Roman salute

, Plate LXII. Onlookers raise their arms to acclaim the emperor using a gesture very different from the "Roman salute". The modern gesture consists of stiffly extending the right arm frontally and raising it roughly 135 degrees from the body's vertical axis, with the palm of the hand facing down and the fingers stretched out and touching each other. According to a pseudo-historical legend, this salute was based on an ancient Roman custom. However, this description is not found in Roman literature and is never mentioned by ancient Roman historians. Not a single Roman work of art displays a salute of this kind. The gesture of the raised right arm or hand in Roman and other ancient cultures that does exist in surviving literature and art generally had a significantly different function and is never identical with the modern straight-arm salute. The right hand (Lat. dextera, dextra; Gr. δεξιά – dexia) was commonly used in antiquity in gestures symbolic of a pledge of trust, friendship, or loyalty. For example, Cicero reported that Octavian pledged an oath to Julius Caesar while outstretching his right hand: "Although that youth [the young Caesar Octavian] is powerful and has told Antony off nicely: yet, after all, we must wait to see the end. But what a speech! He swore his oath with the words: 'so may I achieve the honours of my father!', and at the same time he stretched out his right hand in the direction of his statue." Sculptures commemorating military victories such as those on the Arch of Titus, the Arch of Constantine, or on the Column of Trajan are the best-known examples of raised arms in the art of that period. However, these monuments do not display a single representation of the Roman salute. The images closest in appearance to a raised arm salute are scenes in Roman sculpture and coins which show an adlocutio, acclamatio, adventus, or profectio. These are occasions when a high-ranking official, such as a general or the emperor, addresses individuals or a group, often soldiers. Unlike modern custom, in which both the leader and the people he addresses raise their arms, most of these scenes show only the senior official raising his hand. Occasionally it is a sign of greeting or benevolence, but usually it is used as an indication of power. An opposite depiction is the salutatio of a diogmites, a military police officer, who raises his right arm to greet his commander during his adventus on a relief from 2nd-century Ephesus. An example of a salutational gesture of imperial power can be seen in the statue of Augustus of Prima Porta which follows certain guidelines set out by oratory scholars of his day. Quintilian states in his Institutio Oratoria: "Experts do not permit the hand to be raised above the level of the eyes or lowered beneath the breast; to such a degree is this true that it is considered a fault to direct the hand above the head or lower it to the lower part of the belly. It may be extended to the left within the limits of the shoulder, but beyond that it is not fitting." == Modern invention of the salute ==

18th–19th centuries France '' (1791), by Jacques-Louis David '' (1810), also by Jacques-Louis David Beginning with Jacques-Louis David's painting The Oath of the Horatii (1784), an association of the gesture with Roman republican and imperial culture emerged. The painting shows the three sons of Horatius swear on their swords, held by their father, that they will defend Rome to the death. It is based on a historical event described by Livy (Book I, sections 24-6) and elaborated by Dionysius in Roman Antiquities (Book III). However, the moment depicted in David's painting is his own creation. Neither Livy nor Dionysius mention any oath taking episode. The painting was never finished, but an immense drawing was exhibited in 1791 alongside the Oath of the Horatii. As in the Oath of the Horatii, David conveys the unity of minds and bodies in the service of the patriotic ideal. But in this drawing, he takes the subject further, uniting the people beyond just family ties and across different classes, religions, and philosophical opinions. (1859)After the republican government was replaced by Napoleon's imperial régime, David further deployed the gesture in The Distribution of the Eagle Standards (1810). But unlike his previous paintings representing republican ideals, in Eagle Standards the oath of allegiance is pledged to a central authority figure, and in imperial fashion. Boime sees the series of oath pictures as "the coding of key developments in the history of the Revolution and its culmination in Napoleonic authoritarianism". The imperial oath is seen in other paintings, such as Jean-Léon Gérôme's Ave Caesar! Morituri te salutant (Hail, Caesar, those who are about to die salute you) of 1859. In this painting, the gladiators are all raising their right or left arms, holding tridents and other weapons. Their salutation is a well-known Latin phrase quoted in Suetonius, De Vita Caesarum ("The Life of the Caesars", or "The Twelve Caesars"). Despite becoming widely popularised