Like a Prayer (song)

Madonna had not recorded any music throughout most of 1988. Following the critical and commercial failure of back-to-back big-budget films, Shanghai Surprise (1986) and ''Who's That Girl (1987), she acted in the Broadway production of Speed-the-Plow. Madonna had also turned 30, the age at which her mother had died, and thus the singer experienced more emotional turmoil. The song functioned as a form of creative coping with the early death of her mother and as a lasting tribute to her memory. Madonna commented in the March 1989 issue of Rolling Stone'' that her Catholic upbringing struck a feeling of guilt in her all the time: "Once you're a Catholic, you're always a Catholic—in terms of your feelings of guilt and remorse and whether you've sinned or not. Sometimes I'm wracked with guilt when I needn't be, and that, to me, is left over from my Catholic upbringing. Because in Catholicism you are born a sinner and you are a sinner all of your life. No matter how you try to get away from it, the sin is within you all the time." Madonna also understood that as she was growing up, so was her core audience. Feeling the need to attempt something different, she wanted the sound of her new album to dictate what could be popular in the music world. Madonna had certain personal matters on her mind that she thought could be the musical direction of the album. For the title track, the singer chose topics that until then had been personal meditations never shared with the general public. She perused her personal journals and diaries, and began considering options. Madonna recalled, "What was it I wanted to say? I wanted the album to speak to things on my mind. It was a complex time in my life." ==Development==

As Madonna considered her alternatives, Patrick Leonard and Stephen Bray were experimenting with instrumentals and musical ideas for her consideration. Madonna has described "Like a Prayer" as the song of a passionate young girl "so in love with God that it is almost as though He were the male figure in her life". Madonna's further inspiration for the song came from the Catholic belief of transubstantiation. She introduced liturgical words in the song, but changed the context so that the lyrics had dual meaning. In addition to superficial pop lyrics about sexuality and religion on the surface, ==Recording==

and his choir were signed for adding background vocals to "Like a Prayer". Crouch studied the song's lyrics to make sure that it was not against their religious beliefs.|alt=Andraé Crouch wearing black shirt and black jacket, and with a cap atop his head. He looks a little to the right, and stands with his mouth open. Behind him, two young Afro-American youths can be seen, with the one on right wearing spectacles. Madonna wanted to have gospel music as part of "Like a Prayer", with virtually no instrumentation, only the sound of an organ and her singing. Leonard started working on the chord changes for the verses and the chorus. Pratt was not fired, but later he realized that Madonna did not forgive him; she would call him late at night for his opinion, and urgently ask him to come to the recording studio, only to be dismissed. Shep Pettibone and Bill Bottrell remixed the 12-inch versions of the song with more of Prince’s guitar playing featured. ==Composition and lyrics==

"Like a Prayer" is a pop rock, dance-pop, and gospel song that also incorporates elements of funk. The original album version features bass guitar by Guy Pratt doubled by an analog Minimoog bass synthesizer, while the 7-inch edit version has a different bass part played by Randy Jackson. "Like a Prayer" was also remixed by Shep Pettibone for the 12-inch single release; a re-edited version of Pettibone's remix is featured on Madonna's first greatest hits album, The Immaculate Collection (1990). Rikky Rooksby, author of The Complete Guide to the Music of Madonna, commented that "Like a Prayer" was the most complex song that Madonna had ever attempted at that point. He believed that the complexity builds up more after the second chorus, when the choir fully supports Madonna's vocals and she re-utters the opening lines, but this time accompanied by a synthesizer and drum beats. J. Randy Taraborrelli noted in his book Madonna: An Intimate Biography that the lyrics of the song consist of "a series of button-pushing anomalies". With Madonna's inclusion of double entendres in the lyrics, "Like a Prayer" sounded religious to him but has an undertone of sexual tension. This