Music of the Spheres World Tour

Following the release of Coldplay's eighth studio album, Everyday Life (2019), lead singer and pianist Chris Martin told BBC News that the band would not tour until they could make shows more sustainable. The record was promoted through intimate charity events and a performance broadcast from the Amman Citadel via YouTube. A team of sustainability experts was commissioned to investigate their carbon footprint and reduce it over the next two years. On 14 October 2021, a day before Music of the Spheres came out, the group announced the first leg of the tour, officially marking their return to live performances after the COVID-19 pandemic. The statement was accompanied by a website that explained how Coldplay would tackle environmental issues across 12 fields, cutting emissions by half relative to the Head Full of Dreams Tour (2016–2017). San José was the first stop due to renewable energy in Costa Rica. == Production ==

Stage, lighting and video The stage was developed in a collaboration between production designer Misty Buckley and lighting designer Sooner Routhier, with Coldplay giving their own input in every aspect of the project. They were inspired by the musica universalis philosophy of ancient Greece, unfolding spherical patterns out from the stage in numerous directions. Other running concepts included "alien music festivals in space, love, people and togetherness". ROE Visual and PRG Projects supplied the products. They were made of lightweight, reusable materials such as recycled steel, while the modular framework allowed Coldplay to make seamless transitions between areas and provide extra vantage points to watch them perform. It was powered by wind turbines installed on delay towers, solar blankets laid on empty seats and hydrotreated vegetable oil. Two kinetic floors and at least 15 stationary bicycles were arranged to interact with the public as well. Maintaining their sustainability plans, Coldplay upgraded equipment to incorporate low-energy displays, lasers and lighting sets. Routhier acquired about 600 colour fixtures for the show through Upstaging, favouring IP65-rated products due to their weather resistance. They renewed the sound system and split the central control into unique racks for each band member, improving their flexibility and integration across departments. Products from both the J and SL series were used on tour, reducing power consumption and noise pollution. minimising production by collecting, sterilising and refurbishing them. Lastly, the show had an oversized disco ball with lasers inside. A sustainability agreement was sent to all venues in advance to verify which environmental policies they could follow, helping the band incorporate local resources into the concerts. Extra fees to harness sustainable aviation fuel were paid at all times, whether for themselves or others. They announced a partnership with DHL for logistics and transport months later. SAP was enlisted to develop a mobile app featuring exclusive photos, videos, news updates and a travel calculator. Fans could also redeem a discount code at the group's merchandise store by opting for cleaner journeys. Coldplay sourced them locally, donated surplus to food banks and composted their organic scraps. One Tree Planted nurtured a sapling for every ticket sold in forest reserves. with unavoidable emissions neutralised according to the Oxford principles. For inclusivity, resources entailed SubPac vests, sign language interpreters, touch experiences and a KultureCity sensory refuge station. They also launched the Infinity Ticket program, which offered $20 admissions for fans who could not afford the standard prices. Such entries were non-transferable, available only in pairs and assigned to random seats at the box office on concert day. == Opening acts ==

