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Hotel Pennsylvania

The Hotel Pennsylvania was a hotel at 401 Seventh Avenue in Midtown Manhattan, New York City, across from Pennsylvania Station and Madison Square Garden. Opened in 1919, it was once the largest hotel in the world. It remained the city's fourth-largest until it closed permanently on April 1, 2020. After years of unsuccessful preservation battles, it was demolished in 2023. The hotel is to be replaced by 15 Penn Plaza, a 50-story tower.

History
In the late 19th century, the site around the Hotel Pennsylvania was mostly residential, with three- and four-story row houses and four- and five-story tenements. The Pennsylvania Railroad (PRR) had completed the original Pennsylvania Station in Midtown Manhattan, New York City, in 1910. In conjunction with the railroad station's opening, the PRR had acquired all lots on the eastern side of Seventh Avenue between 31st and 33rd Streets, directly east of the station, though the railroad did not initially develop the sites. The northern site, which became the Hotel Pennsylvania, measured long on 32nd and 33rd Streets and long on Seventh Avenue. The southern site was sold in 1921 to Equitable Holdings, which developed 11 Penn Plaza there. The hotel was to be designed by McKim, Mead & White, The planned hotel was cited as being either ten The PRR wished to compete with the New York Central Railroad, which was concurrently constructing the Commodore Hotel near Grand Central Terminal, as well as attract business travelers and professional conventions. the Fuller Company constructed the Pennsylvania and the Commodore simultaneously. The PRR also hired Post & McCord as the steel contractor. The hotel's cost had increased to $11 million by that April; this cost included $7.5 million for the actual hotel, $2.5 million for the land, and $1 million for furnishings. Initially, the PRR leased the hotel to Franklin J. Matchette for 21 years. In December 1916, Ellsworth M. Statler of the Statler Hotels chain purchased a controlling interest in Matchette's lease. Matchette and Statler formed the New York Hotel Statler Company, which issued stock to finance the hotel's construction. Both men initially had a 50 percent stake in the company, but Matchette turned over a 25 percent stake to Statler shortly after the company was established. The PRR announced in December 1916 that the hotel would be named the Hotel Pennsylvania and that construction of the hotel's foundations would commence the next month. Matchette's firm, the Servidor Company, also provided the hotel's original equipment and furnishings including the doors for each guestroom. The hotel's construction required over of steel and nine million bricks, although some of these materials were difficult to obtain because of World War I restrictions. In addition, the hotel's dynamo room caught fire and then exploded in April 1918, damaging the facade and a sidewalk shed around the hotel. That June, Statler Hotels issued $3 million in bonds to finance the hotel's construction. Roy Carruthers was hired as the hotel's first general manager in late 1918. Statler planned to rent rooms within a relatively narrow price range, saying: "I am working on the assumption that New York wants a first-class hotel where the ratio between the minimum and maximum rates will be nearer together than is usually the case." Statler operation The Hotel Pennsylvania was formally dedicated on January 25, 1919. On that day, 3,000 spectators viewed the hotel, and 2,000 people ate in the main dining room. The Pennsylvania's 2,200 guest rooms and baths made it the largest hotel in the world at the time; it was slightly larger than the Commodore, which opened a few days later on January 28. However, only 1,200 rooms were available when the hotel opened, In addition, Statler would pay six percent of the construction cost each year. One architectural critic wrote that the hotel's completion "marked a great step forward in hotel efficiency", as it had an efficient design that was not overly ornate. 