was demonstrated by the use of a gospel choir, whose voice heightens the song's spiritual nature, while the rock guitar sound keeps it dark and mysterious. For Lucy O'Brien, the lyrics describe Madonna receiving a vocation from God. Certain portions of the lyrics also alluded to Sean Penn and their failed marriage. According to Priya Elan from NME, the line "Just like a muse to me, You are a mystery" was an example of this, befitting the description of an unattainable lover. This was also evident in the artwork for the 12-inch single, painted by her brother, Christopher Ciccone. It shows the letters "MLVC", standing for Madonna's full name, Madonna Louise Veronica Ciccone, with a prominent letter "P" for Penn, detached from the group. ==Critical reception==

, "Like a Prayer" was given a gospel treatment, with Madonna asking the audience to sing along with her.|alt=Madonna singing onstage wearing black pants and waist coat. She holds a microphone in her right hand to her mouth, while her left hand is supported on her thigh. Following the release of "Like a Prayer" on March 3, 1989, it received widespread acclaim from critics, journalists and academics. J. Randy Taraborrelli commented that the song "deserved every bit of the curiosity it generated. While being devilishly danceable, the song also shows Madonna's uncanny ability to inspire strong, conflicting emotions during the course of a single song, leaving the listener scratching his head for answers—and craving for more." Stephen Holden from The New York Times, while writing about Madonna's re-invention of her image, observed how her sound had changed from the "simple blaring dance-pop to the rich, fully rounded pop of 'Like a Prayer". Lucy O'Brien felt that the most remarkable aspect of "Like a Prayer" was Madonna's usage of liturgical words. "There is the surface meaning, forging sexuality with pop lyrics that sound so sweet. But underlying that is a rigorous mediation on prayer. In shorter words, 'Like a Prayer' really takes you there", O'Brien concluded. From the academic world, positive reviews came from Michael Campbell, author of Popular Music in America: And the Beat Goes On, who felt that the soothing melody of the song resembles Steve Winwood's 1986 single "Higher Love". Campbell noted the song for merging disparate and contradictory musical features in it. He found that the simple melody of "Like a Prayer" offered an easy listen, but the contrasts in sound, rhythm and texture appealed to different target audiences. Toby Creswell wrote in his book 1001 Songs that "'Like a Prayer' is a beautifully crafted devotional song in the guise of perfect pop. God is the drum machine here." Georges Claude Guilbert, author of ''Madonna as Postmodern Myth: How One Star's Self-Construction Rewrites Sex, Gender, Hollywood and the American Dream'', noted that there is a polysemy in "Like a Prayer" since Madonna addresses either God or her lover, and in doing so "Madonna achieves the gold-card of attaining her own divinity. Whenever someone calls her name, it alludes to the song." Andrew Greeley compared "Like a Prayer" with the biblical Song of Songs. Greeley, although focusing more on the accompanying music video, acknowledged the fact that sexual passion may be revelatory, and complimented Madonna for glorifying ideologies of female subjectivity and womanhood in the song. Positive reviews also came from contemporary music critics. Stephen Thomas Erlewine from AllMusic called the song "haunting" and felt that it displayed a commanding sense of Madonna's songcraft. According to Rolling Stones Gavin Edwards, it sounded glorious and "is the most transgressive—and the most irresistible" song of Madonna's career. Jim Farber from Entertainment Weekly commented that the "gospel-infused title track demonstrates that [the singer's] writing and performing had been raised to heavenly new heights". In a review for Madonna's first greatest hits album, The Immaculate Collection (1990), David Browne of the same publication wrote about the composition, which he felt "added poignancy to its spiritual lyrics". Also from Entertainment Weekly, Chuck Arnold wrote that "from the moment Madonna sings atop that solemn organ and the hushed tones of a choir, 'Like a Prayer' goes on to achieve a spiritual transcendence that makes this her supreme single [...] balancing the sacred and the secular to ecstatic effect, the whole thing takes you there again and again." Writing for Billboard, Katie Atkinson ranked it as Madonna's second-greatest song: "One of the main reasons the lyrics work so well is that she could be singing about a monogamous relationship, a powerful sexual connection, a platonic loved one, or even God him (or her) self [...] Life might be a mystery, but the mastery of this song is irrefutable." ==Commercial performance==

