1776 (musical)

In 1925, Rodgers and Hart wrote a Broadway musical about the American Revolution called Dearest Enemy. In 1950, another musical about the Revolution was presented on Broadway, titled Arms and the Girl, with music by Morton Gould, lyrics by Dorothy Fields, and book by Herbert Fields, Dorothy Fields and Rouben Mamoulian, the show's director. Sherman Edwards, a writer of pop songs with several top 10 hits in the late 1950s and early '60s, spent several years developing lyrics and libretto for a musical based on the signing of the Declaration of Independence. Edwards recounted that "I wanted to show [the founding fathers] at their outermost limits. These men were the cream of their colonies. ... They disagreed and fought with each other. But they understood commitment, and though they fought, they fought affirmatively." Producer Stuart Ostrow recommended that librettist Peter Stone collaborate with Edwards on the book of the musical. Stone recalled, The minute you heard ["Sit Down, John"], you knew what the whole show was. ... You knew immediately that John Adams and the others were not going to be treated as gods or cardboard characters, chopping down cherry trees and flying kites with strings and keys on them. It had this very affectionate familiarity; it wasn't reverential. After tryouts in New Haven, Conn., and Washington, D.C., the show opened on Broadway at the 46th Street Theatre on March 16, 1969. Peter Hunt directed. == Synopsis ==

NOTE: The show can be performed in one or two acts. Act I On May 8, 1776, the Second Continental Congress, convening in Philadelphia at present-day Independence Hall, proceeds with its business. John Adams, the controversial delegate from Massachusetts, is frustrated because Congress will not even debate his proposals on independence. The other delegates, preoccupied with the rising heat, implore him to "Sit Down, John." Adams denounces the do-nothing Congress ("Piddle, Twiddle, and Resolve"), then reads the latest missive to his loving wife Abigail, who speaks to him in his imagination ("Till Then"). Later, Adams meets delegate Benjamin Franklin, an elderly lecherous scamp, who suggests that Adams should let another, more popular delegate propose a resolution on independence. The flamboyant Richard Henry Lee of Virginia enters at Franklin's behest and agrees to use his family clout to press the Virginia House of Burgesses on passing a pro-independence resolution ("The Lees of Old Virginia"). Weeks later, new delegate Dr. Lyman Hall of Georgia arrives and is introduced to many important members of Congress, including Andrew McNair, the custodian; Stephen Hopkins of Rhode Island, an acerbic drunk; Edward Rutledge of South Carolina, a staunch separatist who seeks a separate South Carolina republic; and Caesar Rodney of Delaware, among others. As Congress is assembled, President John Hancock notes that the entire New Jersey delegation has been absent for quite some time. A gloomy dispatch from George Washington, commander of the Continental Army, arrives by courier and is read aloud by Secretary Charles Thomson. Shortly thereafter, Richard Henry Lee returns, bearing a resolution for independence. Elated, Adams seconds the motion to open debate on the resolution. John Dickinson of Pennsylvania, a conservative and royal apologist, immediately moves to table the debate. The vote is close, but debate is ultimately approved, prompting Dickinson to denounce the desire for independence as an overreaction to petty squabbles with Great Britain. The debate becomes more heated and personal, sparking a physical fight between Dickinson and Adams and causing cancer-stricken Caesar Rodney to collapse. Pro-independence Scotsman Thomas McKean escorts Rodney back to Delaware, leaving conservative George Read in control of Delaware's delegation. South Carolina's Edward Rutledge moves to quickly end the debate and vote on independence, knowing it is likely to fail. At this moment, the new delegation from New Jersey arrives, with leader the Reverend John Witherspoon announcing that the colony's legislature has deposed its royal governor, Franklin's estranged loyalist son, and has sent explicit instruction to vote for independence. Adams, now seeing a path to victory, pushes to proceed with the vote, since ties are broken by Hancock and Adams believes Hancock is a firm believer in independence. Dickinson moves to require the vote for independence to be unanimous. The vote ends in a tie, but Hancock unexpectedly votes in favor of unanimity, explaining that if the colonies are divided, the crown will pit the colonies against each