1920s and 1930s In the hotel's early years, it hosted such events as a charity event for the Jewish Federations of North America, a meeting for veterans, and a showcase of radio equipment. Employees established a newspaper called The Pennsylvania Register in 1921, which according to The Christian Science Monitor was "said to be the only daily newspaper published in a hotel". In 1922, the Pennsylvania became the first hotel on the East Coast of the United States to receive radio telegraph service. The Pennsylvania remained the world's largest hotel until the late 1920s, when the New Yorker Hotel was constructed. E. M. Statler managed the hotel until January 1928, when Frank A. Duggan took over as the hotel's manager. After Duggan left for the Hotel McAlpin that April, Statler again became the hotel's manager, although Statler died two weeks later. Following Statler's death, Leo Molony was appointed as the hotel's manager. In 1929, Matchette filed two lawsuits in the New York Surrogate's Court, seeking a combined $10 million in damages from the New York Hotel Statler Company Inc. and Ellsworth Statler's estate. Matchette claimed that Statler had given excessive salaries to himself and his family members and that Statler had mismanaged the hotel's construction. PRR received a $5 million mortgage loan from Prudential Insurance in 1933, replacing two loans that the hotel had received in 1917 and 1923. The Automobile Club of New York moved its headquarters to the hotel in 1933, and the hotel's Room, decorated with cartoons depicting life in New York City, opened the same year. The hotel continued to host large events in the 1930s, including ping-pong matches, home equipment exhibitions, National Board of Review conferences, and architects' conventions. Molony managed the hotel until January 1937, when Duggan replaced him. James H. McCabe became the hotel's manager that June after Duggan was promoted to a vice president within Statler Hotels. 1940s and 1950s Statler Hotels agreed to buy the property outright from the Pennsylvania Railroad on June 30, 1948. Statler Hotels president Arthur F. Douglas officially took over the hotel that August, paying approximately $13 million. The Statler chain renovated the hotel's main dining room, the Cafe Rouge, that year. The Pennsylvania was renamed the Hotel Statler on January 1, 1949. The hotel's managers had supported the name change because the Pennsylvania had hosted Statler Hotels' main offices for many years. The hotel also replaced signs in subway stations and sent notices to 300,000 people who held Statler-branded credit cards. The hotel was branded as the "Hotel Statler, formerly the Hotel Pennsylvania" for two years after the name change. Hilton paid an estimated $76 million for the controlling stake. Hilton was installing air conditioners in all of the hotel's guestrooms by early 1956. The hotel had become The Statler Hilton by 1958, and the hotel opened its Terrace Lounge there that September. Over the years, the hotel was reduced to 1,592 rooms. Many of the smaller rooms had been combined to create larger suites with alcoves for businessmen. In 1960, Hilton renovated the hotel at a cost of $1 million. The work included the reduction of the original two-story lobby to one story, to add more meeting space. Zeckendorf and Abelco/Penta operation In January 1979, Hilton Hotels agreed to sell the New York Statler Hilton to developer William Zeckendorf Jr. for $24 million. At the time, the hotel had 1,756 rooms. recording an estimated after-tax profit of $8.8 million. The hotel was renamed the New York Statler and was operated by Dunfey Hotels, a division of Aer Lingus. Dunfey Hotels sought to market the hotel to business travelers and conventions. The hotel was sold again in August 1983 for $46 million. A half-interest in the hotel was acquired by Abelco, an investment group consisting of developers Elie Hirschfeld, Abraham Hirschfeld, and Arthur G. Cohen, and the other half was bought by the Penta Hotels chain, a joint venture of British Airways, Lufthansa, and Swissair. The new owners renamed the hotel the New York Penta. Anna Quindlen of The New York Times Magazine wrote: "Real New Yorkers, who will be damned if they will call Sixth Avenue Avenue of the Americas, still call it the Statler." The owners renovated the facade and the public spaces, Despite the cost of the renovation, the Abelco/Penta partnership planned to retain the hotel's $100 nightly room rates. It was one of two major structures to open on the west side of Midtown Manhattan that month, the other being the Axa Equitable Center. The Penta's owners hired James Parry Inc. as the hotel's marketing agency. When James Parry Inc. shuttered in 1988, the hotel's partners hired Kirshenbaum & Bond as the Penta Hotel's new agency. Ramada and Best Western operation In 1991, the Hirschfelds acquired the Penta Hotels chain's stake in the hotel. Hampton Hotels Co. took over the hotel's operation in 1993. The hotel remained the third-largest in New York City, after the New York Hilton Midtown and the Sheraton New York Times Square Hotel. Hampton Hotels spent $15 million on renovations over the