ed version of "Like a Prayer" during the Amsterdam stop of her Sticky & Sweet Tour on September 2, 2008|alt=Madonna singing onstage into a microphone held in her left hand. Her right hand is pointed upwards. In the United States, "Like a Prayer" debuted at number 38 on the Billboard Hot 100, and reached the top of the chart on the issue dated April 22, 1989. It stayed at the top for three weeks, before being replaced by Bon Jovi's "I'll Be There for You". It also topped the Dance Club Play chart, In Canada, "Like a Prayer" reached the top of the RPM 100 Singles chart in its ninth week. In Australia, "Like a Prayer" debuted on the ARIA Singles Chart at number three on March 19, 1989. The next week it reached the top of the chart, and stayed there for another four weeks. The single was present for a total of 22 weeks on the chart, and was certified Platinum by the Australian Recording Industry Association (ARIA), for shipment of 70,000 copies. In New Zealand, "Like a Prayer" had a similar run as in Australia, by debuting at number three on the RIANZ Singles Chart, and reaching the top of the chart the next week. The single was present for a total of 13 weeks on the chart. "Like a Prayer" became the eleventh best-selling single of 1989 in the United Kingdom, and was certified 2× Platinum by the British Phonographic Industry (BPI), for shipment of 1,200,000 copies. In Italy, "Like a Prayer" spent nine consecutive weeks at the top of the Musica e dischi chart. Across Europe, it reached number one in Belgium, Ireland, Norway, Sweden and Switzerland. It ranked at number two on the 1989 tabulation for European singles. Globally, "Like a Prayer" went on to sell over five million copies. After the song's use in the 2024 film Deadpool & Wolverine, "Like a Prayer" received a sales resurgence; in the United Kingdom, the song peaked at number 27 on the UK Singles Chart, and at number 7 on the UK Singles Downloads Chart. ==Music video==

Conception and filming was hired to play the role of a saint inspired by Martin de Porres, the patron saint of mixed-race people.|alt=Leon Robinson with short cropped beard and mustache. He is wearing a black shirt and shiny, black tie. The highly controversial accompanying music video for "Like a Prayer" was directed by Mary Lambert and was filmed in January 1989 at Raleigh Studios in Hollywood, California, and at San Pedro Hills in San Pedro, California. Madonna wanted the video to be more provocative than anything she had done before. The piece was chosen by costume designer Marlene Stewart for its atypical structure, as the dress was made for Natalie Wood to be worn under a costume. Stewart said Madonna's Catholic upbringing was a big influence for the video: "If you follow the tenets of the religion, there is something about showing lingerie, wearing lingerie as outerwear, which is very sinful in some way. She was playing with and pushing that boundary." Synopsis -style burning crosses A black man walking down the alley also sees the crime and runs to help the dying woman, but the murderers flee just as the police arrive. They mistakenly assume she was murdered by the black man and arrest him. The real murderers give Madonna a threatening look and leave. The deal also included Pepsi sponsoring Madonna's next world tour. Madonna wanted to use the commercial to launch "Like a Prayer" globally before its actual release—the first time something like this was being done in the music industry. According to the company's advertising head Alan Pottasch, "the global media buy and unprecedented debut of this long awaited single will put Pepsi first and foremost in consumer's minds". Pepsi premiered the commercial during the global telecast of the 31st Annual Grammy Awards in February 1989. A week later, the advertisement was aired during NBC's sitcom The Cosby Show, which was one of the most popular shows of that time. Titled "Make a Wish", the two-minute commercial portrayed Madonna going back in time to her childhood memories. It starts as Madonna watches a video of her childhood birthday party. While reminiscing, she interchanges places with her young self. The young Madonna roams aimlessly around the grown-up Madonna's room, while