other. Knowing that Dickinson will quash the resolution if the vote proceeds immediately, Adams moves to postpone the vote to buy time to rally the needed support; he proposes that Congress draft a Declaration of Independence to build support abroad for the cause. Again, the vote ties; this time, Hancock votes with Adams, as many in Congress would like to have a break. Before they adjourn, John Hancock appoints a committee of Adams, Franklin, Roger Sherman of Connecticut, Robert Livingston of New York, and Lee to draft the declaration. Lee informs the Congress that he has been appointed Governor of Virginia and departs, never to be seen again; he is succeeded by another Virginian, the resident meteorologist Thomas Jefferson, who wants no part of the task as he is returning home to see his wife after six months. Jefferson is forced to accept the task after the other four explain why they cannot or should not ("But, Mr. Adams"). Adams sends for Jefferson's beloved wife Martha, reasoning that if Thomas cannot return to her, she can be summoned to him and potentially break his writer's block. When she arrives, she refuses to speak to Adams or Franklin and spends the night with her husband. Adams, alone, again exchanges letters with his wife Abigail ("Yours, Yours, Yours"). The next morning, Franklin and Adams again attempt to engage Martha in conversation; she speaks, but tersely, and talks of her courtship with Thomas ("He Plays the Violin"). Adams is delighted to find that Jefferson has written something, but instead of work on the declaration, it is a mere note asking for him and Martha to be left alone. In June, with the Congress in what looks like a state of total lethargy, another grim dispatch from General Washington arrives, denouncing the Continental Army recruits as useless, undisciplined and outmatched, having fallen prey to numerous prostitutes at the camp in New Brunswick, New Jersey. Adams, sensing that Washington is exaggerating the crisis in hopes of securing more money, convinces Samuel Chase of Maryland to go with him to New Brunswick to test Chase's fears that the Revolutionary War is doomed to end in defeat; Franklin, eager to see the prostitutes for himself, tags along. The other liberals also leave the chamber; with only the conservatives left, and a cold front having brought down the ambient temperature, John Dickinson leads his congressional allies in a defense of their wealth, status and politics ("Cool, Cool Considerate Men"), during which the courier arrives with another gloomy Washington dispatch. The conservatives depart, leaving McNair, the courier and a "leather apron" (workman) alone in the chamber. The courier describes how his two closest friends were killed on the same day at Lexington ("Momma Look Sharp"). Act II As Congress reconvenes in Philadelphia, Jefferson is outside the chamber while Thomson reads the completed draft of the declaration to the Congress. Adams and Franklin arrive, delighted: though the troops are indeed undisciplined, they showed exceptional shooting skill hunting waterfowl for dinner, and this convinced Chase to vote for independence. They congratulate Jefferson on his work, and Franklin compares the creation of this new country to the hatching of a bird, though they disagree on what kind ("The Egg"). On June 28, Hancock asks if there are any alterations to be offered to the Declaration of Independence. Many delegates voice suggestions, additions or deletions. Edward Rutledge of South Carolina objects in particular to a clause condemning the slave trade. He fiercely defends slavery as an institution, claiming that blacks are not people, that Jefferson is a hypocrite for also owning slaves while opposing their trade (to which Jefferson claims he has arranged for his existing slaves' manumission) and the northern colonies profit off it via the Triangle Trade ("Molasses to Rum"). Rutledge leads a walk-out with the delegates from both Carolinas and Georgia, and the rest of the Congress follows. Adams, who insists on including the slavery clause on principle that excluding it would make the Congress hypocrites, discusses the matter with Franklin, who tells Adams that he must accept some degree of compromise if he wants the independence resolution to pass. Adams calls on Abigail in his mind to help him, and she reminds him of his commitment to the cause ("Compliments"). Bolstered by her (and the arrival of a delivery of kegs of saltpeter she had previously promised him), Adams recovers his energy and sends Franklin to try and win the support of Pennsylvania's James Wilson and Jefferson to talk to