Hinduism is a diverse system of thought with beliefs spanning
monotheism,
polytheism,
panentheism,
pantheism,
monism,
atheism,
agnosticism,
gnosticism among others; and its concept of
God is complex and depends upon each individual and the tradition and philosophy followed. It is sometimes referred to as
henotheistic (i.e., involving devotion to a single god while accepting the existence of others), but any such term is an overgeneralisation. The major worship forms of
Vishnu is worshipped directly, or in the form of his ten avatars, the most famous of whom are
Rama and
Krishna.
Lord Shiva is worshipped directly in the form of lingam with
Ganesha,
Murugan and
Parvathi in separate shrines.
Perumal Perumal (), also rendered
Thirumal, is a form of Vishnu worshipped in the
Sri Vaishnava tradition. He is also venerated by the epithets of
Narayana, Varadharaja, Rangaraja,
Ranganatha, Kallalagar,
Govindaraja, and several others in his temples scattered throughout the Tamil country. Originally venerated as the god of the forests, Perumal was assimilated with Vaishnavism, having earlier conceived been as either a pantheistic or a monotheistic divinity. Through the concept of
bhakti, first introduced to the region by the Alvars, Vaishnavism became among the oldest faiths to influence the Tamil people. The deity, and his consort
Lakshmi, as well as her aspects of Sridevi,
Bhudevi, and
Niladevi, are primarily venerated, and are also represented as the
Dashavatara in Perumal temples in Tamil Nadu. He is the deity who is primarily addressed in the
Naalayira Divya Prabandham, a compilation of works by the Alvar saints, whose
philosophy and hymns were propagated in the works of
Ramanuja,
Manavala Mamunigal, and
Vedanta Desikan. The largest Hindu temple in India is dedicated to Perumal in his form of
Ranganathaswamy, situated at
Srirangam. The Alvars influenced the establishment of the
Divya Desams, 108 shrines of Perumal that were glorified in their works, which continue to be visited as major shrines of pilgrimage by Tamil Vaishnavas. , identified with Vishnu Number of poems echo the Hindu puranic legends about
Parashurama,
Rama,
Krishna and others in the Akanaṉūṟu . According to Alf Hiltebeitel – an Indian Religions and Sanskrit Epics scholar, the
Akanaṉūṟu has the earliest known mentions of some stories such as "Krishna stealing sarees of Gopis" which is found later in north Indian literature, making it probable that some of the ideas from Tamil Hindu scholars inspired the Sanskrit scholars in the north and the
Bhagavata Purana, or vice versa. He is believed to have incarnated in the form of a part-lion, part-man being to kill
Hiranyakashipu, to end religious persecution and calamity on
earth, thereby restoring
dharma. There mentions of Narasimha even in Tamil
Sangam Literature and there are Several old Temples for him in
Tamil Nadu. The
Paripatal (Dated between 300 BCE to 300 CE) (, meaning
the paripatal-metre anthology) is a classical
Tamil poetic work and traditionally the fifth of the
Eight Anthologies (
Ettutokai) in
Sangam literature.
Kamil Zvelebil states that the hymns dedicated to
Vishnu and
Murugan has branded the Paripatal as a
Sanskrit plagiat within the so-called Sangam texts. This Paripadal has a Poem which Praises
Vishnu who took the
Narasimha Avataram.
Legend of Narasimha according to Paripāṭal O Lord with faultless red eyes! With burning hatred in his heart and drying up the sandal paste on his chest,
Hiranyan the evil king tortured his son
Prahalathan for singing your praises, inflicting on him great sorrow. The young man was not disrespectful to his father who deserved disrespect. You embraced Prahalathan’s fine chest because of your love for him. You attacked and ruined
Hiranyan with great strength, leaping upon his mountain-like chest as drums roared like thunder. You tore him apart with your split claws and scattered his flesh, along with broken pieces of pillar which you split and came out, in your
Narasimhan form.
Paripāṭal, poem 4, Verses 10 - 21 Lord Rama and
Hanuman fighting
Ravana, an album painting on paper from Tamil Nadu, ca 1820. Sri Ramachandra also simply called
Rama is one of the deities best-known and most widely worshipped in
Hinduism, especially
Vaishnavism. He is the seventh and one of the most popular
avatars of
Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. The earliest reference to the story of the Ramayana is found in the Sangam literature.
