1969–1974: Television work and film debut Spielberg made his professional debut with "Eyes", a segment of
Night Gallery (1969) scripted by
Rod Serling and starring
Joan Crawford. Initially, there was skepticism from Crawford and studio executives regarding Spielberg's inexperience. Despite Spielberg's efforts to implement advanced camerawork techniques, studio executives demanded a more straightforward approach. His initial contributions received mixed responses, leading Spielberg to briefly step back from studio work. Crawford, reflecting on her collaboration with Spielberg, recognized his potential, noting his unique intuitive inspiration. She expressed her appreciation for Spielberg's talent in a note to him and communicated her approval to Serling. Crawford's endorsement highlighted Spielberg's early recognition in Hollywood despite hesitations regarding his experience. In the early 1970s, Spielberg unsuccessfully tried to raise financing for his own low-budget films. He co-wrote and directed teleplays for
Marcus Welby, M.D.,
The Name of the Game,
Columbo, Owen Marshall, Counselor at Law and
The Psychiatrist. The
Columbo episode directed would be the show's inaugural, non-pilot episode "
Murder by the Book". Although unsatisfied with his work, Spielberg used the opportunity to experiment with his techniques and learn about filmmaking. He earned good reviews and impressed producers; he was earning a steady income and relocated to
Laurel Canyon, LA.'''' Impressed,
Universal signed Spielberg to do four television films. The first was
Duel (1971), adapted from
Richard Matheson's short story, about a salesman (
Dennis Weaver) being chased down a highway by a psychotic
tanker truck driver. Executives decided to promote the film on television from its quality. Reviews were positive, and Universal asked Spielberg to shoot more scenes so it could be released theatrically to international markets.'''' "Deservedly so" writes
David Thomson, "for it stands up as one of the medium's most compelling spirals of suspense. The ordinariness of the Dennis Weaver character and the monstrous malignance of the truck confront one another with a narrative assurance that never needs to remind us of the element of
fable."
Duel, which would mark Spielberg's debut as a film director, would first air on Barry Diller's
ABC Movie of the Week before having an international theatrical release. More TV films followed:
Something Evil (1972), which aired on CBS, and
Savage (1973), which aired on NBC; however, unlike
Duel, neither of these would have a theatrical run. Spielberg made his official theatrical debut with
The Sugarland Express (1974), based on a true story about a married couple on the run, desperate to regain custody of their baby from foster parents.'''' The film starred
Goldie Hawn and
William Atherton and marked the first of many collaborations with composer
John Williams. Although the film was awarded Best Screenplay at the
1974 Cannes Film Festival, it was not a commercial success, which Spielberg blamed on Universal's inconsistent marketing. The film opened in 400 US theaters to positive reviews;
Pauline Kael wrote "Spielberg uses his gifts in a very free-and-easy, American way—for humor, and for a physical response to action. He could be that rarity among directors, a born entertainer—perhaps a new generation's
Howard Hawks."
The Hollywood Reporter wrote that "a major new director is on the horizon".
1975–1980: Stardom with blockbuster films Producers
Richard D. Zanuck and
David Brown took a chance with Spielberg, giving him the opportunity to direct
Jaws (1975), a
thriller based on
Peter Benchley's
bestseller. In it, a
great white shark attacks beachgoers at a
resort town, prompting police chief
Martin Brody (
Roy Scheider) to hunt it down with the help of a
marine biologist (
Richard Dreyfuss) and a veteran shark hunter (
Robert Shaw).
