Box office Original theatrical run During its original theatrical run,
Finding Nemo grossed $339.7 million in the United States and Canada and $531.3 million in other territories, for a worldwide total of $871.0 million.
Finding Nemo also defeated
The Matrix Reloaded to become the highest-grossing film of the 2003 summer season. The film sold an estimated 56.4 million tickets in the United States during its initial theatrical run. On its opening weekend,
Finding Nemo earned $70.6 million in the United States and Canada. Upon its debut, it was ranked number one at the box office, dethroning
Bruce Almighty and
The Italian Job. Additionally, it surpassed its predecessor
Monsters, Inc. for having the highest domestic opening weekend for an animated film.
Finding Nemo achieved the third-highest opening weekend for a 2003 film at the time of its release, behind
The Matrix Reloaded and
X2. During its second weekend, the film dropped to second place behind
2 Fast 2 Furious. It declined by 34% while making $45.8 million. Nevertheless, the film returned to the number one spot the following week. At that point, it earned $29.2 million, bringing the total domestic gross to $192.3 million.
Finding Nemo was the first film to reclaim the number one spot since
Die Another Day and
Harry Potter and the Chamber of Secrets in 2002. It would also outgross the weaker openings of
Rugrats Go Wild,
Hollywood Homicide and
Dumb and Dumberer: When Harry Met Lloyd. By the film's 20th day of release,
Finding Nemo had earned over $200 million. During the film's fourth weekend, it was overtaken by
Hulk. Despite this,
Finding Nemo continued to draw in large crowds and families throughout the summer season while outgrossing another animated film,
Sinbad: Legend of the Seven Seas. By early July 2003,
Finding Nemo had earned $274.9 million, replacing
The Matrix Reloaded as the top-grossing movie of the year domestically. The film even surpassed
Shrek to become the second highest-grossing animated film. Later that month, the film had earned over $300 million, becoming the highest-grossing animated film in the United States and Canada, surpassing
The Lion King. By the end of the summer season,
Finding Nemo was one of five films to reach $200 million at the box office in a single summer season, with the others being
X2,
The Matrix Reloaded,
Bruce Almighty and Disney's own
Pirates of the Caribbean: The Curse of the Black Pearl. At the end of its theatrical run,
Finding Nemo grossed $339.7 million in the United States and Canada and $531.3 million in international territories, totaling $871.0 million worldwide. In all three occasions, it had outgrossed
The Lion King to become the highest-grossing animated film. It stayed in the Top 10 until August 14 (11 weeks total). In North America, it was surpassed by both
Shrek 2 in 2004 and
Toy Story 3 in 2010.
Finding Nemo would hold the record for having the highest international gross for an animated film until 2009 when it was taken by
Ice Age: Dawn of the Dinosaurs. Outside North America, it stands as the fifth highest-grossing animated film. Worldwide, it currently ranks as the ninth highest-grossing animated film. Moreover, it was the highest-grossing Disney film for three years before ''
Pirates of the Caribbean: Dead Man's Chest surpassed it. Finding Nemo
was also the fourth animated film to make $500 million worldwide, joining Monsters, Inc.
, Aladdin and The Lion King''. The film had impressive box office runs in many international markets. In Japan, its highest-grossing market after North America, it grossed ¥11.2 billion ($102.4 million), becoming the highest-grossing foreign animated film in local currency (yen). It has only been surpassed by
Frozen (¥25.5 billion). Plus,
Finding Nemo was the second film by Buena Vista Pictures to reach $100 million in the country, just after
Armageddon in 1999. For its Japanese opening weekend, the film earned $10 million, reaching the number one spot ahead of
The Last Samurai. In Mexico, it earned $4.7 million, making it the country's second-highest opening weekend, behind
Spider-Man. The film also grossed £37.2 million ($67.1 million) in the U.K., Ireland, and Malta. It first generated a total opening weekend gross of £7.4 million ($12.3 million), making it the second-highest of the year, after
The Matrix Reloaded. At the
Manchester UCI Cinemas, it made a total three-day opening gross of £17,150 ($28,583), becoming the theater's highest-grossing digital film at the time, surpassing
Star Wars: Episode II – Attack of the Clones and numerous other releases. Making £28.7 million ($35.7 million),
Finding Nemo was the highest-grossing film released in October 2003 in the region, beating
Bad Boys II. Following in biggest grosses are France and the Maghreb region ($64.8 million), Germany ($53.9 million), and Spain ($29.5 million). with a conversion cost estimated to be below $5 million. For the opening weekend of its 3D re-release in North America,
Finding Nemo grossed $16.7 million, debuting at the No. 2 spot behind
Resident Evil: Retribution. The film earned $41.1 million in North America and $28.2 million internationally, for a combined total of $69.3 million, and a cumulative worldwide total of $940.3 million.