Rutledge. Re-reading a dispatch from Washington, Adams, now alone, wonders "Is Anybody There?" Hall returns; after considering the words of Edmund Burke, he decides to buck his constituency's loyalist preference and use his own judgment to vote Yea for independence on Georgia's behalf. It is now July 2. Hancock calls for the vote on the Lee Resolution. At this moment, Rodney returns to Congress to assure that Delaware will vote in favor of independence. Thomson calls on each delegation. Although Pennsylvania passes on their first call, the rest of the New England and Mid-Atlantic colonies vote in favor of independence except for New York, who reluctantly abstains. (New York's delegate, Lewis Morris, explained earlier that the New York Provincial Congress had been so dysfunctional that he had received no instructions on how to vote.) When South Carolina is called, Rutledge again insists that the slavery clause be removed in exchange for the southern colonies voting in favor; Jefferson himself strikes out the passage. South Carolina, North Carolina and Georgia all vote "yea". On Pennsylvania's second call, Dickinson is about to announce that his colony votes "nay" when Franklin requests that the delegation be polled. Franklin votes "yea" and Dickinson votes "nay", leaving the decisive vote in the hands of Wilson. Wilson has previously subordinated himself to Dickinson; now, suddenly fearing that if he sides with Dickinson now he would be forever remembered as the man who prevented American independence, he changes his vote and votes for independence. With twelve colonies voting in favor of independence, none against and one colony abstaining, the resolution is unanimously adopted. Hancock proposes that no man be allowed to sit in Congress without signing the Declaration. Dickinson resigns but pledges his loyalty to the new nation, hoping for eventual reconciliation with the crown. Adams leads the Congress in a salute to Dickinson as he leaves the chamber. Morris, having read of a British army raid on the Morris family estate, drops his abstention. by Robert Edge Pine and Edward Savage as a reference for how the actors should pose in the final moment of the play. On July 4, McNair rings the Liberty Bell in the background as Thomson calls a delegate from each colony to sign the Declaration, establishing the United States of America. The delegates freeze in position as the Liberty Bell rings to a fevered pitch. == Productions ==

After out-of-town tryouts, the original Broadway production opened on Broadway on March 16, 1969, at the 46th Street Theatre (now the Richard Rodgers Theatre) and closed on February 13, 1972, after 1,217 performances. In its three-year run, it played in three different theatres: the 46th Street, the St. James Theatre (1970) and, finally, the Majestic Theatre (1971). The principal cast included William Daniels, Howard da Silva, Paul Hecht, Clifford David, Ronald Holgate, David Ford, Virginia Vestoff and Ken Howard. Clifford David left the production soon after opening. He was replaced as Rutledge by David Cryer who was in turn replaced by John Cullum who became one of the few Broadway replacements in history to recreate a role on film. (Cullum was succeeded in the Broadway production by Paul-David Richards.) with the cast of 1776 after a performance in the East Room of the White House The musical toured for two years in the United States and was given a London production, opening on June 16, 1970, at the New Theatre. The production starred Lewis Fiander as Adams, Vivienne Ross as Abigail Adams, Ronald Radd, Bernard Lloyd, David Kernan as Rutledge, John Quentin as Jefferson and Cheryl Kennedy as Martha Jefferson. 1776 was revived by the Roundabout Theatre Company, opening on August 4, 1997, in a limited engagement at the Roundabout's home theater, the Criterion Center, before transferring to the George Gershwin Theatre on December 3, 1997, for a commercial run. It closed on June 14, 1998, after 333 performances and 34 previews. The production was directed by Scott Ellis with choreography by Kathleen Marshall, and featured Brent Spiner as Adams, Michael Cumpsty as Dickinson, Pat Hingle as Franklin, and Paul Michael Valley as Jefferson. The musical was produced in an Encores! City Center staged concert from March 30 to April 3, 2016. Directed by Garry Hynes, the cast starred Santino Fontana as John Adams, John Larroquette as Benjamin Franklin, John Behlmann as Thomas Jefferson, Christiane Noll as Abigail Adams, Nikki Renée Daniels as Martha Jefferson, Bryce Pinkham as John Dickinson, Alexander Gemignani as Edward Rutledge, André De Shields as