1960s In 1966, he joined a stage band called The Strangers, and soon afterward they moved to London. They performed with
Chuck Berry and
Bo Diddley. Diddley became a mentor to Foster, teaching him about groove. During this time, Foster was going through a difficult period, and was barely able to make ends meet. Around the same time, Foster also performed with
Ronnie Hawkins.
1970s In 1971, while playing in Hawkins' band, he met B.J. Cook, and the two quickly hit it off. They soon recruited other musicians to form
Skylark. Cook was persistent and leveraged his connections, and after passing through several hands, Skylark finally secured a deal with Capitol Records. The song "Wildflower" produced by Eirik Wangberg, was a top ten hit in 1973. The band disbanded after releasing their second album, while Foster remained in Los Angeles as a studio musician. In 1975, Foster played on
George Harrison's album
Extra Texture. He then formed a band called
Attitudes with Jim Keltner,
Danny Kortchmar, and Paul Stallworth, musicians he had come to know in recent years, and together they released two albums. The band did not have any major hits and later disbanded. A year later, Foster contributed
Fender Rhodes and
clavinet to Harrison's album
Thirty Three & 1/3. By this time, Foster had collaborated with numerous musicians and had gained a degree of recognition within the music industry. He was credited as a keyboardist on a number of albums from that era. Foster had gradually transitioned from working solely as a studio musician to also taking on the role of producer. In 1978, after contributing to the production of various albums, Foster was given the opportunity to produce an entire album for a major record label for the first time. The project was
Along the Red Ledge for
Hall & Oates. This album was the first collaboration with
Humberto Gatica, who would go on to become a long-time colleague. Its success led Foster to produce their next album,
X-Static. In the same year, Foster produced
From the Inside, a concept album by
Alice Cooper. Although not a commercial success, it marked an early example of Foster's versatility as a producer and his ability to work across genres. In 1979, Foster was a major contributor to
Earth, Wind & Fire's album
I Am, as a keyboardist, arranger and composer. He was a co-writer on six of the album's tracks, such as "
After the Love Has Gone", for which he and his co-writers,
Jay Graydon and
Bill Champlin, won the
Grammy Award for Best R&B Song at the
22nd Annual Grammy Awards. In the same year, he formed the band
Airplay with Jay Graydon; the group released its only album the following year. That same year, Foster produced the majority of
Deniece Williams' album
When Love Comes Calling, marking his first collaboration with
Jeremy Lubbock as orchestral arranger and conductor. The two continued to work together on most of Foster's subsequent projects over the decades until Lubbock's death.
1980s In 1980, Foster produced
Boz Scaggs's album
Middle Man. He co-wrote and played keyboards on some of Scaggs's most successful songs, including "
Breakdown Dead Ahead," "Jojo," and "Simone," as well as "
Look What You've Done to Me" from the film
Urban Cowboy. Foster went on to produce two albums for
The Tubes:
The Completion Backward Principle (1981) and
Outside Inside (1983). He co-wrote several songs with the group, including "
Talk to Ya Later" (with Tubes singer
Fee Waybill and Toto guitarist
Steve Lukather), the Top 40 hit
"Don't Want to Wait Anymore", and the US Top 10 hit
"She's a Beauty". In 1982, Foster produced the original cast album for the Broadway musical
Dreamgirls, which was uniquely recorded in a single take—unlike his usual practice of using multiple takes. The album earned him the
Grammy Award for Best Cast Show Album at
the 25th Annual Grammy Awards. Foster was a major contributor to the career of jazz rock band
Chicago in the early and mid-1980s, serving as the band's producer on
Chicago 16 (1982),
Chicago 17 (1984), and
Chicago 18 (1986). The three albums were highly successful and the group's unexpected comeback surprised everyone. Foster co-wrote several of the band's biggest hits with the band's bassist,
Peter Cetera and outside songwriters, including "
Hard to Say I'm Sorry" (US No. 1), "
Hard Habit to Break" (US No. 3), "
You're the Inspiration" (US No. 3), and "
Will You Still Love Me?" (US No. 3). Entrusted with the task of reviving Chicago, Foster asserted his own style from the outset. He worked primarily with Cetera, with whom he shared similar views, and kept his distance from the other members, which led to ongoing discord within the band. Years later, Foster reflected, "I'm sorry for what happened back then." In retrospect, 21st-century reviews have noted that the songwriting, arrangements, and production of
