Stebbing's major works were: •
History of Chivalry and the Crusades in ''
Constable's Miscellany'', vols. l. and li., 1830; praised by
Christopher North. •
Lives of the Italian Poets, 1831, 3 vols.; 2nd edit. with numerous additions, 1832, 3 vols.; new edition in one volume, with omissions and alterations, 1860. •
History of the Christian Church in ''
Lardner's Cabinet Cyclopædia'', 1833, 2 vols. •
History of the Reformation in ''Lardner's Cabinet Cyclopædia'', 1836, 2 vols. •
History of Church of Christ from Diet of Augsburg, 1530, to the Eighteenth Century; originally intended as a continuation of
Joseph Milner's
History, 1842, 3 vols. •
The Church and its Ministers, 1844. •
History of the Universal Church in Primitive Times, 1845. •
The Christian in Palestine, or Scenes of Sacred History; to illustrate sketches on the spot by
William Henry Bartlett, 1847. •
Short Readings on Subjects for Long Reflection, 1849. • ''History of Christ's Universal Church prior to the Reformation'', 1850, 2 vols. •
The long Railway Journey and other Poems, 1851. •
Jesus: a poem in six Books, 1851. •
Christian Graces in Olden Time: Poetical Illustrations, 1852. •
Near the Cloisters, 1868, 2 vols.; description of life in Norwich early in the 19th century. He wrote a continuation to the
Death of William IV, of
David Hume and
Tobias Smollett's
History of England. His
Essay on the Study of History, which appeared as an addition to Hume, was published separately in 1841.
Editor From 1834 to 1836 Stebbing edited, with
Richard Cattermole, thirty volumes of the
Sacred Classics of England. He was editor of the
Diamond Bible (1834, 1840, and 1857),
Diamond New Testament (1835), ''Charles Knight's Pictorial Edition of the Book of Common Prayer'' (1838–1840), Tate and Brady's
Psalms (1840),
Psalms and Hymns, with some original Hymns (1841), and many modern theological works. He also edited the works of
Josephus (1842) and of
John Bunyan,
John Milton's
Poems (1839 and 1851), and
Daniel Defoe's
Journal of the Plague Year (1830), and
Robinson Crusoe (1859).
Literary circles Stebbing knew many literary figures. He breakfasted with
Samuel Rogers, and was introduced by
Basil Montagu to Coleridge's set at Highgate. He conversed with
Walter Scott, corresponded with
Robert Southey, heard
Thomas Moore sing his Irish ballads, and knew
Thomas Campbell and
Charles Dickens. ==Family==