the latter dances with her childhood friends on the street and inside a bar. The commercial continues as Madonna dances inside a church, surrounded by a choir and her child self discovering her old doll. As both of them are interchanged again, the grown-up Madonna looks towards the TV and says, "Go ahead, make a wish". Both the Madonnas raise their Pepsi cans to each other, and the young Madonna blows out the candles on her birthday cake. Leslie Savan from The Village Voice noted that the commercial qualified as a "hymn to the global capabilities of the age of electronic reproductions; it celebrates the pan-cultural ambitions of both soda pop and pop star". The commercial re-aired for the first time in over 30 years at the 2023 MTV Video Music Awards. Madonna released a statement, which read, "34 years ago I made a commercial with Pepsi to celebrate the release of my song [...] The commercial was immediately canceled when I refused to change any scenes in the video where I was kissing a black saint or burning crosses. So began my illustrious career as an artist refusing to compromise my artistic integrity [...] artists are here to disturb the peace." Reception and protests encouraged people to boycott Madonna in Italy.|alt=John Paul II looking to the left The day after the Pepsi commercial was released, Madonna released the actual "Like a Prayer" music video on MTV. and called for a global boycott of Pepsi and its subsidiaries, including KFC, Taco Bell and Pizza Hut. Pepsi explained the differences between their advertisement and Madonna's artistic opinions. Ultimately, Pepsi gave in to the protests from hardline Christian groups and cancelled the campaign. In the meantime, Pope John Paul II involved himself in the matter and encouraged fans to boycott Madonna in Italy. Protests from a small Catholic organization in the country prompted Italian state television network RAI and Madonna's record company WEA to not air the video there. The music video was also deemed offensive by the Christian fundamentalist American Family Association (AFA). Madonna stated that "art should be controversial, and that's all there is to it", about the controversy. Jamie Portman from The Daily Gazette felt that the video could be "vulnerable to charges of being blatantly provocative in its calculated blending of sex and religion". David Rosenthal from The Spokesman-Review found it as "visually stunning"; however, Edna Gundersen from USA Today did not understand the media mayhem behind the video. She pointed out that "Madonna is a good girl in the video. She saves someone. What is the big deal?..." Among music critics, Phil Kloer from Record-Journal felt that whether one condemns the video as anti-Christian or racist, "It's condemnable on the face of it because it exploits a symbol of evil [the burning crosses of the Ku Klux Klan] as a fabulous source of light and rake up album sales". Writing for the Los Angeles Times, Chris Willman complimented the music video for its portrayal of a love song, rather than blasphemy. He was more interested in the stigmata presented in the video. Accolades At the 1989 MTV Video Music Awards, the video for "Like a Prayer" was nominated in the Viewer's Choice and Video of the Year categories, winning the former. Coincidentally, the award show was sponsored by Pepsi that year, and when Madonna received the award onstage she added, "I would really like to thank Pepsi for causing so much controversy." It also topped video countdowns and critic lists. It was number one on MTV's countdown of "100 Videos That Broke the Rules" in 2005, and for the channel's 25th anniversary, viewers voted it as the "Most Groundbreaking Music Video of All Time". In addition, the video was ranked at number 20 on Rolling Stones "The 100 Top Music Videos", and at number two on VH1's 100 Greatest Videos. Fuse TV named it one of its "10 Videos That Rocked the World". In a 2011 poll by Billboard, the video for "Like a Prayer" was voted the second-best music video of the 1980s, behind only Michael Jackson's "Thriller". Themes and analysis .