in later times, the phrase is unknown in Roman history aside from this isolated use, and it is questionable whether it was ever a customary salute, as is often believed. It was more likely to be an isolated appeal by desperate captives and criminals condemned to die. 19th–20th centuries United States to the flag of the United States On October 12, 1892, the Bellamy salute was demonstrated as the hand gesture to accompany the Pledge of Allegiance in the United States. The inventor of the saluting gesture was James B. Upham, junior partner and editor of ''The Youth's Companion''. Bellamy recalled Upham, upon reading the pledge, came into the posture of the salute, snapped his heels together, and said "Now up there is the flag; I come to salute; as I say 'I pledge allegiance to my flag,' I stretch out my right hand and keep it raised while I say the stirring words that follow." Of special note is the use in Giovanni Pastrone's colossal epic Cabiria (1914). Its intertitles, character names, and movie title were attributed to Italian nationalist Gabriele d'Annunzio, who was known as the "poet-warrior". Inspired by the Italo-Turkish War, in which Italy conquered the North African Ottoman province of Tripolitania, Pastrone pursued a politically volatile issue. The film highlights Italy's Roman past and the "monstrous" nature of Carthaginian society, which is contrasted with the "nobility" of Roman society. Cabiria was one of several films of the period that "helped resuscitate a distant history that legitimized Italy's past and inspired its dreams" and which "delivered the spirit for conquest that seemed to arrive from the distant past", thereby presaging the "political rituals of fascism", "thanks ... to its prime supporter and apostle, Gabriele d'Annunzio." Variations on the salute occur throughout Cabiria on the part of Romans and Africans. Scipio uses the gesture once. Fulvius Axilla, the story's fictitious hero, twice employs it as a farewell greeting to his hosts. The Numidian king Massinissa, guest of the Carthaginian Hasdrubal, raises his right hand and is so greeted in return, once by the strongman Maciste. Princess Sophonisba and King Syphax mutually greet each other by raising their hands and declining their bodies. The diversity of the gesture and the variety of nationalities who use it in Cabria is seen as further evidence that the salute is a modern invention, used in the film to highlight the exotic nature of antiquity. ==Adoption by Fascist Movements==

Fascist Italy Gabriele D'Annunzio, who had written the intertitles for Cabiria, appropriated the salute when he occupied Fiume in 1919 and led the "Italian Regency of Carnaro". D'Annunzio has been described as the John the Baptist of Italian Fascism, having invented many of the theatrical rituals, including the salute and the balcony address, that became part of the movement's symbolic repertoire. On January 31, 1923, the Ministry of Education instituted a ritual honoring the flag in schools using the Roman salute. In 1925, as Mussolini began his fascitization of the state, the salute was gradually adopted by the regime, and by December 1, 1925, all state civil administrators were required to use it. Achille Starace, the Italian Fascist Party secretary, pushed for measures to make the use of the Roman salute generally compulsory, denouncing hand shaking as bourgeois. He further extolled the salute as "more hygienic, more aesthetic, and shorter". He also suggested that the Roman salute did not imply the necessity of taking off the hat unless one was indoors. By 1932, the salute was adopted as the substitute for the handshake. On August 19, 1933, the military was ordered to use the salute whenever an unarmed detachment of soldiers was called on to render military honors for the King or Mussolini. The symbolic value of the gesture grew, and it was felt that the proper salute "had the effect of showing the fascist man's decisive spirit, which was close to that of ancient Rome". The salute was seen to demonstrate the fascist's "decisive spirit, firmness, seriousness, and acknowledgment and acceptance of the regime's hierarchical structure". It was further felt that the correct physical gesture brought forth a change in character. A joke claimed, however, that the Fascist salute used one hand because Italians were tired of raising both hands to surrender during World War I. The handshake was supposed to disappear from the view of Italians and not contaminate their daily life. In 1938, the party abolished handshaking in films and theater, and on November 21, 1938, the Ministry of Popular Culture issued orders banning the publishing of photographs showing people shaking hands. Even official photographs of visiting dignitaries were retouched to remove the image of their handshaking. Nazi Germany In Germany, the salute, sporadically used by the Nazi Party (NSDAP) since 1923, was made compulsory within the movement in 1926. Called the Hitler salute (Hitlergruß), it functioned both as an expression of commitment within the party and as a demonstrative