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The kitsune , in popular Japanese folklore, is a fox or fox spirit which possesses the supernatural ability to shapeshift or bewitch other life forms.

General overview
, though literally a 'fox', becomes in folklore a 'fox spirit', and a type of . They are ascribed intelligence and magical or supernatural powers, especially with long-living foxes. The kitsune exhibit the ability of , or transforming ones shape and appearance, like the tanuki, as well as the ability to , i.e. beguile or bewitch. These terms are related to the generic term meaning "spectre" or "goblin". Another scholar describes the kitsune as being a "disorienting deity" (that makes the traveler lose his way). Such capabilities were also ascribed to badgers (actually tanuki or raccoon dog) and occasionally to cats (cf. bakeneko). but on that theme, the story of nine-tailed vixen Tamamo-no-mae ('Jewel-algae ladyship') and sessho-seki ("murder stone") deserve special attention, as well as the story of a vixen Kuzunoha giving birth to the astrologist-magician Abe no Seimei. The "Fox wife" is also a folktale type category. There is a weather myth that associates sunshine rain with the kitsune's wedding (Cf. ), and its folktale type. The fox jewel or tama (cf. ) sometimes occurs in folktale tradition as something held important by the fox, sometimes as the item necessary for it to transform or conduct other magic. This and the kitsunebi ('fox-fire'), which the creature is reputed to be capable of firing off (cf. ), are standard parts of the pictorial depictions of kitsune, especially on a white kitsune or byakko (). The came to be associated with Inari, a Shinto or spirit, and serve as its messengers (). The fox is also a figure in Buddhism as the mount of the deva Dakini, and there is some conflation between the two deities (). Another dimension is that the kitsune was thought capable of spiritual possession or kitsunetsuki (q.v.), which was a superstition widespread throughout Japan. (cf. Kitsunetsuki#Hungry fox). For an unwanted possession to be exorcised, a professional miko priestess (as in the foregoing tale) or a shugendō priest would be consulted, well into the 20th century as the superstition persisted. A miko or itako purports to be capable of forcing a controlled possession of herself by a fox spirit, and engage in , a sort of séance to speak on behalf of the spirit. The concept of certain families being "fox owners" (kitsune-mochi) due to having tamed a jinko or ninko were written about in the Edo Period and Meiji era, but appear to be localized around Izumo Province (also further described under kitsunetsuki) as do contemporary works such as native animations, comic books and video games. ==Etymology==
Etymology
The full etymology of is unknown. The oldest known usage of the word is in the text ''Shin'yaku Kegonkyō Ongi Shiki'', dating to 794. Other old sources include the aforementioned story in the Nihon ryōiki (810–824) and Wamyō Ruijushō (c. 934). These old sources are written in Man'yōgana, which clearly identifies the historical form of the word (when rendered into a Latin-alphabet transliteration) as . Following several diachronic phonological changes, this became . The fox-wife narrative in Nihon ryōiki gives the folk etymology as 'come and sleep', while in a double-entendre, the phrase can also be parsed differently as to mean 'always comes'. Many etymological suggestions have been made, though there is no general agreement: • Myōgoki (1268) suggests that it is so called because it is "always () yellow ()". perfective aspect particle tsu] to bedroom ()", from a legend that a could take a human woman form, marry a man, and bear children.--> • Arai Hakuseki in (1717) suggests that means 'stench', is a possessive particle, and is related to , the word for 'dog'. • Tanikawa Kotosuga in (1777–1887) suggests that means 'yellow', is a possessive particle, and is related to , the word for 'cat'. • Ōtsuki Fumihiko in (1932–1935) proposes that the word comes from , which is an onomatopoeia for the bark of a fox, and , which may be an honorific referring to a servant of an Inari shrine. • Nozaki also suggests that the word was originally onomatopoetic: represented a fox's yelp and came to be the general word for 'fox'; signified an affectionate mood. is now archaic; in modern Japanese, a fox's cry is transcribed as or . == Nihongi chronicle ==
Nihongi chronicle
In the Nihon Shoki (or Nihongi, compiled 720), the fox is mentioned twice, as omens. In the year 657 a byakko or "white fox" was reported to have been witnessed in Iwami Province, possibly a sign of good omen. And in 659, a fox bit off the end of a creeping vine plant held by the laborer (shrine construction worker), interpreted as an inauspicious omen foreshadowing the death of Empress Saimei the following year. For pre-historic considerations before the chronicles, Cf. == Anciently-aged foxes ==