next two years. By the early 1990s, celebrities no longer frequented the Ramada Pennsylvania, which tried to attract guests by offering discounts for guests' pets. A Sports Authority store at the hotel's base was announced in 1993, and it opened the following year, within the hotel's former bar and mezzanine. The board of directors of the Best Western hotel chain voted in November 1993 to rename the hotel '''New York's Hotel Pennsylvania''', pending an inspection of the hotel's quality. Best Western also added a business center to the hotel the same year, equipped with fax machines, computers, and televisions. At that point, the Pennsylvania no longer had any restaurants, and guest-service directories instead listed restaurants near the hotel. Hirschfeld rebranded the hotel as the Hotel Pennsylvania in 1995, Hirschfeld had installed ''Lover's Bench'', a bronze sculpture depicting a nude couple and a partly clothed woman, outside the Pennsylvania's entrance. The sculpture was ultimately removed in 1997. Vornado acquisition Planet Hollywood plans In June 1997, Vornado Realty Trust and Singaporean developer Ong Beng Seng agreed to buy the hotel for $159 million. citing the hotel's proximity to Madison Square Garden. The plans were complicated by the fact that the Riese family held a long-term lease on commercial space at the Pennsylvania. At the end of June 1997, Vornado paid $75 million to terminate the Rieses' lease and acquire several buildings that the family owned nearby. Vornado and Ong would each own a 40 percent stake in the hotel, while Planet Hollywood would own 20 percent. The Official All Star Hotel plan was announced amid a revival in tourism in New York City, as well as demand for office space in Penn Plaza. The hotel's renovation was expected to cost about $200 million. Vornado would operate about of commercial and office space at the hotel. Vornado bought out Ong's 40 percent stake in the hotel in early 1998 for $70 million, paying $22 million in cash and taking on $48 million in debt. Vornado Realty Trust transferred the hotel's management to a subsidiary, Vornado Operating Company, in October 1998 because of regulations concerning non-real-estate holdings of real estate investment trusts. Vornado then acquired the remaining 20 percent stake from Planet Hollywood in August 1999 for $42 million, paying $18 million in cash and assuming $24 million in debt. 2000s As early as 2001, a Lehman Brothers analyst said that Vornado officials were considering replacing the hotel with a 50- to 60-story tower. Through the 2000s, the hotel remained popular enough that its managers trademarked the slogan "World's Most Popular Hotel" in 2002. However, the hotel had become noticeably run down, and guests reported bedbug infestations, darkened windows, and dirty carpets, among other things. By the mid-2000s, Vornado officials said the hotel was merely "a placeholder, sort of like a parking lot". Observer described the hotel as having "devolved into a cheap, decrepit tourist trap more commonly associated with reported bedbug attacks than big-band nostalgia". The hotel was divided into two sections by then: the main hotel and the more upscale Penn 5000 Club. Vornado also rented out some of the hotel's space to small businesses during the 2000s, and the T. R. Engle Group gradually renovated the hotel's lobby and rooms during this decade. As part of the planning process for the 7 Subway Extension, in 2003, city and state officials determined that the Hotel Pennsylvania was eligible for official landmark protections on the city, state, and national levels. With the redevelopment of west Midtown in the mid-2000s, the Hotel Pennsylvania was again being considered as a prime site for redevelopment. In early 2007, Vornado announced plans to demolish the hotel and develop the 15 Penn Plaza skyscraper there, as part of a redevelopment of the area around Penn Station. Vornado intended to complete the building by 2011, marketing the tower to financial tenants. Had the hotel been demolished at that time, Vornado would have been required to maintain a "museum-quality" exhibit of the Hotel Pennsylvania's history in the new building's lobby. Ultimately, Merrill Lynch opted to move to the World Financial Center in January 2008, in part because of the firm's financial troubles. At a conference call in June 2008, Vornado chairman Steven Roth said he was considering downsizing his planned development or renovating the Hotel Pennsylvania. The redevelopment plans prompted the staff of 2600: The Hacker Quarterly, a magazine that sponsored biennial HOPE hacker conventions at the