Stephen Hopkins, and Jubilant Sykes as Richard Henry Lee. The cast included MacIntyre Dixon, Ric Stoneback, and Kevin Ligon reprising their roles from the 1997 revival as Andrew McNair, Samuel Chase, and George Read respectively. The production notably sported a racially diverse cast in light of the recent success of another musical about the Founding Fathers, Hamilton. The musical was produced in Chicago, Illinois by Porchlight Music Theatre as part of their "Porchlight Revisits" series in November 2018. Directed by Michael Weber, Music Directed by Jeremy Ramey, with Musical Staging by Michelle Lauto. A new revival of 1776 was to be staged at the American Repertory Theater (A.R.T.) in mid-2020, under the direction of Diane Paulus (Terrie and Bradley Bloom Artistic Director of A.R.T.), and then in Los Angeles at the Ahmanson Theatre, before arriving at the American Airlines Theatre, co-produced by ART and Roundabout Theatre Company. The team held a two-week workshop on Zoom in April 2020, but the production was postponed due to the COVID-19 pandemic. In June 2021, A.R.T. announced that the production, now directed by Jeffrey L. Page and Paulus, would begin performances at A.R.T. in May 2022. In April 2022 A.R.T. announced the revival cast of performers who identify as female, non-binary, and trans, and that the production would transfer to Roundabout's American Airlines Theatre on September 16, 2022 (where after previews it officially opened on October 6, 2022, and ran until January 8, 2023) and begin a 16-city national tour in February 2023. The cast (many of whom were making their Broadway debuts) included Crystal Lucas-Perry (later Kristolyn Lloyd) as Adams, Patrena Murray as Franklin, Elizabeth A. Davis as Jefferson, Allison Kaye Daniel as Abigail/Rev. Witherspoon, Eryn Lecroy as Martha/Dr. Hall, Carolee Carmello as Dickinson and Sara Porkalob as Rutledge. The show received mixed to negative reviews, with Jesse Green of The New York Times criticizing its casting, writing that it "intensifies and complicates the argument." Green also wrote of the overall production that despite "underlining one’s progressiveness a thousand times, as this 1776 does, [it] will not actually convey it better; rather it turns characters into cutouts and distracts from the ideas it means to promote." A two-part radio production adapted and directed by Martin Jarvis starring Alfred Molina as Benjamin Franklin, Ioan Gruffud as John Adams. Steven Weber as Edward Rutledge and Chase Fein as Thomas Jefferson was broadcast as part of BBC Radio 4's Drama on 4 - Story of America series, a major collection of dramatisations of milestone American titles marking 250 years since the Declaration of Independence, on 11 January and 18 January 2026. The musical was performed in April 2026 at the Paper Mill Playhouse in Millburn, New Jersey under the direction of Mark S. Hoebee with musical staging by Nancy Renée Braun. The cast starred Will Blum as John Adams, Michael Burrell as Thomas Jefferson, and John Treacy Egan as Benjamin Franklin. ==Original casts and characters==

Notable replacements ;Broadway (1969–73) • Benjamin Franklin: Jay Garner, Rex Everhart (u/s) • John Dickinson: David Ford, George Hearn, James Noble (u/s) • Edward Rutledge: Gary Beach, David Cryer, John Cullum, John Fink • Thomas Jefferson: David Cryer, Jon Cypher, John Fink • John Hancock: Charles Cioffi, James Noble • Abigail Adams: Rita Gardner, Ellen Hanley • Stephen Hopkins: Edmund Lyndeck • Lyman Hall: Edmund Lyndeck • John Witherspoon: Arthur Anderson • Josiah Bartlett: Gary Beach First Broadway Revival (1997–98) • John Adams: Michael McCormick, Richard Poe (u/s) • Benjamin Franklin: David Huddleston, Rex Everhart (s/b) • Abigail Adams: Carolee Carmello • Caesar Rodney: William Duell == Music ==

Act I • Overture • "Sit Down, John" – Adams and Congress • "Piddle, Twiddle and Resolve" – Adams • "Till Then" – Adams and Abigail • "The Lees of Old Virginia" – Lee, Franklin and Adams • "But, Mr. Adams" – Adams, Franklin, Jefferson, Sherman and Livingston • "Yours, Yours, Yours" – Adams and Abigail • "He Plays the Violin" – Martha, Franklin, and Adams • "Cool, Cool, Considerate Men" – Dickinson, Rutledge and The Conservatives • "Momma Look Sharp" – Courier, McNair and Leather Apron Act II • "The Egg" – Franklin, Adams, Jefferson, and Congress • "Molasses to Rum" – Rutledge • "Compliments" – Abigail Adams • "Is Anybody There?" – Adams and Thomson • "Finale" In the 2022 revival, the end of Act I is moved to after "He Plays the Violin". == Dramatic analysis ==