Jaws was the first movie shot on open ocean, so shooting proved difficult, especially when the mechanical shark malfunctioned. The shooting schedule overran by a hundred days, and Universal threatened to cancel production. Against expectations,
Jaws was a success, setting the domestic box-office record and making Spielberg a household name. It won
Academy Awards for
Best Film Editing (
Verna Fields),
Best Original Dramatic Score (John Williams) and
Best Sound (
Robert Hoyt,
Roger Heman,
Earl Madery and
John Carter). Spielberg said the malfunctioning of the mechanical shark resulted in a better movie, as he had to find other ways to suggest the shark's presence. After seeing the unconventional camera techniques of
Jaws,
Alfred Hitchcock praised "young Spielberg" for thinking outside the visual dynamics of the theater: "He's the first one of us who doesn't see the
proscenium arch". After declining an offer to make
Jaws 2, Spielberg and Dreyfuss reunited to work on a film about
UFOs,
Close Encounters of the Third Kind (1977). Spielberg used
65 mm film for the best picture quality, and a new live-action recording system so recordings could be duplicated later. He cast one of his favorite directors,
François Truffaut, as the scientist Claude Lacombe and worked with special effects expert
Douglas Trumbull. It marked the first of many collaborations between Spielberg and editor
Michael Kahn. One of the rare films both written and directed by Spielberg,
Close Encounters was popular with filmgoers''
and won Academy Awards for Best Cinematography (Vilmos Zsigmond) and Best Sound Effects Editing (Frank Warner). Stanley Kauffmann wrote: "I saw Close Encounters'' at its first public showing in New York, and most of the audience stayed...to watch the credits crawl lengthily at the end. For one thing, under the credits the giant spaceship was returning to the stars. For another, they just didn't want to leave this picture. For still another, they seemed to understand the importance of those many names to what they had just seen." Kauffmann placed it first on his list of the best American films from 1968 to 1977. Kael called Spielberg "a magician in the age of movies". His next directorial work was
1941 (1979), an action-comedy written by
Robert Zemeckis and
Bob Gale about Californians preparing for a Japanese invasion after the
attack on Pearl Harbor. Spielberg was self-conscious about doing comedy as he had no prior experience in it. Universal and Columbia agreed to co-finance the film.
1941 grossed more than $92 million worldwide upon release, but most critics, and the studio heads, disliked it.
Charles Champlin described
1941 as "the most conspicuous waste since the last major oil spill, which it somewhat resembles".
1981–1992: Established filmmaker Spielberg directed
Raiders of the Lost Ark (1981), with a screenplay by
Lawrence Kasdan based on a story by
George Lucas and
Philip Kaufman. They considered it a homage to the
serials of the 1930s and 40s.''
It starred Harrison Ford as Indiana Jones and Karen Allen as Marion Ravenwood. Filmed in La Rochelle, Hawaii, Tunisia and Elstree Studios, England, the shoot was difficult but Spielberg said it helped him hone his business acumen. The film was a box-office success and won Academy Awards for Best Art Direction (Norman Reynolds, Leslie Dilley and Michael D. Ford); Best Film Editing (Michael Kahn); Best Sound (Bill Varney, Steve Maslow, Gregg Landaker and Roy Charman); Best Sound Editing (Ben Burtt and Richard L. Anderson); and Best Visual Effects (Richard Edlund, Kit West, Bruce Nicholson and Joe Johnston). Roger Ebert wrote: "Raiders of the Lost Ark
is an out-of-body experience, a movie of glorious imagination and breakneck speed that grabs you in the first shot, hurtles you through a series of incredible adventures, and deposits you back in reality two hours later–breathless, dizzy, wrung-out, and with a silly grin on your face". Raiders
was the first film in the Indiana Jones'' franchise. and
Nancy Reagan with Spielberg at
The White House Spielberg returned to science fiction with
E.T. the Extra-Terrestrial (1982). It tells the story of Elliot (
Henry Thomas), a young boy who befriends an alien who was accidentally left behind by his companions and is attempting to return home. Spielberg eschewed
storyboards so his direction would be more spontaneous, and shot roughly in sequence so the actors' performances would be authentic as they bonded with and said goodbye to
E.T. Richard Corliss wrote, "This was the closing-night attraction at the
1982 Cannes Film Festival, a venue not known for blubbering sentiment. At the end, as the little critter bade his farewells and the
Jules Verne-like space ship left the ground, the audience similarly levitated. One heard the audience's childlike applause; one felt their spirits lift. This was rapture made audible, palpable ... Spielberg orchestrated the movements of the camera and the puppet spaceman with the feelings of—it has to be called love—expressed in young Henry Thomas' yearning face. E.T. was the first film character to be a finalist in
TIME's Man of the Year sweepstakes. It would have been fine with me if the little creature, this lovely film, had won." A special screening was organized for
Ronald and
Nancy Reagan, who were emotional by the end.