hotel, began investigating possible ways to save the hotel from demolition. They were joined by the new Save the Hotel Pennsylvania Foundation (later the Hotel Pennsylvania Preservation Society), In November 2007, Manhattan Community Board 5 voted 21–8 in support of a landmark designation. Three months later, the New York City Landmarks Preservation Commission (LPC) rejected the landmark request. Emmanuel Goldstein of 2600 noted that while people overseas expressed concern over the fate of the hotel:New Yorkers might not care enough to get involved. The hotel was old; the rooms weren't as big and luxurious as other more modern facilities; and New Yorkers simply weren't in a position to grasp the importance of such a place since they normally don't need cheap and easily accessible hotels if they already live here. 2010s In May 2010, the hotel was again in danger of demolition. Manhattan borough president Scott Stringer gave a conditional approval overruling Manhattan Community Board 5. The LPC reviewed the hotel's Cafe Rouge for landmark status based on a request by the Hotel Pennsylvania Preservation Society, but on October 22, 2010, the LPC declined to designate the cafe as a landmark. On July 14, 2010, the New York City Department of City Planning voted unanimously in favor of the construction of the tower. On August 23, 2010, the NYC Council voted to approve the proposed Uniform Land Use Review Procedure submitted by the building owners. Steven Roth said in March 2013 that he wanted to renovate the hotel instead of demolishing it. By 2014, Vornado was again looking to develop a skyscraper on the Hotel Pennsylvania's site. In the hotel's final years, the mezzanine levels above the lobby were operated as a separate business, the Penn Plaza Pavilion, a series of raw spaces used as function facilities. They were the site of numerous trade shows and conventions, including the annual Big Apple Comic Con. The guestrooms were frequented by students and shoppers who sought discounted room rates. In March 2018, Vornado renewed special permits from the City Planning Commission to develop 15 Penn Plaza on the Hotel Pennsylvania's site. In an April 2018 letter to investors, Roth mentioned the demolition and 15 Penn skyscraper plan as a continued option, but also described Vornado as being at "a tipping point" with regard to redeveloping the Pennsylvania into a "giant convention/entertainment hotel". In June 2019, Vornado unsuccessfully tried to lure Facebook to rent space in the proposed office building, with a new design done by Rafael Viñoly. Closure and demolition The hotel was forced to close in April 2020 as a result of the COVID-19 pandemic in New York City. now known as Penn15. According to Roth, "the hotel math has deteriorated significantly over the last five years", and the benefits of continuing to operate the hotel were outweighed by the drawbacks of maintenance, taxes, and lack of demand. Several groups, such as the Hotel Trades Council, supported the plans for redeveloping the Pennsylvania's site. By then, the hotel had been neglected for several years. Christopher Bonanos of Curbed wrote: "Architecturally, it is like a lot of early-20th-century midsize hotels and office buildings around the city, only larger; it is surely a better-quality example from its period [...] Even if you're a hardcore preservationist, your energies might be better spent elsewhere." Items for sale included chandeliers and lighting, ornate staircase railings, guest room furniture, unused mattresses and linens, televisions, the entirety of the hotel's fitness center and commercial kitchens, banquet tables and chairs, and the original guest room doors. Some artifacts were salvaged by the Hotel Pennsylvania Preservation Society during this time. The hotel's demolition began in January 2022, and the main entrance was converted to a turnstile for demolition workers. The Pennsylvania caught fire on February 7, 2022, while it was being demolished. By the middle of that year, demolition of the hotel had resumed; the hotel had been deconstructed to the 12th floor by March 2023. The hotel was supposed to have been completely demolished by July 2023, but was still partially standing by that August. In July 2023, Steven Lepore of the Hotel Pennsylvania Preservation Society successfully negotiated with the owners to salvage an section of original staircase railing from the rear entrance lobby. == Architecture ==
Architecture
