Box office By January 1972,
The Aristocats had earned $10.1 million in box office rentals from the United States and Canada. Overseas, the film became the most popular "general release" movie at the British box office in 1971 with rentals of $2.6 million.
The Aristocats was the most widely-attended film in France in 1971, with 12.7 million in ticket admissions. It is currently the
20th highest-grossing film of all-time in France, earning $3.6 million in box office rentals. That same year, the film was the most widely-attended film released in Germany with ticket admissions of 11.3 million. It is currently Germany's
11th highest-grossing film of all-time. By the end of its initial theatrical run, the film had earned domestic rentals of $11 million and $17 million in international countries, for a worldwide rental of $28 million. The film was re-released to theaters in the United States on December 19, 1980, where it grossed an additional $18 million and again on April 10, 1987, where it grossed $17 million. The film grossed $32 million worldwide from an international re-release in 1994, including $11 million in France.
The Aristocats has had a lifetime gross of $55.7 million in the United States and Canada, and its total lifetime worldwide box office gross is $191 million. On
Metacritic, the film holds a weighted average score of 66 out of 100, based on 12 critics, indicating "generally favorable reviews".
Howard Thompson of
The New York Times praised the film as "grand fun all the way, nicely flavored with tunes, and topped with one of the funniest jam sessions ever by a bunch of scraggly Bohemians headed by one Scat Cat."
Roger Ebert, writing for the
Chicago Sun-Times, awarded the film three stars out of four, summarizing
The Aristocats as "light and pleasant and funny, the characterization is strong, and the voices of Phil Harris (O'Malley the Alley Cat) and Eva Gabor (Duchess, the mother cat) are charming in their absolute rightness."
Charles Champlin of the
Los Angeles Times wrote that the film "has a gentle good-natured charm which will delight the small-fry and their elders alike." He praised the animation, but remarked that the film "lacks a certain kind of vigor, boldness and dash, a kind of a hard-focused emphasis which you would say was a Disney trademark." Arthur D. Murphy of
Variety praised the film writing the film is "[h]elped immeasurably by the voices of Phil Harris, Eva Gabor, Sterling Holloway, Scatman Crothers and others, plus some outstanding animation, songs, sentiment, some excellent dialog and even a touch of psychedelia."
Stefan Kanfer, reviewing for
Time magazine, noted that "[t]he melodies in Disney's earlier efforts have been richer. But for integration of music, comedy and plot,
The Aristocats has no rivals."
Gene Siskel of the
Chicago Tribune felt the film's "artwork and story do not compare to the truly great Disney films
Snow White, Pinocchio, Bambi and
Dumbo but there is enough juvenile humor to keep the children in their seats for the 78 minutes." For its 1987 re-release, animation historian Charles Solomon expressed criticism for its episodic plot, anachronisms, and borrowed plot elements from earlier Disney animated features, but nevertheless wrote "[b]ut even at their least original, the Disney artists provide better animation--and more entertainment--than the recent animated features hawking
The Care Bears,
Rainbow Brite and
Transformers." Writing in his book
The Disney Films, Disney historian and film critic
Leonard Maltin wrote that "[t]he worst that one could say of
The AristoCats is that it is unmemorable. It's smoothly executed, of course, and enjoyable, but neither its superficial story nor its characters have any resonance." Additionally, in his book
Of Mice and Magic, Maltin criticized the film for re-using Phil Harris to replicate
The Jungle Books Baloo, dismissing the character Thomas O'Malley as "essentially the same character, dictated by the same voice personality."
Controversy In 2021, the film was one of several that Disney limited to viewers 7 years of age and older on their streaming service
Disney+, stating that the character Shun Gon was a
racist stereotype of East Asian people.
Accolades The film is recognized by
American Film Institute in these lists: • 2008:
AFI's 10 Top 10: • Nominated Animation Film ==Other media==