Chicago 17 are more representative of Foster's style than of the band's. For his work on the album, Foster was awarded
Producer of the Year at the
27th Annual Grammy Awards. That same year, Foster produced the song "
Somewhere" for
Barbra Streisand's
The Broadway Album. Streisand frequently performs the song live, and the song has been described as an epic piece. Foster won the
Grammy Award for Best Instrumental Arrangement Accompanying Vocal. In 1986, Foster released his first international album
David Foster. The album was nominated for
Best Pop Instrumental Performance and
Best Engineered Recording at the
29th Grammy Awards. It consists of instrumental tracks and two vocal tracks. The well-known song "
Best of Me" is also included on the Japan-exclusive album (1983) with Foster's solo vocals, but this time it has been re-recorded with richer production and features a duet with
Olivia Newton-John. The record company finally greenlit the album after the instrumental track "The Love Theme from St. Elmo's Fire" became a major hit the previous year. Earlier, when the album
Kimi ni Subete wo (The Best of Me) was released exclusively in Japan, their bid to issue it in the U.S. had failed. Foster founded the David Foster Foundation (DFF) in 1986. For more details, see the separate chapter. Foster composed "Winter Games", the instrumental theme song for the
1988 Winter Olympics and performed both the instrumental and its vocal version "Can't You Feel It?" in
Calgary,
Alberta. The song was nominated for
Best Instrumental Composition at the
31st Grammy Awards. The song has since been widely used as background music in television and live event productions. That same year, Foster hired a young engineer, David Reitzas, to join his studio. Since then, the two have continued to work together for many years, up to the present. In 1989, Foster appeared in his first self-titled television special,
A David Foster Christmas Card. More information about the special can be found in a separate chapter below. In the late 1980s, Foster signed a personal management deal with Danny Goldberg and Brian Avnet, which led to his frequent appearances as an artist. Together, they also co-founded and managed Foster's personal label, 143 Records, where they discovered and developed numerous artists. Around the same time, Foster brought on Chris Earthy, a longtime friend from their teenage years in the local band
The Teen Beats, as his production and tour manager, a position he held until 2011. In the same year, he helped
Celine Dion break into the U.S. market by producing several tracks on her first English-language album,
Unison. Dion has credited both her manager
René Angélil and Foster for helping her reach the international music scene. Foster would go on to collaborate with Dion on many albums over the following decades. In 1991, Foster launched a charity project to support soldiers in the
Gulf War. Modeled after his African famine relief project six years earlier, he wrote and produced a charity song and brought together well-known North American artists to perform it. The result was "
Voices That Care," with proceeds benefiting the
United Service Organizations and the
American Red Cross Gulf Crisis Fund. Further details about the participating artists can be found in the article,
Voices That Care performers. That same year, Foster released his fourth album,
Rechordings. As the title suggests, it is a collection of his hit songs reinterpreted with new chord progressions. Similar to his second album,
The Symphony Sessions, it is an instrumental record. The arrangements from this album have since served as the basis for live performances, interviews, and television appearances. In the same year, Foster produced
Natalie Cole's album
Unforgettable... with Love. The album was a huge success, winning
Album of the Year and
Best Engineered Recording at the
34th Annual Grammy Awards. The track "
Unforgettable" (a duet with her father,
Nat King Cole) earned three additional Grammys:
Record of the Year,
Traditional Pop Vocal Performance, and
Best Instrumental Arrangement Accompanying Vocal. Foster was also awarded
Producer of the Year. The album went on to win the
Soul Train Music Award for
Best R&B/Soul Album, and in 1998 it was certified 7× Platinum by the
RIAA. When the recording sessions began, Cole expressed her desire to record "Unforgettable" as a duet with her father. Creating a father-daughter duet was extremely challenging with the technology available at the time, but Cole, Foster, and the engineering team worked together to make it a reality. Foster never anticipated that the album would become such a hit. However, those around him reacted enthusiastically from the very start of production. He was particularly moved by Cole's mother, Maria, who was brought to tears when she first heard the duet. This album marked Cole's comeback, completely reversing her previous decline.