statement to the outside world. Yet in spite of this demand for the outward display of obedience, the drive to gain acceptance did not go unchallenged, even within the movement. Early objections focused on its resemblance to the Roman salute employed by Fascist Italy, and hence on it not being German. In response, efforts were made to establish its pedigree and invent a proper tradition after the fact. The compulsory use of the Hitler salute for all public employees followed a directive issued by Reich Minister of the Interior Wilhelm Frick on July 13, 1933, one day before the ban on all non-Nazi parties. The Wehrmacht refused to adopt the Hitler salute and was able for a time to maintain its own customs. The military were required to use the Hitler salute only while singing the Horst Wessel Lied and German national anthem, and in non-military encounters such as greeting members of the civilian government. Only after the July 20 Plot in 1944 were the military forces of the Third Reich ordered to replace the standard military salute with the Hitler salute. , 1938 , 1933 demonstration in Salamanca, Spain greeting the Croatian parliament in February 1943 in Rio de Janeiro, 1935 , Prime Minister of Peru in 1932, shown saluting in the party uniform of the fascist Revolutionary Union of Peru that he led as its Supreme Chief from 1933 to 1960. Elsewhere Similar forms of salutes were adopted by various groups. Its use in France dates back to the revolution. It was also used by the Jeunesses Patriotes (Patriotic Youth), a movement led by Pierre Taittinger, which gave the fascist salute at meetings while shouting "Dictatorship!". Marcel Bucard's Mouvement Franciste, founded in September 1933, adopted the salute as well as donning blue shirts and blue berets. Solidarité Française used the salute as well, though its leaders denied the movement was fascist. By 1937, rivalry amongst French right wing parties sometimes caused confusion over salutes. The Parti Populaire Français, generally regarded as the most pro-Nazi of France's collaborationist parties, adopted a variant of the salute that distinguished itself from others by slightly bending the hand and holding it at face level. The Republic of China adopted the Roman Salute in 1930 as a gesture used when officials and teachers take the oath of office facing their national flag and portrait of Sun Yat-sen. The salute remained unchanged even after 1949 when the nationalist government retreated to Taiwan, as well as when Taiwan came under democratic rule in 1991, and continues to be used for the same purpose to this day. (see external links below) In the early 1930s, the salute was used by members of the Estonian nationalist right wing Vaps Movement, as well as the Brazilian Integralist Action, who used to salute by raising one arm. The Brazilian form of the Salute was called "Anauê" – a word used as a salutation and as a cry by the Brazilian indigenous Tupi people, meaning "you are my brother". In Greece in 1936, when Ioannis Metaxas and his 4th of August Regime took power, an almost identical salute was adopted – first by the National Youth Organization and later by the government as well as common people – and used even while fighting against Italy and Germany in WW2. In Spain, in the early 1930s, CEDA, the Confederación Española de Derechas Autónomas ("Spanish Confederation of Autonomous Right-wing Groups") adopted a form of the Roman salute. Then, on April 26, 1937, after General Francisco Franco took over the fascist Falange Española de las JONS party and merged it with the Carlist, monarchist, and ultracatholic Traditionalist Communion, creating the FET y de las JONS (Falange Española Tradicionalista y de las Juntas de Ofensiva Nacional Sindicalista, lit. 'Traditionalist Spanish Phalanx of the Councils of the National Syndicalist Offensive"), he formally approved the salute in a decree which made it the official salutation to be used by all except the military, who would continue to use the traditional military salutes. This was repealed in September 1945. When the Franco regime restored "Marcha Real" as the Spanish national anthem in 1942 and established unofficial new lyrics for it, the first stanza referred to the fascist salute: "Alzad los brazos, hijos del pueblo español" ("Raise your arms, sons of the Spanish people"). These lyrics remained part of the Spanish national anthem until 1978. After a meeting with Mussolini, in December 1937, Yugoslav Prime Minister Milan Stojadinović and chairman of Yugoslav Radical Union adopted a version of the salute as he took to styling himself as Vođa (leader). On January 4, 1939, the salute by raising one arm was adopted in Romania under a statute promulgating the National Renaissance Front. In Slovakia, the Hlinka Guard's Na stráž! (On guard!) consisted of a half-hearted compromise between a friendly wave and a salute with a straight raised arm. During the Vichy regime in France, the Roman salute was regularly used by members of the Legion of French Volunteers Against Bolshevism and the 33rd Waffen Grenadier Division of the SS Charlemagne. It was also used by certain collaborationist groups (such as the National Popular Rally) during public events organised by the regime. Pupils of the Chantiers de la jeunesse française, a pro-Vichy youth movement, also used the Roman salute. == Post World War II ==