was among the most frequent opening acts Most of the tour included two supporting acts at each concert, with priority given to up-and-coming female singers. In 2022, H.E.R. opened for Coldplay in Argentina, Costa Rica, Santo Domingo, the United States, and Europe along with a regional musician. London Grammar replaced the singer on select dates from the latter territory, Mexico had exclusively national guests, with Carla Morrison and DannyLux performing. Zoe Wees was invited for Berlin but substituted by Alli Neumann due to illness. Clara Cava backed up Zoe Gotusso in Buenos Aires for the same reason. In 2023, Chvrches supported Coldplay in Brazil and Europe. They followed the established template and collaborated with a new local act at every stop, occasionally being swapped for Griff. On 31 May and 1 June, Manchester featured a surprise set from the Oasis Academy Temple Steel Band before the openers. Jada cancelled her guest appearance in Copenhagen after pregnancy complications, which led to Oh Land claiming the spot. H.E.R. returned when the tour visited North America for the second time, accompanied by 070 Shake and Bobby Gonz in all performances rather than a different artist in each city. Similar to Mexico, only regional talent was recruited for Asia. Those included Yoasobi, Accusefive, Jasmine Sokko and Rriley. Coldplay also teamed up with the West Australian government for a contest in Perth, inviting two musicians to play along with Thelma Plum, Amy Shark and Tash Sultana. In 2024, the band had Maisie Peters, Janelle Monáe and Maggie Rogers taking turns as primary guests, while the secondary slot belonged to local performers again. Melbourne, Sydney and Auckland were originally scheduled to receive PinkPantheress, but she dropped her set due to health issues. Ayra Starr, Emmanuel Kelly and Shone opened instead. all the 2025 dates featured Elyanna. Her partners for the year included Jasleen Royal, Marf, Twice, Willow, Jim Ward, and Gustavo Dudamel. == Concert synopsis ==

Main structure Divided into four acts, the concert lasted over two hours and represented "a journey traveling outwards into the unknown to then come home having learned something new". Two guest speakers welcomed attendees and introduced a video showing Coldplay's sustainability efforts. It ran for about two minutes, using "Light Through the Veins" (2009) by Jon Hopkins as the soundtrack. The first act, Planets, explored the belief in a greater magic and the decision to search for it. Once the song ended, Martin removed his jacket and guitarist Jonny Buckland started playing "Adventure of a Lifetime" as giant balls were thrown to the crowd. This was followed by "Paradise", which included extended parts based on call-and-repeat exchanges. He thanked the audience while singing, occasionally incorporating covers as well. White, red and blue visuals were used as a reference to the French Revolution. Buckland kicked off "Hymn for the Weekend" by playing the keyboard next. dropping his facade right before another blast of confetti was released into the public. featuring one of the opening acts or a fan who was chosen in advance on select dates. Buckland, Champion and bassist Guy Berryman moved to the main stage for a break in the meantime, returning only for the rotational slot, when the band performed songs such as "In My Place", "Politik", "Orphans" and "Coloratura". Golden lights were emitted from the wristbands right after to begin "Yellow", which was played under a giant disco ball. It was based on meeting extraterrestrial beings and embracing others of all backgrounds, starting with "Human Heart". A secondary section called The Lightclub started with "Infinity Sign" being played while the band donned custom helmets. He then encouraged attendees to put their phones away before kicking off again. They generally performed tracks from Parachutes (2000), followed by a cover, improvisation or guest appearance. The last song of the night was "Biutyful", featuring Angel Moon and her group The Weirdos. Butterfly-shaped confetti rained down on the crowd during its outro, while fireworks lit up the sky again. The production credits rolled to the sound of "A Wave" in the background. Starting from São Paulo, "Let Somebody Go" gave way to the Songbook, where Martin performed a track chosen by the public. Coldplay updated the Lightclub as well, taking turns between "Hymn for the Weekend" (Seeb remix) and "Something Just Like This". "Aeterna" replaced "Midnight" depending on the pick. In Budapest, the band cut "Biutyful" to make "Feelslikeimfallinginlove" the finale. Martin Garrix's "Breakaway" (2024) became part of the Lightclub following their Glastonbury Festival appearance. It featured a pre-designated security guard dancing with them on stage. Coldplay performed it after "Fix You" and invited attendees to wear the diffraction glasses handed out before the show to magnify its visuals. The former succeeded "Clocks", while the latter wrapped up the Moons act. == Commercial performance ==

