, from the
Echternach Gospels (late 7th century). (). (), a rare example of a preserved 13th-century knightly shield, displaying the Ludovingian
lion barry. under
Hetumid dynasty (1226–1341). in the
Wernigerode Armorial (late 15th century), shown as combining the lions of
Hesse,
Katzenelnbogen and
Diez) The animal designs in the
heraldry of the
high medieval period are a continuation of the
animal style of the
Viking Age, ultimately derived from the style of
Scythian art as it developed from c. the 7th century BC.
Symmetrically paired animals in particular find continuation from
Migration Period art via
Insular art to
Romanesque art and heraldry. The animals of the "barbarian" (
Eurasian) predecessors of heraldic designs are likely to have been used as
clan symbols. Adopted in
Germanic tradition around the
5th century, they were re-interpreted in a
Christian context in the western kingdoms of
Gaul and
Italy in the 6th and 7th centuries. The characteristic of the lion as royal animal in particular is due to the influence of
the Physiologus, an early Christian book about animal symbolism, originally written in Greek in the 2nd century and translated into Latin in about AD 400. It was a predecessor of the medieval
bestiaries. At the time, few Europeans had a chance to encounter actual lions, so that painters had to rely on traditional depictions and had no actual animals as models. The lion as a heraldic charge is present from the very earliest development of
heraldry in the 12th century. One of the earliest known examples of armory as it subsequently came to be practiced can be seen on the tomb of
Geoffrey Plantagenet, Count of Anjou, who died in 1151. An enamel, probably commissioned by Geoffrey's widow between 1155 and 1160, depicts him carrying a blue shield decorated with six golden lions rampant and wearing a blue helmet adorned with another lion. A chronicle dated to c. 1175 states that Geoffrey was given a shield of this description when he was knighted by his father-in-law,
Henry I, in 1128. Earlier heraldic writers attributed the
lions of England to
William the Conqueror, but the earliest evidence of the association of lions with the English crown is a seal bearing two lions passant, used by the future
King John during the lifetime of his father,
Henry II, who died in 1189. Since Henry was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an heraldic emblem by Henry or his sons might have been inspired by Geoffrey's shield. John's elder brother,
Richard the Lionheart, who succeeded his father on the throne, is believed to have been the first to have borne the arms of three lions passant-guardant, still the arms of England, having earlier used two lions rampant combatant, which arms may also have belonged to his father. Richard is also credited with having originated the English crest of a lion statant (now statant-guardant). Apart from the lions of the
Plantagenet (England and Normandy) coat of arms, 12th-century examples of lions used as heraldic charges include the
Staufen (Hohenstaufen) and
Wittelsbach (
Palatinate) coats of arms, both deriving from
Henry the Lion, the
royal coat of arms of Scotland, attributed to
William the Lion, the
coat of arms of Denmark, first used by
Canute VI, the
coat of arms of Flanders (
Jülich), first used by
Philip I, the
coat of arms of León, an example of
canting arms attributed to
Alfonso VII (1126), and the
coat of arms of Bohemia, first granted to
Vladislaus II. Coats of arms of the 13th century include those of the
House of Sverre (
coat of arms of Norway), the
Ludovingians (the
lion of Hesse used by
Conrad of Thuringia),
Luxembourg, the
kingdom of Ruthenia (
Volhynia), the
House of Habsburg (the Habsburgs all but abandoned their original coat of arms after gaining the
Duchy of Austria in the 1270s, but it remained in use in derived lineages such as the
House of Kyburg), the
kingdom of Bulgaria and the
Armenian Kingdom of Cilicia (
Rubenids). Unlike the
eagle, which is comparatively rare in heraldry because it was reserved as an
imperial symbol, the lion became a symbol of
chivalry and was not restricted to royal coats of arms. The
Zürich armorial (14th century) has a number of coats of arms with lions, most of them of
ministeriales of the House of Habsburg. The lion in the
coat of arms of Bohemia is depicted with two tails (
à la queue fourchée). According to
Ménestrier, this is due to a jest made by
Emperor Frederick, who granted
Vladislaus II, Duke of Bohemia a coat of arms with a lion
coué, that is, with its tail between its legs. Vladislaus' men refused to follow this emblem, calling it an ape, so that Frederick agreed to
improve the arms by giving the lion not just one but two erect tails. ==Attitudes==