1951–1959: Career beginnings Seeking to supplement his income, Connery helped out backstage at the
King's Theatre in late 1951. He also had a minor role in
Gerald Thomas's thriller
Time Lock (1957) as a welder, appearing with
Robert Beatty,
Lee Patterson,
Betty McDowall, and
Vincent Winter; this commenced filming on 1 December 1956 at
Beaconsfield Studios. Connery had a major role in the melodrama
Another Time, Another Place (1958) as a British reporter named Mark Trevor, caught in a love affair opposite
Lana Turner and
Barry Sullivan. During filming, Turner's possessive gangster boyfriend,
Johnny Stompanato, who was visiting from Los Angeles, believed she was having an affair with Connery. Connery and Turner had attended
West End shows and London restaurants together. Two
Scotland Yard detectives advised Stompanato to leave and escorted him to the airport, where he boarded a plane back to the United States. Connery later recounted that he had to lie low for a while after receiving threats from men linked to Stompanato's boss,
Mickey Cohen. In 1959, Connery landed a leading role in the director
Robert Stevenson's
Walt Disney Productions film ''
Darby O'Gill and the Little People'' (1959), alongside
Albert Sharpe,
Janet Munro, and
Jimmy O'Dea. The film is a tale about a wily Irishman and his battle of wits with
leprechauns. Upon the film's release,
A. H. Weiler of
The New York Times praised the cast (save Connery, whom he described as "merely
tall, dark, and handsome") and thought the film an "overpoweringly charming concoction of standard Gaelic tall stories, fantasy and romance". He also had prominent television roles in
An Age of Kings, a major BBC Television adaptation of Shakespeare's
Henriad (playing
Hotspur), as well
Rudolph Cartier's 1961 productions of
Adventure Story and
Anna Karenina for BBC Television, co-starring with
Claire Bloom in the latter. Also in 1961 he portrayed
Macbeth in a CBC
television film adaptation of
William Shakespeare's
Macbeth, with the Australian actress
Zoe Caldwell cast as
Lady Macbeth.
1962–1983: James Bond and stardom ) while filming
Goldfinger in 1964 Connery's breakthrough came in the role of the fictional British secret agent
James Bond. He was initially reluctant to commit to a film series, but understood that if the franchise succeeded, his film career would greatly benefit. Between 1962 and 1967, Connery played Bond in
Dr. No,
From Russia with Love,
Goldfinger,
Thunderball, and
You Only Live Twice, the first five Bond films produced by
Eon Productions. After departing from the role, Connery returned for the seventh film,
Diamonds Are Forever, in 1971. Connery made his final appearance as Bond in
Never Say Never Again, a 1983 remake of
Thunderball produced by
Jack Schwartzman's Taliafilm. All seven films were commercially successful. James Bond, as portrayed by Connery, was selected as the
third-greatest hero in cinema history by the
American Film Institute. The choice of Connery for the role of James Bond owed much to Dana Broccoli, wife of the producer
Albert "Cubby" Broccoli, who is reputed to have been instrumental in persuading her husband that Connery was the right man. James Bond's creator,
Ian Fleming, originally doubted Connery's casting, saying, "He's not what I envisioned of James Bond looks", and "I'm looking for Commander Bond and not an overgrown stunt-man", adding that Connery (muscular, 6'2", and a Scot) was unrefined. Fleming's girlfriend
Blanche Blackwell told him Connery had the requisite sexual charisma, and Fleming changed his mind after the successful
Dr. No premiere; he was so impressed that he subsequently gave the character a Scottish heritage, with his father stated as being from
Glencoe in the
Scottish Highlands in the 1964 novel
You Only Live Twice. The tutoring was successful; Connery received thousands of fan letters a week after the opening of
Dr. No, and he became a major
sex symbol in film. Following the release of the film
Dr. No in 1962, the line "Bond ... James Bond", became a
catchphrase in the
lexicon of Western popular culture. The film critic
Peter Bradshaw writes, "It is the most famous self-introduction from any character in movie history. Three cool monosyllables, surname first, a little curtly, as befits a former naval commander. And then, as if in afterthought, the first name, followed by the surname again. Connery carried it off with icily disdainful style, in full evening dress with a cigarette hanging from his lips. The introduction was a kind of challenge, or seduction, invariably addressed to an enemy. In the early 60s, Connery's James Bond was about as dangerous and sexy as it got on screen". During the filming of
Thunderball in 1965, Connery's life was in danger in the sequence with the sharks in
Emilio Largo's pool. He had been concerned about this threat when he read the script. Connery insisted that
Ken Adam should build a special
Plexiglas partition inside the pool, but this was not a fixed structure, and one of the sharks managed to pass through it. He had to abandon the pool immediately.
