there to begin with". ==Personal life==
Personal life
While living in New York in the early 1930s, Lee said she enjoyed cooking, playing bridge, and driving fast cars. ==See also==
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