{{Anchor|Kyūbi}} Anciently-aged foxes
'' (1850) argued that there were three classes of foxes, gradable by age, the sky or celestial tenko, the white fox byakko and black fox, of which the tenko was the most ancient, but had no corporeal form and was strictly a spirit(cf. ). In Japanese folklore, have as many as nine tails (but this is derived straight from Chinese classics, as explained below). Generally, a greater number of tails indicates an older and more powerful ; in fact, some folktales say that a fox will only grow additional tails after it has lived 100 years. One, five, seven, and nine tails are the most common numbers in folktales. The story was later introduced or invented (established by the 14th century), that the queen-consort Daji (Japanese pronunciation: ) was really a nine-tailed fox that led to the destruction of Yin/Shang dynasty, and the same vixen some 2,000 years later appeared as Tamamo-no-mae in Japan (q.v., also and Hokusai's painting of Tamamo previously as Lady Kayō of India). Tamamo clearly draws from Chinese myth and literature, so her being depicted as a golden-furred and matches precisely what the Chinese classics writes about the celestial fox (tian hu ) which a 1,000 year old fox turns into. (Cf. also ) == Inari Shinto deity ==
Inari Shinto deity
shrine in Kyoto features numerous kitsune statues. According to Hiroshi Moriyama, a professor at the Tokyo University of Agriculture, foxes have come to be regarded as sacred by the Japanese because they are the natural enemies of rats that eat up rice or burrow into rice paddies. Because fox urine has a rat-repelling effect, Japanese people placed a stone with fox urine on a hokora of a Shinto shrine set up near a rice field. In this way, it is assumed that people in Japan acquired the culture of respecting as messengers of Inari Okami. Inari's kitsune are white, a color of a good omen. They possess the power to ward off evil, and they sometimes serve as guardian spirits. In addition to protecting Inari shrines, they are petitioned to intervene on behalf of the locals and particularly to aid against troublesome nogitsune, those spirit foxes who do not serve Inari. Black foxes and nine-tailed foxes are likewise considered good omens. Watchers of the kyōgen-play ("Fox Trapping") know full well that part of the theatrics involves the fox character being driven crazy by the presence of its favorite food, the "oil-fried young mice", While this freak food bait might be thought of as the stuff of popular belief, the oil-fried mouse was an effective bait for trapping foxes, and actually used into the modern era (see fig. right). Some commentators have extrapolated (on websites, etc.) that people used to offer deep-fried mice to Inari Jinja but was switched to vegetarian substitute, but this has already been rejected by scholar who offers an alternate origin, where in the esoteric rites of Dakini buddhism (associated with foxes, cf. ) dumpling coated with soy flour was offered, which was people colloquially called something like "oil [dump]ling", which hints at this actually being an oil-fried dough treat as found in Chinese cuisine. == Buddhist context ==
Buddhist context
. Smyers (1999) notes that the idea of the fox as seductress and the connection of the fox myths to Buddhism were introduced into Japanese folklore through similar Chinese stories, but she maintains that some fox stories contain elements unique to Japan. Foxes were blamed as a cause for illness, and the Buddhist liturgy called were being performed to exorcize it since those times (cf. kitsunetsuki). Kitsune are connected to the Buddhist religion through the Dakiniten, goddesses conflated with Inari's female aspect. Dakiniten is depicted as a female boddhisattva wielding a sword and riding a flying white fox. == Classifications ==
Classifications
A number of authors tried to classify and sub-classify the foxes in different ways, starting from the Heian Period, intensifying in the Edo Period. A sample of it is given as anonymously undated opinions by Lafcadio Hearn. The Inari Shinto liturgical text (1780 colophon) lists five types of foxes to be revered, mainly the three: tenko (celestial), , chiko (earth), plus byakko (white), and . 's ( 1781) appeared, which ranks the as the most obtuse, followed by the newly created , kūko (sky), then tenko (celestial). 