In September 1936, Lee left New York for Hollywood, having received a lucrative contract as a
voice teacher. She worked at
Paramount Pictures and
MGM in the 1930s–1940s with such Hollywood stars as
Dorothy Lamour,
Ava Gardner, and
Rhonda Fleming. She also did music arrangements for such entertainers as French singer
Jean Sablon in 1938. In 1940, students from Lee's Los Angeles voice studio performed on
Stage One, a Sunday afternoon radio program on
KMPC. On August 29, 1951, Lee returned to television in Los Angeles, making a guest singing appearance with
Craig Stevens on
KTTV's
Open House show. The 1950s saw Lee continuing her career as a vocal coach for aspiring Hollywood stars. While living in
Malibu Beach, she signed in 1952 with
Universal International Pictures as a singing teacher. In 1953, actor
Tony Curtis studied voice with Lee and in 1957,
Kim Novak did her own singing in the films,
Pal Joey and
Jeanne Eagels, after studying with Lee. By 1960, syndicated columnist
Hedda Hopper was writing of Lee, "She's taught more [stars] how to sing than you could shake a stick at", mentioning
Ginger Rogers and
Janet Leigh. Lee continued to operate her Los Angeles voice studio for would-be singers in the 1960s. In the 1960s–1970s, Lee worked with a number of performers on the
Broadway stage. Among them were
Ann Miller in
Mame and
Hello, Dolly!,
Anne Baxter in
Applause, and
Gene Nelson in
Follies. She also coached other singers who would play the role of Dolly in
Hello, Dolly!, including Ginger Rogers,
Eve Arden, and
Pamela Britton. In 1973, Lee coached
Eva Gabor for her role in a touring version of another hit Broadway musical,
Applause. In discussing the art of voice coaching with newspaper columnist
Norton Mockridge in 1972, Lee said: "I can teach the technique of singing and I can teach a serious student how to use her speaking voice in song. But no one in the world can put a voice in someone's throat if it isn't there to begin with". ==Personal life==