Purananuru which is dated from 1st century BCE and 5th century CE. Purananuru 378, attributed to the poet UnPodiPasunKudaiyar, written in praise of the
Chola king
IlanCetCenni. The poem makes the analogy of a poet receiving royal gifts and that worn by the relatives of the poet as being unworthy for their status, to the event in the Ramayana, where
Sita drops her jewels when abducted by
Ravana and these jewels being picked up red-faced monkeys who delightfully wore the ornaments (Hart and Heifetz, 1999, pp. 219–220).
Manimekalai written as the sequel to the
Silappatikaram by the Buddhist poet
Chithalai Chathanar, narrates the tale of Manimekalai, the daughter of
Kovalan and
Madhavi, and her journey to become a Buddhist Bhikkuni. This epic also makes several references to the Ramayana, such as a
setu (bridge) being built by monkeys in canto 5, line 37 (however the location is
Kanyakumari rather than
Dhanushkodi). In another reference, in canto 17, lines 9 to 16, the epic talks about Rama being the incarnate of Trivikrama or Netiyon, and he building the setu with the help of monkeys who hurled huge rocks into the ocean to build the bridge. Further, canto 18, lines 19 to 26, refers to the illegitimate love of Indra for
Ahalya the wife of Rishi Gautama(Pandian, 1931, p. 149)(Aiyangar, 1927, p. 28).
Pillayar Ganesha, also spelled Ganesa or Ganesh, also known as Ganapati, Vinayaka, and Pillaiyar (), is one of the deities best-known and most widely worshipped in the Hindu pantheon. Ganesa is the first son of Shiva and is given the primary importance in all Shiva temples with all worship starting from him. Local legend states the Tamil word Pillayar splits into
Pillai and
yaar meaning who is this son, but scholars believe it is derived from the Sanskrit word
pulisara meaning elephant. K. A. Nilakanta Sastri (1963:57-58) thinks that Pallavas adopted the Ganesa motif from
Chalukyas. During the 7th century, Vatapi Ganapati idol was brought from Badami (Vatapi - Chalukya capital) by Paranjothi, the general of Pallavas who defeated Chalukyas. In modern times, there are separate temples for Ganesha in Tamil Nadu.
Murugan Murugan () also called Kartikeya, Skanda and Subrahmanya, is a popular deity among the Tamil people, famously referred as
Tamil Kadavul (God of Tamils). He is often regarded as the patron deity of the Tamil land (Tamil Nadu).
Tolkappiyam, possibly the most ancient of the extant Sangam works, dated between the 3rd century
BCE and 5th century
CE glorified Murugan, " the red god seated on the blue peacock, who is ever young and resplendent," and " the favoured god of the Tamils." The cult of Skanda disappeared during the 6th century and was predominantly expanded during late 7th century Pallava period - Somaskanda sculptured panels of the Pallava period stand as a testament.
Shiva Lingam The
Lingam is a representation of the
Hindu deity Shiva used for worship in Hindu temple. The
lingam is the principal deity in most Shiva temples in South India. The propagation of
linga worship on a large scale in South India is believed to be from Chola times (late 7th century CE), through
Rig veda, the oldest literature details about worshipping Shiva in the form of
linga. Pallavas propagated Somaskanda as the principal form of worship, slightly deviating from the
Shaiva agamas; Cholas being strict
shaivas, established
lingams in all the temples.
Lingothbhavar Lingothbhavar or emergence of
linga, found in Shiva
Purana as a symbol of Shiva, augments the synthesis of the old cults of pillar and phallic worship. The idea emerged from deity residing in a pillar and later visualised as Shiva emerging from the
lingam The
lingothbhavar image can be found in the first precinct around the sanctum in the wall exactly behind the image of Shiva. Appar, one of the early
Shaiva saint of the 7th century, gives evidence of this knowledge of
puranic episodes relating to
Lingothbhavar form of Shiva while Tirugnana Sambandar refers this form of Shiva as the nature of light that could not be comprehended by
Brahma and Vishnu.
Nataraja Nataraja or Nataraj,
The Lord (or King) of Dance; (Tamil: கூத்தன் (Kooththan)) is a depiction of the
Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation. A Tamil concept, Shiva was first depicted as Nataraja in the famous
Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for
Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. The form is present in most Shiva temples in South India, and is the main deity in the famous temple at
Chidambaram.