|alt=An oval wooden structure, with two hands etched in it in a cross. Both the hands show a small hole in the middle of the palm. Scholars and academics have offered different interpretations of the music video and its story line. Allen Metz, one of the authors of The Madonna Companion: Two Decades of Commentary, noted that when Madonna enters the church at the beginning of the clip, the line "I hear you call my name, And it feels like.... Home" is played. The women of Italian East Harlem in New York refer to their Church as la casa di momma (Momma's House). In that respect, Metz believed that Madonna alluded herself to be one from Harlem, but also refers herself as divinity returning to the Church. Santiago Fouz-Hernández wrote in his book, ''Madonna's Drowned Worlds'', that the Black woman who catches Madonna when she is falling through heaven in her dream, is a symbol for the divinity, as she helps Madonna throughout the video to come to the correct decision. Fouz-Hernández explained how the physical similarity between Madonna and woman indicated that it was actually Madonna's inner divinity which was rescuing her. When the singer accidentally cuts her hand on the dagger, it was described as receiving stigmata by scholar Robert McQueen Grant, who believed that the scene marked Madonna as having an important role to play in the narrative. This was evident when the crime scene is shown in detail, and an identification is established between Madonna and the victim. Freya Jarman-Ivens, coauthor with Fouz-Hernández, noted that the woman cries out for help when Madonna sings the line "When you call my name, It's like a little prayer". However, Madonna could not do anything thus portraying failure of divinity to save. Regarding the kissing scene between the saint and Madonna, Carol Benson observed that the "numerous cut-scenes of burning crosses, shocked face of Madonna, bleeding eye of the icon etc" made a point that multiple times in history, black men have been punished for kissing or desiring white women. When the music video first aired in Spain, viewers initially believed that Madonna was playing the role of a modern day Saint Mary Magdalen on account of the scenes showing her first falling and then rising. ==Live performances==

.|alt=Madonna in the middle of a stage singing as a choir is present behind her. The first live performance of "Like a Prayer" was on the 1990 Blond Ambition World Tour, with Madonna wearing a dress that looked like a cross between a Mediterranean widow's attire and a clergy's robe. Hundreds of burning candles surrounded her as she knelt down in front of the stage, the backup singers crying the words "Oh my God" several times. Madonna eventually removed a scarf from her head to display a huge crucifix hanging from her neck, and then rose and sang the full song, while her dancers gyrated around her. Two different performances were taped and released on video: the Blond Ambition: Japan Tour 90, taped in Yokohama, Japan, on April 27, 1990, and Blond Ambition World Tour Live, taped in Nice, France, on August 5, 1990. On his review of the latter release, Entertainment Weeklys Ty Burr praised the "gymnastic dance productions in songs such as 'Where's the Party' and 'Like a Prayer'", calling them "astonishing". In 2003, while doing a set of short promotional performances for her ninth studio album American Life, Madonna performed an acoustic version of "Like a Prayer", with the choir portion of the song being replaced by guitar sounds. The song was also included in the set list of the Re-Invention World Tour of 2004. Members of the audience were asked to sing along with her, filling in the part of the choir. Madonna was dressed in a black Stella McCartney suit while backup vocalist Siedah Garrett sang the vocals during the intermediate verses; the backdrops displayed a series of Hebrew letters, indicating the 72 names of God. Jim Farber from New York magazine complimented Madonna's vocals during the song. The performance was included on the 2006 live album of the tour, titled ''I'm Going to Tell You a Secret''. Madonna sang a similar version of the song during the Live 8 benefit concert at Hyde Park, London in July 2005. She performed it alongside Birhan Woldu, an Ethiopian woman who, as a malnourished toddler, had appeared in some of the footage of the 1984–85 famine in Ethiopia. A dance version of the song, mixed with fragments of the dance track "Feels Like Home" by Meck, was performed in the 2008–09 Sticky & Sweet Tour as part of the rave segment. For the performance, Madonna appeared wearing a breastplate and a short wig. She danced energetically around the whole stage as backup singer Nicki Richards provided vocals during the intermediate solo. Screens displayed a message of equality of religions, as symbols and texts from different scriptures flashed by, including messages from the Bible, Qur'an, Torah and Talmud. Helen Brown from The Daily Telegraph declared the