According to Peter Stone, Scene Three of 1776 holds the record for the longest time in a musical without a single note of music played or sung —– over thirty minutes pass between "The Lees of Old Virginia" and "But Mr. Adams", the next song in the show. On the DVD commentary, Stone says that he experimented with adding various songs in this section, but nothing ever worked. During this scene, dubbed "Big Three" by cast members, musicians were allowed to leave the pit, reportedly the first time in Broadway history that they were permitted to do so in the middle of a show. Stone also notes that people often told him that, because of the subject matter and the large amount of dialogue, 1776 should have been a conventional play rather than a musical. Stone believes that the songs create a playful, irreverent tone that helps bring the historical characters to life. == Historical accuracy ==

According to The Columbia Companion to American History on Film, historical "[i]naccuracies pervade 1776, though few are very troubling." Because Congress was held in secrecy and there are no contemporary records on the debate over the Declaration of Independence, the authors of the musical created the narrative based on later accounts and educated guesses, inventing scenes and dialogue as needed for storytelling purposes. Some of the dialogue was taken from words written, often years or even decades later, by the actual people involved, and rearranged for dramatic effect. The central departure from history is that the separation from Great Britain was accomplished in two steps: the actual vote for independence came on July 2 with the approval of Lee's resolution of independence. The wording of the Declaration of Independence—the statement to the world as to the reasons necessitating the split—was then debated for three days before being approved on July 4. The vote for independence did not hinge on some passages being removed from the Declaration, as implied in the play, since Congress had already voted in favor of independence before debating the Declaration. For the sake of drama, the play's authors combined the two events. In addition, some historians believe that the Declaration was not signed on July 4, as shown in 1776, but was instead signed on August 2, 1776. The authors of 1776 had the delegates sign the Declaration on July 4 for dramatic reasons. after his unpopular presidency had likely colored his view of the past. According to McCullough, no delegate described Adams as obnoxious in 1776. Historian Garry Wills earlier made a similar argument, writing that "historians relay John Adams's memories without sufficient skepticism", and that it was Dickinson, not Adams, who was advocating an unpopular position in 1776. Dickinson, who refused to sign Adams' and Jefferson's declaration based on "rights of man" and "natural law", was seeking to avoid reopening issues from the English Civil Wars, including Oliver Cromwell's Puritan regime, and the Jacobitism cause. In 1689, these issues had been definitively resolved in the Glorious Revolution and the constitutionalization of the English Bill of Rights based in "rights and responsibilities of person"; the word "man" is not used except in the context of treason. The last Jacobite rebellion, seeking to re-establish Catholicism and the religious concept of "natural law", had only just happened in 1745, however. None of this background of Dickinson's position is depicted. (Dickinson would later draft the Articles of Confederation, a codification of the Continental Congress system that governed the United States until the present United States Constitution supplanted it; the Articles draw upon the "rights and responsibilities of person" language.) For practical and dramatic purposes, the play does not depict all of the more than 50 members of Congress who were present at the time. The John Adams of the play is, in part, a composite character, combining the real Adams with his cousin Samuel Adams, who was in Congress at the time but is not depicted in the play (though he is mentioned). Although the play depicts Caesar Rodney as an elderly man near death from skin cancer (which would eventually kill him), he was just 47 at the time and continued to be very active in the Revolution after signing the Declaration. He was not absent from the voting because of health; however, the play is accurate in having him arrive "in the nick of time", having ridden 80 miles the night before (an event depicted on Delaware's 1999 State Quarter). In the play, Richard Henry Lee announces that he is returning to Virginia to serve as governor. He was never governor; his cousin Henry Lee III (who is