The summer before her senior year of high school in Arlington, Virginia, MacLaine went to New York City to try acting and had minor success in the chorus of a production of
Oklahoma! that toured the
subway circuit. After graduation, she returned and made her Broadway debut dancing in the ensemble of the Broadway production of
Me and Juliet (1953–1954). Afterwards she became an understudy to actress
Carol Haney in
The Pajama Game; in May 1954 Haney injured her ankle during a Wednesday matinee, and MacLaine performed in her place. A few months later, with Haney still injured,
Jerry Lewis saw a matinee and urged film producer
Hal B. Wallis to attend the evening performance with him, hoping to cast her in
Artists and Models. Wallis signed her to work for
Paramount Pictures.
1955–1959: Career beginnings and success '' (1955) MacLaine began her career and quickly rose to fame during the final years of the
Golden Age of Hollywood when she made her film debut in
Alfred Hitchcock's
The Trouble with Harry (1955), for which she won the
Golden Globe Award for New Star of the Year – Actress.
The Trouble with Harry was quickly followed by her role in the
Martin and Lewis film
Artists and Models (also 1955). Soon afterwards, she had the female lead in
Around the World in 80 Days (1956), which won the
Academy Award for Best Picture. This was followed by
Hot Spell,
The Sheepman, and
The Matchmaker (1958), all released in 1958. MacLaine played Ginny Moorehead, who falls in love with
Frank Sinatra's character, Dave, in
Vincente Minelli's adaptation of James Jones’ novel
Some Came Running, in the
1958 film of the same name. The film saw her co-starring with
Dean Martin for the second time. For her role as Ginny Moorehead, she earned positive reviews and received her first nominations for the
Academy Award for Best Actress and the
Golden Globe Award for Best Actress in a Motion Picture – Drama. She appeared with Dean Martin in
Career (1959), the third of their several films.
1960–1969: Acclaim and stardom '' (1960) MacLaine appeared with Frank Sinatra in 1960's
Can-Can, then made a cameo appearance in the
Rat Pack movie ''
Ocean's 11'' (1960). MacLaine would become an honorary member of the Rat Pack. In 1960, MacLaine starred in
Billy Wilder's romantic drama
The Apartment (1960). The film is set on the
Upper West Side of Manhattan and follows an insurance clerk, C.C. Baxter (
Jack Lemmon), who allows his co-workers to use his apartment for their extramarital affairs. He is attracted to the insurance company's elevator operator (MacLaine), who is already having an affair with Baxter's boss (
Fred MacMurray). The film received widespread critical acclaim and emerged as a major commercial success at the box-office. It received ten
Academy Award nominations, winning
Best Picture,
Best Director,
Best Original Screenplay,
Best Art Direction (Black and White) and
Best Film Editing. MacLaine's performance in the film earned her a second nomination for the Academy Award for Best Actress. However, despite being highly favored to win, she lost the award to
Elizabeth Taylor for
BUtterfield 8. She, however, won the
Volpi Cup for Best Actress, the
BAFTA Award for Best Actress in a Leading Role and the
Golden Globe Award for Best Actress – Motion Picture Comedy or Musical.
The Apartment was included by
Roger Ebert in his 2001
Great Movies list.
Charlize Theron, speaking at the
89th Academy Awards, praised MacLaine's performance as "raw, real, and funny", and as making "this black and white movie feel like it's in color". and MacLaine, in a still from
The Apartment's final scene-“Shut up and deal!” MacLaine starred in ''
The Children's Hour (1961), based on the play by Lillian Hellman, and directed by William Wyler. Reunited with Wilder and Lemmon for Irma la Douce'' (1963); she received her third nomination for the Academy Award for Best Actress, in addition to winning her second Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. In 1970, MacLaine published a memoir titled ''Don't Fall off the Mountain
, the first of her numerous books. She devoted some pages to a 1963 incident in which she had marched into the Los Angeles office of The Hollywood Reporter and punched columnist Mike Connolly in the mouth. She was angered by what he had said in his column about her ongoing contractual dispute with producer Hal Wallis, who had introduced her to the movie industry in 1954 and whom she eventually sued successfully for violating the terms of their contract. The incident with Connolly garnered a headline on the cover of the New York Post'' on June 11, 1963. The full story appeared on page 5 under the headline “Shirley Delivers A Punchy Line!” with a byline by
Bernard Lefkowitz. MacLaine next starred in seven roles as seven different women in
Vittorio DeSica's episodic film
Woman Times Seven (1967), a collection of seven stories of love and adultery set against a Paris backdrop. She followed that film with another comedy,
The Bliss of Mrs. Blossom in 1968. Both films were box office flops. in the trailer for
Sweet Charity (1969) In 1969, MacLaine starred in the film version of the musical
Sweet Charity, directed by
Bob Fosse, and based on the script for
Federico Fellini's
Nights of Cabiria which was released a decade earlier.
