The culture of Pontus has been strongly influenced by the topography of its different regions. In commercial cities like
Trebizond,
Sampsounta,
Kerasounta, and
Sinope upper-level education and arts flourished under the protection of a cosmopolitan middle class. In the inland cities such as
Argyroupolis, the economy was based upon
agriculture and
mining, thus creating an economic and cultural gap between the developed urban ports and the rural centers which lay upon the valleys and plains extending from the base of the Pontic alps.
Language '', early 20th century Pontic's linguistic lineage stems from
Ionic Greek via
Koine and
Byzantine Greek with many archaisms and contains
loanwords from Turkish and to a lesser extent,
Persian and various
Caucasian languages. Tsalka Greeks speak a dialect of Turkish, the
Tsalka language.
Education The rich cultural activity of Pontian Greeks is witnessed by the number of educational institutions, churches, and
monasteries in the region. These include the
Phrontisterion of Trapezous that operated from 1682/3 to 1921 and provided a major impetus for the rapid expansion of Greek education throughout the region. The building of this institution still remains the most impressive Pontic Greek monument in the city. Another well known institution was the Argyroupolis, built in 1682 and 1722 respectively, 38 highschools in the Sinopi region, 39 highschools in the Kerasounda region, a plethora of churches and monasteries, most notable of which are the St. Eugenios and
Hagia Sophia churches of Trapezeus, the monasteries of St. George and St. Ioannes Vazelonos, and arguably the most famous and highly regarded of all, the monastery of
Panagia Soumela. During the 19th century hundreds of schools were constructed by Pontic Greek communities in the
Trebizond Vilayet, giving the region one of the highest literacy rates in the Ottoman Empire. The Greeks of Caykara, who according to Ottoman tax records converted to Islam during the 17th century, were also recognized for their educational facilities. Teachers from the Of-valley provided education for thousands of Anatolian Sunni and Sufi students in home schools and small
madrassas. Some of these schools taught Pontic Greek alongside Arabic (and to a lesser extent Persian or Ottoman Turkish as well). Although Atatürk banned these madrassas during the early republican period, some of them remained functioning until the second half of the 20th century because of their remote location. The effects of this educational heritage continue to this day, with many prominent religious figures, scientists and politicians coming from the areas influenced by the Naqshbandi Sufi orders of Pontic Greek extraction in Of, Caykara and Rize, among them president
Erdogan, whose family originates from the village of Potamia.
Music ,
davul,
zurna. Photo from 1950s in
Matzouka,
Trabzon,
Turkey. Pontian music retains elements of the musical traditions of
Ancient Greece,
Byzantium, and the Caucasus (especially from the region of
Kars). Possibly there is an underlying influence from the native peoples who lived in the area before the
Greeks as well, but this is not clearly established. Musical styles, like language patterns and other cultural traits, were influenced by the topography of
Pontos. The mountains and rivers of the area impeded communication between Pontian Greek communities and caused them to develop in different ways. Also significant in the shaping of Pontian music was the proximity of various non-Greek peoples on the fringes of the Pontic area. For this reason we see that musical style of the east Pontos has significant differences from that of the west or southwest Pontos. The Pontian music of Kars, for example, shows a clear influence from the music of the Caucasus and elements from other parts of
Anatolia. The music and dances of Turks from Black Sea region are very similar to Greek Pontic and some songs and melodies are common. Except for certain
laments and
ballads, this music is played primarily to be danced to. An important part of Pontic music is the
Acritic songs, heroic or
epic poetry set to music that emerged in the Byzantine Empire, probably in the 9th century. These songs celebrated the exploits of the
Akritai, the frontier guards defending the eastern borders of the Byzantine Empire. The most popular instrument in the Pontian musical collection is the
kemenche or lyra, which is related closely with other bowed musical instruments of the medieval West, like the
Kit violin and
Rebec. Also important are other instruments such as the
Angion or
Tulum (a type of
Bagpipe), the
davul, a type of drum, the
Shiliavrin, and the Kaval or Ghaval (a flute-like pipe). The
zurna existed in several versions which varied from region to region, with the style from Bafra sounding differently due to its bigger size. The Violin was very popular in the Bafra region and all throughout west Pontos. The
Kemane, an instrument closely related to the one of Cappadocia, was highly popular in southwest Pontos and with the Pontian Greeks who lived in
Cappadocia. Finally worth mentioning are the Defi (a type of
tambourine),
Outi and in the region of Kars, the
clarinet and
accordion. Popular singers of Pontic music include
Stelios Kazantzidis,
Chrysanthos Theodoridis, Stathis Nikolaidis, Theodoros Pavlidis, Giannis Tsitiridis, and Pela Nikolaidou.
