The corpus of Etruscan inscriptions is edited in the
Corpus Inscriptionum Etruscarum (CIE) and
Thesaurus Linguae Etruscae (TLE).
Bilingual text , at the
Etruscan Museum in Rome The
Pyrgi Tablets are a bilingual text in Etruscan and
Phoenician engraved on three gold leaves, one for the Phoenician and two for the Etruscan. The Etruscan language portion has 16 lines and 37 words. The date is roughly 500 BC. The tablets were found in 1964 by Massimo Pallottino during an excavation at the ancient Etruscan port of
Pyrgi, now
Santa Severa. The only new Etruscan word that could be extracted from close analysis of the tablets was the word for 'three', .
Longer texts According to Rix and his collaborators, only two unified (though fragmentary) long texts are available in Etruscan: • The
Liber Linteus Zagrabiensis, which was later used for mummy wrappings in
Egypt. Roughly 1,200 words of readable (but not fully translatable) text, mainly repetitious prayers probably comprising a kind of religious calendar, yielded about 50 lexical items. • The
Tabula Capuana (the inscribed tile from
Capua) has about 300 readable words in 62 lines, dating to the fifth century BC. It again seems to be a religious calendar. Some additional longer texts are: (c. 300–270 BC), with the horizontal inscription between the lid and side
relief • The inscription of 59 words on the
Sarcophagus of Laris Pulenas, also known as The Magistrate, dating from the third century BC, discovered in
Tarquinia, now residing in Museo Nazionale Archeologico (Tarquinia, Viterbo, Lazio, Italy). • The lead foils of Punta della Vipera have about 40 legible words having to do with ritual formulae. It is dated to about 500 BC. • The
Cippus Perusinus, a stone slab (cippus) found at
Perugia, which probably functioned as a border marker, contains 46 lines and about 130 words. The cippus is assumed to be a text dedicating a legal contract between the Etruscan families of Velthina (from Perugia) and Afuna (from Chiusi), regarding the sharing or use of a property, including water rights, upon which there was a tomb belonging to the noble Velthinas. • The
Piacenza Liver, a bronze model of a sheep's liver representing the sky, has the engraved names of the gods ruling different sections. • The
Tabula Cortonensis, a bronze tablet from
Cortona, is believed to record a legal contract between Cusu family and Petru Scevas and his wife concerning a real estate settlement of some sort, with about 200 words. Discovered in 1992, this new tablet contributed the word for 'lake', , but not much else. • The Vicchio
stele, found in the 21st season of excavation at the Etruscan Sanctuary at
Poggio Colla, is believed to be connected with the cult of the goddess
Uni, with about 120 letters. Only discovered in 2016, it is still in the process of being deciphered. As an example of difficulties in reading this badly damaged monument, here is Maggiani's attempt at a transliteration and translation of a bit from the beginning of the third block of text (III, 1–3): (vacat) tinaś: θ(?)anuri: unial(?)/ ẹ ṿ ị: zal / ame (akil??) "for Tinia in the xxxx of Uni/xxxx(objects) two / must (akil ?) be..." • The badly damaged Saint Marinella lead sheet contains traces of 80 words, only half of which can be completely read with certainty, many of which can also be found in the
Liber Linteus. It was discovered during the 1963–1964 excavations at a sanctuary near Saint Marinella near Pyrgi, now in the Villa Giulia Museum in Rome. • The
Lead Plaque of Magliano contains 73 words, including many names of deities. It seems to be a series of dedications to various gods and ancestors.
Inscriptions on monuments The main material repository of
Etruscan civilization, from the modern perspective, is its tombs, all other public and private buildings having been dismantled and the stone reused centuries ago. The tombs are the main source of Etruscan portables, provenance unknown, in collections throughout the world. Their incalculable value has created a brisk black market in Etruscan ''objets d'art'' – and equally brisk law enforcement effort, as it is illegal to remove any objects from Etruscan tombs without authorization from the Italian government. The magnitude of the task involved in cataloguing them means that the total number of tombs is unknown. They are of many types. Especially plentiful are the
hypogeal or "underground" chambers or system of chambers cut into
tuff and covered by a
tumulus. The interior of these tombs represents a habitation of the living stocked with furniture and favorite objects. The walls may display painted
murals, the predecessor of wallpaper. Tombs identified as Etruscan date from the
Villanovan period to about 100 BC, when presumably the cemeteries were abandoned in favor of Roman ones. Some of the major cemeteries are as follows: •
Caere or
Cerveteri, a
UNESCO site. Three complete
necropoleis with streets and squares. Many
hypogea are concealed beneath
tumuli retained by walls; others are cut into cliffs. The Banditaccia necropolis contains more than 1,000 tumuli. Access is through a door. •
Tarquinia, Tarquinii or Corneto, a UNESCO site: • Inner walls and doors of tombs and sarcophagi, including the
Golini Tomb and the Tomb of Orcus •
The Orator is a bronze statue with a dedicatory inscription of about 13 words in Etruscan • Engraved steles (tombstones) •
Ossuaries Inscriptions on portable objects Votives . Inscribed right-to-left is 𐌂𐌖𐌋𐌑𐌀𐌍𐌑⁚𐌄⁚𐌐𐌓𐌄𐌈𐌍𐌔𐌀 (culśanś:e:preθnsa). One example of an early (pre-fifth century BC) votive inscription is on a bucchero oinochoe (wine vase):
ṃiṇi mulvaṇịce venalia ṡlarinaṡ. en mipi kapi ṃi(r) ṇuṇai = "Venalia Ṡlarinaṡ gave me. Do not touch me (?), I (am)
nunai (an offering?)." This seems to be a rare case from this early period of a female (Venalia) dedicating the votive.