performance as one of the highlights of the tour, while Joey Guerra from Houston Chronicle compared Madonna rising on a platform with that of a superhero. The performance was included both in the CD and DVD of the live release of the tour, titled Sticky & Sweet Tour, filmed in Buenos Aires, Argentina from December 4–7, 2008. In January 2010, Madonna performed an acoustic version of the song live during the Hope For Haiti telethon. Jon Caramanica of The New York Times commented: "For 20 years, that song has been the symbol of one of the most tumultuous and controversial periods in Madonna's life. But for five minutes tonight, it was pure, put in service of something bigger than the singer." stop of her Rebel Heart Tour as dedication to the victims of the Paris terrorist attacks. It was also added to the set list for the MDNA Tour the same year. Performed in an energetic gospel version, Madonna and thirty-six of her back-up singers played the role of a choir and wore long robes, as images of a gothic church and Hebrew letters appeared on the backdrops. Jim Harrington from The Oakland Tribune gave the overall concert a negative review but stated that "It wasn't until the last two songs—"Like a Prayer" and "Celebration"—that the whole deal finally clicked". The performance of the song at the November 19–20, 2012 shows in Miami, at the American Airlines Arena, were recorded and released in Madonna's fourth live album, MDNA World Tour. On October 27, 2015, during the Inglewood stop of her Rebel Heart Tour, Madonna sang an acoustic version of "Like a Prayer", asking the crowd to sing along with her. She also performed the song during her concert in Stockholm, Sweden, on November 14, 2015, dedicating it to the victims of the Paris terrorist attacks. The singer subsequently performed the song in other cities during the Asian and Oceanian legs of the tour; one of the performances in Sydney was included as a bonus track on Madonna's fifth live album, Rebel Heart Tour. Madonna next performed the song during an impromptu concert at Washington Square Park in November 2016, as part of Hillary Clinton's presidential campaign. On May 7, 2018, she appeared at the Met Gala and performed the song on the Metropolitan Museum of Art's grand staircase. Dressed in a cloak, she was surrounded by background singers standing as monks and church bells tolling. In May 2019, Madonna performed "Like a Prayer" and "Future", a collaboration with rapper Quavo from her fourteenth studio album Madame X, in Tel Aviv, Israel, during the finals of the Eurovision Song Contest 2019. The singer stood atop a high, staircase stage surrounded by hooded dancers in monk-like outfits, and wore an outfit consisting of silver truss with dangling suspenders, thigh boots, a metallic corset, black cape and a black bejeweled eyepatch. It received mixed reviews, with much criticism going to the singer's voice; the Netherlands announcer Emma Wortelboer quipped she was "thankful for Madonna's autotune" during the results segment of the competition. One day later, a video of the performance was uploaded to the singer's official YouTube account, this time her vocals were edited. For the Madame X Tour, she performed it in a "simple" way, with backing from percussion and a choir. For Peter Piatkowski of PopMatters, the "stripped" nature of the arrangement highlighted the song's composition and structure. In October 2021, while promoting the Madame X documentary film, Madonna made a surprise performance in Harlem singing "Dark Ballet", "Sodade" and "La Isla Bonita" at The Red Rooster, and later walked down the streets singing "Like a Prayer" in front of the St. Andrew's Episcopal Church. During the Celebration Tour of 2023–24, the song was mashed up with Madonna's own "Act of Contrition", and "Unholy" (2022) by Sam Smith and Kim Petras, performed atop a rotating carousel with crosses depicting a chapel, with dancers as half naked crucifixes. At the end, her son David Banda dressed as a Prince look-alike and played the guitar solo from "Act of Contrition" while the screens showed the message "I Would Die 4 U". On April 18, 2026, Madonna joined American-singer Sabrina Carpenter for a duet of the song at the main stage at Coachella 2026, 20 years after Madonna's debut at the festival. ==Cover versions and usage==