's essay ''Zen'an zuihitsu'', Book 2 (1850) gives his own conclusion that there are , graded by age, of which the celestial is the most ancient. (Cf. also ) Good vs. evil, or Hearn's observation was that the Izumo Province during the time of his residence there did conform to the idea that kitsune divided into the good, which are Inari foxes, and the bad. The worst of the bad are called (associated with spiritual possession), and there are other bad, called the . However, Hearn also doubts that such a stark differentiation between the Inari fox and possession fox (good vs. evil) had always been made by the populace in bygone times, and opines this was something imposed upon by the literati. A similar verdict is rendered by , that "practitioners of religion and the intelligentsia were the ones who made commonplace the divide between the good fox vs bad fox". And it was in that milieu that in Book 3 of his essay work (1858) set apart and yako ('wild foxes') as the bad. According to Miyagawa, the good fox breaks down further into five subtypes: gold, silver, white, black, and celestial. Eye for eye, favor for favor One analysis is that the kitsune will avenge malice with malice, but generally does not repay goodwill with malice, and is loyal to its debt. An example of revenge is found in a tale set in Kai Province from the 11th century Uji shūi monogatari, where the fox sets fire to a man's home. An example tale of gratitude involving the dainagon (major counselor) Yasumichi occurs in the Kokon Chomonjū of the mid-13th century, who was pestered by a family of foxes that took up lair at his mansion, and their bake or mischief escalated to a level of intolerance. But the nobleman halted his plan to eradicate them after a fox appeared in his dream to beg mercy. The foxes after that rarely made rowdy noises, except to cry out loud to announce some good fortune about to happen. Ninko A ("man-fox") according to Lafcadio Hearn is a fox spirit, apparently smaller than the usual fox (no larger than a weasel) except its tail being like a normal full-sized fox's. It is invisible so cannot be detected until it takes possession of some human. Actually the ninko is considered to be kept by the kitsune-mochi, i.e., families gossiped to own and control a fox that can possess, gaining success via that power. As Inoue Enryō noted, the ninko held by kitsune-mochi is just a localized version in Izumo (of the lore of "Animal Spirit Families"), which occurs as the lore of the inkgami or dohyō in neighboring Iwami Province. ==Tricksters==
Tricksters
Kitsune are often presented as tricksters, preferring to victimize laymen over monks according to one anthologist, though this is not always the case, such as with the fictionalized Hakuzōsu, which in one version (Hyaku monogatari) kills the priest and assumes his place. Paper currency turns into a leaf once inside the wallet in modern versions, or gold coinage (koban) turns to leaf in older tales. The fox in fable is also famed for tricking humans into eating dumpling (dango) actually made of horse dung. This is alluded to in the novel Tōkaidōchū Hizakurige (1822) colloquially known as Yaji-Kita after the characters making the journey. In one scene, Yajirobē who "imagines that the fox has taken the shape of [Kitahachi]" refuses the mochi offered him on suspicion of it being inedible horse dung. Foxes are also accused of tricking people into taking a bath in a night soil pot (human manure pit) or a "cesspool" as Hearn puts it politely. Tales distinguish kitsune gifts from kitsune payments. If a kitsune offers a payment or reward that includes money or material wealth, part or all of the sum will consist of old paper, leaves, twigs, stones, or similar valueless items under a magical illusion. True kitsune gifts are usually intangibles, such as protection, knowledge, or long life. Shape-shifters A may take on human form, an ability learned when it reaches a certain age—usually 100 years, although some tales say 50. As a common prerequisite for the transformation, the fox must place a leaf (or reeds, weeds) or a skull over its head (cf. Kitsune zōshi picture scroll). The fox's use of skull to transform derives from China, as it is attested in Youyang zazu (9th century). The imagery held by present-day Japanese is that the fox will place a leaf on its head and do a flip in the air to turn into someone or some thing. A particularly devout individual may even be able to see through a fox's disguise merely by perceiving them. can also be exposed while in human form by their fear and hatred of dogs, and some become so rattled by their presence that they revert to the form of a fox and flee. Yoshitsune story In the fictional kabuki and puppet play material Yoshitsune Senbon Zakura, the premises is that a 1,000 year old mother and father foxes are hunted for their skin to span the special set of tsuzumi drum, known as the Hatsune ("first sound"). The fox kit assumes the shape of Yoshitsune's retainer Tadanobu in order to be with the drum made from its parents, or possibly to take possession of it. Kitsunebi control The kitsune was purportedly capable of firing off the kitsunebi ("fox fire") flame from their tail by stroking it, as portrayed in the Chōjū-jinbutsu-giga (fig. right), or by striking the tail against the ground. Or it might have been the kitsunes fiery breath, according to regional tradition. The kitsune were also said to employ their kitsunebi to lead travelers astray in the manner of a will-o'-the-wisp. == Spiritual possession ==
