I Wanna Dance with Somebody (Who Loves Me)

at dusk, similar to how it looked when the concept of "I Wanna Dance with Somebody" was born. By the late summer of 1986, Houston had achieved global success with her first album Whitney Houston (1985). Released in February 1985, the album produced four Top 10 singles on the Billboard Hot 100, including three consecutive number-one singles—"Saving All My Love for You", "How Will I Know" and "Greatest Love of All"—which had made Houston the first female recording artist to achieve such a feat off a single album. That summer, Houston embarked on her first world tour while her boss, Arista Records head Clive Davis, began plans for Houston's follow-up to her landmark debut album. While Houston's debut had produced a series of love ballads, Davis sought for a more accessible sound for the follow-up. Noting the success of "How Will I Know", written by George Merrill and Shannon Rubicam, of the American pop-rock band Boy Meets Girl, Davis sought the songwriters again to compose the next big pop hit for Houston. Not long after Houston's debut album became a success, Merrill and Rubicam attended Houston's August 31, 1985 show at the Greek Theatre in Los Angeles. According to the songwriters, as Houston finished "How Will I Know", a star fell from the sky, which prompted them to come up with the song "Waiting for a Star to Fall". Over a year later in 1986, figuring it was perfect for Houston, they presented it to Davis, who promptly rejected it, believing it was not suitable for Houston to record. Merrill and Rubicam were then encouraged by Davis to come with a stronger song. According to Rubicam, the idea behind "I Wanna Dance with Somebody" came while the duo walked around their neighborhood of Venice during dusk "because there's something about that dusky hour that makes a person restless and uneasy, or a little isolated and estranged from the world in some ways... There's this social pressure, like 'I should be doing something right now. While Rubicam's idea carried through as she wrote the first verse, she was stuck on the second, stating "You've already got a structure established in the first verse rhythmically and melodically, so you're sort of doing a crossword puzzle to make the new lyrics fit." The song was originally written as a rock song with Rubicam using a guide vocal. After completing the demo of the song "by way of a PPG Wave synthesizer", said Merrill, who helped to compose the music and write the chorus with Rubicam: "I think when we were writing the chorus, we had a really good feeling. We felt confident and certainly enough so to present it to Clive [Davis]." Merrill recounts running through the airport of Trans World Airlines to present the demo of the song to Davis. Once Davis listened to the song while flying back to New York, he approved it for Houston to record. Davis recounts in 2023 that he heard hit potential in the song's chorus but felt there was "a lot that could be brought to the fore", including a new vocal and track arrangement. ==Recording and production ==

, the producer behind "I Wanna Dance with Somebody", initially thought the song was "too country" for Houston to record. Davis decided upon hearing the song that producer Narada Michael Walden, who helped to produce (and co-write) "How Will I Know", should oversee production of the song. Walden admitted he wasn't impressed and that it took a little more persuading with regard to the song's potential. Walden further explained to Billboard his thought process in regards of presenting the pop song to black audiences, "Because I'm a Black cat, I know Whitney's African-American, and we want our people to be down... the demo was just too poppy and not grounded in the funk which it needed to be the smash for Whitney. Immediately, I'm listening to it and going, 'Whatcha gon' do, Narada, to Blacken this thing up and funk it up, so that the people in the ghetto and the nightclubs are jamming too? drummer Gregory "Gigi" Gonaway, keyboardist Walter Afanasieff and saxophonist Marc Russo to work on the song with him, "lined up all different kinds of keyboards," and employed a very particular approach to recording Houston's vocals. Noting Houston's busy work schedule, especially as she was still on tour at the time, Walden and his team worked around the limitations by recording the entire song first without Houston, so "she could easily envision what the end product would sound like." During this period, he sent a vocal demo of the song by his session vocalist Kitty Beethoven to Houston so she'd get familiar with it. {{multiple image Since Houston's debut mostly relied on ballad singles, Walden knew that the song "had to prove that she could dominate with uptempo pop, and also fit alongside the most forward-thinking pop auteurs of the time," according to Billboard, noting popular music at the time "had made a shift with synthesizers and drum machines" inspired by the LinnDrum machines artists like Prince was using at the time, while Jones was busy hiring "the most death-defying brains to make Michael Jackson's new sounds", noting that the competition "was really high to mastermind a new sound for Whitney." Synth horns were added as a result of an engineer "playing around" with a synth overdub that he requested. "It was synth horns," said Walden, "but with a glizz on it that made it something we've never done before. We