One of the first cover versions of the song was an acoustic version done by folk singer-songwriter John Wesley Harding, for his 1989 extended play, God Made Me Do It: The Christmas EP. The 1999 and 2000 compilation albums, Virgin Voices: A Tribute To Madonna, Vol. 1 and Vol. 2, included a cover of the track by singer Loleatta Holloway and electro-industrial band Bigod 20, respectively. Another version was recorded in 2002 by Hi-NRG/Eurodance group Mad'House, and was included in their album Absolutely Mad. It was released as a single and was a commercial success, reaching the top of the charts in Austria, Germany, Ireland and the Netherlands, the top ten in Belgium (Flanders and Wallonia regions), France, Switzerland and the United Kingdom, and the top twenty in Denmark and Sweden. On the Billboard European Hot 100 Singles chart, it reached a peak of number two. A folk music cover of the song by Lavender Diamond was included on the 2007 Madonna tribute compilation Through the Wilderness. '' cast covered the song in 2010, during an episode themed around Madonna, "The Power of Madonna".|alt=Cast of Glee huddled together, with the backdrop displaying the word "Glee" in white small fonts. "Like a Prayer" was featured in an episode of American television series, Glee, called "The Power of Madonna". It was sung at the end of the episode by the fictional choir New Directions, performed by the Glee cast members. The song was released as digital download to the iTunes Store, and was also included on the soundtrack EP, Glee: The Music, The Power of Madonna. The cover version reached number 28 in Australia, number 27 in Canada, number two in Ireland, and number 16 in the United Kingdom. In the United States, the song reached number 27 on the Billboard Hot 100, while debuting and peaking on the Hot Digital Songs chart at number ten, with sales of 87,000 copies. DJs Meck and Dino created a mashup of the former's 2007 single, "Feels Like Home", with "Like a Prayer" and released it with the name as "Feels Like a Prayer". The song reached the top ten in Belgium (Flanders region) and the Netherlands, while peaking at number 15 in Belgium (Walloon region). We Are the Fallen, an American gothic metal band, covered "Like a Prayer" live in 2008. Nick Duerden from Spin complimented the performance and the track for being "so successfully pulverized that one wondered whether it wasn't written specifically to become the world's greatest heavy rock anthem." In June 2017, Leonard released a piano ballad version of the track, with vocals from singer Dana Williams. She later sang it during the encore of a show in tribute to Michael Jackson, which took place in July. In 2021, Miley Cyrus covered the song for her Peacock television special Miley Cyrus Presents Stand by You. In 2022, she performed it again during the Bud Light Super Bowl Music Fest in Los Angeles. The performance was released on her 2022 live album, Attention: Miley Live. According to Screen Rant, "Like a Prayer" is one of the most used Madonna's songs in movies and television. "Like a Prayer" is featured in the film Deadpool & Wolverine (2024). Stars Ryan Reynolds and Hugh Jackman, along with director Shawn Levy, received Madonna's permission to use the song, who also offered notes on the scene where it would be used. A digital EP titled ''Deadpool & Wolverine: Madonna's "Like a Prayer" EP'', featuring the soundtrack versions of the song was released on August 9, 2024, two weeks after the release of the film. On the evening of August 10, 2024, Abi Carter sang the song at Honda Center as part of the Disney Experiences Showcase during Disney's D23 fan event. She was joined onstage by Deadpool. ==Legacy and cultural impact==

"Like a Prayer" is considered to be one of the best songs of Madonna's career. In addition to ranking it Madonna's best single, Matthew Jacobs of HuffPost declared it "among the best pop songs of all time". while in 2004 Rolling Stone included it in their list of The 500 Greatest Songs of All Time, at number 300. When the magazine updated the list in 2010, the song dropped to number 306, but in 2021, Rolling Stone moved the song up to number 55. For NMEs "The Greatest Pop Songs In History" list in 2011, the track was placed at number three. Priya Elan from the publication noted it as Madonna's "calling card", bestowing the singer with a "legendary" status. It was also listed by both The Guardian and Entertainment Weekly as Madonna's greatest single. Rolling Stone and Billboard also ranked the song number one in their lists of the greatest Madonna songs. In 2014, LA Weekly placed the song at rank two on their list of "The 20 Best Pop Songs in History By Female Artists". Art Tavana from the publication