Dance in blue.
Pontian dance retains aspects of
Persian and
Greek dance styles. The dances called Horoi/Choroi (), singular
Horos/Choros (Chorus) (), meaning literally "Dance" in both Ancient Pontian and Modern Greek languages, are circular in nature and each is characterized by distinct short steps. A unique aspect of Pontian dance is the tremoulo (), which is a fast shaking of the upper torso by a turning of the back on its axis. Like other Greek dances, they are danced in a line and the dancers form a circle. Pontian dances also resemble Persian and Middle Eastern dances because they are not led by a single dancer. The most renowned Pontian dances are
Tik (dance),
Serra,
Maheria or
Pyrecheios,
Kotsari and
Omal. Other, less common, dances include
Letsina,
Dipat,
Podaraki, and
Atsiapat.
Sport . Pontic Greek history with organised sports began with extra-curricular activities offered by educational institutions. The students would establish athletics clubs providing the Pontic Greek youth with an opportunity to participate in organised sporting competition. The Hellenic Athletic Club,
Pontus Merzifounta, founded in 1903 was one such example formed by students attending
Anatolia College in Merzifon near
Amasya. The college's forced closure in 1921 by the Turkish government resulted in the school's relocation to Greece in 1924, along with much of the Greek population of Asia Minor in the aftermath of genocide and a subsequent treaty that agreed upon a population exchange between Greece and Turkey. This resulted in the establishment of Pontic and Anatolian Greek sporting clubs in Greece, of which football is the sport with which they are most commonly associated. Today a number of these clubs still compete; some at a professional and intercontinental level. Such as: •
Apollon Kalamarias • AE Pontion Verias • AO Ellas Pontion • AE Ponton Evmirou • AE Ponton Vatalakkou • AEP Kozanis • Pontikos Neas Santas' Outside of Greece, due to the widespread Pontic Greek diaspora,
association football clubs also exist. In Australia, the Pontian Eagles SC are a semi-professional team based in
Adelaide, South Australia and in
Munich, Germany, FC Pontos have an academy relationship with PAOK FC. Pontic Greeks have also contributed to sporting successes internationally, not limited to but mostly representing Greece, with several team members a part of sports triumphs in major international basketball (
2006 FIBA World Championship,
Eurobasket 2005) and football tournaments (
UEFA Euro 2004). Champion individuals of Pontic Greek origin have also emerged in World Championship and
Olympic levels of competition for athletics (
Katerina Stefanidi,
Voula Patoulidou), gymnastics (
Ioannis Melissanidis), diving (
Nikolaos Siranidis), taekwondo (
Alexandros Nikolaidis) and kick-boxing (
Mike Zambidis,
Stan Longinidis).
Military tradition On 19 May of each year, the
Evzonoi of the
Greek Army Presidential Guard ceremonial unit wear the traditional black
Pontic uniform to commemorate the
Pontic genocide.