glizz the bass, we never glizz the horns!" In the hands of Walden and the fellow aforementioned musicians, they had turned the rock-tinged demo and "remodeled the original demo in the image of a funky horn-laden anthem of human connection, which could get play in every corner of the world." The song's recording first took place at Walden's Tarpan Studios in San Rafael in September 1986 and carried on through other studios including the Record Plant in Sausalito. When Houston arrived at Tarpan Studios to record the song that December, Walden noted Houston looked weary and had just recovered from a bronchial infection that led to the singer canceling some concerts in Australia. The producer asked Houston what song she wanted to record first and the singer suggested a rendition of "For the Love of You", originally recorded by the Isley Brothers. Walden noted that the song was the first time in which Houston vocally stacked herself on harmonies, which led to a change in Houston's behavior that encouraged Walden to approach her with the dance song. In recording Houston, Walden explained that he had the singer record the end of the song first, to ensure that the most vocally demanding portions of the track had Houston working at full capacity. That way, the recording of the ending would help to "keep the energy high," in which he would then return to the first verse where, Walden noted, Houston "pulled back and used her little-girl voice". Noting Houston's soul music background, Walden stated, "now we can get a bit more methodical and technical... I've learned this with soul singers: If you get too technical too early, you suck the spirit out of them." Houston took a few notes from Rubicam's demo and expanded them "into a freewheeling showcase of vocal fortitude", Billboard continued. Rubicam later called Houston a "true recording artist, because she just found her way into making a song her own when she liked it." This method later helped Houston to come up with her own arrangement and encourage her to have a more hands-on approach, in which she composed the call and response ending vamp, "Say you wanna dance / Don't you wanna dance?" following the final chorus, "the ultimate nod to her amalgamation of gospel, funk, soul and pop" and earning her credit for vocal arrangement. Said Walden to Billboard in 2023, "you're hearing an excited Whitney on [that song]." During some dates of her 1986 world tour, Houston performed the song in its demo form live to give fans a preview of the second album. ==Composition==

According to the sheet music published by Universal Music Publishing Group, "I Wanna Dance with Somebody (Who Loves Me)" is a dance-pop and R&B song with a time signature of common time and a tempo of 119 beats per minute. The song begins with a series of drum claps and programmed pings before an electro-bass line by Randy Jackson is followed by Houston's "ecsta-sighs" vocals. After "a couple of measures", the song is then followed by Houston's "whoo!", which was compared to Michael Jackson's own non-verbal exclamations. The song plays in the key of G♭ major and follows a chord progression of G♭—E♭m7—C♭m9—A♭m7—B♭m—C♭6—D♭7. Three minutes and twelve seconds later, it shifts upwards to A♭ major. Houston's vocal range in the song goes from the low note of A3 to the high note of C6. The verses in the song were "obviously underplayed and wound-down from the intro", with a modal shift scene change lamenting a "lonely and disappointed" Houston's "daytime ennui" ("Clock strikes upon the hour / And the sun begins to fade"), only for her mood to pick up during the pre-chorus ("And when the night falls/ My lonely heart calls...") before horns "perk up" and a "scratching noise that sounds like a sweater being dramatically zipped and unzipped clears the way for the chorus to take off." Between the second and third chorus, a bridge that contrasts again from the optimistic tone in which Houston sounds anxious during the unexpectedly tense and minor-sounding bridge in the song ("somebody, who!") before the optimism picks up again with the repeat of the pre-chorus from the second verse before a dramatic key change. In their 2017 article about the song, Billboard compared the song's dramatic key change to "How Will I Know", complaining that that song's shift down at the song's critical moment "cruelly robbing it of potential transcendence", while stating "I Wanna Dance with Somebody (Who Loves Me)" was one of the few songs with "truly perfect key changes — modulations that take an already soaring pop song and send it right through the ozone layer." This is followed by an outro with Houston's exclamations, followed by giggles and vocal ad-libs that Houston herself helped arrange ("Don't ya wanna dance? / Say you wanna dance / Don't ya wanna dance?"), followed by a bass vocalist shouting "Dance!" throughout. ==Release==