Dakshinamurthy Dakshinamurthy or Jnana Dakshinamurti (Tamil: தட்சிணாமூர்த்தி, IAST:) is an aspect of Shiva as a
guru (teacher) of all fields. This aspect of Shiva is his personification of the ultimate awareness, understanding and knowledge. The image depicts Shiva as a teacher of
yoga, music, and wisdom, and giving exposition on the
shastras (vedic texts) to his disciples.
Somaskandar Somaskanda derives from Sa (Shiva) with Uma (Parvathi) and Skanda (child Murugan). It is the form of Shiva where he is accompanied by Skanda the child and Paravati his consort in sitting posture. Though it is a Sanskrit name, it is a Tamil concept and Somaskandas are not found in North Indian temples. In the
Tiruvarur Thygarajar Temple, the principal deity is Somaskanda under the name of Thyagaraja. Unlike Nataraja, which is a Chola development, Somaskanda was prominent even during the Pallava period much earlier to Cholas. References to the evolution of the Somaskanda concept are found from Pallava period from the 7th century CE in carved rear stone walls of Pallava temple sanctums. Somaskanda was the principal deity during Pallava period replacing
lingam, including the temples at
Mahabalipuram, a UNESCO world heritage site. But the cult was not popular and Somaskanda images were relegated to subshrines. Sangam literature does not mention Somaskanda and references in literature are found in the 7th-century
Tevaram.
Dravidian folk religion •
Ayyanar () is worshipped as a guardian deity predominantly in Tamil Nadu and
Tamil villages in
Sri Lanka. The earliest reference to
Aiynar-Shasta includes two or more
hero stones to hunting chiefs from the
Arcot district in Tamil Nadu. The hero stones are dated to the 3rd century CE. It reads "Ayanappa; a shrine to Cattan." This is followed by another inscription in
Uraiyur near
Tiruchirapalli which is dated to the 4th century CE. Literary references to
Ayyanar-Cattan is found in
Silappatikaram, a
Tamil Jain work dated to the 4th to 5th century CE. From the
Chola period (9th century CE) onwards the popularity of
Ayyanar-Shasta became even more pronounced. •
Madurai Veeran () is a
Tamil folk deity popular in southern Tamil Nadu. His name was derived as a result of his association with the southern city of Madurai as a protector of the city. • () is the
Hindu goddess associated with power,
shakti. Kālī is represented as the consort of
Shiva, on whose body she is often seen standing. She is associated with many other Hindu goddesses like
Durga,
Bhadrakali,
Sati,
Rudrani,
Parvati and
Chamunda. She is the foremost among the
Dasa Mahavidyas, ten fierce Tantric goddesses. •
Muneeswarar (Tamil முனீஸ்வரன்) is a
Hindu god. 'Muni' means 'saint' and 'iswara' represents 'Shiva'. He is considered as a form of Shiva, although no scriptural references have been found to validate such claims. He is worshiped as a family deity in most Shaiva families. •
Karuppu Sami () (also called by many other names) is one of the regional
Tamil male deities who is popular among the
rural social groups of
South India, especially
Tamil Nadu and small parts of
Kerala. He is one of the 21 associate folk-deities of
Ayyanar and is hence one of the so-called
Kaval Deivams of the Tamils. •
Sudalai Madan or Madan, is a regional Tamil male deity who is popular in South India, particularly Tamil Nadu. He is considered to be the son of Shiva and Parvati. He seems to have originated in some ancestral guardian spirit of the villages or communities in Tamil Nadu, in a similar manner as Ayyanar. These deities are primarily worshipped by agrarian communities. Unlike the Vedic traditions, these deities generally do not abide in temples, but in shrines in the open. These gods are primarily worshipped through festivals throughout the year, during important occasions like harvest or sowing time. To propitiate these gods, the villagers make sacrifices of meat (usually goats) and arrack, which is then shared among all the village. In addition, the mantras are not restricted to Sanskrit and are performed in Tamil. Worship of these deities is oftentimes seen as the modern continuation of the Dravidian folk religion followed before the Indo-Aryan migration into Indian subcontinent. Similar practices exist among the Kannada and Telugu non-Brahmin castes and Dravidian tribes of Central India. ==Caste==