Metacritic (which uses a weighted average) assigned the film a score of 90 out of 100 based on 38 reviews, indicating "universal acclaim". Audiences polled by
CinemaScore gave the film a rare "A+" grade on an A+ to F scale. Perfect scores, most commonly four-out-of-four-star reviews were given by
Roger Ebert, among others. Critics claimed
Finding Nemo to be the best big-budget release of 2003, While the
Houston Chronicle suggested
Finding Nemo lived up to Pixar's high standards, critics such as
Stephen Holden considered its overall quality slightly under that of the
Toy Story and
Monsters, Inc. In an A-graded review for
Entertainment Weekly,
Lisa Schwarzbaum called
Finding Nemo as "marvelously soulful and innately, fluidly American as
jazz." Several critics were aghast by the film's visuals, especially with the ocean and underwater settings. Ebert called it "one of those rare movies where I wanted to sit in the front row and let the images wash out to the edges of my field of vision".
Ed Park of
The Village Voice called it "an ocean of eye candy that tastes fresh even in this
ADD-addled era of
SpongeBob SquarePants", and
The New Yorker suggested Pixar continued to "lent an indispensable vigor and wit to the sagging art of mainstream animation". The characters were praised as relatable and more developed than human characters in other films like those in the
Mission: Impossible series. As
Kenneth Turan described them, "
Nemo erupts with sea creatures that showcase Stanton and company's gift for character and peerless eye for skewering contemporary culture." Brooks' performance was the "showstopper" for
David Edelstein, who described it as "tender, cranky, hysterical, yet somehow lucid". The humor was another source of praise.
Associated Press opined it was "laced with smart humor and clever gags, and buoyed by another cheery story of mismatched buddies."
The Detroit News labeled the film, "a simple test of humanity: If you don't laugh aloud while watching it, you've got a battery not a heart." The 3D re-release prompted a retrospective on the film nine years after its initial release. Stephen Whitty of
The Star-Ledger described it as "a genuinely funny and touching film that, in less than a decade, has established itself as a timeless classic." On the 3D re-release,
Lisa Schwarzbaum of
Entertainment Weekly wrote that its emotional power was deepened by "the dimensionality of the oceanic deep" where "the spatial mysteries of watery currents and floating worlds are exactly where 3D explorers were born to boldly go". Pete Vonder Haar of
Houston Press also gave the film a scoring of four out of five on the 3-D release, stating that "Gill is
Platoons Sgt. Elias if he'd survived Sgt. Barnes' treachery and returned to civilian life weary and hard-bitten from his experiences. And also a fish."
Finding Nemo was included on a number of best-of lists. The film appeared on professional rankings from
BBC and
The Independent based on retrospective appraisal, as one of the greatest films of the twenty-first century. Several publications have listed it as one of the best animated films, including:
IGN (2010),
Insider,
USA Today,
Elle (all 2018),
Parade,
Complex, and
Time Out New York (all 2021). In December 2021, the film's screenplay was listed number 60 on the
Writers Guild of America's "101 Greatest Screenplays of the 21st Century (So Far)". In June 2025, actress
Rachel Zegler and filmmaker
Rob Marshall cited the film as among their favorites of the 21st century. In July 2025, it was one of the films voted for the "Readers' Choice" edition of
The New York Times list of "The 100 Best Movies of the 21st Century", finishing at number 152.
Accolades At the
76th Academy Awards,
Finding Nemo became the first Pixar film to win the
Best Animated Feature category, defeating
Brother Bear and
The Triplets of Belleville. The film received three more
Academy Award nominations for
Best Original Screenplay,
Best Original Score and
Best Sound Editing, but lost to
Lost in Translation,
The Lord of the Rings: The Return of the King and
Master and Commander: The Far Side of the World respectively. The film received many other awards, including:
Kids Choice Awards for Favorite Movie and Favorite Voice from an Animated Movie (
Ellen DeGeneres), and the
Saturn Award for Best Supporting Actress (Ellen DeGeneres). It was the most recently released film among all 10 lists, and one of only three movies made after the year 2000 (the others being
The Lord of the Rings: The Fellowship of the Ring and
Shrek).
American Film Institute recognition: •
AFI's 100 Years...100 Movies – Nominated The demand for clownfish was supplied by large-scale harvesting of tropical fish in regions like
Vanuatu. The
Australian Tourism Commission (ATC) launched several marketing campaigns in China and the United States to improve tourism in Australia, many of them utilizing
Finding Nemo clips.
Queensland used
Finding Nemo to draw tourists to promote itself to vacationers. According to
National Geographic, "Ironically,
Finding Nemo, a movie about the anguish of a captured clownfish, caused home-aquarium demand for them to triple." Demand for tropical fish skyrocketed after the film's release, causing reef species decimation in Vanuatu and several other reef areas. After seeing the film, some aquarium owners released their pet fish into the ocean, but failed to release them into the correct oceanic habitat, which
introduced species that are harmful to the indigenous environment, a practice that is harming reefs worldwide. A 2017 study by researchers from
James Cook University in Australia found little evidence for fan-based purchases of wild-caught fish immediately (within 1.5 years of release) following the film. ==Legacy==