"I Wanna Dance with Somebody (Who Loves Me)" was sent to radio stations on April 27, 1987, but were rebuffed from playing the new song until the end of the month. According to reports on both the May 2, 1987, issues of Billboard and Cashbox, the label asked radio stations in a letter dated April 21 across the United States to "cooperate in its marketing plan and refrain[ed] from airing the record until Thursday, April 30." In the Billboard report, they compared the situation to when Los Angeles-based radio station KIIS-FM was sued by Warner Bros. Records for "popping" Prince's "Sign O' the Times", writing "the problem of stations going early on big records has become a major issue for labels. Houston's popularity and multiformat appeal make the issue all important to Arista." Said a senior vice president of the label at the time, "[the] launching of the new Whitney Houston single is obviously of paramount importance to Arista... with anticipation running so high, it's crucial that no station in any format have, for any reason, an opportunity to jump the gun. Since it's impossible for us to deliver the single simultaneously to every station, this method seems the fairest way to serve both radio's needs and our own." The same letter invited them to "join stations throughout the country in participating in the simultaneous radio release." It continued, "Your acceptance of the enclosed (versions of the single) shall be deemed to constitute your agreement with Arista Records to not play the song until April 30." ==Critical reception==

Although it has since been regarded as one of the greatest songs of all time, Vince Aletti of Rolling Stone magazine, in a review of the album Whitney, criticized the song, commenting that "not taking any chances, the songwriters [Merill Griffith and Shannon Rubicam] have simply come up with a clever anagram of their original hit [How Will I Know], and [Narada Michael] Walden has glossed it over in an identically perky style. The strategy is not so different from that behind Hollywood's blockbuster sequels: this is 'How Will I Know II'." Los Angeles Times's pop music critic, Robert Hilburn described the song as "a deliciously raucous tune with a bit of the synthesizer underpinning and giddy zest of Cyndi Lauper's 'Girls Just Want to Have Fun'." In his review of Whitney, Jon Pareles of The New York Times gave a negative comment, writing that listening to "I Wanna Dance with Somebody (Who Loves Me)" and "You're Still My Man," another track on the album was like "watching television while someone fiddles with color controls." On its May 9, 1987, issue, Cashbox called the single "a spine-tingling danceable celebration that shines and glistens. [Houston's] remarkably sexy, supple voice floats atop this Walden production". In 2006, Slant Magazine ranked the song at number 88 in their 100 Greatest Dance Songs, commenting that "with its parenthetical title, gummy bassline, schmaltzy horns, tinkling keyboards, and half-step key changes, [the song] is definitive '80s dance-pop." By 2020, the publication's staff had reranked it to number 58. ==Commercial performance==

's "Head to Toe" at the top of both the Billboard and Cashbox pop singles charts in the United States. North America "I Wanna Dance with Somebody (Who Loves Me)" was released as the first single from Houston's second album on May 2, 1987. It entered the Billboard Hot 100, the issue dated May 16, 1987, at number 38, the "Hot Shot Debut" of the week and her highest single chart debut at the time. It was also the highest single debut since Madonna's "Dress You Up" debuted at number 36 in August 1985. Six weeks later, it reached the top spot of the chart, replacing American freestyle act Lisa Lisa and Cult Jam's "Head to Toe", and becoming Houston's fourth number-one single in the United States, the issue date of June 27, 1987 ― the same day that Houston's album Whitney debuted at atop the Billboard 200 (known at the time as "Top Pop Albums") the first time ever by a female artist. Houston also became the first female artist since Donna Summer in 1979 to simultaneously hit number one on the Billboard Hot 100 and Billboard 200 multiple times, having done it the previous year in May 1986 with her self-titled debut and "Greatest Love of All". It spent two weeks atop the charts and spent a total of eighteen weeks on the chart in its initial run, including fourteen weeks in the Top 40 and nine weeks inside the Top 10, the most weeks inside the Top 10 of any single released in 1987. With the song topping the Billboard Hot 100, Houston became the first female artist to send four consecutive number one singles on the chart. The song reached number 1 on the Hot 100 Single Sales chart for two weeks, and on the Hot 100 Airplay chart for three weeks, her longest run at that time. The single also peaked at number 1 on the Hot Adult Contemporary and the remixed dance / club version by Steve Thompson and Michael Barbiero became Houston's first chart-topper on the Billboard Hot Dance/Club Play Songs, staying on the top position of the charts for three weeks and two weeks, respectively. In addition, it reached a peak of two on the Billboard Hot R&B/Hip-Hop Songs chart (known then as "Hot Black Singles"), the issue date of July 4, 1987. It remained at that position for two weeks, behind "I Feel Good All Over" by Stephanie Mills (which never appeared on the Hot 100 at all), and spent 15 weeks on the R&B chart. Paul Grein of Billboard noted the success of the song on the adult contemporary and R&B charts despite its accessible dance-pop sound "dramatizes how solidly entrenched Houston is and underscores her mass appeal". On the rival Cash Box charts, the song repeated its Billboard success, topping its Top 100 Singles chart on July 4, 1987, also unseating "Head to Toe" there. For the June 27 issue, it peaked at number two on its Top 12" Dance Singles chart and peaked at number three for two