RiveraMuralNationalPalace.jpg|
Diego Rivera's mural
The History of Mexico at the
National Palace in
Mexico City (1929–1935). BardiaMural.jpg|The
Bardia Mural, photographed in the 1960s, prior to its damage by defacement and the ravages of time. Press Cafe in East Berlin on Alexanderplatz, 1977.jpg|Murals displaying the Marxist view of the press on this
East Berlin cafe in 1977 were covered over by commercial advertising after Germany was reunited. Wien - Donald-Trump- und Kim-Jong-un-Graffiti von Lush Sux.JPG|A mural with
Kim Jong Un and
Donald Trump in Vienna. Tun Dr. Mahathir - panoramio.jpg|The mural of former
Malaysian Prime Minister Mahathir Mohamad in
Alor Setar The
Mexican mural movement in the 1930s brought new prominence to murals as a social and political tool.
Diego Rivera,
José Orozco and
David Siqueiros were the most famous artists of the movement. Between 1932 and 1940, Rivera also painted murals in
San Francisco,
Detroit, and
New York City. In 1933, he completed a famous series of twenty-seven fresco panels entitled
Detroit Industry on the walls of an inner court at the
Detroit Institute of Arts. During the
McCarthyism of the 1950s, a
large sign was placed in the courtyard defending the artistic merit of the murals while attacking his politics as "detestable". , by
Per Krohg (1952), towers over meetings of the
Security Council at
UN headquarters in New York City In 1948, the Colombian government hosted the IX Pan-American Conference to establish the
Marshall plan for the Americas. The director of the OEA and the Colombian government commissioned master
Santiago Martinez Delgado to paint a mural in the Colombian congress building to commemorate the event. Martinez decided to make it about the
Cúcuta Congress, and painted
Bolívar in front of
Santander, making liberals upset; so, due to the murder of Jorge Elieser Gaitan the mobs of el
bogotazo tried to burn the capitol, but the Colombian Army stopped them. Years later, in the 1980s, with liberals in charge of the Congress, they passed a resolution to turn the whole chamber in the Elliptic Room 90 degrees to put the main mural on the side and commissioned
Alejandro Obregon to paint a non-partisan mural in the
surrealist style. In Chile, the Romana Parra Brigade painted political murals in support of workers' rights and Communism.
Northern Ireland contains some of the most famous political murals in the world. Almost 2,000 murals have been documented in Northern Ireland since the 1970s. In recent times, many murals are non-sectarian, concerning political and social issues such as racism and environmentalism, and many are completely apolitical, depicting children at play and scenes from everyday life. (See
Northern Irish murals.) A not political, but social related mural covers a wall in an old building, once a prison, at the top of a cliff in Bardiyah, in Libya. It was painted and signed by the artist in April 1942, weeks before his death on the first day of the
First Battle of El Alamein. Known as the
Bardia Mural, it was created by English artist, private
John Frederick Brill. In 1961
East Germany began to erect a wall between East and
West Berlin, which became famous as the
Berlin Wall. While on the East Berlin side painting was not allowed, artists painted on the Western side of the Wall from the 80s until the fall of the Wall in 1989. Many unknown and known artists such as
Thierry Noir and
Keith Haring painted on the Wall, the "World's longest
canvas". The sometimes detailed artwork were often painted over within hours or days. On the Western side the Wall was not protected, so everybody could paint on the Wall. After the fall of the Berlin Wall in 1989, the Eastern side of the Wall became also a popular "canvas" for many mural and
graffiti artists.
Orgosolo, in
Sardinia, is a most important center of
murals politics. It is also common for mural graffiti to be used as a memoir. In the 2001 book
Somebody Told Me,
Rick Bragg writes about a series of communities, mainly located in New York, that have walls dedicated to the people who died. These memorials, both written word and mural style, provide the deceased to be present in the communities in which they lived. Bragg states that the "murals have woven themselves in the fabric of the neighborhoods, and the city". These memorials remind people of the deaths caused by inner city violence. ==Contemporary interior design==