As Riau is the homeland of the
Malays, the customs and cultures of Riau is mostly based on Malay customs and cultures. Every Malay family lives in their own house, except for new couples who usually prefer to stay at the wife's house until they have their first child. Therefore, their sedentary patterns can be said to be neat. The nuclear family they called genitals generally built a house in the neighborhood where the wife lived. The principle of lineage or kinship is more likely to be parental or bilateral. Kinship is done with a typical local nicknames. The first child is called
long or
sulung, the second child is
ngah/
ongah, below him is called
cik, the youngest is called
cu/
ucu. Usually the nickname is added by mentioning the physical characteristics of the person, for example, if the person is dark-skinned and is a
cik or a third child, he will be called
cik itam. Another example is when the particular person is a first-born and has a short characteristic. he/she will be called
ngah undah. But sometimes when greeting people who are unknown or new to them, they can simply greet them with
abang,
akak,
dek, or
nak. In the past, Malays also lived in groups according to their ancestral origin, which they called tribes. This group of descendants uses a
patrilineal kinship line. But the Riau Malays who lived on the mainland
Sumatra partially embraced
matrilineal tribalism. There are also those who referthe tribe as a
hinduk or a
cikal bakal. Each tribe is led by a leader. If the tribe lives in a village, then the head will be referred to as
Datuk Penghulu Kampung or
Kepala Kampung. Each leader is also assisted by several figures such as
batin,
jenang,
tua-tua dan
monti. Religious field leaders in the village are known as .
Traditional dress . In Malay culture, clothes and textiles are very important and it signify beauty and power. The
Hikayat-Hikayat Melayu mentioned the importance of textile in Malay culture. The history of the Malay woven industry can be traced back to the 13th century when trade routes in the East are rapidly expanding under the role of the
Song dynasty. The description of locally made textiles and the development of the embroidery industry in the
Malay Peninsula is expressed in several Chinese and Indian records. It is called so because this house has a decoration on the front wall of the house in the form of a boat. The shape of the pillars in this house also varies, there are rectangles, hexagons, heptagon, octagon and triangles. Each type of pole contained in this traditional house has meaning believed by the people of Riau. A rectangular pole can be interpreted as four corners of the wind, just like an octagon, and the hexagon symbolizes the number of pillars of Islam.
Rumah Salaso Jatuh Kembar was declared an icon and symbol of the province of Riau. The architecture of this house is similar to the
Balai Salaso Jatuh, but this house tends to be used for private homes.
Rumah Melayu Lipat Kajang can usually found in the
Riau Islands and the coastal part of Riau. It is called
Lipat Kajangbecause the roof of this house has a shape resembling the shape of a boat. The top of this building is curved upwards and is often referred to
lipat kejang or
pohon jeramban by the locals. This traditional house is rarely or even no longer used by Riau residents. One reason for the loss of this culture is because of the increasing influence of western architecture, and people consider their building forms to be simpler and easier to build.
Rumah Melayu Atap Limas Potong is a Malay traditional house that can usually be found in mainland Riau, but rarely in the Riau Islands. This house has a roof that is shaped like a cut pyramid. Like other Riau traditional houses, this house is also included in the
rumah panggung group. The stage of this house has a height of about 1.5 meters above the ground. The size of the house depends on the ability and desires of the owner.
Traditional dance Most of Riau traditional dances are influenced by Malay cultures, but there are also some dances that are only unique to Riau.
Mak Yong is a traditional theater art of Malay society that is often performed as a drama in an international forum. In the past,
mak yong was held by villagers in the rice fields which had finished harvesting rice. The
mak yong is performed by a group of professional dancers and musicians who combine various elements of religious ceremonies, plays, dance, music with vocal or instrumental, and simple texts. The male and female main characters were both performed by female dancers. Other figures that appear in the story are comedians, gods, jinn, courtiers, and animals.
mak yong performance is accompanied by musical instruments such as
rebab,
gendang, and tetawak In
Indonesia, the
mak yong was developed in
Lingga, which was once the center of the
Johor-Riau Sultanate. The difference with the
mak yong performed in the
Kelantan-
Pattani region is that they usually does not use masks, as
mak yong in Riau uses masks for some of the King's female characters, princesses, criminals, demons, and spirits. At the end of the last century,
mak yong not only became a daily show, but also as performance for the sultan. The
tari zapin is a Malay traditional dance originated from the
Siak Regency that is entertaining and are full of religious and educational messages. This
tari zapin has rules and regulations that cannot be changed.
Tari zapin is usually accompanied by traditional Riau musical instruments namely
marwas and
gambus. This
tari zapin shows footwork quickly following the pounding of punches on a small drum called
marwas . The rhythmic harmony of the instrument is increasingly melodious with stringed instruments. Because of the influence of the Arabs, this dance does indeed feel educative without losing the entertainment side. There is an insert of a religious message in the song lyrics. Usually the dance is told about the daily lives of Malay people. Initially,
tari zapin was only danced by male dancers but along with developments, female dancers were also shown. Sometimes, there are both male and female dancers performing. There is a form of
tari zapin performed in
Pulau Rupat Utara in
Bengkalis called
tari zapin api. The identifying characteristic of
tari zapin api is the incorporation of fire and strong focus on the
mystical elements. The dance form was historically dormant and extinct for nearly 40 years before its revival in 2013.