E.T. grossed $700 million worldwide. It won four Academy Awards:
Best Original Score (John Williams), Best Sound (
Robert Knudson,
Robert Glass,
Don Digirolamo and
Gene Cantamessa), Best Sound Editing (
Charles L. Campbell and Ben Burtt) and Best Visual Effects (
Carlo Rambaldi,
Dennis Muren and
Kenneth F. Smith). Kael wrote of E.T., "His voice is ancient and otherworldly but friendly, humorous. And this scaly, wrinkled little man with huge, wide-apart, soulful eyes and a jack-in-the-box neck has been so fully created that he's a friend to us, too; when he speaks of his longing to go home the audience becomes as mournful as Elliot. Spielberg has earned the tears that some people in the audience—and not just children—shed. Genuinely entrancing movies are almost as rare as extraterrestrial visitors." Spielberg co-wrote and produced
Poltergeist (
Tobe Hooper, 1982), released the same summer as
E.T. With
John Landis, he co-produced the anthology film
Twilight Zone: The Movie (1983), contributing the "Kick the Can" segment. in Sri Lanka during the filming of
Indiana Jones and the Temple of Doom|left His next feature film was the
Raiders of the Lost Ark prequel Indiana Jones and the Temple of Doom (1984). Working again with Lucas and Ford, the film was shot in the US, Sri Lanka and China. The film was darker than its predecessor, and led to the creation of the
PG-13 rating because some content was deemed unsuitable for children under 13. Spielberg later said he was unhappy with
Temple of Doom because it lacked his "personal touches and love". Nonetheless, the film was a blockbuster hit, won the Academy Award for Best Special Effects and received mostly good reviews. Kael preferred it to the original, writing, "Spielberg is like a magician whose tricks are so daring they make you laugh. He creates an atmosphere of happy disbelief: the more breathtaking and exhilarating the stunts are the funnier they are. Nobody has ever fused thrills and laughter in quite the way that he does here. He starts off at full charge in the opening sequence and just keeps going". She conceded that it was less "sincere" than
Raiders, adding "that's what is so good about it." On this project Spielberg met his future wife,
Kate Capshaw, who played Willie Scott. Spielberg recalled, "The second film I could have done a lot better if there had been a different story. It was a good learning exercise for me to really throw myself into a black hole. I came out of the darkness of
Temple Of Doom and I entered the light of the woman I was eventually going to marry and raise a family with." Thomson writes that "At first sight, the Spielberg of the eighties may seem more an impresario—or a studio, even—then a director."''
In the early 1980s, Spielberg befriended Warner Communications CEO Steve Ross eventually resulting in Spielberg making films for Warner Bros. It began with The Color Purple'' (1985), an adaptation of
Alice Walker's
Pulitzer Prize-winning
novel, about a generation of empowered African-American women in the depression-era South. It was Spielberg's first film on a dramatic subject matter, and he expressed reservations about tackling the project: "It's the risk of being judged-and accused of not having the sensibility to do character studies." Starring
Whoopi Goldberg and
Oprah Winfrey, the film was a box-office hit and critics started to take note of Spielberg's foray into drama. Ebert named it the best film of the year. The film received eleven Academy Award nominations, and Spielberg won
Best Director from the
Directors Guild of America. As China underwent
economic reform and opened up to the American film industry, Spielberg made
Empire of the Sun (1987), the first American film shot in
Shanghai since the 1930s. It is an adaptation of
J. G. Ballard's autobiographical
novel about Jamie Graham (
Christian Bale), a boy who goes from being the son of a wealthy British family in Shanghai, to a
prisoner of war in a Japanese
internment camp during World War II.