Spiritual possession {{anchor|Kitsunetsuki}}
, also written , literally means 'the state of being possessed by a fox'. Stories of fox possession (kitsunetsuki) are widespread throughout Japan. even while Medical science continued to tried to debunk the myth, and the belief in fox and other animal spirit owning families regionally persisted even in the studies conducted c. 1960. == Familiar spirits ==
Familiar spirits
There are families that tell of protective fox spirits, and in certain regions, possessions by a , , , or hito-gitsune are also called . These families are said to have been able to use their fox to gain fortune, but marriage into such a family was considered forbidden as it would enlarge the family. They were also said to be able to bring about illness and curse the possessions, crops, and livestock of enemies. This caused them to be considered taboo by the other families, which led to societal problems. The great amount of faith given to foxes can be seen in how, as a result of the Inari belief where foxes were believed to be Inari no Kami or its servant, they were employed in practices of by and practitioners and in the oracles of ; the customs related to can be seen as having developed in such a religious background. ==Wives and lovers==
Wives and lovers
Kitsune are commonly portrayed as lovers, usually in stories involving a young human male and a kitsune who takes the form of a human woman. The kitsune may be a seductress, but these stories are more often romantic in nature. Typically, the young man unknowingly marries the fox, who proves a devoted wife. The man eventually discovers the fox's true nature, and the fox-wife is forced to leave him. In some cases, the husband wakes as if from a dream, filthy, disoriented, and far from home. He must then return to confront his abandoned family in shame. Nihon Ryōiki The earliest "fox wife" () tale type, concerning a wife whose identity as fox is revealed after being frightened by the house pet dog, occurs in Nihon Ryōiki, an anthology of Buddhist tales compiled around 822. The plotline involves a man who takes a wife, whose identity is later revealed to be a fox pretending to be a woman. In this story, a man from , Mino Province{{Refn|group="lower-alpha" --> found and married a fox-wife, who bore a child by him. But the household dog born the same time as the baby always harassed the wife, until one day frightened her so much she transformed back into a , construed to mean "wild fox". Although the husband and wife become separated (during the day), she fulfills the promises to come sleep with him every night, hence the Japanese name of the creature, meaning "come and sleep" or "come always", according to the folk etymology presented in the tale. Alternate versions of the fox-wife tale appeared later during the Kamakura-period in the works Mizukagami and Fusō Ryakuki of the 12th century. The fox-wife's descendants were also depicted as doing evil things by taking advantage of their power. According to the foregoing story, the fox-wife's child became the first ancestor of the surname . However, in another tale from the Nihon Ryōiki, a story was told about a ruffian female descendant; the tale was also placed in the repertoire of the later work Konjaku monogatari. Here, the woman nicknamed "Mino kitsune" (Mino fox), was tall and powerful and engaged in open banditry seizing goods from merchants. Seimei was purported to have been born a hybrid between the (non-historical) Abe no Yasuna, and a white fox rescued by him that gratefully assumed the shape of the widower's sister-in-law, Kuzunoha to become his wife, a piece of fantasy with the earliest known example being the Abe no Seimei monogatari printed 1662, and later adapted into puppet plays (and kabuki) bearing such titles as Shinodazuma ("The Shinoda Wife", 1678) and ("A Courtly Mirror of Ashiya Dōman", 1734). Konjaku monogatari Another medieval "fox wife" tale is found in the (c. 11–12th century), Book 16, tale number 17, concerning the marriage of a man named Kaya Yoshifuji, but the same narrative about this man and the fox had already been written down by Miyoshi Kiyotsura (d. 919) in Zenka hiki and quoted in the Fusō ryakki entry for the 9th month of Kanpyō 8 (Oct./Nov. 896), so it is in fact quite old. Otogi zōshi Later the medieval novella Kitsune zōshi (or Kitsune no sōshi) appeared, Edo Period Edo Period scholar Hayashi Razan's ("Study of the Shrines of our Country", 1645) records the lore concerning a man from the Tarui clan, who wedded a fox and begot the historical . Ancestral lines A number of stories of this type tell of fox-wives bearing children. When such progeny are human, they possess special physical or supernatural qualities that often pass to their own children. As aforementioned, the fox wife in the Nihon ryōiki tale gave rise to the ancestral line of the Kitsune-no-atae clan, and a woman of great strength named "Mino kitsune" belonged to that heritage. == Kitsune no yomeiri ==