anachronistically called "General 'Lighthorse' Harry Lee", a rank and nickname earned later) did eventually become governor and would also become the father of Confederate General Robert E. Lee. (It was Patrick Henry who had been elected Governor in the summer of 1776.) John Adams was also depicted in the play and the film as disliking Richard Henry Lee, if only for his personality. That is not the case as, according to David McCullough, Adams expressed nothing but "respect and admiration for the tall, masterly Virginian." The play does reflect Adams and Lee's mutual alliance in the cause for independence. He did, however, contrary to what was portrayed in the play and the film, dislike Benjamin Franklin. Martha Jefferson never traveled to Philadelphia to be with her husband. In fact, she was extremely ill during the summer of 1776, having just endured a miscarriage. The play's authors invented the scene "to show something of the young Jefferson's life without destroying the unity of setting." The quote attributed to Edmund Burke by Dr. Lyman Hall in a key scene with John Adams is a paraphrase of a real quote by Burke. The song "Cool Considerate Men" is anachronistic because the terms "right" and "left" in politics were not in use until the French Revolution of 1789. John Dickinson, who is portrayed as an antagonist here, was motivated mainly by his Quaker roots and his respect for the British Constitution, having lived in England for 3 years in the 1750s. He was no wealthier than some members of the pro-Independence faction, and freed his slaves in 1777. Thomas Jefferson wrote that "his name will be consecrated in history as one of the great worthies of the revolution". The musical also deviates from history in its portrayal of attitudes about slavery. In 1776, after a dramatic debate over slavery, the southern delegates walk out in protest of the Declaration's reference to the slave trade, and support independence only when that language is removed from the Declaration. The walkout is fictional, and apparently most delegates, northern and southern, supported the deletion of the clause. The musical claims that Edward Rutledge led the opposition to the supposedly anti-slavery clause in the original draft of the Declaration. This is inaccurate on two counts. First, the musical does not mention the motivation of the clause, namely the fact that, following Lord Dunmore's Proclamation, England was granting freedom to runaway slaves who joined its army. Second, Rutledge's leadership against the clause is unattested. According to Jefferson, the clause was opposed by South Carolina and Georgia, plus unspecified "northern brethren"; that is the limit of known information about opposition to the clause. Thomas Jefferson is depicted as saying that he has resolved to free his slaves, something he did not do, except for a few slaves freed after his death 50 years later. Franklin claims that he is the founder of an abolitionist organization, but the real Franklin did not become an active abolitionist until after the American Revolution, becoming president of the Pennsylvania Abolition Society in 1785. James Wilson is portrayed as subordinating himself to Dickinson's opposition to independence, only changing his vote so that he would not be remembered unfavorably. The real Wilson, who was not yet a judge in 1776, was not the indecisive milquetoast depicted in the play; he had been cautious about supporting independence at an earlier date, but he supported the resolution of independence when it came up for a vote. In fact, Wilson was considered one of the leading thinkers behind the American cause, consistently supporting and arguing for independence, although he would not cast his vote until his district had been caucused. Pennsylvania's deciding swing vote was actually cast by John Morton, who is not depicted in the musical. in his arguments against independence. In both the play and the film, John Adams sarcastically predicts that Benjamin Franklin will receive from posterity too great a share of credit for the Revolution. "Franklin smote the ground and out sprang—George Washington. Fully grown, and on his horse. Franklin then electrified them with his magnificent lightning rod and the three of them—Franklin, Washington, and the horse—conducted the entire Revolution all by themselves." Adams did make a similar comment about Franklin in April 1790, just after Franklin's death, although the mention of the horse was a humorous twist added by the authors of the musical. The 2022 revival production includes an excerpt of Abigail Adams' March 1776 letter to John Adams, known for its "remember the ladies" statement for women's rights. == Critical reception ==