United States White supremacist and Neo-Nazi groups, such as the Proud Boys, have used the salute in the US. Alt-right figure Richard Spencer used it during a 2016 speech in support of Donald Trump, while shouting "Hail Trump! Hail our people! Hail victory!" Italy The salute has been used many times by prominent individuals as well as groups of people since the war. Famed poet Ezra Pound used the salute in praise of his adopted country of Italy when he returned in 1958 after being released from an insane asylum in the United States. The salute was on display in the 1968 funeral for Mussolini's youngest daughter, Anna Maria Mussolini Negri. When the Italian Social Movement had its greatest electoral gains since the Second World War in June 1971, crowds at the party headquarters cheered and gave the outstretched arm salute. On July 29, 1983, on the 100th anniversary of Mussolini's birth, thousands of black-shirted supporters chanted "Duce! Duce!" with their arms raised in the fascist salute on a march from his native village of Predappio in Romagna to the cemetery where he was buried. On the eve of Silvio Berlusconi's election victory in 1994, young supporters of Gianfranco Fini made the fascist salute while chanting "Duce! Duce!" In 2005, Italian footballer Paolo Di Canio created controversy by twice using the gesture to salute S.S. Lazio fans, first in a match against archrivals A.S. Roma and then against A.S. Livorno Calcio (a club inclined to leftist politics). Di Canio received a one match game ban after the second event and was fined 7,000 euros, after which he was quoted as saying "I will always salute as I did because it gives me a sense of belonging to my people [...] I saluted my people with what for me is a sign of belonging to a group that holds true values, values of civility against the standardisation that this society imposes upon us." His salute featured on unofficial merchandise sold outside Stadio Olimpico after the ban. In June 2009, Michela Vittoria Brambilla, an Italian politician and businesswoman commonly described as a possible successor to Silvio Berlusconi for leadership of the Italian right, was caught in a controversy over her alleged use of the Roman salute, with calls for her to step down. She denied the accusation, stating "I've never either done or thought of doing any gesture that is an apology of fascism, something toward which I've never showed any indulgence, let alone sympathy. And why should I have made a public display of such a despicable gesture shortly after I've been made a minister?" They performed fascist salutes and shouted: "Camerati, present!" They also did a typical rallying cry at neo-fascist events: "For all fallen comrades!" This prompted criticism from the opposition and outrage. Marco Vizzardelli, a theatre-goer who was quickly identified by DIGOS for shouting "Long live anti-fascist Italy!" at La Scala, said that he was "outraged", adding: "Nobody stopped them, double standards." Fabio Rampelli of Brothers of Italy (FdI), an MSI-heir party that also commemorates the victims, said that these were loose cannons and that FdI had nothing to do with it. Opposition leaders, such as Elly Schlein, asked Giorgia Meloni, the prime minister of Italy and FdI member, to apply the ban of neo-fascist groups that is part of the Italian Constitution, which far-right groups are able to circumvent by using a different name and proclaiming themselves to be new political forces. Others also urged Meloni and Lazio president Francesco Rocca to distance themselves. In June 2024, Fanpage.it released an undercover report on the activities of Gioventù Nazionale, youth wing of the right-wing political party Brothers of Italy. The investigation captured members of National Youth engaging in chanting slogans, singing songs, and making the salute associated with fascism. These behaviors were said to be encouraged privately within the group but discouraged publicly to avoid media scrutiny. Eric Mamer, spokesperson for European Commissioner Ursula von der Leyen, criticized the use of fascist symbols by the organization. Opposition figures like Elly Schlein and Nicola Fratoianni condemned National Youth's actions and called on Prime Minister Giorgia Meloni for clarification while right-wing politician Italo Bocchino defended them and dismissed Fanpage's investigation as "garbage". Germany Use of the salute and accompanying phrases has been forbidden by law in Germany since the end of World War II. Section 86a of the German Penal Code provides for punishment of up to three years in prison for anyone using the salute, unless it is used for artistic, scientific, or educational purposes. Greece The Greek nationalist party Golden Dawn used the Roman salute unofficially. Golden Dawn was accused by its opponents of