opined that "'Like a Prayer' was the moment when Madonna went from being the voice of America's teenagers to the worldwide high priestess of pop." In their ranking of the best songs from the 1980s, Pitchfork listed "Like a Prayer" at number 50. In 2023, celebrating the 65th anniversary of Billboard Hot 100, the staff of the magazine ranked "Like a Prayer" as the sixth best pop song that appeared in the chart since 1958. Campbell noted that the popularity and the media mayhem around the song and the video, helped introduce the concept of free publicity. "Like a Prayer"s impact was more evident on its parent studio album, which shot to the top of the charts once it was released in April 1989. The author further argued that the controversial clip was evidence of the emergence of the "video commodity as a different entity from the song that spawned it". The song was noted by Campbell for the mix of choir and organ, which according to him paved the way for gospel music to be more mainstream than before. Taraborrelli commented that "in the end, the events surrounding 'Like a Prayer' only served to enhance Madonna's reputation as a shrewd businesswoman, someone who knows how to sell a concept." Before Madonna's deal with Pepsi, pop stars in general were not given much artistic freedom by sponsors. However, Madonna made it a point to have the commercial be dictated by her. While she said that it was never her intention for Pepsi to get entangled in the controversy of the music video, Taraborrelli also observed that Madonna stayed true to herself. Although the commercial intended to promote Pepsi the soft drink, she did not bother to hold even a can of the product, leading the author to comment that "Madonna the pop star was going to do it her way, no matter what Madonna the businesswoman had agreed to do". She maintained all along that the Pepsi commercial and the music video were two different commodities and she was right to stand her ground. ==Track listing and formats==

• US and Canada 7" single and US 3-inch CD single • "Like a Prayer" (7" Version) – 5:19 • "Act of Contrition" (LP Version) – 2:19 • US 12-inch vinyl single • A1. "Like a Prayer" (12" Dance Mix) – 7:50 • A2. "Like a Prayer" (12" Extended Remix) – 7:21 • A3. "Like a Prayer" (Churchapella) – 6:14 • B1. "Like a Prayer" (12" Club Version) – 6:35 • B2. "Like a Prayer" (7" Remix/Edit) – 5:41 • B3. "Act of Contrition" (LP Version) – 2:19 • 1989 UK 12-inch vinyl single, 1995 re-issue CD maxi-single • A. "Like a Prayer" (12" Dance Mix) – 7:50 • B1. "Like a Prayer" (Churchapella) – 6:14 • B2. "Like a Prayer" (7" Remix/Edit) – 5:41 • 3-inch CD single (Japan) • "Like a Prayer" (7" Version) – 5:19 • "Act of Contrition" (LP Version) – 2:19 • 2021 digital single • "Like a Prayer" (12" Dance Mix) – 7:52 • "Like a Prayer" (12" Extended Remix) – 7:24 • "Like a Prayer" (Churchapella) – 6:08 • "Like a Prayer" (12" Club Version) – 6:38 • "Like a Prayer" (7" Remix/Edit) – 5:44 • "Act of Contrition" (LP Version) – 2:19 • "Like a Prayer" (7" Version) – 5:19 • "Like a Prayer" (Instra Dub) – 6:13 • "Like a Prayer" (Bass Dub) – 5:49 • "Like a Prayer" (Dub Beats) – 4:43 • '2024 Deadpool & Wolverine EP' • "Like a Prayer" – 5:40 • "Like a Prayer" (Battle Royale Mix) – 2:48 • "Like a Prayer" (Choir Version) – 2:32 ==Personnel==

Personnel are adapted from the Like a Prayer album liner notes. • Madonna – lyricist, producer, lead vocals, background vocals • Patrick Leonard – composer, producer, arranger • The Andraé Crouch Choir – background vocals • Bill Meyers – arranger • Bruce Gaitsch – acoustic guitar • Chester Kamen – guitar • Chuck Findley – arranger, brass • Dann Huff – guitar • David Williams – guitar • Dick Hyde – brass • Donna De Lory – background vocals • Jean Johnson (singer) – background vocals • Geary Lanier Faggett – clavinet • Guy Pratt – bass, drum programming • Jonathan Moffett – drums • Paulinho da Costa – percussion • Herb Ritts – cover art photographer • Jeri Heiden – 7" single cover designer • Diane Painter – 7" single cover artwork (hand-tinting) • Christopher Ciccone – 12" single cover designer • Bob Ludwig – mastering • Bill Bottrell – mixing • Shep Pettibone – additional producer, remix, audio engineering • Michael Hutchinson – remix engineer • Dave Way – assistant engineer • Fred McFarlane – programming • Junior Vasquez – audio engineering • Bill Bottrell – additional producer, remix • Prince – guitar, uncredited ==Charts==

Weekly charts Year-end charts Decade-end charts ==Certifications and sales==