David Lean was originally set to direct, with Spielberg producing. It was written by
Tom Stoppard and co-starred
John Malkovich as an American expatriate. Critical reaction was mixed at the time of release; criticism ranged from the "overwrought" plot to Spielberg's downplaying of "disease and starvation". However,
Andrew Sarris named it the best film of the year and later included it among the best of the decade. The film was nominated for six Academy Awards, but a disappointment at the box office; Ian Alterman of
The New York Times thought it was overlooked by audiences. Spielberg recalled that
Empire of the Sun was one of his most enjoyable films to make. Thomson called it "a great work through and through" and "the first clear sign that Spielberg the showman was an artist, too." In 1989, Spielberg intended to direct
Rain Man, but instead directed
Indiana Jones and the Last Crusade to meet his contractual obligations. Producer Lucas and star Ford returned for the film. A longtime
James Bond fan, Spielberg cast
Sean Connery as Jones's father,
Henry Jones, Sr. Due to complaints about violence in
Temple of Doom, Spielberg returned to more family-friendly fare for the third installment.
Last Crusade received positive reviews and was a box-office success, earning $474 million; it was his biggest hit since
E.T. Biographer
Joseph McBride wrote that it was a comeback for Spielberg, and Spielberg acknowledged the amount he has learned from making the
Indiana Jones series. Ebert wrote that, "If there is just a shade of disappointment after seeing this movie, it has to be because we will never again have the shock of this material seeming new.
Raiders of the Lost Ark, now more than ever, seems a turning point in the cinema of escapist entertainment, and there was really no way Spielberg could make it new all over again. What he has done is to take many of the same elements, and apply all of his craft and sense of fun to make them work yet once again. And they do." Also in 1989, he reunited with
Richard Dreyfuss for the romantic drama
Always, about an
aerial firefighter. It is a modern remake of one of Spielberg's favorite childhood films,
A Guy Named Joe (1943). The story was personal; he said "As a child I was very frustrated, and maybe I saw my own parents [in
A Guy Named Joe]. I was also short of girlfriends. And it stuck with me."''
Spielberg had discussed the film with Dreyfuss back in 1975, with up to twelve drafts being written before filming commenced. Always
was commercially unsuccessful and received mixed reviews. Janet Maslin of The
New York Times
wrote, "Always'' is filled with big, sentimental moments, it lacks the intimacy to make any of this very moving." After a brief setback in which Spielberg felt "artistically stalled", he returned in 1991 with
Hook, about a middle-aged
Peter Pan (
Robin Williams), who returns to
Neverland and encounters
Tinker Bell (
Julia Roberts) and the eponymous
Captain Hook (
Dustin Hoffman). During filming, the stars clashed on set; Spielberg told
60 Minutes that he would never work with Roberts again. Nominated for five Academy Awards, the studio enjoyed the film but most critics did not; Thomson called it "maudlin". At the box office, it earned more than $300 million worldwide from a $70 million budget.
1993–1998: Transition to dramatic works by Italian filmmaker
Gillo Pontecorvo at the
50th Venice International Film Festival, 1993 In 1993, Spielberg returned to the adventure genre with
Jurassic Park, based on
Michael Crichton's
bestseller, with a screenplay by Crichton and
David Koepp.