The Hotel Pennsylvania was designed by William Symmes Richardson of McKim, Mead & White. The hotel measured 22 stories high, including the street level and the rooftop; there was also a three-story penthouse. The hotel's design was intended not only to complement that of the original Penn Station, which was demolished in 1963, but also that of the General Post Office one block west, which still exists. The hotel was set back from the property line on Seventh Avenue, creating a plaza in front of the hotel's entrance. The plaza had been intended as a forecourt for the original Penn Station, though the hotel's height blunted this effect. When the PRR had leased the site to the hotel's original operators, the lease agreement included a clause that prevented the hotel's operators from constructing any structure, except for an entrance portico, on the westernmost 15 feet of the site for twenty-one years. Each wing measured wide. There was another light court facing eastward toward the former Gimbels department store (now Manhattan Mall), which measured wide. Over the years, the first three stories were modified significantly, and storefronts with various signs and awnings were installed. The top three stories contained a colonnade of pilasters, above which was a cornice made of terracotta. Above the westernmost wing was a roof garden with a restaurant, which was topped by the elevator penthouse. The second-westernmost wing contained an outdoor lounge, connected to the restaurant by a wide bridge. When the hotel opened, the roofs of the two eastern wings were left undeveloped. Mechanical features The hotel received electricity from three sources: a power generator in the building and two power stations outside of it. The hotel received steam from a nearby plant on 32nd Street, and the subbasement also contained a steam-driven generator. The hotel also received alternating current from a PRR substation in the Long Island City neighborhood of Queens. Cables carried power from the substation to a room in the hotel's basement, which contained five banks of transformers. Two of the banks of transformers supplied the hotel's lighting system, while the other three banks supplied a set of rotary converters. The lights were operated from three sets of circuits, allowing some parts of the hotel to remain illuminated even if a blackout affected the entire hotel. As built, there were two banks of six passenger elevators, which all ran from the basement to the roof. The elevators could be configured so that one bank only served the upper floors and the lobby, while the other bank only served the lower floors. The southeast corner of the hotel contained two elevators which connected the lobby to the subway and railroad stations. Closer to 33rd Street, two elevators ran from ground level to the ballrooms above. Three elevators, at the eastern end of the hotel, ran from the basement to the kitchen on the first mezzanine level, stopping at the driveway. The hotel also had for exhibitions and of ballrooms. Prior to the hotel's demolition, most of the interior spaces were substantially altered. There were various shops that could be accessed both from the street and from inside the hotel, as well as a florist shop, telegraph office, public telephones, and check rooms at ground level. The grill room was designed to resemble an Italian garden with bright colors; its columns and walls contained sgraffito decorations. these underpasses were outside of the subway station's fare control area. and was shuttered in 1986. The Gimbels passageway led east to the 34th Street–Herald Square station and to the Hudson & Manhattan Railroad (later PATH)'s 33rd Street station. Lobby The two-story main lobby was accessible from the main entrance on Seventh Avenue and from one entrance each on 32nd and 33rd Streets. The lobby, measuring , By the early 21st century, the skylight had been removed and the columns had been reclad multiple times, but the floor was extant. The writing room's bookshelves extended nearly to the top of the plaster ceiling, In the mid-1990s, part of the mezzanine became a Sports Authority store. Other ground-level spaces The Men's Cafe was just south of the main entrance and could also be accessed directly from the street. It contained a chestnut-paneled ceiling, tiled floors, Georgian and Flemish-inspired light fixtures, as well as a fireplace and grill on one wall. Just north of the main entrance was a Tuscan-style bar, which had wood paneling, stone walls and ceiling and a mosaic tile floor. Later known as the Penn Bar, the space had become a storefront by the mid-1990s. The easternmost of the first floor, under the eastern light court, contained two parallel driveways, as well as a service driveway with loading platforms. Elevators