weeks on its Black Contemporary Singles chart in the same week it topped the Top 100 Singles chart. On July 28, 1987, the single was certified Gold by the Recording Industry Association of America (RIAA), for shipment of 1,000,000 copies of the single, and re-certified Platinum, making it Houston's first single to achieve that feat, for the same shipment on February 13, 1989, with the change of the RIAA certification criteria for singles. On June 25, 2025, the song was certified eight-times Platinum in the United States by the RIAA for sales of eight million copies, and is her second highest-certified single after "I Will Always Love You". It placed at number four on the Billboard Year-End Top Pop Singles chart for 1987 and number two on the Cash Box Year-End Top 50 Pop Singles chart. In Canada, the song debuted at 74 on the RPM Top 100 Singles chart, the issue dated May 9, 1987, and reached the top of the chart on July 4, 1987. The single was later certified Gold by the Canadian Recording Industry Association (CRIA) on February 29, 1988. In 1995, dance producer and remixer Junior Vasquez remixed the song and released it under the title "I Wanna Dance with Somebody (Junior's Happy Handbag Remix)". A year later, Houston included the remix in her CD single for her 1996 hit, "Why Does It Hurt So Bad". In August 1996, the song was popular enough in the US to make the Billboard Hot Dance Club Play chart, where it peaked at number 11 on September 28, 1996. This mix was later featured on Houston's first compilation, Whitney: The Greatest Hits (2000). Europe In Europe, it became Houston's most successful single to date at the time. The song debuted at number 10 on the UK Singles Chart, the week ending date of May 23, 1987. Two weeks later, it reached number 1 on the chart, the week ending June 6, 1987, becoming her second UK number-1 single. The single was certified Gold by the British Phonographic Industry (BPI) on August 1, 1987, for shipments of 400,000 copies, and it finished the year as the third-best-selling song of 1987 in the UK. According to The Official Charts Company, by 2012, it had sold 760,000 copies in the United Kingdom and was the first number 1 hit to be released with a CD single in the UK. As of 2025, the single has been certified quintuple-platinum for combined digital sales and song stream equivalent units of over 3 million copies, making it Houston's highest-certified single in the United Kingdom. The single also topped the singles chart in Belgium for three weeks, the Netherlands for four weeks, Germany for five weeks, Denmark for four weeks, Italy for a week, Norway for seven weeks, Sweden for six weeks and Switzerland for six weeks, and peaked at number 3 in Austria and number 2 in Ireland. This popularity of the single across Europe led to the song topping the European Hot 100 Singles chart for eight weeks. Oceania and South Africa It became Houston's second number 1 single on the Australian Kent Music Report chart, staying at the top for five weeks. It also topped the charts in South Africa, becoming her first number one single in that region. Posthumous chart revival Following Houston's death in 2012, the song reappeared on major charts internationally. On the Billboard Hot 100, for the week of February 25, 2012, it re-entered the chart at number 35, her second highest entry after "I Will Always Love You" re-entered at number 7, helping Houston to become one of the few artists to land in the top 40 on the Billboard Hot 100 for four decades or more. It was her first top 40 entries on the Hot 100 since "The Star Spangled Banner" reappeared on the chart in October 2001. The following week, the song reached number 25, resulting in the song accumulating 20 cumulative weeks in total. With "Greatest Love of All" reaching number 36 and "I Will Always Love You" reaching number 3, it made Houston the first posthumous artist to land three top 40 singles simultaneously on the Billboard Hot 100; only Prince would have more upon his own death four years later. In the United Kingdom, the song returned to the top 40 of that chart at number 20 for the week ending February 25, her second highest entry after "I Will Always Love You", which reached number 14. Twelve of Houston's songs in total re-entered the charts, resulting in a UK chart record for the singer in achieving the most simultaneous hits on the UK singles chart by a female artist, earning a Guinness World Record. According to Brian Grant, director of the song's popular music video, upon the UK receiving the news of Houston's death, he heard the song on the radio "nearly every hour in Britain". Billboard reported in 2023 that the song "still rake[d] in over two million official on-demand U.S. streams per week", according to Luminate. "I Wanna Dance with Somebody (Who Loves Me)" has sold over 13.55 million certified copies worldwide and has been certified in thirteen countries. As a result, it's the highest-certified 1980s single by a female artist worldwide. ==Music video==