The Bodyguard,
Whitney Houston's soundtrack album, was released in 1992 and was partially produced by Foster. Houston and Foster began recording in November of the previous year. After a hiatus, they resumed work in March. Before recording "
I Will Always Love You," Foster contacted the song's writer,
Dolly Parton, about using it. When he mentioned that he planned to follow
Linda Ronstadt's version, Parton suggested restoring a third verse from her original lyrics, which she felt was important. Foster agreed. According to him, the recording was completed in a single take without splicing. The album became a historic success, topping the charts in 21 countries. It stayed at number one on the
Billboard 200 for 20 consecutive weeks, making it the first album by a female artist to achieve that milestone. It sold over one million copies per week for several consecutive weeks, and later became one of three Houston albums certified Diamond by the
RIAA. As of 2017, the album had sold 50 million copies worldwide—making it the best-selling soundtrack album of all time, the best-selling album by a woman, and the third best-selling album overall, behind only
AC/DC’s
Back in Black and
Michael Jackson's
Thriller. The first single, "I Will Always Love You," spent 14 consecutive weeks at number one on the
Billboard Hot 100. This tied Houston's record for the most number-one singles by a female artist at the time, and the song went on to top the charts in 34 countries. It sold more than 24 million copies worldwide, becoming the best-selling single by a female artist of all time. The American R&B group
All-4-One released "
I Swear," produced by David Foster, in 1994. The song topped the Billboard Hot 100 for 11 consecutive weeks. By this point, Foster's focus had shifted beyond the role of producer, as he wanted to help artists develop from a broader perspective. In 1995, he signed a deal with
Warner Bros. to launch his boutique label,
143 Records, as a joint venture with the company. He entrusted day-to-day operations of the label to his then-manager, Brian Avnet.
Madonna produced new songs for the compilation album
Something to Remember, including two collaborations with Foster. "
You'll See," released in 1995, became a hit. Although Foster hadn't expected Madonna to choose him, he later said that he felt they did a good job together. Foster participated annually in
Andre Agassi's Grand Slam for Children charity concert every year since 1995. For more details, see the separate chapter. In 1996, Foster achieved a series of major successes. He produced
Diane Warren songs such as "
Un-Break My Heart" (
Toni Braxton) and "
Because You Loved Me" (
Celine Dion), and he also produced the classic "
When I Fall in Love" (
Natalie Cole). At
the 39th Grammy Awards, the album
Falling Into You, which features "Because You Loved Me", won
Album of the Year, while "When I Fall In Love" earned
Best Instrumental Arrangement With Accompanying Vocal(s).
2000s Foster produced major-label debut albums of
Josh Groban (2001),
Michael Bublé (2003),
Renee Olstead (2004), and
Charice (2010). They were mentored by Foster and were previously signed to 143 Records. In the 2000s, Foster's work also had a significant
A&R component. In 2001, Foster collaborated with
Lara Fabian and the
Vancouver Symphony Orchestra to record English, French, and bilingual versions of the Canadian national anthem, "
O Canada." Following the
September 11 attacks, the Canadian government organized several cultural events to strengthen ties with the United States. As part of these initiatives, Lara Fabian was selected to perform a special rendition of "O Canada." In the same year, the film
The Score, starring
Robert De Niro and
Marlon Brando, featured a
Diana Krall recording, "I'll Make It Up as I Go". The song was composed by Foster together with his daughter
Amy Foster-Gillies. Foster also became involved in his first talent show,
Popstars USA, where he served as a mentor. The program aired on
The WB from 2001 to 2002. From then through the 2010s, he frequently appeared on talent shows. In collaboration with Linda Thompson, Foster composed "Light the Fire Within", sung by
LeAnn Rimes for the
2002 Winter Olympics. The song was later included on the 2002 reissue of Rimes' album
I Need You. In 2003, Foster won an
Emmy Award for Outstanding Music and Lyrics for ''The Concert for
World Children's Day''. For more details, see the separate chapter. In 2005, Foster, his daughter Amy Foster-Gillies, and
Beyoncé wrote "Stand Up For Love" as the anthem for the
World Children's Day. In 2004,
Destiny's Child had received the "Caring Hands, Caring Hearts" award from
McDonald's Corporation in recognition of their role as global ambassadors for World Children's Day. Since then, the group remained actively involved as global ambassadors. During their North American tour, the group also donated 25 cents from every ticket sold to Ronald McDonald House Charities. In 2006, Foster appeared as a mentor on
Season 5 of American Idol. For more details, see the separate chapter. at the
Hollywood Walk of Fame, 2010 In 2008, Foster staged a one-night concert called
Hitman: David Foster & Friends at the
Mandalay Bay resort in Las Vegas featuring
Andrea Bocelli,
Michael Bublé,
Josh Groban,
Peter Cetera,
Katharine McPhee,
Celine Dion,
Blake Shelton,
Brian McKnight, and
Charice. The event marked the beginning of the
Foster & Friends series, which continued into the 2020s. From that point on, Foster increasingly shifted his focus from studio work to live performances. The concert was originally produced for broadcast on
PBS, aired the following month as part of PBS's
Great Performances series, and was later released on DVD. This marked the start of Foster's long-standing partnership with PBS.