Kitsune no yomeiri
depicting the kitsune no yomeiri''. The reverse side depicting the bride in a litter. Other stories tell of kitsune marrying one another. Rain falling from a clear sky—a sunshower—is called kitsune no yomeiri or ''the kitsune's wedding, in reference to a folktale describing a wedding ceremony between the creatures being held during such conditions. The event is considered a good omen, but the kitsune will seek revenge on any uninvited guests, as is depicted in the 1990 Akira Kurosawa film Dreams''. == Fox jewel ==
Fox jewel
on New Year's Night under the Enoki Tree near Ōji" in the One Hundred Famous Views of Edo by Hiroshige. Each fox has a floating close to its face. There is the notion that the kitsune is in possession of a supernatural luminous jewel or tama lodged in their tail (or possibly kept externally), while in the Chinese version the mythical fox has a special jewel or pearl embedded inside its heart. The jewel on the tail tip is also depicted in Buddhist temple art. A fox's jewel is described as a round white object the size of a small mandarin orange in a tale from the Konjaku monogatarishū compilation (12th century). The miko (female "exorcist") acting as spiritual medium for the fox is playing with it, and a samurai snatches it away. It is held that the fox jewel is necessary for the fox to change shape, or use its magical power. Another tradition is that the pearl represents the kitsune's soul; the kitsune will die if separated from it for too long. An anecdote is recorded in the 18th century, which purports that an actual fox jewel was stolen from the creatures by several temple samurai, causing the temple's high priest (, "bishop") distress, prompting its return to the foxes. The stone flashed kitsunebi fire according to the account.{{Refn| (1779), Second Part of }, Book 1, p. 26.}} The fox jewel was frequently discussed under the name of in the post-medieval period, and stories about is common in the popular telling (recorded oral literature), which often speaks of such stone or tufty object being found or acquired and given over to the custody of a temple, etc., to be enshrined. (Cf. ). == Iconography ==
Iconography
In traditional art, the white fox or byakko has been a favorite theme into the Meiji era. And the phosphorescent fox is not only depicted with the kitsune-bi fire floating above their heads, but with a luminous jewel (tama) at its tail tip, which Lafcadio Hearn surmises is the same from Buddhism (cf. Mani Jewel and ). Fox Jewels are a common symbol of Inari and representations of sacred Inari foxes without them are rare. In the Buddhist context, the fox is standardly depicted as the creature on which the goddess Dakini rides. The luminous jewel is depicted on the fox's tail. == Chinese parallels ==
Chinese parallels
Folktales from China tell of fox spirits called () also known as nine-tailed fox () that may have up to nine tails. These fox spirits were adopted into Japanese culture through merchants as . The earliest "fox wife" () tale type in Japan in Nihon Ryōiki (Cf. ) bears close resemblance to the Tang dynasty Chinese story Renshi zhuan ("The Story of Lady Ren", c. 800), and the possibility has been suggested that this is a remake of the Chinese version. A composite fashioned from the confluence of Tang dynasty wonder tales (chuanqi genre, as exemplified by the Renshi zhuan) and earlier wonder tales (Zhiguai genre) has also been proposed. The trope of the fox as femme fatale in Japanese literature also originates from China. Ōe no Masafusa (d. 1111) in Kobiki or The femme fatale vixen was the mult-millenarian Tamamo-no-mae who was queen-consort during the Yin/Shang dynasty of China according to the fantastic tale. == Foxes in Japanese archaeology ==
Foxes in Japanese archaeology
Foxes and humans lived close together in ancient Japan; ==In popular culture==
In popular culture
A traditional game called kitsune-ken ('fox-fist') references the kitsune's powers over human beings. The game is similar to rock paper scissors, but the three hand positions signify a fox, a hunter, and a village headman. The headman beats the hunter, whom he outranks; the hunter beats the fox, whom he shoots; the fox beats the headman, whom he bewitches. The kitsune figures in animations, comic books and video games, such as Yae Miko in the video game Genshin Impact. Beginning in Super Mario 3D Land (2011), the playable character Luigi can collect a power-up known as the Super Leaf to transform into Kitsune Luigi. Japanese metal idol band Babymetal refer to the kitsune myth in their lyrics and include the use of fox masks, hand signs, and animation interludes during live shows. Western authors of fiction have also made use of the kitsune legends, although not in extensive detail. ==See also==
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