directed the music video to "I Wanna Dance with Somebody (Who Loves Me)". The music video for "I Wanna Dance with Somebody (Who Loves Me)" was initially filmed at New York City in March 1987. For the video, British director Brian Grant, who had previously worked with Houston on the music video to "How Will I Know" in London two years prior, was hired to direct the music video for "I Wanna Dance with Somebody". Choreographer Arlene Phillips, who also played part in the choreography for "How Will I Know" was also hired to provide choreography for the song. Because Houston wasn't known for being a dancer, Grant and Phillips decided to surround Houston with agile male dancers, while also giving Houston minimal choreography steps in a couple of scenes. The video starts off with Houston having finished a performance onstage in a black and white setting. As she walks backstage afterwards, the scene is intercut with more vivid, colorful images of her as she begins daydreaming. The song then explodes into its beginning, with myriad locations and various outfits by Houston, as dancers trying to impress her as she dances; in between these scenes, the black and white scene of Houston daydreaming backstage would occasionally show up. Towards the end of the song she manhandles a guy, who has a mixture of a look of shock and surprise asking him "Don't you wanna dance say you wanna dance". At the very end, Houston spots friends of hers entering a club called "MisteBlu's" and soon rushes to join them, ending the video. Misteblu was the name of one of Houston's cats. Most of the video features Houston in a purple dress and a continuous shot of a purple backdrop that never changes its angle of vision. According to Grant, Clive Davis wasn't satisfied with the initial music video, urging for a "more dream-like version", in which scenes of Houston ending her performance and daydreaming of the "proper pop video" were added. It also played on heavy rotation on BET and VH1 and other subsequent music video stations and shows such as Night Tracks. The music video topped the Cash Box Music Video Charts for three weeks, starting in the week of July 18, 1987. The video was nominated for Best Video of the Year at the 1988 Soul Train Music Awards and won Best Music Video at the Garden State Music Awards in Atlantic City, New Jersey. In June 2022, the video was remastered in 4K resolution to celebrate the 35th anniversary of the release of the Whitney album and has accumulated over 555 million views as of May 2026 on YouTube; it is her fourth most viewed video on the platform. In their Houston obituary in 2012, The Advocate stated "[Houston's] infectious smile and bubbling charisma" in the video was "a time capsule of a good time in the 1980s." In February 2013, Madame Tussaud revealed four wax statues of the singer, marking the first time in its 200-year history that multiple different statues of the same celebrity was created. Of the four, the image of Houston in her light lavender dress and big curly light brown hair from the music video is the main Houston wax statue shown in its Las Vegas headquarters. ==Live performances==

Houston performed the song on almost all of her world and regional tours. She premiered its usage during the later shows of The Greatest Love World Tour in 1986, before its official release of the following year, introducing the song, along with "Didn't We Almost Have It All", as new tunes from her upcoming album. During her European promotion for the Whitney album from April–May 1987, Houston performed the song on various television series such as Domenica In (an Italian entertainment programme), the Montreux Golden Rose Rock Festival: IM&MC Gala (May 15, 1987), and Top of the Pops (May 21, 1987). Houston's Moment of Truth World Tour in 1987–88 had her performing it as the finale song of the tour, usually following her performance of "Greatest Love of All". She performed it without back-up dancers on the North American leg (1987), and with four dancers on the European, Australian and Asian legs of the tour (1988). Two different performances of the song were recorded in Saratoga Springs, New York on September 2, 1987, and at Wembley Arena in London, United Kingdom in May 1988; the first was broadcast on MTV, during the 4th MTV Video Music Awards on September 11, 1987. The second was taken from one night of nine sold-out Wembley Arena concerts, aired by Italian channel Rai Uno on a special program for her in 1988. On March 2, 1988, Houston opened the night of the 30th Annual Grammy Awards performing the song. During the European leg of the tour, she participated in the Nelson Mandela 70th Birthday Tribute Concert and performed the song in front of about 72,000 people at Wembley Stadium on June 11, 1988. Houston also performed "I Wanna Dance with Somebody (Who Loves Me)" as part of her set on the fourteen-date Feels So Right Tour in Japan. One performance of the song on the tour was recorded at Yokohama Arena on January 7, 1990, and later broadcast on Japanese television. On March 17 of that year, she sang the song live on ''That's What Friends Are For: Arista Records 15th Anniversary AIDS Benefit Concert, televised on CBS on April 17, 1990. According to Billboard'', her performance of the song was seen as a defiance against critics who had complained of Houston's crossover success, opining that "choosing to perform 'Somebody' was intentional. Instead of teasing the new jack swing-informed sound of her forthcoming ''I'm Your Baby Tonight'' (1990), a performance of 'Somebody' cemented the song as bigger and more powerful than any discourse around it." In 1991, Houston opened her I'm Your Baby Tonight World Tour with "I Wanna Dance with Somebody (Who Loves Me)". Three different performances of the song were taped and broadcast: the first was in Yokohama, Japan on March 15 and the second was in Norfolk, Virginia, the concert itself entitled Welcome Home Heroes, televised live on HBO on March 31 and later released as the video of the same name; the third was in A Coruña, Spain on September 29, broadcast on a Spanish television channel and later featured on the select set-list on This Is My Life, her first hour-long special which aired on ABC, May 6, 1992. "I Wanna Dance with Somebody (Who Loves Me)" was also performed during The Bodyguard World Tour (1993–94). On the tour, five different performances of the song were recorded and televised; four were on the South American leg of the tour in 1994 ― Brazil, Chile, Argentina and Venezuela ― and one was in Johannesburg, South Africa, broadcast live via satellite on HBO on November 12, 1994, the concert itself entitled The Concert for a New South Africa. Houston also performed the song at a 25-minute pregame show of the 1994 FIFA World Cup Final at Rose Bowl in Los Angeles, broadcast in more than 180 countries on July 17, 1994. "I Wanna Dance with Somebody (Who Loves Me)" was included in the set-list on two regional tours, The Pacific Rim Tour (1997) and The European Tour (1998). During the My Love Is Your Love World Tour of 1999, the remix version of the song was performed as a part of '1980s Dance Medley' along with "How Will I Know". One performance of the song on the tour was recorded in Sopot, Poland and broadcast live on Polish channel TVP1 on August 22, 1999. In 2000, Houston performed the song as a similar version to that of her '99 tour at Arista Records 25th Anniversary Celebration, recorded at Shrine Auditorium in Los Angeles on April 10, and broadcast on May 15 on NBC. In November 2009, during promotion of her comeback album, I Look to You, Houston performed the song along with "Million Dollar Bill" on the season finale of Dancing With the Stars. Houston also performed the song throughout her final world tour, the Nothing but Love World Tour (2009-2010). ==Legacy and cultural impact==

Impact and influence According to Billboard, "I Wanna Dance with Somebody (Who Loves Me)" remains "one of the most seminal pop songs in history, catapult[ing] Houston to an even higher level of pop stardom." American singer Lady Gaga's 2011 track, "Fashion of His Love", a track from the special edition of her second studio album, Born This Way, was compared to "I Wanna Dance with Somebody (Who Loves Me)" in terms of its retro late 1980s synthesized pop sound, Gaga's soulful vocals and a similar key change. American indie pop band Sub-Radio did a parodied version of the song titled "I Don't Wanna Dance with Nobody", which the site Upworthy called "the personal theme song by introverts everywhere". Accolades and achievements "I Wanna Dance with Somebody (Who Loves Me)" won the award for "Favorite Pop/Rock Single" at the 15th American Music Awards on January 25, 1988. Additionally, Houston won the Grammy for "Best Pop Vocal Performance, Female" with the song at its 30th ceremony on March 2, 1988, where she received a total of three nominations. The music video for the song was nominated for "Best Music Video" at the 2nd Soul Train Music Awards on March 30, 1988. Houston won the award for "Best Music Video" for the video at the 1st Garden State Music Awards. The song was ranked the 4th biggest song of 1987 by Billboard magazine and the 2nd biggest song of 1987 by Cashbox magazine. In addition, the song was inducted into the Official Charts Company's Pop Gem Hall of Fame, ranked the 80th song in their list. The song has been considered a staple at weddings. According to the New York Post, the song was considered the top wedding song in a 2024 poll. In the article, it reported that through the app Breezit, the song appeared 484 times across over 2,000 wedding-themed Spotify playlists, accounting for 24% for wedding nuptials, outdoing other wedding staples, including ABBA's "Dancing Queen" and Usher's "Yeah!". In their 2018 article on Houston's iconic status in the LGBTQ community, Billboard wrote how the song was "a queer anthem that has spanned decades". In 2019, LA Weekly ranked the song as the ninth best LGBTQ anthem of the 1980s and 1990s, tied with another Houston gay anthem, "It's Not Right but It's Okay", writing that the song "really struck a cord with the LGBTQ community during the peak of the AIDS epidemic, when many felt isolated and alone. Also, the gender neutrality of the song made that somebody relatable to everybody, no matter who you wanted to dance with." In 2021, BuzzFeed included the song as one of 69 songs that were "certified gay anthems". A year later, the same publication named the song among 75 songs that could be considered the "gay national anthem". The American Institute of Bisexuality stated the song "stands as a subtle bi anthem — a euphoric yet yearning ode to being seen by someone you love. Its legacy cements it as a radiant milestone for bi representation in pop music." The song has been covered by several openly gay artists such as Aiden James, Matt Alber, Scott Matthew, Claybourne Elder and Ty Herndon. In celebration of Australia legalizing same-sex marriage in the country, New Zealand singer Lorde covered the song while onstage in Sydney holding up the Pride flag. The website, Drag Society, included the song in their "Top 13 anthems we're keeping on repeat this Pride Month" list in 