led to workshops on the upper floors and the storage rooms and kitchen in the basement, and a conveyor belt connected with a baggage storage area on the mezzanine. At the extreme east end was a driveway for the adjacent Gimbels store, which contained elevators and a loading platform. Ballroom floor The ballroom floor, above the lobby's mezzanine, contained a flexible entertainment area with a grand foyer and ballroom, two large parlors, banquet room and foyer, and three smaller dining rooms. having been planned with a capacity of 1,200 people. Idiot Savants, Maury, Sally Jessy Raphael, 2 Minute Drill, and The Opposition with Jordan Klepper. In 2009, the studios in the hotel were rebuilt and consolidated into a new studio for the sitcom Sherri. The television studios continued to operate through the 2010s. as well enabling servants to deliver newspapers, room service, and other deliveres. The items could be delivered to the guest without disturbing them by placing the items within the hall side of the compartment. The Servidor doors, a marvel at the time of their construction, were still in place when the hotel was demolished. A few have been saved from destruction to be preserved. The guest rooms also contained Chippendale furniture; each room typically contained a bed, two chairs, a writing desk, and a dresser. Curtains were hung from cornices or rods, and there were radiators on the ceilings and walls. The bathrooms in each guestroom contained a shower. To reduce the complexity of the electrical equipment, each guest room was originally equipped with a telephone that could only be used for room service. To send messages, guests had to contact their floor clerks, who then sent the messages using telautograph machines or pneumatic tubes. == Notable guests and events ==
Notable guests and events
The hotel hosted multiple notable guests in its early years. On May 6 and 8, 1924, Harry Houdini debunked Joaquin María Argamasilla, a 19-year-old Spaniard who claimed he had X-ray vision. In December 1925, William Faulkner stayed at the Pennsylvania while writing one of his many novels; he subsequently received the Nobel Prize in Literature. Galveston crime boss Johnny Jack Nounes threw a $40,000 party at the Pennsylvania in the 1920s, inviting silent film stars Clara Bow and Nancy Carroll, who were said to have bathed in tubs of champagne. Herbert Hoover spoke before the Ohio Society of New York at the Hotel Pennsylvania in November 1935. The American Russian Institute presented its first annual award to the late President Franklin D. Roosevelt at the Hotel Pennsylvania in 1946, and Edwin H. Land demonstrated his invention of an instant camera at the hotel in 1947. U.S. Army bacteriologist Frank Olson died after he crashed through a window on the 10th floor in 1953; the U.S. government first described his death as a suicide, and then as misadventure, while others alleged that he was murdered. Fidel Castro stayed at the Statler Hilton in 1959, shortly after he became the leader of Cuba. Gameel Al-Batouti (who was first officer of EgyptAir Flight 990 when it crashed in 1999, killing all 217 people aboard) was reportedly sexually promiscuous with female staff and was nearly banned from the hotel. The Statler also hosted delegates during several Democratic National Convention meetings at Madison Square Garden. the Statler allocated 80 percent of its rooms to delegates; In advance of the 1980 convention, the Statler spent $5 million just on preparations, which included a "fast food" delicatessen as well as a kitchen in an elevator. Other events at the hotel included Esto 92, an Estonian heritage festival that had booked the entire hotel at the beginning of the 1992 DNC convention, as well as the 1994 edition of the Gay Games. By the 2000s, the hotel hosted hundreds of dogs every year during the Westminster Kennel Club Dog Show. The hotel's other events in the 2000s included auditions for reality TV show ''America's Next Top Model''. ==Cafe Rouge==
Cafe Rouge