Jurassic Park is set on a fictional island near
Costa Rica, where a businessman (
Richard Attenborough) has hired geneticists to create a
wildlife park of
de-extinct dinosaurs. In a departure from his usual order of planning, Spielberg and the designers
storyboarded certain sequences from the novel early on. The film also used
computer-generated imagery provided by
Industrial Light & Magic;
Jurassic Park was completed on time and became the highest-grossing film at the time, and won three Academy Awards. Also in 1993, Spielberg directed ''
Schindler's List, about Oskar Schindler, a businessman who helped save 1,100 Jews from The Holocaust. Based on Schindler's Ark, Spielberg waited ten years to make the film as he did not feel "mature" enough. He wanted to embrace his heritage, and after the birth of his son, Max, he said that "it greatly affected me [...] A spirit began to ignite in me, and I became a Jewish dad". Principal photography began on March 1, 1993, in Kraków, Poland, while Spielberg supervised the post-production of Jurassic Park
. To make filming "bearable", Spielberg brought his wife and children with him. Against expectations, the film was a commercial success, and Spielberg used his percentage of profits to start the Shoah Foundation, a non-profit organization that archives testimonies of Holocaust survivors. Schindler's List'' won seven Academy Awards, including
Best Picture and Spielberg's first as
Best Director. It also won seven
BAFTAs, and three
Golden Globes. ''Schindler's List'' is one of the
AFI's
100 best American films ever made. Ebert wrote, "
Flaubert once wrote that he disliked ''
Uncle Tom's Cabin'' because the author was constantly preaching against slavery. 'Does one have to make observations about slavery?' he asked. 'Depict it; that's enough.' And then he added, 'An author in his book must be like God in the universe, present everywhere and visible nowhere.' That would describe Spielberg, the author of this film. He depicts the evil of the Holocaust, and he tells an incredible story of how it was robbed of some of its intended victims. He does so without the tricks of his trade, the directorial and dramatic contrivances that would inspire the usual melodramatic payoffs. Spielberg is not visible in this film. But his restraint and passion are present in every shot." Filmmaker
Claude Lanzmann, criticized the film for its weak representation of the Holocaust.
Imre Kertész, a Hungarian author and
concentration camp survivor, disliked the film, saying, "I regard as
kitsch any representation of the Holocaust that is incapable of understanding or unwilling to understand the organic connection between our own deformed mode of life and the very possibility of the Holocaust." Thomson calls it "the most moving film I have ever seen." and Spielberg won a second Academy Award for Best Director. In August 1999, Spielberg and Hanks were awarded the
Distinguished Public Service Medal from
Secretary of Defense William S. Cohen. Thomson writes "
Ryan changed war films: combat, shock, wounds, and fear had never been so graphically presented; and yet there was also a true sense of what duties and ideas had felt like in 1944. I disliked the framing device. I would have admired a director who trusted us to get there without that. Never mind—
Ryan is a magnificent film."
1999–2012: Experimentations with technology Spielberg returned to science fiction with
A.I. Artificial Intelligence (2001), a loose adaptation of
Brian Aldiss's short story "
Supertoys Last All Summer Long" (1969).
Stanley Kubrick had bought the rights to the story in 1979 and worked on an adaptation for years. He told Spielberg about the project in 1984 and suggested that he direct, believing the story was closer to Spielberg's sensibilities. In 1999, Kubrick died. Spielberg decided to direct
A.I. and wrote the screenplay. Spielberg tried to be faithful to Kubrick's vision and made allusions to his friend's work though with mixed results according to some critics. The plot revolves around an
android, David (
Haley Joel Osment) who, like
Pinocchio, dreams of being a "real boy". The film won five
Saturn Awards and grossed $236 million worldwide.
Jonathan Rosenbaum highly praised the film: "If
A.I. Artificial Intelligence — a film whose split personality is apparent even in its two-part title — is as much a Kubrick movie as a Spielberg one, this is in large part because it defamiliarizes Spielberg, makes him strange. Yet it also defamiliarizes Kubrick, with equally ambiguous results — making his unfamiliarity familiar. Both filmmakers should be credited for the results—Kubrick for proposing that Spielberg direct the project and Spielberg for doing his utmost to respect Kubrick's intentions while making it a profoundly personal work."
A. O. Scott called it "the best fairy tale–the most disturbing, complex and intellectually challenging boy's adventure story–Mr. Spielberg has made" and chose it as the best film of the year and one of the best of the decade. Spielberg followed
A.I. with the sci-fi
neo-noir Minority Report (2002), based on
Philip K. Dick's
short story (1956). The film stars
Tom Cruise as commanding officer of
precrime in futuristic
Washington, D.C. Ebert named
Minority Report the best film of 2002, praising its craftsmanship: "here is Spielberg using every trick in the book and matching them without seams, so that no matter how he's achieving his effects, the focus is always on the story and the characters ... Some directors place their trust in technology. Spielberg, who is a master of technology, trusts only story and character, and then uses everything else as a workman uses his tools." However, critic
Todd McCarthy thought there was not enough action. The film earned more than $358 million worldwide. Also in 2002, he released
Catch Me If You Can, based on the
autobiography of con-artist
Frank Abagnale.