Coldplay broke numerous touring records worldwide. Billboard ranked them as the top group of the year in 2022 ($342.1 million from 3.8 million tickets), 2023 ($342.5 million from 3.2 million tickets), 2024 ($400.9 million from 3 million tickets), and 2025 ($464.4 million from 3.5 million tickets). Their first European leg sold 1 million admissions in a single day. Extra dates were scheduled at venues including Stade de France and King Baudouin Stadium, where the band performed a record-breaking four times. The achievement was later reproduced at Estadio Nacional de Chile, while their Estadio River Plate visit reached the 10-show milestone. By making $49.7 million from 626,841 entries in Buenos Aires, they earned the highest gross and attendance for a boxscore report in South American history. Over the course of March 2023, Coldplay became the act with most concerts in a row at the Couto Pereira (2), Nilton Santos (3) and Morumbi (6) stadiums. Revenue at the latter surpassed $40.1 million, an unprecedented figure in Brazil. The second run across Europe shifted 1.4 million tickets in a day, marking the fastest sales for a band at the time. It was also the quickest in general since Robbie Williams' Close Encounters Tour, which set the record at 1.6 million back in 2005. More than 812,000 users vied for admissions in the United Kingdom, overloading the British Ticketmaster server multiple times. News outlets registered extensive online queues in Portugal (450,000), Spain (350,000), Italy (700,000), and the Netherlands (700,000) as well. Coldplay established new records at the Cidade de Coimbra, Lluís Companys, and San Siro stadiums. 400,000 in Malaysia; 365,000 in Australia; and 1 million in Singapore, where the group arranged a six-night residency. SM Tickets had to suspend internet sales in the Philippines due to a server crash. In Taiwan, entries sold out in three minutes for the first concert and six for the second, both of which were unprecedented among Western musicians. Held on 15 November 2023, the show at Gelora Bung Karno Stadium generated $13.9 million, the most for an individual engagement in Southeast Asia. In the ensuing months, Coldplay broke the record for consecutive performances at Arena Națională (2), Merkur Spiel-Arena (3), Eden Park (3), Helsinki Olympic Stadium (4), and Ernst-Happel-Stadion (4). Over 200,000 buyers sought Auckland tickets, Queues for India and Hong Kong gathered 13 million and 500,000 users, respectively. The Narendra Modi Stadium concerts had the largest indoor attendances of the 21st century as well. In September 2024, they moved 800,000 entries in a day for the third British leg, which included 10 dates at the Wembley Stadium. Additionally, the third North American run topped 700,000 tickets sold over a single morning. Coldplay grossed $1.52 billion from 13.1 million admissions in 223 reported shows, securing the most attended tour of all time and the first by a group to earn $1 billion. Regionally, the Music of the Spheres World Tour achieved the highest revenue and turnout in European and Latin American history. == Critical reception ==

North America The tour received widespread acclaim from music critics worldwide. Andrew Chamings from San Francisco Chronicle said that despite his "cynicism, Coldplay's show was a joyous, bright, cathartic post-pandemic triumph". Writing for Houston Press, Marco Torres called it "a beautiful dream, with balloons flying around, confetti bursting from air cannons and lasers shooting from the stage through the smoke" as the group performed. Fort Worth Star-Telegram Mac Engel claimed that Martin showed all of the skills that make him one of the top performers of his generation and made Cotton Bowl feel intimate with a powerful set. In her review for Chicago Sun-Times, Selena Fragassi credited the concerts with setting the bar for what tours could be like in the future. Similarly, Christopher A. Daniel from The Atlanta Journal-Constitution praised the production values as "reminiscent of the art rock foundation paved by bands like Genesis, Kraftwerk and Pink Floyd", adding that Coldplay are set to become a "must-see legendary act". Furthermore, Philip Cosores of Uproxx opined that "there is no wasted energy, with every bit of the set time used to create memories and impact the audience". He also concluded that if