being neo-Nazi, but the party denies this and claims that the salute was ancient Greek or Roman, and that it was used as a tribute to Ioannis Metaxas and his 4th of August Regime which led Greece against the foreign occupation forces in WWII. Syria and Lebanon The salute is employed by groups associated with Ba'athism, Pan-Arabism and Phalangism supporters, including Hezbollah, the pro-Assad NDF and Assad supporters, the Syrian Social Nationalist Party, and the Kataeb Party. Mexico , 2022. In Mexico, the Roman salute is used today during the Pledge of Allegiance to the Mexican Flag in official, military, and civilian ceremonies. It is a deeply rooted tradition symbolizing respect and loyalty to the nation. The President of Mexico performs this salute during the oath of office, a practice that emphasizes the symbolic connection between the leader and the state. Similarly, politicians often use this salute during the inauguration of official events, further cementing its ceremonial significance. In military contexts, the salute is a standard gesture during events honoring the flag and the country, reflecting discipline and unity. The civilian use of the salute is most prominent in educational institutions, where it is mandatory in public schools up to High school during weekly Monday ceremonies and on significant national holidays, such as Independence Day and Revolution Day. While private schools are not legally required to perform these ceremonies, many follow the tradition, reinforcing the cultural significance of these practices. Portugal In Portugal the salute is still used today by the military to take their oath to the national flag, when they successfully complete the first phase of military instruction. Formed in front of the highest symbol of national sovereignty, the military raise their right arm pointed towards the flag and take their oath. Spain in Madrid The salute is performed today by Spanish fascists and sympathisers of Francisco Franco, the former dictator of Spain. South Africa The Afrikaner Weerstandsbeweging, a neo-Nazi political party and paramilitary force known for its advocacy of an all-white Afrikaner Volkstaat, has used Nazi-style uniforms, flags, insignia, and salutes at meetings and public rallies. Hundreds of supporters in 2010 delivered straight-arm salutes outside the funeral for its founder and former leader Eugène Terre'Blanche, who was murdered by two black farm workers over an alleged wage dispute. Scotland and Northern Ireland (Red Hand of Ulster Salute) The Red Hand of Ulster Salute is a modified version of the Roman Salute in which the hand is raised vertically to symbolise the Red Hand of Ulster. It is used by some Rangers F.C. fans to show an affinity with the Loyalist cause. Its similarity to the Nazi salute has caused offence and the football club and its supporters' association have asked them not to use it. The existence of the Red Hand salute as a separate gesture (without fascist or Nazi intent) has been questioned. ==In popular culture==

members doing the Roman salute to the marching band of rival USC A large number of films made after World War II made the Roman salute a visual stereotype of a proto-fascist ancient Roman society. In the 1951 film Quo Vadis, Nero's repeated use of the salute at mass rallies explicitly presents the Roman Empire as a fascist military state. The movie provided other filmmakers of the time a model, with notable examples including Ben-Hur, Spartacus, Cleopatra, and Caligula. Not until Gladiator did the Roman epic return to the cinema. In this movie, the salute is notably absent in most scenes, for example when Commodus enters Rome or when the Senate salutes the Emperor by head-bowing. Variations on the salute also appear in neo-fascist contexts. For example, The Christian Falangist Party, founded in 1985, uses a "pectoral salute", in which the right arm, bent at the elbow, is extended from the heart, palm down. This gesture was used in François Truffaut's 1966 film Fahrenheit 451. The film portrays a futuristic totalitarian society modeled after the fascist state, including black uniforms, book burnings, and thought control. In the Star Trek episode "Mirror, Mirror", the salute begins with the right fist being placed over the heart, as in a pectoral salute, and then the arm is stretched out (usually up) before the body, open palm down, as in a traditional Roman salute. In the episode, Captain Kirk and members of his crew are transported to a parallel universe in which the United Federation of Planets has been replaced by an empire characterized by sadistic violence and torture, genocide, and unquestioning obedience to authority. A modified Roman salute is commonly used in the British-American series Rome. Here the salute avoids similarity to the Fascist salute, as the series seeks not to depict these Romans as stereotypical conquerors. Therefore, the salute is not the familiar straight arm salute but rather resembles a pectoral salute, with the right hand placed over the heart and then extended to the front of the body. ==See also==