1964–1986 '' (1964) Although Bond had made him a star, Connery grew tired of the role and the pressure the franchise put on him, saying "[I am] fed up to here with the whole Bond bit" and "I have always hated that damned James Bond. I'd like to kill him". Connery also shocked many people at the time by asking to see a script, something he did because he was worried about being typecast as a spy and he did not want to do a variation of
North by Northwest or
Notorious. When told by Hitchcock's agent that
Cary Grant had not asked to see even one of Hitchcock's scripts, Connery replied: "I'm not Cary Grant". Hitchcock and Connery got on well during filming, and Connery said he was happy with the film "with certain reservations". In
The Hill, Connery wanted to act in something that wasn't Bond related, and he used his leverage as a star to feature in it. While the film wasn't a financial success it was a critical one, debuting at the
Cannes Film Festival winning Best Screenplay. The first of five films he made with Lumet, Connery considered him to be one of his favourite directors. The respect was mutual, with Lumet saying of Connery's performance in
The Hill, "The thing that was apparent to me – and to most directors – was how much talent and ability it takes to play that kind of character who is based on charm and magnetism. It's the equivalent of high comedy and he did it brilliantly." In the mid-1960s Connery played golf with the Scottish industrialist
Iain Maxwell Stewart, a connection which led to Connery directing and presenting the documentary film
The Bowler and the Bunnet in 1967. The film described the
Fairfield Experiment, a new approach to industrial relations carried out at the
Fairfield Shipbuilding and Engineering Company, Glasgow, during the 1960s; the experiment was initiated by Stewart and supported by
George Brown, the
First Secretary in
Harold Wilson's cabinet, in 1966. The company was facing closure, and Brown agreed to provide £1 million (£13.135 million; US$15.55 million in 2021) to enable trade unions, the management and the shareholders to try out new ways of
industrial management. in
Robin and Marian (1976) Having played Bond six times, Connery's global popularity was such that he shared a
Golden Globe Henrietta Award with
Charles Bronson for "World Film FavoriteMale" in 1972. He appeared in
John Huston's
The Man Who Would Be King (1975) opposite Michael Caine. Playing two former British soldiers who set themselves up as kings in
Kafiristan, both actors regarded it as their favourite film. The same year, he appeared in
The Wind and the Lion opposite
Candice Bergen who played Eden Pedecaris (based on the real-life
Perdicaris incident), and in 1976 played
Robin Hood in
Robin and Marian opposite
Audrey Hepburn, who played
Maid Marian. The film critic
Roger Ebert, who had praised the double act of Connery and Caine in
The Man Who Would Be King, praised Connery's chemistry with Hepburn, writing: "Connery and Hepburn seem to have arrived at a tacit understanding between themselves about their characters. They glow. They really do seem in love". In the 1970s Connery was part of ensemble casts in films such as
Murder on the Orient Express (1974) with
Vanessa Redgrave and
John Gielgud, and played a British Army general in
Richard Attenborough's war film
A Bridge Too Far (1977), co-starring
Dirk Bogarde and
Laurence Olivier. In 1974, he starred in
John Boorman's sci-fi thriller
Zardoz. Often called one of the "weirdest and worst movies ever made" it featured Connery in a scarlet
mankinia revealing costume which generated much controversy for its un-Bond-like appearance. Despite being panned by critics at the time, the film has developed a cult following since its release. In the audio commentary to the film, Boorman relates how Connery would write poetry in his free time, describing him as "a man of great depth and intelligence" and possessing the "most extraordinary memory". In 1981, Connery appeared in the film
Time Bandits as
Agamemnon. The casting choice derives from a joke
Michael Palin included in the script, which describes the character's removing his mask and being "Sean Conneryor someone of equal but cheaper stature". When shown the script, Connery was happy to play the supporting role. In 1981 he portrayed Marshal William T. O'Niel in the science fiction thriller
Outland. In 1982, Connery narrated ''
G'olé!, the official film of the 1982 FIFA World Cup. That same year, he was offered the role of Daddy Warbucks in Annie'', going as far as taking voice lessons for the John Huston musical before turning down the part. Connery agreed to reprise Bond in
Never Say Never Again, released in October 1983. The title, contributed by his wife, refers to his earlier statement that he would "never again" return to the role. Although the film performed well at the box office, it was plagued with production problems: strife between the director and producer, financial problems, the Fleming estate trustees' attempts to halt the film, and Connery's wrist being broken by the fight choreographer,
Steven Seagal. As a result of his negative experiences during filming, Connery became unhappy with the major studios and did not make any films for two years. Following the successful European production
The Name of the Rose (1986), for which he won a
BAFTA Award for Best Actor, Connery's interest in more commercial material was revived.