Cuisine Today, Pontic Greek cuisine is mostly found in the
northern part of Greece. Culinary traditions have played an integral role in the preservation of Pontic Greek identity. •
Kinteata (),
nettle soup •
Otía (
pnt) (), fried dessert •
Pirozhki () •
Pishía (
pnt) (), Pontian boortsog •
Pita, flatbread •
Sousamópita () •
Tanoménon sorvá or
Tanofái (), soup made with onions and yogurt •
Tsirichtá (
pnt) (), type of
loukoumades •
Siron (
pnt) (), pasta •
Varenika (), type of ravioli •
Sourva, wheat or barley porridge •
Tan, drink •
Stupa or
stupa torshi, pickled vegetables •
Pilav, rice dish. In coastal Pontus, it was sometimes made with mussels. Other versions included pilav with saffron, chicken, or anchovies. •
Dolmades, stuffed leaf dish •
Kibbeh made with lamb and/or beef •
Briami, roasted vegetables •
Havitz (
pnt) (), porridge •
Perek (), pie similar to the Greek
tiropita •
Avgolemono, egg-lemon soup •
Kebab, roasted meat •
Mantía (), dumplings •
Lalággia (), pancakes •
Foustoron, type of
omelette •
Mavra laxana, cabbage soup •
Lavashia (), bread similar to Armenian
lavash •
Tsatsoupel, a condiment similar to
salsa made from
quince, tomato, chili peppers, bell peppers, and a variety of spices • , stuffed eggplant; shared with Turkish cuisine
In Greece There are many different views on Pontians in Greece. Pontians may be celebrated as representations of Greek heroism or as near-mythic warriors. However, they have also been stereotyped as simple and backwards rural people. There is a genre of Greek humor, called Pontic anecdotes, that depicts the Pontians as buffoons, while in some Greek slang the word "Pontian" may mean "idiot"; these stem from the pre-1950s reception of the Pontic refugees, and today most Pontians are amused by the anecdotes.
Pontic Greeks in popular culture • In the 1984 movie
Voyage to Cythera (Ταξίδι στα Κύθηρα), directed by
Theodoros Angelopoulos, the protagonist is a Pontian Greek who was deported to the Soviet Union after the
Greek civil war. He returns to Greece after 32 years. • In his 1998 movie
From the Edge of the City (
Από την άκρη της πόλης), the film director
Constantinos Giannaris describes the life of a young "Russian Pontian" from Kazakhstan in the prostitution underworld of Athens. • In the 1999 movie
Soil and Water (Χώμα και νερό), one of the characters is a Pontian Greek from Georgia who works as a woman's trafficker for a strip club. • In the 2000 memoir ''
Not Even My Name: From a Death March in Turkey to a New Home in America, A Young Girl's True Story of Genocide and Survival'' by
Thea Halo, life in the Pontus region is described by her mother Sano Halo before and after the Greek genocide. • In the 2000 movie
The Very Poor, Inc. (Πάμπτωχοι Α.Ε.), one of the characters is a Pontian Greek from the Soviet Union named Thymios Hloridis. A mathematician with a specialty in
chaos theory, Hloridis is forced to make a living selling illegal
cigars in front of the stock-market. • In the 2002 novel
Middlesex by Jeffrey Eugenides, one of the side characters is a Pontian-American career criminal named Zizmo. • In the 2003 Turkish movie
Waiting for the Clouds (Bulutlari Beklerken, Περιμένοντας τα σύννεφα), a Pontian Greek woman who didn't leave Pontus as a child with her brother during the
population exchange, meets Thanasis, a Pontian Greek man from the Soviet Union, who helps her to find her brother in Greece. The movie makes some references to the Pontic genocide. • In the 2008 short movie
Pontos, written, produced, and directed by Peter Stefanidis, he aims to capture a small part of the genocide from the perspective of its two central characters, played by Lee Mason (Kemal) and Ross Black (Pantzo). • A 2012 poetry collection,
The Black Sea by
Stephanos Papadopoulos, depicts the imagined trials and voyages of the Pontic Greek exodus from the region. It was published by Sheep Meadow Press. == Notable Pontian Greeks ==