Big band era The hotel's main dining room, later named the Cafe Rouge, was known for several decades as a major venue for big bands. Numerous acclaimed musicians performed at the Cafe Rouge, including Count Basie, the Dorsey Brothers, Duke Ellington, Glenn Miller, Artie Shaw, and Fred Waring. Shaw's principal orchestrator from 1937 to 1939, Jerry Gray, was immediately hired by Miller as a staff arranger when Shaw deserted his band. The Glenn Miller Orchestra also had repeated long-term bookings in the Cafe Rouge from 1940 to 1942, when the band was broken up. Miller's orchestra broadcast from the cafe; some were recorded by RCA Victor. Les Brown's band, with its vocalist Doris Day, introduced their song "Sentimental Journey" at the Cafe Rouge in 1944. The cafe was closed for renovation during mid-1948. and started performing there in late 1936. Use as event venue In later years, the former Cafe Rouge space within the structure operated separately from the hotel business, with a separate address and entrance at 145 West 32nd Street. In 2007, for the Garden in Transit project, adhesive weatherproof paintings of flowers attached to taxicabs in New York City were painted inside the cafe. Numerous events from the 2013 New York Fashion Week were held in the Cafe Rouge. In 2014, the Cafe Rouge space was converted to an indoor basketball court known as Terminal 23, celebrating the launch of the Melo M10 by the Jordan Brand division of Nike. In its final years, the room operated as Station 32, a rental function/event space. == Impact ==
Impact
In media • The Muppet character Statler of Statler and Waldorf was named after the hotel, when it was the Statler Hilton. • The New York Penta Hotel appeared in the 1986 film The Manhattan Project as the setting of a science fair. Rather than construct a set and populate it with actors, the filmmakers hosted an actual science fair in the hotel and filmed as it was going on. Phone number Early in its existence, the hotel was assigned the phone number (212) 736-5000. The phone number was more commonly known as PEnnsylvania 6-5000, as written in the 2L+5N (two letters, five numbers) format that was common in the mid-20th century; the two letters stood for the telephone exchange. The number may have been assigned after the 2L+5N format was introduced in 1930. With the implementation of the North American Numbering Plan, the area code 212 was added to the number. During Glenn Miller's 1940 engagement at the hotel, Jerry Gray wrote the tune "Pennsylvania 6-5000" (with lyrics later added by Carl Sigman) that made use of the hotel's telephone number. Although the hotel's owners claimed that (212) 736-5000 was "the oldest continuously in-service telephone number in New York", the veracity of this claim is disputed. The hotel still carried the number when it became the Penta in 1983. By 1996, a writer for the Chicago Tribune reported that an automated voice was directing callers to press a button to access one of the hotel's departments. Steven Roth said in 2022 that Penn15 would retain the phone number (212) 736-5000, although he did not specify how the phone number would be reassigned. == Gallery ==
Gallery
File:Exterior columns at the Hotel Pennsylvania, NY (circa 1919).jpg|Exterior of Hotel Pennsylvania File:Foyer of Hotel Pennsylvania , NY circa 1919.jpg|The Foyer File:Lobby of Hotel Pennsylvania, NY circa 1919.jpg|The Main Lobby File:Lobby colonnade (Hotel Pennsylvania, NY circa 1919).jpg|Details of the Lobby Colonnade File:Lobby corridor (Hotel Pennsylvania, NY circa 1919).jpg|The Corridor of the Lobby File:Architectural diagram of the lobby of Hotel Pennsylvania, NY circa 1919.jpg|Detail of The Main Lobby File:Main restaurant (Hotel Pennsylvania, NY circa 1919).jpg|The Main Restaurant of Hotel Pennsylvania, The Cafe Rouge File:Terrace, main restaurant (Hotel Pennsylvania, NY circa 1919).jpg|View of the terrace in The Cafe Rouge File:Hotel Pennsylvania main restaurant east wall.JPG|View of the east wall of The Cafe Rouge File:Hotel Pennsylvania main restaurant west wall (NY, circa 1919).jpg|View of the west wall of The Cafe Rouge File:Hotel Pennsylvania - main restaurant - fountain, close-up (NY circa 1919) (edit).jpg|The fountain of The Cafe Rouge File:Architectural diagram of the restaurant of Hotel Pennsylvania, NY circa 1919.jpg|Detail of The Cafe Rouge File:Palm Room (Hotel Pennsylvania, NY circa 1919).jpg|The Palm Room File:Detail of the Palm Room of Hotel Pennsylvania, NY circa 1919.jpg|Detail of the Palm Room File:Grand Ballroom of Hotel Pennsylvania, NY circa 1919.jpg|The Grand Ballroom File:Outer column detail of Hotel Pennsylvania, NY circa 1919.jpg|Detail of the exterior colonnade File:Outer detail of Hotel Pennsylvania, NY circa 1919.jpg|Detail of the exterior of Hotel Pennsylvania File:Dining room of the Cafe Rouge (Hotel Pennsylvania) (postcard circa 1920).jpg|The Dining Room when the hotel opened, before becoming the Cafe Rouge File:Wall of Cafe Rouge, Hotel Pennsylvania (27 10 2012).jpg|Wall detail in the former cafe Rouge in 2012 File:Fountain at the Cafe Rouge (Hotel Pennsylvania, NY - 2012).jpg|The fountain in the Cafe Rouge in 2012 == See also ==
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