environmental concerns become the norm for touring, the band's status as an essential contemporary artist "will take on greater meaning than just the legacy of their music". Europe Regioactive Torsten Reitz declared that they were "full of energy and much more powerful than on record", mastering both upbeat and quiet moments. Marine Pineau wrote that Coldplay lived up to their reputation as a live act and lauded the band for their showmanship in her review for Virgin Radio. Alexis Petridis from The Guardian praised the tour for being a "genuinely immersive" experience which gave depth to its namesake album through an inventive approach, rating the residency at Wembley Stadium with five stars. Kate Solomon of The Times considered it a "triumphant homecoming", awarded Coldplay four stars and commended their musicianship. The Telegraph Neil McCormick hailed them as "modern masters" of stadium entertainment and granted the same score. Writing a five-star piece for NME, Hannah Mylrea stated that the band offered a masterclass in how a massive pop show can be done. Wilson Ledo from CNN Portugal noted the concert had a lasting euphoria and praised how Martin interacted with the public. In his Muzikalia review, Pau Clot mentioned that Coldplay "cannot be matched by anyone on this planet today". Göteborgs-Posten Johan Lindqvista highlighted the stage presence of the group and concluded they are "more than special effects". Mark Beaumont of The Independent called their Glastonbury Festival set "the spectacle of a lifetime". On the other hand, Rolling Stone UK Will Richards insisted that the midsection was drawn-out and had more potential. Vicky Jessop from The Standard defined it as "wildly uneven". South America , London Felipe Branco Cruz from Veja affirmed that Coldplay "reinvented the concept of arena rock" with their Rock in Rio performance, turning fans into protagonists of the show rather than just spectators and carrying on the legacy of spectacles that transcend music, first established by groups like Pink Floyd, Queen and U2. Writing for UOL, Yolanda Reis argued it is "undeniable" they are "true showmen" and defined the concert as unforgettable. Roberto Medina, the founder and president of the festival, said "there has only been one moment like tonight, Freddie Mercury in 1985. It was incredible, it was memorable". Pablo Figueroa stated on CNN Chile that Coldplay managed to deliver one of the best music events in the country since its transition to democracy. An editorial from Infobae lauded the group's versatility while performing in Buenos Aires. Mauro Apicella of La Nación declared that they are leading the way in stadium technology and innovation. Omelete writer Caio Coletti described Berryman's bass as "irresistibly pulsating" and upheld that Champion proved to be a good backing vocalist by guiding the "Viva la Vida" chants. Writing for CNN Indonesia, Muhammad Feraldi Hifzurahman opined that Coldplay "are truly [something] you should try at least once in your life", praising the chemistry the band had with their fans. However, the review included only four stars out of five because the organisers of the venue did not managed the public well. He underscored their musical prowess as well, giving them five stars. Conversely, The Guardian Australia Rosamund Brennan questioned the audience engagement while recent material was played. == Accolades ==

On 17 July 2022, Coldplay launched an audio transmission from Stade de France on their tour app, titled Live in Paris. The third show at Estadio River Plate, held on 28 October, was part of Live Broadcast from Buenos Aires, a theatrical event directed by Paul Dugdale. Screenings were held in a record 81 countries and grossed $8.4 million. The band released a director's cut on 19 April 2023, under the name Music of the Spheres: Live at River Plate. Inspired by their shows at Stadio Diego Armando Maradona and arranged by Stillz, the short film Tutto Passa – A Tribute to Napoli premiered on 23 May 2024. The group's tenth studio album, Moon Music, launched on 4 October with songs recorded on the road. Coldplay also joined Disney+ Hotstar for Live in Ahmedabad, drawing more than 8.3 million views on 26 January 2025. Footage from the concerts at Wembley Stadium became available on 30 December, under Music of the Spheres World Tour: An Immersive Experience, for a limited run via Meta Horizon. == Legacy ==