Leonardo DiCaprio played Abagnale;
Christopher Walken and Hanks also starred. Spielberg said, "I have always loved movies about sensational rogues—they break the law, but you just have to love them for the moxie." The film was a critical and commercial success. in 2006 Spielberg followed
Catch Me If You Can with
The Terminal (2004), a comedy inspired by the true story of
Mehran Karimi Nasseri and by
Jacques Tati's
Playtime (1967). In 2005, Spielberg directed
War of the Worlds, a co-production of Paramount and DreamWorks, based on
H. G. Wells's
novel; Spielberg had been a fan of the book and of
George Pal's
1953 film. Starring Tom Cruise and
Dakota Fanning, the film is about an American
dock worker who is forced to look after his children, from whom he lives separately, as he tries to protect and reunite them with their mother when extraterrestrials invade Earth. Spielberg used storyboards to help the actors react to computer imagery that they could not see and used natural lighting and camerawork to avoid an "over stylized" science fiction picture. The film was a box-office hit grossing more than $600 million worldwide. Spielberg's
Munich (2005) is about the Israeli government's secret retaliation after 11 Israeli Olympic athletes were murdered in the 1972
Munich massacre. The film is based on
Vengeance, a book by journalist
George Jonas. It was previously adapted for the screen in the 1986 television film
Sword of Gideon. Spielberg, who personally remembers the incident, sought advice from former president
Bill Clinton, among others, before making the film, because he did not want to cause further problems in the Middle East. Although the film garnered mostly positive reviews, some critics perceived it as antisemitic; it is one of Spielberg's most controversial films.
Munich received five Academy Awards nominations: Best Picture, Best Film Editing,
Best Score,
Best Adapted Screenplay, and Best Director for Spielberg. It was his sixth Best Director nomination, and fifth Best Picture nomination. promoting
The Pacific in Washington, D.C. In the mid-2000s, Spielberg scaled down his directing career and became more selective about film projects. In December 2005, he and his partners sold DreamWorks to conglomerate
Viacom. In June 2006, Spielberg planned to make
Interstellar, but abandoned the project, which was eventually directed by
Christopher Nolan. Spielberg remained active as a producer. Spielberg returned to the
Indiana Jones series in 2008 with
Indiana Jones and the Kingdom of the Crystal Skull. Released 19 years after
Last Crusade, the film is set in 1957, pitting Indiana Jones (
Harrison Ford) against
Soviet agents led by Irina Spalko (
Cate Blanchett), searching for a
telepathic
crystal skull.
Principal photography was complete in October 2007, and the film was released in May 2008. This was his first film not released by DreamWorks since 1997. The film received generally favorable reviews from critics, but some fans were disappointed by the introduction of science fiction elements uncharacteristic of the previous films. Tom Ryan praised Spielberg and Lucas for their realistic 1950s setting—"The energy on display is impressive". It was a box-office success, grossing $790 million worldwide. Starting in 2009, Spielberg shot the first film in a planned trilogy of
motion capture films based on
Hergé's
The Adventures of Tintin. Spielberg had long been a fan of the comics, and per
Michael Farr, Hergé "thought Spielberg was the only person who could ever do Tintin justice."
The Adventures of Tintin: The Secret of the Unicorn was co-produced by
Peter Jackson and premiered in
Brussels, Belgium. The film was released in North American theaters on December 21, 2011, in
Digital 3D and
IMAX. It received generally positive reviews from critics and grossed over $373 million worldwide.
