The song received generally favourable reviews from
music critics. Writing for
Billboard,
Chuck Taylor commented that "there's no reason that 'Man!', with its coquettish turn of phrase, shouldn't have the same kind of appeal as her earlier '
That Don't Impress Me Much'," also noting that the song has "plenty of tasty ingredients that radio traditionally searches out – great
tempo, attitude, a
hook that sells like ice cream in summer, and the instantly recognizable vocals of a woman who is a found acquaintance of so many millions out there now." Taylor ultimately called it "
country crossover at its best."
Chuck Eddy of
Rolling Stone noted that "Man! I Feel Like a Woman!" and other high-gloss songs "open with a
bubblegum-glam cheerleader shout, then blasts into radio-ready rapture with offhand vocal interjections – doot-doot-doot
scatting, do-si-do rapping, sexy squeaks, sarcastic
Alanis Morissette asides." In 2024,
Rolling Stone ranked the song at #30 on its 200 Greatest Country Songs of All Time ranking. The staff from the
Sputnikmusic website praised the track, calling it "a high point of the album with it being a classic example of upbeat feel-good
power-pop, which is notable both for the production, something that is notably strong throughout the album, but also for the instrumental quality present. It's possible almost to feel the enjoyment that was present in making this song when listening to it, and there's even a guitar solo, which again pulls the listener in." While reviewing both Twain's "Come on Over" and "
Greatest Hits" albums, Stephen Thomas Erlewine of
Allmusic picked the song as one of the compilation's highlights, while Nick Reynolds of
BBC Music named it "the sound of a thousand Saturday nights in clubs all over the
Western World." Brian James wrote for
PopMatters that the song "has a title-word-to-exclamation-point ratio that would make the headline writer at '
The National Enquirer' blush."
Accolades "Man! I Feel Like a Woman!" earned Shania Twain her second consecutive
Grammy Award for Best Female Country Vocal Performance in its
42nd edition, which also saw her winning another award for
Best Country Song for the song "
Come On Over". The song also won both
BMI Songwriter Awards and
SOCAN'S for "One of the Most Performed Songs of the Year". Laura McClellan of
Taste of Country picked the song as her "All-Time Best Song", writing that "the track's iconic intro lick and catchy singalong vibe won this song a Grammy and a No. 4 slot on the country charts. The most staunch pop purists can still sing along to this one years later, even if they mumble the chorus a bit in the middle." Writing for
NPR Music, Ann Powers commented that the song "connects crossover country to the rock world in no uncertain terms, expanding the genre's heritage in ways that directly reflect the eclectic tastes of its younger audience."
The A.V. Club editors, while analysing the "17 well-intended yet misguided feminist anthems", concluded that: ==Chart performance==