Seal collaborated with Foster on
Soul (2008), which became a moderate hit. He continued working with Foster on
Commitment (2010) and
Soul 2 (2011). Foster has produced Michael Bublé since his debut and won the
Grammy Award for Best Traditional Pop Vocal Album for Bublé’s fifth album,
Call Me Irresponsible (2008), his first Grammy in 11 years. The following year, Foster won the same award again for Bublé’s album
Crazy Love (2009). As of 2025, this remains his 16th and most recent Grammy Award. In 2009, Foster published his first book, an autobiography titled
Hitman: Forty Years Making Music, Topping the Charts, and Winning Grammys.
2010s In 2011, it was confirmed that Foster would become Chairman of
Verve Music Group. He left Verve in 2016 as part of a label reorganization. That same year, Foster produced
Michael Bublé's album
Christmas, which became a massive hit and Bublé's best-selling album to date, ranking among the top 50 best-selling albums of the 21st century as of 2025. In 2013, Foster produced all of
Mary J. Blige's first Christmas album
A Mary Christmas, which features artists
Marc Anthony,
Jessie J,
The Clark Sisters,
Barbra Streisand, and
Chris Botti. That same year, he also produced all of
Andrea Bocelli's album
Passione, a collection of Mediterranean love songs featuring duets with
Jennifer Lopez,
Nelly Furtado, and a virtual duet with
Edith Piaf. In 2014, he produced an album with
Bryan Adams titled
Tracks of My Years. In 2014, Foster's first musical,
Primal Scream: The Musical, premiered at
Pepperdine University's Smothers Theatre in a one-night charity performance. It was produced by
Malibu hairstylist Marie Ferro, with a book by Juliana Jurenas and direction by
Jim Fall. The work explored themes of
group therapy, love, and human psychology, and was loosely inspired by France Janov, the wife of psychologist
Arthur Janov. In the late 1980s, Foster acquired the stage rights to
The Primal Scream, Arthur Janov's seminal book. More than 30 songs were written for the show and performed on stage, but as of 2025, only two remain publicly available:
Celine Dion's "The Colour of My Love," from her 1993 album, and "The Joy of Christmas Past," from Foster's 1989 Christmas program. The only other known titles are "Love Me", "Pray for Him", "Tears for Fears", and "Why Can't People Get Along." Foster also served as a judge on ''Asia's Got Talent'' during the 2015, 2017, and 2019 seasons. For more details, see the separate chapter. In 2018, Foster was collaborating with
Jewel to create a musical based on
Amy Bloom's novel
Lucky Us. Plans were also underway to adapt many of Foster's past compositions into musicals, but as of 2025, none of these productions have premiered. Michael Bublé returned to the music scene after his son's recovery from illness and released a new album
Love in 2018. Although Foster had retired from producing, he made an exception to contribute to its production. In 2018, Foster replaced his long-running
Foster & Friends series with
An Intimate Evening with David Foster. He continues to tour extensively each year with his wife, Katharine McPhee. As of 2025,
Foster & Friends still exists, though at a reduced frequency. Foster released his first studio album in 27 years,
Eleven Words, in 2020. The album is entirely instrumental and strongly classical in style. Its release on the classical label
Decca reflected Foster's artistic intentions. Despite minimal promotion and its understated nature, the album reached number one on Billboard's Classical Crossover Albums chart and number four on the Classical Albums chart. In 2023, Foster produced
Chris Botti's album
Vol. 1 in its entirety, his first production for another artist in five years. That same year, Foster released the album
Christmas Songs with his wife
Katharine McPhee—a collection of standards featuring Foster on keyboards and McPhee on vocals. Foster also composed a musical based on
Betty Boop, with lyrics by
Susan Birkenhead and a book by
Bob Martin.
Boop! The Musical premiered at the
CIBC Theatre in Chicago in 2023. It transferred to
Broadway in 2025, and he was nominated for a
Drama Desk Award for his music. ==Television appearances==