Korean verbs are
conjugated. Every verb form in Korean has two parts: a
verb stem, simple or expanded, plus a sequence of
inflectional suffixes. Verbs can be quite long because of all the suffixes that mark grammatical contrasts. A Korean verb root is bound, meaning that it never occurs without at least one
suffix. These suffixes are numerous but regular and ordered. There are over 40 basic endings, but over 400 when the combinations of these endings are counted. Grammatical categories of verb suffixes include
voice (passive or causative),
tense (past, present, or future),
aspect (of an action – complete, experienced, repeated, or continuing), honorification (appropriate choice of suffix following language protocol), and clause-final conjunctives or sentence enders chosen from various speech styles and types of sentences such as interrogative, declarative, imperative, and suggestive.
Sound changes A great many verbs change the pronunciation of the final consonant of the root after the addition of a suffix. Some of these changes are the result of regular
consonant assimilation or cluster simplification, but some of them are irregular. The irregular verbs contain root-final consonants that were historically
lenited and which, as a result disappeared or mutated between vowels but remained next to a consonant.
Citation form The
lemma or citation form of a Korean verb is the form that ends in
ta da without a tense-aspect marker. For verbs, this form was used as a past perfect declarative form in Middle Korean, but is no longer used in Modern Korean. For adjectives, this form is the non-past declarative form.
Infinitive form Besides a verbal root itself that precedes
ta in the citation form, there is also a long stem with an additional harmonic vowel, called by linguist
Samuel E. Martin the "infinitive" form. This tense-neutral form also does not express any honorifics and speech levels. Thus they are often used for literary titles, subtitles and chapter titles, since they are not specifically directed toward an individual or a group. This so-called infinitive, however, must not be confused with the citation form mentioned above. It is formed by attaching ''''
eo/a'' to the root, according to
vowel harmony. If the verbal root ends in a vowel, the two vowels may merge or contract. Without vowel contraction •
al al "know" + '
→ al.a'
ara •
mek meok "eat" + '
→ mek.e'
meogeo With vowel contraction •
ka ga "go" + '
→ ka'
ga •
o o "come" + '
→ wa'
wa •
se seo "stand" + '
→ se'
seo •
i i (copula) + '
→ ye'
yeo •
ssu sseu "use" + '
→ sse'
sseo toy ta 되다
doeda "to become" may or may not undergo contraction.
ha ta 하다
hada "to do" is irregular. This infinitive form is not used as a noun, but it can be used in
compound verbs,
serial verb constructions, and before certain (not all) verb endings. It may be compared to the
conjunctive in Japanese.
Finite verb endings Verbs are the most complex part of speech in Korean. Their structure when used as the
predicate of a clause is prefix + root + up to seven suffixes, and can be illustrated with a template: :*The negative prefix is
an "not"; the word
mos mot "cannot" also occurs in this position.
I Valency may be
passive or
causative. These often involve a stem change, followed by the suffix
i (the spelling of this suffix may change, depending on the stem change of the verb).
II The honorific suffix is
-usi -eusi- after a consonant,
-si after a vowel. The
i is reduced to a glide before another vowel. For example, with a following past tense,
sie-ss -si-eoss- reduces to
sye-ss -syeoss-. :This shows deference towards the topic of the conversation, for example when speaking of one's elders.
III If there is no suffix in this slot, the verb is in present or
gnomic tense. Future tense & prospective aspect is
key-ss -get-, past
perfective is
--ss -eot-/
-at but with
vowel harmony. If there is no intervening consonant, this reduces, both in pronunciation and in writing:
a-ss to
at-, and
wa-ss to
wat-. The verb
o "to come" is therefore
wa-ss wat- in the perfective. The verb
ha ha "to do" is an irregular
hay haet- in the perfective. :There are also compound tenses:
remote past --ss-e-ss -eosseot-/
-asseot-, past-future
--ss-key-ss -eotkket-/
-atkket-, remote past-future (An action that should have been completed in the past but has not actually been done)
--sse-ss-key-ss -eosseotkket-/
-asseotkket- IV The formal suffix is
-p after a vowel (it is normally written in the same block as that vowel),
-sup -seup after a consonant in a declarative or interrogative verb,
-up -eup after a consonant in a proposition. (After a consonant
s or
ss the letter in the suffix drops.) :This shows deference towards the audience of the conversation, for example when speaking
to one's elders. If speaking both to and of one's elders, one would use both the formal and the honorific suffixes.
V The syntactic moods, for lack of a better term, are the
indicative -nun -neun, -ni , or
n ; the retrospective (
imperfective)
-ten -deon,
ti -di, or
t -d-; and the
subjunctive si -si or
s . None of these are used in the casual or intimate styles, and the formal plain indicative declarative can only occur in the gnomic tense. :
-nun -neun and
-ten -deon are used in the formal plain and familiar interrogative styles. After a vowel,
-nun -neun reduces to
n . Before declarative
la ra,
-ten -deon reduces to
te -deo. :
-ni ,
-ti -di, and
-si are used in the formal polite style. :
-n ,
t -d-, and
s are used in the familiar declarative and subjunctive styles.
VI The pragmatic moods, for lack of a better term, are the
declarative -ta -da (formal polite),
-la -ra (formal plain), and
ey -e (familiar);
interrogative kka ,
ya (formal) and
-ka -ga (familiar);
propositive -ta -da (formal polite),
-ca -ja (formal plain), and
ey -e (familiar); and the
imperative o (formal polite),
- la -eola/
-ala (formal plain), and
-key -ge (familiar). :
Style: These distinctions are not made in the intimate and casual styles. Instead, this slot is taken by the intimate suffix
- -eo (
a after an
a or
o ) or the casual suffix
-ci -ji. VII The polite suffix
yo (
-i yo after a consonant) appears in the informal styles. It expresses one's relationship to the audience. == Negation ==