Types Julaire Andelin, in the
J. R. R. Tolkien Encyclopedia, describes three types of prophecy in
Middle-earth: actual prophecies of the future, by godlike
Valar,
Maiar (such as Wizards), or
seers; "prophecy through the 'eyes of death'; and forebodings of the heart." Andelin writes that seers, whether
Elves or
Men, speak prophetically by unexplained means, which she suggests could be by some connection to the Music of creation, or by a gift from
Ilúvatar the creator; and their prophecies were more ambiguous than those of the immortals. Still vaguer are forebodings of the heart, which only become clear when the event actually occurs.
Echoes of biblical prophecy Numerous scholars have admired Tolkien's simile of
Théoden riding into his final battle "like a god of old, even as
Oromë the Great in the battle of the Valar when the world was young". Among them, Steve Walker calls it "almost epic in its amplitude", inviting the reader's imagination by alluding "to unseen complexity", a whole mythology of Middle-earth
under the visible text. The Anglican priest
Fleming Rutledge calls it imitative of the language of myth and saga, and an echo of the
messianic prophecy in Malachi 4:1-3. The priest and Tolkien scholar
Fleming Rutledge writes that
Aragorn, narrating the Lay of
Beren and Lúthien to the Hobbits, tells them that Lúthien's line "shall never fail". Rutledge talks of the "kings of Númenor, that is Westernesse", and as they gaze at him, they see that the moon "climbs behind him as if to crown him", which Rutledge calls an echo of the
Transfiguration. Rutledge explains that Aragorn is of the line of Elendil and knows he will inherit "the crown of Elendil and the other Kings of vanished Númenor", just as Jesus is of the line of
King David, fulfilling the prophecy that the line of Kings would not fail. Aragorn has been called a Christ-as-King character; Tolkien's use of prophecy has been compared to the
Old Testament's foretelling of the coming of the
Messiah. Aspects of Aragorn's character - his ability to heal, his sacrificial journey, and his experiences with death and the dead - have long been seen as clues to overt Messianic overtones.
Echoes of Shakespearean prophecy comes to
Dunsinane, in the form of branches carried by the soldiers, as described by Shakespeare. This was a prosaic resolution that Tolkien found deeply disappointing.|alt=Illustration of Shakespeare's wood, a group of soldiers carrying branches Tolkien found
William Shakespeare's solution to how Birnam Wood could come to Dunsinane to fulfil the prophecy in
Macbeth bitterly disappointing: the soldiers cut branches which they carry with them, giving something of the appearance of a wood, with an entirely non-magical explanation. Shippey comments that Tolkien transformed Shakespeare's theme so that trees actually could march to war: he has Ents (tree-giants) and Huorns (partially awakened trees) join the fight against the evil Wizard
Saruman. The Ents destroy Saruman's fortress of Isengard; the Huorns march as a forest to Rohan's fortress of
Helm's Deep, besieged by Saruman's army of
Orcs. The Orcs find themselves trapped between the Men of Rohan and the Huorns; they flee into the vengeful Huorn forest, never to emerge.
Ambiguity Julaire Andelin, in the
J.R.R. Tolkien Encyclopedia, writes that prophecy in Middle-earth depended on characters' understanding of the
Music of the Ainur, the divine plan for
Arda, and was often ambiguous. Thus, Glorfindel's prophecy "not by the hand of man will [the Lord of the Nazgûl] fall" did not lead the Lord of the Nazgûl to suppose that he would die at the hands of a woman and a hobbit. The Tolkien scholar
Tom Shippey states that the prophecy, and the Witch-king's surprise at finding Dernhelm to be a woman, parallel the witches' statement to
Macbeth that he may "laugh to scorn / The power of man, for none of woman born / Shall harm Macbeth" (Act 4, scene 1), and Macbeth's shock at learning that Macduff "was from his mother's womb / Untimely ripp'd" (as Macduff was born by
Caesarean section: Act 5, scene 8). Thus, Shippey notes, despite Tolkien's stated dislike of
Shakespeare's treatment of myth,
he read Macbeth closely.
Sense of the numinous Robert Field Tredray writes in
Mythlore that
The Lord of the Rings strikes him with "a sense of the numinous". This goes, he writes, beyond what is expected in
fantasy, with strange species; the reader glimpses "a world beyond Middle-earth", through
divination – seeking knowledge of events by magical means, and
prophecy – spontaneous prediction of future events. Tredray describes Aragorn's words at the Council of Elrond as a minor detail, "the reforging of a sword", but that the entire plot hangs on its being taken as a prophecy. Of Malbeth's prophecy, Tredray comments that "the reader cannot ignore it. But it establishes mood more than it advances the plot." He adds that Aragorn's choice to take the fateful Paths of the Dead "is certainly a crucial event" in the narrative, but that once again the prophecy is a small detail, and Aragorn had in fact already just said he would take that road. == References ==