According to Pollstar Eric Renner Brown, Coldplay have ushered into "a new era of sustainable touring" with the Music of the Spheres World Tour. Their efforts were considered unprecedented for a stadium concert run, since the band reduced CO2 emissions by 59% in their first two years of activity, planted 9 million trees in forest reserves, and had their methods adopted by Live Nation to provide green options to more artists. Furthermore, they were listed among the most influential climate action leaders in the world by Time. As the tour became a leading topic of news coverage in visited regions, it was also considered a media phenomenon. Mark Beaumont from The Times stated that the band regained public respect and credibility, which prompted a shift in attitude towards them. Countries such as Portugal, Italy, and Malaysia experienced significant rises in ticket speculation due to high demand for their shows. Investigation of such cases inspired new legislation. Media outlets informed that ticketless fans came together outside their respective venues in multiple cities to hear the band perform, including 34,000 in Munich. They boosted local economies as well, drawing comparisons to football tournaments like the Champions League. On music charts, their discography enjoyed a resurgence in sales and streams. To assist non-profit organisations, Coldplay teamed up with Global Citizen and the Love Button Global Movement, recruiting new volunteers at every tour stop. == Set list ==

This set list was taken from the 1 June 2025 concert in Stanford, United States. It does not represent all shows throughout the tour. Act I – Planets • "Flying" • "Music of the Spheres" • "Higher Power" • "Adventure of a Lifetime" • "Paradise" • "The Scientist" Act II – Moons • "Viva la Vida" • "Hymn for the Weekend" • Songbook • "God Put a Smile Upon Your Face" • "Yellow" • "All My Love" Act III – Stars • "Human Heart" • "People of the Pride" • "Clocks" • "We Pray" • "Infinity Sign" • "Something Just Like This" • "Breakaway" • "My Universe" • "A Sky Full of Stars" Act IV – Home • "Sunrise" • "Sparks" • "The Jumbotron Song" • "Fix You" • "Good Feelings" • "Feelslikeimfallinginlove" • "A Wave" Details • "God Put a Smile upon Your Face", "In My Place" and "The Scientist" featured Champion's lead vocals on select dates. • "Don't Panic" featured Buckland and Champion's lead vocals on select dates. • "Sparks" featured pedal steel guitar players on select dates. • "Magic" was performed in the local language during Act IV on select dates, occasionally featuring Coldplay's opening acts. • "Something Just Like This", "Fix You" and "Biutyful" featured percussionists or choirs on select dates. • "Cry Cry Cry" was performed during Act IV on select dates, featuring Lauren Mayberry. • "All My Love" closed the show in Athens, Dublin, and London (2025). • "Good Feelings" featured Coldplay's opening acts on select dates. • "We Pray" featured local guests performing a new verse on select dates. • "Human Heart" was shortened and performed without Martin starting from Melbourne. • "Good Feelings" was omitted from the set list in Kingston upon Hull, • Santo Domingo, 2022 – "Bachata Rosa". • Warsaw, 2022 – "Sen o Warszawie". • Coimbra, 2023 – "Balada da Despedida". • Manchester, 2023 – "Sit Down". • Milan, 2023 – "Oh Mia Bèla Madunina". • Zurich, 2023 – "Your Song". • Copenhagen, 2023 – "Der Er et Yndigt Land". • Gothenburg, 2023 – "Rocket Man" and "Everybody (Backstreet's Back)". • Tokyo, 2023 – "The Astronaut". • Helsinki, 2024 – "Happy Birthday to You". • Dublin, 2024 – "Ride On". • Ahmedabad, 2025 – "Vande Mataram " and "Maa Tujhe Salaam". • Nashville, 2025 – "Changes". Guests • Zapopan, 2022 – Fher Olvera. • East Rutherford, 2022 – Kylie Minogue and Bruce Springsteen. • Atlanta, 2022 – Kelly Rowland. • London, 2022 – Craig David, Max Martin, Natalie Imbruglia, Jacob Collier, Benjamin Teacher, Shaznay Lewis, Simon Pegg, Steve Coogan and Stormzy. • Glasgow, 2022 – Edwyn Collins. • Bogotá, 2022 – Manuel Turizo. • Buenos Aires, 2022 – Golshifteh Farahani, Jin, Tini, Charly Alberti, Zeta Bosio and Turizo. • São Paulo, 2023 – Seu Jorge, Sandy and Rael. • Rio de Janeiro, 2023 – The Velosos (Moreno, Zeca and Tom), Seu Jorge, Milton Nascimento and Hamilton de Holanda. • Barcelona, 2023 – Gipsy Kings. • Manchester, 2023 – Aitch, Teacher and Tim Booth. • Cardiff, 2023 – Kris Williams, Kelly