In his review of the original 1969 production, Clive Barnes of The New York Times wrote, On the face of it, few historical incidents seem more unlikely to spawn a Broadway musical than that solemn moment in the history of mankind, the signing of the Declaration of Independence. Yet 1776... most handsomely demonstrated that people who merely go 'on the face of it' are occasionally outrageously wrong.... [1776] is a most striking, most gripping musical. I recommend it without reservation. It makes even an Englishman's heart beat faster... the characters are most unusually full... for Mr. Stone's book is literate, urbane and, on occasion, very amusing.... William Daniels has given many persuasive performances in the past, but nothing, I think, can have been so effective as his John Adams here. This is a beautiful mixture of pride, ambition, an almost priggish sense of justice and yet – the saving grace of the character – an ironic self-awareness. The New York Post noted, In this cynical age, it requires courage as well as enterprise to do a musical play that simply deals with the events leading up to the signing of the Declaration of Independence. And 1776... makes no attempt to be satirical or wander off into modern bypaths. But the rewards of this confidence reposed in the bold conception were abundant. The result is a brilliant and remarkably moving work of theatrical art... it is Mr. Daniels' John Adams who dominates the evening, as he did the Congress. Peter Hunt's direction, the choreography of Onna White, and the setting by Jo Mielziner are just right. == Recordings ==

• Original Broadway cast (Columbia, 1969), available on LP, Cassette and CD with Rex Everhart as Ben Franklin because of Howard da Silva's ill health at the time of recording. • Original London cast (1970), available on LP • British studio cast (1970), available on LP (Marble Arch MALS-1327) • Original motion picture soundtrack (Columbia, 1972), available on LP, Cassette • Studio cast (The Ray Bloch Singers) (date unknown), available on LP • Broadway revival cast (1997), available on CD, Cassette == Awards and nominations ==

Original Broadway production *Note: William Daniels, who starred as John Adams, was ruled ineligible for the Best Actor nomination because his name was not billed above the title of the show. He was nominated for Best Featured Actor, but refused the nomination. 1997 Broadway revival 2022 Broadway revival == Film adaptation ==

The 1972 film version of 1776 was produced by Jack L. Warner with Hunt again directing and Stone writing the screenplay. The film featured William Daniels as Adams, Ken Howard as Jefferson, Howard da Silva as Franklin, John Cullum as Edward Rutledge, Ron Holgate as Richard Henry Lee, and Virginia Vestoff as Abigail Adams, all of whom had performed their roles on Broadway. The supporting cast was also mostly recruited from the Broadway production. The principal exceptions were Donald Madden and Blythe Danner, who took over the roles of John Dickinson and Martha Jefferson. A Director's Cut of the original film has been released on DVD and Blu-ray. Both the look and sound of the original film have been improved through modern technology. Many cuts to the original film by the producer Jack Warner have been restored, including verses from the songs "Piddle Twiddle and Resolve" and "He Plays the Violin" and the entire "Cool, Cool, Considerate Men,” which Warner originally cut at the urging of President Nixon. Nixon felt the scene presented conservatism in a negative light. Musical underscoring has been removed from several scenes without songs in order to strengthen the focus on dialogue. Bonus material includes commentary by Director Peter Hunt and by Peter Stone, the book/screenwriter. Among other topics, they discuss artistic liberties and anachronisms used to dramatize the events. == In popular culture ==

Throughout the course of the third season of the Netflix original series Grace and Frankie, Robert, played by Martin Sheen, and his husband Sol, played by Sam Waterston, are persuaded to audition for a local production of 1776 by the local gay men's theater group, resulting in Robert landing the lead role of John Adams, much to the disappointment of Sol who was not cast. The musical Hamilton references the song "Sit Down, John!" in a lyric from the song, "The Adams Administration", in the lyric: "Sit down, John, you fat mother—[BLEEP]er." Lin-Manuel Miranda discovered the 1776 film in college and cites it as having paved the way for Hamilton. == See also ==