2023, mentioning the song's "message about wanting to dance freely and publicly with the person you love meant was something that the gay community understood all too well amid a time when homosexuality was still largely taboo." The song played a pivotal part in a scene from the gay coming-of-age film, Love, Simon (2018). The song was featured on the film's official soundtrack. It also was featured in an episode of the LGBTQ-themed series, Pose. During London Pride in July 2022, the cast of the show Heartstopper, including the show's stars Joe Locke and Kit Connor, performed the song to drown out a small anti-LGBT protest group. In 2023, Seventeen ranked it the 29th best gay anthem out of 60. Polls and rankings In 2012, in a reverse of its initial review, Rolling Stone called the song "Houston's dance-pop masterpiece", ranking the song the third best Whitney Houston song of all time from its reader's poll. Forbes ranked it the second best Whitney Houston song behind "I Will Always Love You". On the week of her induction into the Rock and Roll Hall of Fame, Billboard ranked it Whitney's best song ever. BET ranked the song fourth place among 40 of the singer's best songs. MTV listed the song as one of her top ten songs shortly after her death in 2012. In October 2014, the musical instrument insurer Musicguard carried out a survey determining "I Wanna Dance with Somebody (Who Loves Me)" to be the United Kingdom's fourth favorite "floorfiller" behind "Twist and Shout" by the Beatles, "Billie Jean" by Michael Jackson and "Dancing Queen" by ABBA. In 2015 the song was voted by the British public as the nation's fifth favorite 1980s number 1 single in a poll conducted by ITV. That same year, Time Out ranked it the seventh greatest party song ever. In 2016, Adam Theisen of The Michigan Daily deemed the song "the greatest song of all time". In 2017, the online publication Consequence ranked it the third greatest song of 1987 behind "Man in the Mirror" by Michael Jackson and "Where the Streets Have No Name" by U2, calling it a "career-defining tune". In 2020, The Guardian ranked the song No. 29 in their list of "The 100 Greatest UK No. 1s". In that same year, Daily Mirror ranked the song No. 25 in their "Top 50 Happiest Songs Ever" list. In 2021, Rolling Stone ranked "I Wanna Dance with Somebody (Who Loves Me)" at number 231 on their updated list of the 500 Greatest Songs of All Time. That same year, Cleveland.com ranked it the 4th greatest number one hit of the 1980s. The following year in 2022, the song ranked 70th place among the 100 greatest Rock and Roll Hall of Fame songs of all time by the same publication. In 2023, Billboard ranked the song number 1 on their list of the 500 Best Pop Songs of All Time. That same year, American Songwriter ranked the song as the most iconic song of the 1980s. Two years later, in 2025, the same site ranked it number one on its "3 Pop Songs from 1987 That We Can't Live Without Today" list, topping "Never Gonna Give You Up" by Rick Astley and "Smooth Criminal" by Michael Jackson. Time Out ranked the song seventh place in its list of "The 45 Best Karaoke Songs Ever Made", writing that the song "remains an invigorating blast of lovelorn pop glory, her powerful, agile voice soaring effortlessly over spritely synths and funk-syncopated guitar" and that the song's theme of "achingly lonely search for a dance floor soulmate sound like the best Friday night ever. Of course, nobody’s alone at karaoke. Especially if you nail that third-act key change." In 2025, Screen Rant ranked the song twice in two lists, ranking it the seventh most defining song of the 1980s and in another list as the most defining pop song of the genre. Covers, samples and usage in media '' stars Naya Rivera and Heather Morris covered the song on the show's Houston tribute episode, "Dance with Somebody" in 2012. The song is Houston's most covered and sampled song in her catalog. Among its most prominent covers include versions from Fall Out Boy, Jessie J, David Byrne, and Evanescence. In addition, the song has charted twice in the UK by other artists who covered it, including the electronic music duo Flip & Fill, whose 2003 version reached a peak of thirteen on the official UK pop singles chart at number 13 and Morgan Harper-Jones, whose 2023 slower, folk inflected version reached number 97 on the same chart. For their tribute episode to Houston, "Dance with Somebody", Glee cast mates Naya Rivera and Heather Morris covered the song. In that portion of the episode, references to Houston's video for this song as well as the video for "How Will I Know" were used. The song charted inside the Canadian Hot 100 in 2012. The song was sampled by Bebe Rexha and rapper Lil Wayne for their single "The Way I Are (Dance With Somebody)", on the song "Dance!" by singer Lumidee and hip-hop artist Fatman Scoop, by singer Natalie La Rose for her "Somebody" featuring Jeremih, and by country artist Thomas Rhett for his "Don't Wanna Dance", which interpolated the song's chorus. In 2019, the English rock band Sleep Token made a cover of the song for the deluxe edition of their debut album Sundowning. Houston and the song's impact was referenced in the 2022 Pink hit, "Never Gonna Not Dance Again". In 2024, English indie pop band Blossoms released a cover of the song for the deluxe edition of their 5th album Gary. On September 11, 2025, singer Calum Scott officially