Gwen Verdon, who originated the role onstage, had hoped to play Charity in the film version; however, MacLaine won the role because her name was better known to audiences at the time. Verdon signed on as assistant to choreographer Bob Fosse, helping teach MacLaine dance moves and some of the more intricate routines. MacLaine received a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical nomination. The film was not a financial success.
1970–1976: Continued success MacLaine was top-billed in
Two Mules for Sister Sara (1970), in a role written for Elizabeth Taylor, who chose not to appear in the movie. The
Western film was a hit, primarily due to her co-star
Clint Eastwood, one of the top box office stars in the world at that time. The film's director,
Don Siegel, said of her: "It's hard to feel any great warmth to her. She's too unfeminine, and has too much balls. She's very, very hard." She then moved on to television, cast as a
photojournalist in a short-lived sitcom, ''
Shirley's World (1971–1972). Co-produced by Sheldon Leonard and ITC Entertainment, the series was shot in the United Kingdom. As part of the deal, Lew Grade produced the low-budget drama Desperate Characters'' (1970). MacLaine put her career on hold as she campaigned for
George McGovern during the
1972 presidential election, including the Democratic primaries. As a final effort she co-produced the benefit concert
Star-Spangled Women for McGovern–Shriver one week before the election. In the end, McGovern was defeated in a landslide by incumbent
Richard Nixon. In 1973, her friend, writer and director
William Peter Blatty wanted to cast her for the role as the mother in
The Exorcist. The role was eventually played by
Ellen Burstyn. MacLaine declined the part since she had recently appeared in another film about the supernatural,
The Possession of Joel Delaney (1972). MacLaine's documentary film
The Other Half of the Sky: A China Memoir (1975), co-directed with film and television director
Claudia Weill, about the first women's delegation to China in 1973, was released theatrically and on PBS, and was nominated for the year's
Academy Award for Best Documentary Feature Film. MacLaine returned to onstage live performances during the 1970s. In 1976, she appeared in a series of concerts at the
London Palladium and New York's
Palace Theatre. The latter of these was released as the live album
Shirley MacLaine Live at the Palace.
1977–1984: Career comeback and Academy Award win MacLaine started a career comeback with the drama
The Turning Point (1977), portraying a retired ballerina. Her performance in the film received critical acclaim, earning her a fourth nomination for the Academy Award for Best Actress. She was awarded the
Women in Film Crystal Award in 1978 for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. In 1979, she starred alongside
Peter Sellers in
Hal Ashby's satirical film
Being There. The film received widespread acclaim with
Roger Ebert writing that he admired the film "for having the guts to take this totally weird concept and push it to its ultimate comic conclusion". MacLaine received a
British Academy Film Award, and
Golden Globe Award nomination for her performance. In 1980, MacLaine starred in two other films about adultery,
A Change of Seasons alongside
Anthony Hopkins and
Bo Derek, and
Loving Couples with
James Coburn and
Susan Sarandon. Neither film was a success, with
Roger Ebert of the
Chicago Sun-Times calling
Loving Couples "a dumb remake of a very old idea that has been done so much better so many times before, that this version is wretchedly unnecessary ... the whole project smells like high-gloss sitcom." MacLaine and Hopkins did not get along on
A Change of Seasons and the film was not a success; critics faulted the screenplay. MacLaine, however, did receive positive notices from critics.
Vincent Canby wrote in his
The New York Times review that the film "exhibits no sense of humor and no appreciation for the ridiculous ... the screenplay [is] often dreadful ... the only appealing performance is Miss MacLaine's, and she's too good to be true.