Jones and the Bridgend Male Choir. • Naples, 2023 – Rossi. • Copenhagen, 2023 – Rossi. • Vancouver, 2023 – Bryan Adams. • San Diego, 2023 – Mzansi Youth Choir. • Pasadena, 2023 – Collier, Stevie Mackey, We Are King, the Mzansi Youth Choir and Selena Gomez. • Jakarta, 2023 – Maliq & D'essentials. • Bocaue, 2024 – Lola Amour and Dilaw. • Bangkok, 2024 – Zweed N' Roll. • Athens, 2024 – ZAF. • Bucharest, 2024 – Babasha. • Décines-Charpieu, 2024 – This Is Our Home. • Pilton, 2024 – Victoria Canal, the Baltic String Orchestra, Little Simz, Elyanna, the Kutis (Femi and Made), Laura Mvula, Michael J. Fox and Vula Malinga. • Rome, 2024 – Rossi and Ayra Starr. • Dublin, 2024 – Little Simz, Burna Boy, Elyanna, Tini, Rossi and Aslan. • Melbourne, 2024 – Ralph Macchio. • Goyang, 2025 – Jin and Rosé. • Nashville, 2025 – Keith Urban. • Houston, 2022 – "Let Somebody Go". • Santiago, 2022 – "Everglow". • São Paulo, 2023 – "Charlie Brown", "Daddy" and "Everything's Not Lost". • Rio de Janeiro, 2023 – "Strawberry Swing" and "Champion of the World". • Barcelona, 2023 – "What's Love Got to Do with It". • Manchester, 2023 – "Everyday Life", "A Rush of Blood to the Head" and "Up&Up". • Naples, 2023 – "Trouble". • Amsterdam, 2023 – "Barbie Girl". • Vancouver, 2023 – "In My Place". • Singapore, 2024 – "Us Against the World". • Bangkok, 2024 – "Warning Sign". • Decinés-Charpieu, 2024 – "Don't Panic". • Vienna, 2024 – "Love Story", "Shake It Off" and "The 1". • Dublin, 2024 – "Don't Forget Me". • Miami Gardens, 2025 – "Every Teardrop Is a Waterfall". Improvisations • Dallas, 2022 – "Dallas Every Day". • Houston, 2022 – "Houston #2". • Chicago, 2022 – "Chicago Song". • Philadelphia, 2022 – "Philadelphia Song". • Tampa, 2022 – "Tampa Bay on a Tuesday". • Gothenburg, 2023 – "Jennifer's Birthday Song". • Vancouver, 2023 – "Leo's Birthday Song". • Perth, 2023 – "Song for Australia" and "Song for Shane". • Kuala Lumpur, 2023 – "Malaysian Rain". • Bocaue, 2024 – "Local Traffic Song". == Tour dates ==

Credits adapted from the band's official tour book, which was released "In loving memory of Ben Farrey and Steve Strange". Performing members • Chris Martin – lead vocals, piano, keyboards, rhythm guitar • Jonny Buckland – lead guitar, backing vocals, keyboards • Guy Berryman – bass, backing vocals, keyboards, percussion • Will Champion – drums, backing vocals, percussion Management • Phil Harvey – CEO, manager • Arlene Moon – manager • Mandi Frost – manager • Jonathan Kessler – tour advisor • Alex Pollock – tour advisor • Marguerite Nguyen – tour manager • Orla Clarke – assistant tour manager • Andy Frost – road manager, head of security • Kim-Maree Penn – band security • Dan Green – audio producer • Rik Simpson – broadcast producer • Bill Rahko – Pro Tools director • Chris Salmon – director of communications • Sam Seager – head of visual content • Lauren Rauch – management coordinator • Lauren Evans – physiotherapist • Valeska Voiges – band chef • Emma Jane Randall – band assistant • Jessie Collins – band assistant • Claire Finbow – band assistant • Ria Sioux Byers – band tour assistant • Jen Milkis – assistant to Phil Harvey, creative coordinator • Luke Howell – sustainability officer • Bertie Knutzen – head of philanthropy • Debs Wild – web ambassador Audio • Tony Smith – audio director • Chris Wood – monitor engineer • Nick Davis – monitor tech • Ali Viles – RF tech • James Smallwood – audio tech, RF tech assistant • Matt Latham – studio tech • Nick Mooney – audio crew chief Audio crew • Suzy Mucciarone • Alex Hadjigeorgiou • Dom Thorne • Don Parks • Simon Hall • Joe Simmons • Tim Grant • Georgios Mavreas • Alex Martinez Wristbands • Samantha Torres – lead pixel manager, crew chief • Garrett Fleming – pixel manager • Stuart Earnshaw – technician • Alex Huggins – technician Video • Ant Barrett – multi camera director • Josh Koffman – screens director • Phil "Lippy" Johnston – video crew chief • Pieter Laleman – head of LED • Piotr Klimczyk – engineer, vision • Chris Farrants – engineer, vision • Owen Evans – engineer, media servers Video crew • Drew Welker – camera supervisor • Gordon Davies – camera • Micah Williams – camera • Manan Patel – camera, AV tech • Tina Clay – camera, AV tech • Lisa Baker – camera, LED • James Cronly – camera, LED • Michael Cordier – camera, LED • Jens Couckuijt – camera, LED • Ritchie Cummins – camera, LED • Maarten Deschacht – LED • Percy Vermeulen – LED • Tommy Kerckaert – LED Video content • Studio Flint • Fray Studio • North House • Luke Halls Studio • Victor Scorrano • Impossible Brief • Hello Charlie • Pilar Zeta • Conner Griffith • Mixed Emotions London Merch • Paul Nolan – merchandise manager • Martine Wilson – merchandise manager Communications • Turner Pollari – crew chief • Dalton McGuire – radios, IT, communications Production • Chris Kansy – production manager • Jake Berry – production consultant • Eme Boucher – production coordinator • Kim Van Loon – production coordinator • Paul Traynor – stage manager • Russell Glenn – technical stage manager • Courtney Eusebio – tour accountant • Nichole Garcia – ticketing • Julia Whittle – show caller Security • David White – FoH security • Adrian Murphy – BoH security Backline • Laurie Jenkins – crew chief, drum tech • Craig Hope – guitar tech • Matt McGinn – guitar tech • Matt Tagliaferro – guitar tech • Paul Newman – bass tech • Eric Harris – keys and digital tech • Dan Roe – Pro Tools tech • Neil Cole – piano tech • Nicolette Santino – Angel Moon Wardrobe and backstage • Beth Fenton – band clothing director, stylist • Tiffany Henry – dressing rooms, grooming, wardrobe • Fabio Borreani – dressing rooms assistant • Kylie Morris – dressing rooms hospitality • Tracy On – sous chef • Minh Nguyen – utilities • Michael Raven – laundry • Poppy Ogilvy – band tour assistant • Samara Henderson – BoH apprentice Carpentry • Flory Turner – head carpenter • Michael Viehmeyer – inflatables, assistant stage manager Carpenter crew • Bryan Humphries • Andrew Pearson • Andy Turner • Jan Legowski • Steve Carlsen • Pat Boyd • Corey Settle Power • Mick McGillion – crew chief • Neil Whybrow – electrician • James Hardy – electrician • John Hardy – electrician • Mark Rennocks – generators operator Lighting • Shaheem Litchmore – lighting director • Emilio Aguilar – FoH tech, operator • Daric Bassan – lighting crew chief • Dio Kollia – lighting apprentice Lighting crew • Luke Dobson • Charlie Collins • Kyle Rutkowski • Kevin Royan • Rob Corman-Savage • Andrew Mueller • Calvin Mosier • Michelle Radogna • Emma Hart • Zach Boebel Special effects • Michael Barrett-Bourmier – crew chief • Ashley Neal – effects operations, laser programming Special effects crew • Michael Hartle • David Castillo • Alan Grant • Brien Carpenter • Victor Negron • Steffi Müller • Thornsten Stein • Bill Petrina Design and art direction • Coldplay • Pilar Zeta • Victor Scorrano Photography and videography • Marcus Haney • Stevie Rae Gibbs • Anna Lee • P the Chemist Creative • Misty Buckley – creative director, production designer • Richard Olivieri – art director • Holly Molcher – assistant art director, design draughter • Gloria Lamb – scenic art director, props • Grant Draper – creative project manager • Sooner Routhier – lighting designer • David Kennedy – SFX effects designer • Malcolm Birkett – technical set designer • Leo Flint – video designer • Dan Trenchard – video programmer • Matthew Kemp – lighting programmer PixMob • Luke Davies – assistant video designer Charity representatives • Rebecca White – Global Citizen • Garrick Dawson – Love Button Global Movement • Océane Bayard – KultureCity Rigging crew • Bjorn Melchert (lead rigger) • Mark Kohorn • George Werner • Jonny Ackles Energy zone • Michelle Ochoa – automation • Courtney Dodd – tech • Shariff Lovett – tech • Edwin Van Eekhout – energy floors • Tim Jansen – energy floors • Tim Benson – batteries Barricades and cable ramps • Bjorn Steegen – crew chief • Koen Daems – tech Live Nation promoters • Jared Braverman • Phil Bowdery • Casey Green • Sophia Burn • Redd Barua-Norton SJM promoters • Simon Moran • Andy Redhead • Rob Ballantine • Matt Woolliscroft Live Nation touring • Andrew Craig – in tour representative • Ariel Bojeun – sustainability • Lau Johannsen – VIP Nation Booking agents • Marty Diamond, Larry Webman – North America • Josh Javor, Hannah Edds – ROW Legal • Gavin Maude • Ryan Vince Accounting • Lester Dales • Paul Makin • Donna Nixon • Shelley Goldin Business management • David Weise • Rob Salzman • Glenn Frank • Dina Demas • Diana Clark Steel and advance • Bart Durbin – site coordinator • Robert Hale – site coordinator • Erik Ehn – backstage advance coordinator • Ross Brown – catering advance • Samantha Smith – catering advance • Chris Salmon – tour book words • RabbitHole – tour book design == See also ==