(1912). Maid Marian wears a
Tyrolean hat and carries a
hunting horn. Maid Marian (or Marion) is never mentioned in any of the earliest extant
ballads of Robin Hood. She appears to have been a character in
May Games festivities (held during May and early June although it could be rarely held mid June, most commonly around
Whitsun) and is sometimes associated with the Queen or Lady of May or May Day. In
The Quest for Robin Hood, Jim Lees suggests that Maid Marian was originally a personification of the
Virgin Mary. Both a "Robin" and a "Marian" character were associated with May Day by the 15th century, but these figures were apparently part of separate traditions; the Marian of the May Games is likely derived from the French tradition of a shepherdess named Marion and her shepherd lover Robin, recorded in
Adam de la Halle's
Le Jeu de Robin et Marion, circa 1283. It isn't clear if there was an association of the early "outlaw" character of Robin Hood and the early "May Day" character Robin, but they did become identified, and associated with the "Marian" character, by the 16th century. Alexander Barclay, writing in c. 1500, refers to "some merry fytte of Maid Marian or else of Robin Hood". Marian remained associated with May Day celebrations even after the association of Robin Hood with May Day had again faded. The early Robin Hood is also given a "shepherdess" love interest, in ''
Robin Hood's Birth, Breeding, Valor, and Marriage'' (
Child Ballad 149), his sweetheart is "Clorinda the Queen of the Shepherdesses". Clorinda survives in some later stories as an alias of Marian.
Francis James Child notes that the early mentions of
Friar Tuck (another May Games character) are in association with Marian. By the mid 16th century the May Games had become increasingly bawdy, and in one play Robin even gives Marian to Friar Tuck as a concubine: "She is a trul of trust, to serue a frier at his lust/a prycker a prauncer a terer of shetes/a wagger of ballockes when other men slepes." The "gentrified" Robin Hood character, portrayed as a historical outlawed nobleman, emerges in the late 16th century. From this time, Maid Marian is cast in terms of a noblewoman, but her role was never entirely virginal, and she retained aspects of her "shepherdess" or "May Day" characteristics; in 1592,
Thomas Nashe described the Marian of the later May Games as being played by a male actor named Martin, and there are hints in the play of Robin Hood and the Friar that the female character in these plays had become a lewd parody. Robin originally was called Ryder. In the play,
The Downfall of Robert, Earl of Huntingdon by Anthony Munday, which was written in 1598, Marian appears as Robin's lawfully-wedded wife, who changes her name from Matilda when she joins him in the greenwood. She also has a cousin called Elizabeth de Staynton who is described as being the Prioress of
Kirklees Priory near
Brighouse in West Yorkshire. The 19th century antiquarian,
Joseph Hunter, identified a Robert Hood,
yeoman from
Wakefield, Yorkshire, in the archives preserved in the Exchequer, whose personal story matched very closely the story of Robin in Anthony Munday's play, and this Robert Hood also married a woman named Matilda, who changed her name to Marian when she joined him in exile in
Barnsdale Forest (following the
Battle of Boroughbridge) in 1322, and who also had a cousin named Elizabeth de Staynton who was Prioress of Kirklees Priory. In an Elizabethan play,
Anthony Munday identified Maid Marian with the historical Matilda, daughter of
Robert Fitzwalter, who had to flee England because of an attempt to assassinate
King John (legendarily attributed to King John's attempts to seduce Matilda). The "Matilda" theory of Maid Marian is further discussed in In later versions of Robin Hood, Maid Marian is commonly named as "Marian Fitzwalter", the only child of the Earl of Huntingdon. In
Robin Hood and Maid Marian (Child Ballad 150, perhaps dating to the 17th century), Maid Marian is "a bonny fine maid of a noble degree" said to excel both
Helen and
Jane Shore in beauty. Separated from her lover, she dresses as a page "and ranged the wood to find Robin Hood," who was himself disguised, so that the two begin to fight when they meet. As is often the case in these ballads, Robin Hood loses the fight to comical effect, and Marian only recognizes him when he asks for quarter. This ballad is in the "
Earl of Huntington" tradition, a supposed "historical identity" of Robin Hood forwarded in the late 16th century. 20th-century pop culture adaptations of the Robin Hood legend almost invariably have featured a Maid Marian and mostly have made her a highborn woman with a rebellious or
tomboy character. In 1938's
The Adventures of Robin Hood, she is a courageous and loyal woman (played by
Olivia de Havilland), and a ward of the court, an orphaned noblewoman under the protection of
King Richard. Although always ladylike, her initial antagonism to Robin springs not from aristocratic disdain but from aversion to robbery. In
The Story of Robin Hood and His Merrie Men (1952), although being a lady-in-waiting to
Eleanor of Aquitaine during the
Crusades, Marion is a mischievous tomboy capable of fleeing boldly to the countryside disguised as a boy. In the Kevin Costner epic,
Robin Hood: Prince of Thieves, she is a maternal cousin to the sovereign, while in the BBC adaption of 2006, she is the daughter of the former sheriff and was betrothed to Robin before his leaving for the
Holy Land, and in his absence embarked on her own crusade against poverty in aiding the poor in a fashion similar to what Robin later achieved, becoming a skilled fighter in the process and leading the people to refer to her as 'The Night Watchman'.
Theresa Tomlinson's
Forestwife novels (1993–2000) are told from Marian's point of view and portray her as a high-born Norman girl escaping entrapment in an arranged marriage. With the aid of her nurse, she runs away to Sherwood Forest, where she becomes acquainted with Robin Hood and his men. ==Literature==