released a reimagined duet ballad version of the song with Houston, which was featured on his album, Avenoir. The song has been featured in several television shows and films over the years. The song has been played in films such as Love, Simon, 13 Going on 30, Like Father, Pokemon: Detective Pikachu, Earthquake Bird, ''Isn't It Romantic?, Hillbilly Elegy, King Richard, Dancing Queens and Prom Pact and, besides Glee, has been featured in television shows such as RuPaul's Drag Race, City on Fire, Ghosts, The Big Leap, Pose, Gossip Girl, Moonshine, The Hills, Shameless, Succession and The Circle''. It has also been frequently covered on talent shows such as American Idol, The X Factor, The Voice and The Masked Singer. The song's title was used for the full title of the Houston estate-approved biopic, Whitney Houston: I Wanna Dance with Somebody, with British actress Naomi Ackie, playing Houston. In the film, the concept of the song is first brought to Houston by Davis (Stanley Tucci) at his Manhattan office. Upon recording and releasing the song as a single, it becomes an international hit and Ackie reenacts Houston's 1990 performance of the song at the ''That's What Friends Are For: Arista 15th Anniversary Concert'' special, demonstrating the song's success and Houston's transformation into a crossover superstar. The film was a success in the box office, generating $61.5 million in the international box office and peaking at number one on US Netflix and also charting well on Netflix in other countries including the second spot in the UK. On the fourth season of the American TV series, Industry in the episode, "Dear Henry", which aired in February 2026, the song is sung by Max Minghella as his character, businessman Whitney Halberstam, during a tense phone call with Harper Stern (Myha'la). Said Minghella, "When I read that in the script, I was probably the most excited of anything for Whitney, because I just thought it was genius and so to my taste... When you unlock something like that, the magic of it being a Whitney track, and having the Halberstram/Patrick Bateman of it all, and then the lyrics themselves all coalescing in that way, it’s kind of a miracle moment. So I felt very grateful that I got to do it, and kind of amazed that they came up with it." At the 2026 Met Gala, Canadian-American singer-actor Joshua Henry opened its proceedings by performing the song on its steps. Henry was backed by a 12-person choir, eight dancers, and a four-piece band with choreography from Ellenore Scott and musical production from Joseph Abate. Vogue claimed the performance "set a high watermark for the thrilling evening to come." ==Track listing and formats==

• US 12-inch vinyl single (Version 1) • "I Wanna Dance with Somebody (Who Loves Me)" (12-inch Remix) – 8:33 • "I Wanna Dance with Somebody (Who Loves Me)" (Single version) – 4:52 • "I Wanna Dance with Somebody (Who Loves Me)" (12-inch Remix Radio edit) – 4:51 • "I Wanna Dance with Somebody (Who Loves Me)" (Dub Mix) – 6:48 • "I Wanna Dance with Somebody (Who Loves Me)" (A cappella) – 5:18 • US 12-inch vinyl single (Version 2) • "I Wanna Dance with Somebody (Who Loves Me)" (12-inch Remix) – 8:33 • "I Wanna Dance with Somebody (Who Loves Me)" (Single version) – 4:52 • "I Wanna Dance with Somebody (Who Loves Me)" (Dub Mix) – 6:48 • "I Wanna Dance with Somebody (Who Loves Me)" (A cappella Mix) – 5:18 • "Moment of Truth" – 4:38 • UK 7-inch vinyl single • "I Wanna Dance with Somebody (Who Loves Me)" – 4:52 • "Moment of Truth" – 4:39 • UK promo VHS single • "I Wanna Dance with Somebody (Who Loves Me)" (Music Video) – 5:15 • UK 5-inch CD maxi-single • "I Wanna Dance with Somebody (Who Loves Me)" (12-inch Remix) – 8:32 • "Moment of Truth" – 4:36 • "I Wanna Dance with Somebody (Who Loves Me)" (Dub Mix) – 6:48 • US 5-inch CD maxi-single promo • "I Wanna Dance with Somebody (Who Loves Me)" (Single version) – 4:52 • "I Wanna Dance with Somebody (Who Loves Me)" (12-inch Remix Radio edit) – 4:51 • "I Wanna Dance with Somebody (Who Loves Me)" (12-inch Remix) – 8:36 ==Credits and personnel==

• Whitney Houston – lead vocals, vocal arrangement, background vocals • George Merrill – writer • Shannon Rubicam – writer • Narada Michael Walden – producer, arranger • Narada Michael Walden – drums • Walter "Baby Love" Afanasieff – synths • Randy "The King" Jackson – bass synth • Corrado Rustici – guitar synth • Preston "Tiger Head" Glass – percussion programming • Marc Russo – alto sax • Greg "Gigi" Gonaway – Simmons • Sterling Smith – synth horns • Jim Gilstrap – background vocals • Karen "Kitty Beethoven" Brewington – background vocals • Kevin Dorsey – background vocals • Myrna Matthews – background vocals • Jennifer Hall – background vocals • David Fraser – recording, mixing • Dana Jon Chappelle – assistant engineer • Lincoln Clapp – additional engineer • Gordon Lyon – additional engineer, additional assistant engineer • Jay Rifkin – additional engineer • Ken Kessie – additional engineer • Maureen Droney – additional engineer • Stuart Hirotsu – additional assistant engineer • Paul "Goatee" Hamingson – additional assistant engineer • Noah Baron – additional assistant engineer • Bill "Sweet Wil liam" Miranda – additional assistant engineer • Ross Williams – additional assistant engineer • Rob Beaton – additional assistant engineer ==Charts==

Weekly charts Year-end charts Decade-end charts ==Certifications==