Mirrors A
speculum (Latin; the Etruscan word is or ) is a circular or oval hand-mirror used predominantly by Etruscan women. Specula were cast in bronze as one piece with a tang which was fitted into a wooden, bone, or
ivory handle. The reflecting surface was created by polishing the flat side. A higher percentage of
tin in the mirror improved its ability to reflect. The other side was convex and featured
intaglio or
cameo scenes from mythology. The piece was generally ornate. About 2,300 specula are known from collections all over the world. As they were popular plunderables, the provenance of only a minority is known. An estimated time window is 530–100 BC. Most probably came from tombs. Many bear inscriptions naming the persons depicted in the scenes, so they are often called picture bilinguals. In 1979,
Massimo Pallottino, then president of the
Istituto di Studi Etruschi ed Italici, initiated the Committee of the
Corpus Speculorum Etruscanorum, which resolved to publish all the specula and set editorial standards for doing so. Since then, the committee has grown, acquiring local committees and representatives from most institutions owning Etruscan mirror collections. Each collection is published in its own fascicle by diverse Etruscan scholars.
Cistae A
cista (Latin for "basket") is a bronze container of circular, ovoid, or more rarely rectangular shape used by women for the storage of sundries. They are ornate, often with feet and lids to which figurines may be attached. The internal and external surfaces bear carefully crafted scenes usually from mythology, usually intaglio, or rarely part intaglio, part
cameo. Cistae date from the
Roman Republic, mainly during the fourth and third centuries BC. They may bear various short inscriptions concerning the manufacturer or owner or subject matter. The writing may be Latin, Etruscan, or both. Excavations at
Praeneste, a Latin city, turned up about 118 cistae, one of which has been termed "the Praeneste cista" or "the Ficoroni cista", with special reference to its Latin inscription which indicates that it was manufactured by Novios Plutius and given by Dindia Macolnia to her daughter. All of them are more accurately termed "the Praenestine cistae".
Rings and ringstones Among the most plunderable portables from the Etruscan tombs of
Etruria are the finely engraved gemstones set in patterned gold to form circular or ovoid pieces intended to go on finger rings. Around one centimeter in size, they are dated to the Etruscan apogee from the second half of the sixth to the first centuries BC. The two main theories of manufacture are native Etruscan and Greek. The materials are mainly dark red
carnelian, with
agate and
sard entering usage from the third to the first centuries BC, along with purely gold finger rings with a hollow engraved
bezel setting. The engravings, mainly cameo, but sometimes intaglio, depict
scarabs at first and then scenes from Greek mythology, often with heroic personages called out in Etruscan. The gold setting of the bezel bears a border design, such as cabling.
Coins Etruscan-minted coins can be dated between the 5th and 3rd centuries BC. Use of the 'Chalcidian' standard, based on the silver unit of 5.8 grams, indicates that this custom, like the alphabet, came from Greece. Roman coinage later supplanted Etruscan, but the basic Roman coin, the
sesterce, is believed to have been based on the 2.5-denomination Etruscan coin. Etruscan coins have turned up in caches or individually in tombs and in excavations seemingly at random, and concentrated, of course, in
Etruria. Etruscan coins were in gold, silver, and bronze, the gold and silver usually having been struck on one side only. The coins often bore a denomination, sometimes a minting authority name, and a cameo motif. Gold denominations were in units of silver; silver, in units of bronze. Full or abbreviated names are mainly Pupluna (
Populonia), Vatl or Veltuna (
Vetulonia), Velathri (
Volaterrae), Velzu or Velznani (Volsinii) and Cha for Chamars (
Camars). Insignia are mainly heads of mythological characters or depictions of mythological beasts arranged in a symbolic motif:
Apollo,
Zeus,
Culsans,
Athena,
Hermes,
griffin,
gorgon, male
sphinx,
hippocamp, bull, snake, eagle, or other creatures which had symbolic significance.
Functional categories Wallace et al. include the following categories, based on the uses to which they were put, on their site: abecedaria (alphabets), artisans' texts, boundary markers, construction texts, dedications, didaskalia (instructional texts), funerary texts, legal texts, other/unclear texts, prohibitions, proprietary texts (indicating ownership), religious texts, tesserae hospitales (tokens that establish "the claim of the bearer to hospitality when travelling"). ==Phonology==