in the
Cederberg,
Western Cape ,
Zimbabwe Early representations The San of the
Kalahari were first brought to the globalized world's attention in the 1950s by South African author
Laurens van der Post. Van der Post grew up in South Africa, and had a respectful lifelong fascination with native African cultures. In 1955, he was commissioned by the
BBC to go to the Kalahari desert with a film crew in search of the San. The filmed material was turned into a very popular six-part television documentary a year later. Driven by a lifelong fascination with this "vanished tribe", Van der Post published a 1958 book about this expedition, entitled
The Lost World of the Kalahari. It was to be his most famous book. In 1961, he published
The Heart of the Hunter, a narrative which he admits in the introduction uses two previous works of stories and mythology as "a sort of Stone Age Bible", namely
Specimens of Bushman Folklore' (1911),
collected by
Wilhelm H. I. Bleek and
Lucy C. Lloyd, and
Dorothea Bleek's
Mantis and His Friend. Van der Post's work brought indigenous African cultures to millions of people around the world for the first time, but some people disparaged it as part of the subjective view of a European in the 1950s and 1960s, stating that he branded the San as simple "children of Nature" or even "mystical ecologists". In 1992 by John Perrot and team published the book
Bush for the Bushman – a "desperate plea" on behalf of the aboriginal San addressing the international community and calling on the governments throughout Southern Africa to respect and reconstitute the ancestral land-rights of all San.
Documentaries and non-fiction John Marshall, the son of
Harvard anthropologist
Lorna Marshall, documented the lives of San in the
Nyae Nyae region of
Namibia over a period spanning more than 50-years. His early film
The Hunters, shows a giraffe hunt.
A Kalahari Family (2002) is a series documenting 50 years in the lives of the
Juǀʼhoansi of Southern Africa, from 1951 to 2000. Marshall was a vocal proponent of the San cause throughout his life. His sister
Elizabeth Marshall Thomas wrote several books and numerous articles about the San, based in part on her experiences living with these people when their culture was still intact.
The Harmless People, published in 1959, and
The Old Way: A Story of the First People, published in 2006, are two of them. John Marshall and Adrienne Miesmer documented the lives of the ǃKung San people between the 1950s and 1978 in
Nǃai, the Story of a ǃKung Woman. This film, the account of a woman who grew up while the San lived as autonomous hunter-gatherers, but who later was forced into a dependent life in the government-created community at Tsumkwe, shows how the lives of the
ǃKung people, who lived for millennia as hunter gatherers, were forever changed when they were forced onto a reservation too small to support them. South African film-maker Richard Wicksteed has produced a number of documentaries on San culture, history and present situation; these include ''In God's Places
/ Iindawo ZikaThixo
(1995) on the San cultural legacy in the southern Drakensberg; Death of a Bushman
(2002) on the murder of San tracker Optel Rooi by South African police; The Will To Survive
(2009), which covers the history and situation of San communities in southern Africa today; and My Land is My Dignity'' (2009) on the San's epic land rights struggle in Botswana's
Central Kalahari Game Reserve. A documentary on San hunting entitled, ''The Great Dance: A Hunter's Story
(2000), directed by Damon and Craig Foster. This was reviewed by Lawrence Van Gelder for the New York Times,'' who said that the film "constitutes an act of preservation and a requiem."
Spencer Wells's 2003 book
The Journey of Man—in connection with
National Geographic's
Genographic Project—discusses a
genetic analysis of the San and asserts their
genetic markers were the first ones to split from those of the ancestors of the bulk of other
Homo sapiens sapiens. The
PBS documentary based on the book follows these markers throughout the world, demonstrating that all of humankind can be traced back to the
African continent (see
Recent African origin of modern humans, the so-called "out of Africa" hypothesis). The BBC's
The Life of Mammals (2003) series includes video footage of an indigenous San of the Kalahari desert undertaking a
persistence hunt of a
kudu through harsh desert conditions. It provides an illustration of how early man may have pursued and captured prey with minimal weaponry. The BBC series
How Art Made the World (2005) compares
San cave paintings from 200 years ago to
Paleolithic European paintings that are 14,000 years old. Because of their similarities, the San works may illustrate the reasons for ancient cave paintings. The presenter
Nigel Spivey draws largely on the work of Professor
David Lewis-Williams, whose PhD was entitled "Believing and Seeing: Symbolic meanings in southern San rock paintings". Lewis-Williams draws parallels with prehistoric art around the world, linking in shamanic ritual and trance states.
Films and music A 1969 film,
Lost in the Desert, features a small boy, stranded in the desert, who encounters a group of wandering San. They help him and then abandon him as a result of a misunderstanding created by the lack of a common language and culture. The film was directed by
Jamie Uys, who returned to the San a decade later with
The Gods Must Be Crazy, which proved to be an international hit. This comedy portrays a Kalahari San group's first encounter with an
artifact from the outside world (a
Coca-Cola bottle). By the time this movie was made, the ǃKung had recently been forced into sedentary villages, and the San hired as actors were confused by the instructions to act out inaccurate exaggerations of their almost abandoned hunting and gathering life. "
Eh Hee" by
Dave Matthews Band was written as an evocation of the music and culture of the San. In a story told to the
Radio City audience (an edited version of which appears on the DVD version of
Live at Radio City), Matthews recalls hearing the music of the San and, upon asking his guide what the words to their songs were, being told that "there are no words to these songs, because these songs, we've been singing since before people had words." He goes on to describe the song as his "homage to meeting... the most advanced people on the planet."
Memoirs In
Peter Godwin's memoir
When a Crocodile Eats the Sun, he mentions his time spent with the San for an assignment. His title comes from the San's belief that a solar eclipse occurs when a crocodile eats the sun.
Novels Laurens van der Post's two novels,
A Story Like The Wind (1972) and its sequel,
A Far Off Place (1974), made into a
1993 film, are about a white boy encountering a wandering San and his wife, and how the San's life and survival skills save the white teenagers' lives in a journey across the desert.
James A. Michener's
The Covenant (1980) is a work of
historical fiction centered on South Africa. The first section of the book concerns a San community's journey set roughly in 13,000 BCE. In
Wilbur Smith's novel
The Burning Shore (an instalment in the
Courtneys of Africa book series), the San people are portrayed through two major characters, O'wa and H'ani; Smith describes the San's struggles, history, and beliefs in great detail. San characters also appear in many of his other books, often working as trackers and guides for Smith's main characters.
Norman Rush's 1991 novel
Mating features an encampment of Basarwa near the (imaginary) Botswana town where the main action is set.
Tad Williams's epic
Otherland series of novels features a South African San named ǃXabbu, whom Williams confesses to be highly fictionalized, and not necessarily an accurate representation. In the novel, Williams invokes aspects of San mythology and culture. In 2007,
David Gilman published ''The Devil's Breath''. One of the main characters, a small San boy named ǃKoga, uses traditional methods to help the character Max Gordon travel across Namibia.
Alexander McCall Smith has written a series of
episodic novels set in
Gaborone, the capital of Botswana. The fiancé of the protagonist of ''
The No. 1 Ladies' Detective Agency'' series, Mr. J. L. B. Matekoni, adopts two orphaned San children, sister and brother Motholeli and Puso. The San feature in several of the novels by Michael Stanley (the
nom de plume of Michael Sears and Stanley Trollip), particularly in
Death of the Mantis. In
Christopher Hope's book
Darkest England, the San hero, David Mungo Booi, is tasked by his fellow tribesmen with asking the Queen for the protection once promised, and to evaluate the possibility of creating a colony on the island. He discovered England in the manner of 19th century Western explorers. ==Notable individuals==