A Change of Seasons does prove one thing, though. A farce about characters who've been freed of their conventional obligations quickly becomes aimless." In 1983, she starred in
James L. Brooks's
comedy-drama Terms of Endearment (1983) playing
Debra Winger's mother. The film focuses on the strained relationship between mother and daughter over 30 years. The film emerged as a critical and commercial success at the box-office, grossing $108.4 million, emerging as the
second-highest-grossing film of the year. The film received a leading 11 nominations at the
56th Academy Awards, and won five, including
Best Picture. Both MacLaine and Winger earned nominations for the Academy Award for Best Actress, with the former winning the award, her first and only win in the category. Her performance also won the
Golden Globe Award for Best Actress in a Motion Picture – Drama.
1984–present: Post-Oscar career MacLaine followed up her Oscar win with a role in
Cannonball Run II (1984). After a four-year hiatus from acting, she starred in the drama
Madame Sousatzka (1988), in the eponymous lead role as a Russian-American immigrant. She received positive reviews for her performance, earning her a second Golden Globe Award for Best Actress in a Motion Picture – Drama. In 1989, she released her VHS, ''Shirley MacLaine's Inner Workout: A Program for Relaxation and Stress Reduction through Meditation
, a companion to her 1989 book, Going Within: A Guide for Inner Transformation''. MacLaine continued to star in films, such as the family southern drama
Steel Magnolias (1989) directed by
Herbert Ross. The film focuses on the bond that a group of women share in a small-town Southern community, and how they cope with the death of a loved one. The film was a box office success, earning $96.8 million off a budget of $15 million. MacLaine received a
British Academy Film Award for her performance. She starred in
Mike Nichols' film
Postcards from the Edge (1990), with
Meryl Streep, playing a fictionalized version of
Debbie Reynolds from a screenplay by Reynolds's daughter,
Carrie Fisher. Fisher wrote the screenplay based on her book. MacLaine received another
Golden Globe Award nomination for her performance. at the premiere of the film
Elsa & Fred in 2014 MacLaine continued to act in films such as
Used People (1992), with
Jessica Tandy and
Kathy Bates;
Guarding Tess (1994), with
Nicolas Cage;
Mrs. Winterbourne (1996), with
Ricki Lake and
Brendan Fraser;
The Evening Star (1996);
Rumor Has It...(2005) with
Kevin Costner and
Jennifer Aniston;
In Her Shoes (also 2005), with
Cameron Diaz and
Toni Collette; and
Closing the Ring (2007), directed by
Richard Attenborough and starring
Christopher Plummer. She would later reunite with Plummer in the 2014 comedy film
Elsa & Fred directed by
Michael Radford. In 2000, she made her first (and only) feature-film directorial debut, and starred in
Bruno (with Alex D. Linz), which was released to video as
The Dress Code. In 2011, MacLaine starred in
Richard Linklater's
dark comedy film
Bernie alongside
Jack Black and
Matthew McConaughey. MacLaine has also appeared in numerous television projects, including a 1987 miniseries based upon her bestselling autobiography,
Out on a Limb. In 2001, she appeared in
These Old Broads written by Carrie Fisher and co-starring
Elizabeth Taylor, Debbie Reynolds, and
Joan Collins. In 2009, she starred in
Coco Before Chanel, a
Lifetime production based on the life of French fashion designer,
Coco Chanel, which earned her a
Primetime Emmy Award, and Golden Globe Award nominations. She appeared in the third and fourth seasons of the British drama
Downton Abbey as
Martha Levinson, mother to Cora, Countess of Grantham (played by
Elizabeth McGovern), and Harold Levinson (played by
Paul Giamatti) in 2012–2013. In 2016, MacLaine starred in
Wild Oats with
Jessica Lange. She starred in the live-action family film
The Little Mermaid, based on the
Hans Christian Andersen fairytale, in 2018. In 2019, she played Elf Polly in the film “Noelle”. In 2022, she returned to television starring with Steve Martin, Martin Short, and Selena Gomez in the hit Hulu series
Only Murders in the Building. In 2024, MacLaine's film
American Dreamer opened in theaters two years after its initial premiere at the
Tribeca Film Festival. ==Personal life==