The Adventures of Tintin won
Best Animated Feature at the
69th Golden Globe Awards. Spielberg followed
Tintin with
War Horse, shot in England in summer 2010. It was released four days after
Tintin, on December 25, 2011. The film, based on
Michael Morpurgo's 1982
novel, follows the friendship between a British boy and his horse Joey before and during World War I. Distributed by
Walt Disney Studios with whom DreamWorks made a distribution deal in 2009,
War Horse was the first of four consecutive Spielberg films released by Disney. It received acclaim from critics and was nominated for six
Academy Awards, including Best Picture. In a review for
Salon magazine, Andrew O'Hehir wrote, "at this point in his career Spielberg is pursuing personal goals, and everything that's terrific and overly flat and tooth-rottingly sweet about
War Horse reflects that." Spielberg directed the historical drama
Lincoln (2012), starring
Daniel Day-Lewis as President
Abraham Lincoln and
Sally Field as
Mary Todd Lincoln. Based on
Doris Kearns Goodwin's book
Team of Rivals: The Political Genius of Abraham Lincoln and written by
Tony Kushner, the film depicts the final four months of Lincoln's life. The film was shot in
Richmond, Virginia in late 2011. and was released in the US in November 2012.
Lincoln was acclaimed and earned more than $250 million worldwide. It was nominated for twelve Academy Awards, including Best Picture and Best Director, winning
Best Production Design and
Best Actor for Day-Lewis's performance. Donald Clarke from
The Irish Times praised the direction: "Against the odds, Spielberg makes something genuinely exciting of the backstage wheedling."
2013–present: Recent work It was announced on May 2, 2013, that Spielberg would direct
American Sniper, but he left the project before production began. Instead, he directed
Bridge of Spies (2015), a
Cold War thriller based on the
1960 U-2 incident, and focusing on
James B. Donovan's negotiations with the Soviets for the release of pilot
Gary Powers after his aircraft was shot down over Soviet territory. It was written by
Matt Charman and the
Coen brothers, and starred Tom Hanks as Donovan, as well as
Mark Rylance,
Amy Ryan and
Alan Alda. It was filmed in the fall of 2014 in New York City, Berlin and
Wroclaw, and was released on October 16.
Bridge of Spies was popular with critics, and was nominated for six Academy Awards, including Best Picture; Rylance won
Best Supporting Actor, becoming the second actor to win for a performance directed by Spielberg. In 2016, Spielberg made
The BFG, an adaptation of
Roald Dahl's
children's book, starring newcomer
Ruby Barnhill, and
Mark Rylance as the titular Big Friendly Giant. DreamWorks bought the rights in 2010, and
John Madden had intended to direct. The film was the last to be written by
E.T. screenwriter
Melissa Mathison before her death. It was co-produced and released by
Walt Disney Pictures, marking the first Disney-branded film to be directed by Spielberg.
The BFG premiered as an out-of-competition entry at the
2016 Cannes Film Festival, and received a wide release in the US on July 1, 2016. while
Toronto Suns Liz Braun thought that there were "moments of wonder and delight" but it was too long. A year later, Spielberg directed
The Post, an account of
The Washington Post printing of the
Pentagon Papers. Starring Tom Hanks and
Meryl Streep, production began in New York on May 30, 2017. Spielberg stated his attraction to the project: "When I read the first draft of the script, this wasn't something that could wait three years or two years—this was a story I felt we needed to tell today." The film received a wide release on January 12, 2018.
The Post gained positive reception; the critic from the
Associated Press thought "Spielberg infuses every scene with tension and life and the grandeur of the ordinary that he's always been so good at conveying." In 2017, Spielberg and
Paul Greengrass,
Francis Ford Coppola,
Guillermo del Toro and
Lawrence Kasdan were featured in the
Netflix documentary series
Five Came Back, about the war-related works of directors
Frank Capra,
John Ford,
John Huston,
George Stevens and
William Wyler. Spielberg was also an executive producer. He executive produced the series with
Barry Diller and
Scott Rudin. for
West Side Story (2021) and
The Fabelmans (2022) Spielberg directed the science fiction
Ready Player One (2018), adapted from the
novel of the same name by
Ernest Cline. It stars
Tye Sheridan,
Olivia Cooke,
Ben Mendelsohn,
Lena Waithe,
T.J. Miller,
Simon Pegg, and Mark Rylance. The plot takes place in 2045 when much of humanity uses
virtual reality to escape the real world.