1987–2006 In 1987 Connery starred in
Brian De Palma's
The Untouchables, where he played a hard-nosed Irish-American cop alongside
Kevin Costner's
Eliot Ness. The film also starred
Charles Martin Smith,
Patricia Clarkson,
Andy Garcia, and
Robert De Niro as
Al Capone. The film was a critical and box-office success. Many critics praised Connery for his performance, including Roger Ebert, who wrote: "The best performance in the movie is Connery... [he] brings a human element to his character; he seems to have had an existence apart from the legend of the Untouchables, and when he's onscreen we can believe, briefly, that the
Prohibition Era was inhabited by people, not caricatures". For his performance, Connery received a
BAFTA nomination and won the
Golden Globe Award for Best Supporting Actor and the
Academy Award for Best Supporting Actor. Connery starred in
Steven Spielberg's
Indiana Jones and the Last Crusade (1989), playing
Henry Jones Sr., the father of
Indiana Jones, and received
BAFTA and
Golden Globe nominations.
Harrison Ford said Connery's contributions at the writing stage enhanced the film. "It was amazing for me in how far he got into the script and went after exploiting opportunities for character. His suggestions to
George [Lucas] at the writing stage really gave the character and the picture a lot more complexity and value than it had in the original screenplay". His subsequent box-office hits included
The Hunt for Red October (1990),
The Rock (1996), and
Entrapment (1999). In 1996, he voiced the role of Draco the dragon in the film
Dragonheart. He also appeared in a brief cameo as
King Richard the Lionheart at the end of
Robin Hood: Prince of Thieves (1991). In 1998, Connery received the
BAFTA Fellowship, a lifetime achievement award from the
British Academy of Film and Television Arts. The failure of
The League of Extraordinary Gentlemen was especially frustrating for Connery. He sensed during shooting that the production was "going off the rails", and announced that the director,
Stephen Norrington, "would have been arrested for insanity". Connery spent considerable effort in trying to salvage the film through the editing process, ultimately deciding to retire from acting rather than go through such stress ever again. Connery turned down the role of
Gandalf in
The Lord of the Rings films, saying he did not understand the script. He was reportedly offered US$30 million along with 15% of the worldwide box office receipts, which would have earned him US$450 million. He also turned down the opportunity to appear as
Albus Dumbledore in the
Harry Potter series and the
Architect in
The Matrix trilogy. In 2005, he recorded voiceovers for the
From Russia with Love video game with the recording producer
Terry Manning in the Bahamas, and provided his likeness. Connery said he was happy the producers,
Electronic Arts, had approached him to voice Bond.
Retirement in 2008 When receiving the American Film Institute's
Lifetime Achievement Award on 8 June 2006, Connery confirmed his retirement from acting. This was because of he had become disillusioned with the "idiots now making films in Hollywood". On 7 June 2007 Connery denied rumours that he would appear in the
Indiana Jones and the Kingdom of the Crystal Skull film, saying "retirement is just too much damned fun". In 2010 a bronze bust sculpture of him was placed in
Tallinn, Estonia, outside the Scottish Club, whose membership includes Estonian Scotophiles and a handful of expatriate Scots. In 2012 he briefly came out of retirement to voice Sir Billi in the Scottish animated film
Sir Billi. Connery served as executive producer for an expanded 80-minute version. The film received negative reviews. == Personal life ==