Tarian makan sirih is accompanied by distinctive Malay music accompanied by a song titled
Makan Sirih. As for the costumes performed by dancers, they usually wore traditional Malay attire, such as pants, clothes, and
kopiah for men. Whereas the female dancers wear the clothes that are usually worn by the bride, namely traditional clothes called the
Baju Kurung teluk belanga. At the head, there is a crown equipped with flower-shaped decorations. Meanwhile, the lower part of the dancers' bodies was wrapped in brightly coloured
songket cloth.
Tarian makan sirih is performed by both men and women. The dancers are obliged to understand special terms in Malay dance, such as
igal (emphasizing hand and body movements),
liuk (movement of bowing or swinging body),
lenggang (walking while moving hands),
titi batang (walking in a line as if climbing the stem),
gentam (dancing while stomping on the feet),
cicing (dancing while jogging),
legar (dancing while walking around 180 degrees), and so on. During the performance, one of the dancers in the offering dance will bring a box containing
betels. The box would then be opened and the guests who are considered the greatest are given the first opportunity to take it as a form of respect, then followed by other guests. Therefore, many people call this dance as t
arian makan sirih. Traditional music There are several musical instruments in Riau that is used for ceremonial events. (drum) from Riau The traditional Malay
accordion is almost the same as the accordion founded by
Christian Friedrich Ludwig Buschmann from (Germany). accordion includes a musical instrument that is quite difficult to play even though it looks easy. accordion produces diatonic scales that are very in accordance with the song lyrics in the form of rhymes. The accordion player holds the instrument with both hands, then plays the chord buttons with the fingers of the left hand, while the fingers of the right hand play the melody of the song that is being performed. Usually players who have been trained are very easy to change hands. When played, the accordion is pulled and pushed to adjust the air movement inside the instrument, the movement of the air coming out (to the tongue of the accordion) will produce sound. The sound can be adjusted using the player's fingers.
Gambus is a type of traditional Riau musical instrument that is played by picking. Formerly,
Gambus was used for events related to spiritual matters. At this time
Gambus switched functions to be an accompaniment for the
tari zapin. Gambus Riau is played by individuals as entertainment for fishermen on boats who are looking for fish.
Kompang is a type of traditional Riau musical instrument that is quite well known among
Malays,
Kompang is included in the group of traditional musical instruments which are played by being beaten. In general,
kompang uses materials derived from the skin of livestock. Making
kompang is more similar to making
dhol or other musical instrument or other leather drum that uses animal skin such as buffalo, cattle, and others.
Kompang a uses female goat ski on the part that is hit, but now uses a cow which is believed to be more elastic. To produce a loud sound, there is a technique to make the paired skin become very tight and not easily separated from the nail (which can be dangerous when played).
Rebana ubi is a type of
Tambourine that is played by being hit by hand.
Rebana ubi is included in the drum group as well as percussion instruments.
Rebana ubi has a larger size than ordinary tambourines because
Rebana ubi has the smallest diameter of 70 cm and a height of 1 meter.
Rebana ubi can be hung horizontally or left on the floor to be played. In ancient times,
Rebana ubiwas believed to be a tool to spread the news such as the wedding ceremony of local residents or the danger that came (such as strong winds).
Rebana ubi is placed in the highlands and beaten with a certain rhythm depending on the information the player wants to convey.
Traditional weapons Klewang is a traditional weapon from Riau.
klewang is a kind of machete with the tip of an enlarged blade. In the past,
klewang was used by royal soldiers when in war. However, in the present, it is more widely used by farmers in their activities in rice fields or as agricultural tools. Because of this function,
klewang has remained sustainable compared to other types of traditional Riau weapons.
Beladau is a skewer type weapon found in the culture of Riau society. This weapon is a sharp dagger on one side. what makes this
beladau different from the dagger in general is that
beladau tends to have curvature at the base of the handle, so the handle is easier to hold and push when used. In accordance with its length of only 24 cm, this traditional Riau weapon is often used as a means of self-protection from melee attacks.
Pedang jenawi is a weapon that was often used by Malay royal warlords when facing their enemies. Its size is quite long, which is about 1 meter making it used in close-range warfare. At a glance,
pedang jenawi looks like a typical Japanese
katana. Therefore, many historians and cultural experts argue that this weapon originated from ancient Japanese culture which experienced acculturation with Malay culture. Apart from these opinions, what is clear at this time is that
pedang jenawi has been regarded as the identity of the Riau Malay community.
Kris is a heritage weapon that has been used for centuries. Not only in Riau, keris is generally used by nobles in Southeast Asia.
Kris is a symbol of honor and self-defense. This weapon is used to stab at close range. The position of the
kris in history as a symbol of honor is undeniable, that in the kingdom it was clearly seen as a form of self-protection, as well as pride. Even in modern history, the function continues to develop as an object of history, and can also be a determinant of history based on the period of manufacture and the type of material used. Up to now in Riau Malay customs and culture, always cooperating with kris in every dress as a complementary weapon from generation to generation. However, what is different in the form of
kris from adat in
Java is, if the use of
kris in Java is tucked in the back of the waist, in Riau and the Malay people, in general, the use of
kris is in front. == Economics ==