Ready Player One began production in July 2016, and was intended to be released on December 15, 2017, but was moved to March 2018 to avoid competition with
Star Wars: The Last Jedi. It premiered at the 2018
South by Southwest film festival. Spielberg's direction was praised along with the action scenes and visual effects, but many critics thought the film was too long and overused 1980s nostalgia. In 2019, Spielberg filmed
West Side Story, an adaptation of the
musical of the same name. It stars
Ansel Elgort and
Rachel Zegler in her film debut with
Ariana DeBose,
David Alvarez,
Mike Faist, and
Rita Moreno in supporting roles. Written by
Tony Kushner, the film stays true to the 1950s setting.
West Side Story was released in December 2021 to positive reviews and received seven
Academy Award nominations including
Best Picture, and
Best Director. Spielberg also received nominations from the
Golden Globe Awards,
Directors Guild of America, and
Critics' Choice Movie Awards.
The Economist praised the choreography, stating that it "stunningly melds beauty and violence". In March 2022, Spielberg said that
West Side Story would be the last musical he will direct. Spielberg's 2022 film
The Fabelmans is a fictionalized account of his own adolescence, which he wrote with Tony Kushner.
Gabriel LaBelle plays
Sammy Fabelman, a character inspired by Spielberg, while
Michelle Williams plays Sammy's mother Mitzi Fabelman,
Paul Dano plays Burt Fabelman, his father,
Seth Rogen plays Bennie Loewy, Burt's best friend and co-worker who becomes Sammy's surrogate uncle, and
Judd Hirsch as Mitzi's Uncle Boris. Filming began in Los Angeles in July 2021, and the film premiered at the
2022 Toronto International Film Festival on September 10, Spielberg's first appearance at that festival. It received widespread critical acclaim and won the festival's
People's Choice Award. It received a limited theatrical release on November 11, 2022, by
Universal Pictures, before expanding wide on November 23. at 2023 Despite the favorable critical reception,
West Side Story and
The Fabelmans were box-office failures, which
Variety suggested could be attributed to a decline in the popularity of Spielberg in a film-going environment altered by the
COVID-19 pandemic, and the public's loss of interest in
prestige films.
The Fabelmans received seven
Academy Award nominations, including
Best Picture,
Best Director, and
Best Original Screenplay. It was, however, a major box office success in France and became the highest-rated film of the 21st century in the country, with a 4.9 average from critics on
AlloCiné from 43 reviews, with all but 6 giving the film 5 stars.
Cahiers du Cinéma wrote that Spielberg, at age 76, had "come to represent like no other, the idea of cinema as wonder, at a time when the relationship to the spectacular and the cinema seems more tormented than ever" and declared that the film will "undoubtedly remain the most important and singular film of his career". Spielberg had planned to direct
Indiana Jones and the Dial of Destiny, but he stepped down and was replaced by
James Mangold. Spielberg said that he would remain "hands on" as a producer, along with Kathleen Kennedy and
Frank Marshall. In 2016, it was announced that it would be written by
David Koepp, with a release by Disney on July 19, 2019. After a change of filming and release dates, it was postponed again when
Jonathan Kasdan was announced as the film's new writer. Soon after, a new release date of July 9, 2021, was announced. In May 2019,
Dan Fogelman was hired to write a new script, and Kasdan's story, focused on the
Nazi gold train, would not be used; the script was ultimately credited to Mangold, Koepp,
Jez Butterworth, and
John-Henry Butterworth. In April 2020, it was announced that the release of the film was delayed to July 29, 2022, due to the COVID-19 pandemic, and in October 2021, the release date was again delayed to June 30, 2023. The film began production in the UK in June 2021 and finished in February 2022. In February 2025, Spielberg began shooting his next film,
Disclosure Day, reportedly about
UFOs. The screenplay was written by
David Koepp, based on an original idea from Spielberg. The film will star
Emily Blunt,
Josh O'Connor,
Colman Domingo,
Colin Firth, and
Eve Hewson, and is set to be released in theatres on June 12, 2026, by Universal Pictures. == Other ventures ==