The subdivisions within Williamsburg vary widely. "South Williamsburg" refers to the area which today is occupied mainly by the Yiddish-speaking
Hasidim (predominantly
Satmar Hasidim) and a considerable
Puerto Rican population. North of this area (with Division Street or
Broadway serving as a dividing line) is an area known as "Los Sures", occupied by Puerto Ricans and
Dominicans. To the north of that is the "North Side", traditionally Polish and Italian.
East Williamsburg is home to many industrial spaces, and forms the largely
Italian American,
African American, and
Hispanic area between Williamsburg and Bushwick. South Williamsburg, the South Side, the North Side, Greenpoint, and East Williamsburg all form
Brooklyn Community Board 1. Its proximity to Manhattan has made it popular with recently arrived residents who are often referred to under the
blanket term "
hipster". Bedford Avenue and
its subway station, as the first stop in the neighborhood on the
BMT Canarsie Line (on the ), have become synonymous with this new wave of residents.
Ethnic communities Hasidic Jewish community Williamsburg is inhabited by thousands of
Hasidic Jews of various groups, and contains the headquarters of one faction of the
Satmar Hasidic group. Williamsburg's Satmar population numbers about 57,000. Hasidic Jews first moved to the neighborhood in the years prior to
World War II, along with many other religious and non-religious Jews who sought to escape the difficult living conditions on Manhattan's
Lower East Side. Beginning in the late 1940s and early 1950s, the area received a large concentration of
Holocaust survivors, many of whom were Hasidic Jews from rural areas of Hungary and Romania. These people were led by several Hasidic leaders, among them the
rebbes of
Satmar,
Klausenberg,
Vien,
Pupa, Tzehlem, and
Skver. In addition, Williamsburg contained sizable numbers of religious, but non-Hasidic, Jews. The
Rebbe of Satmar, Rabbi
Joel Teitelbaum, ultimately exerted the most powerful influence over the community, causing many of the non-Satmars, especially the non-Hasidim, to leave. Teitelbaum was known for his fierce
anti-Zionism and for his charismatic style of leadership. In the late 1990s, Jewish developers renovated old warehouses and factories, turning them into housing. More than 500 apartments were approved in the three-year period following 1997; soon afterward, an area near Williamsburg's border with Bedford–Stuyvesant was re-zoned for affordable housing. The Hasidic community of Williamsburg has one of the highest birthrates in the country, with an average of eight children per family. Each year, the community celebrates between 800 and 900 weddings for young couples, who typically marry between the ages of 18 and 21. Because Hasidic men receive little secular education, and women tend to be homemakers, college degrees are rare, and economic opportunities lag far behind the rest of the population. In response to the almost 60% poverty rate in Jewish Williamsburg, the
Metropolitan Council on Jewish Poverty, a beneficiary agency of the
UJA-Federation of New York, partnered with
Masbia in the opening of a 50-seat
kosher soup kitchen on Lee Avenue in November 2009. There are many households with
Section 8 housing vouchers; in 2000, there were 1,394 voucher recipients in Williamsburg's nine
Yiddish-speaking census tracts, but by 2014, Williamsburg had 3,296 voucher recipients within 12 Yiddish-speaking census tracts. However, the newspaper
New York Daily News doubted the legality of the applications. In 2016, the
Daily News said that New York City census tracts with 30% or more of the population applying for Section 8 were present only in Williamsburg and
the Bronx, except that Williamsburg's real estate, after the City of New York provided billions of dollars in tax abatements to developers, A 2013 study by the
UJA-Federation of New York identified Williamsburg as home to the second-fastest Jewish population growth in New York City, with a Jewish population of approximately 74,500 in 2011, a 41% increase from a decade earlier. Due to the neighborhood's rapid growth and high real estate prices, 77% of Jews in Williamsburg were renters, the highest rate in the city. After the city subsidized developers in North Brooklyn, and longstanding local land owners from both North and South Williamsburg sold large blocks of land to the corporations, Hasidim have characterized the influx of new renters who had nothing to with land sales or city policy, as the
artisten, or a "plague" and "a bitter decree from Heaven". Tensions have risen over housing costs, loud and boisterous nightlife events, and the introduction of
bike lanes along
Bedford Avenue. Although the effects of New York's development policies favoring high rise construction and luxury chain stores is increasing, many developers, such as
Isaac Hager, continue to build more housing for
Haredi tenants. According to a 2024 UJA-Federation of New York survey, 74% of Jewish households in Williamsburg identified as Orthodox. The total Jewish population was an estimated 36,000 adults and 32,000 children.
Italian-American community and Our Lady of Mount Carmel A significant component of the
Italian community on the North Side and East Side were immigrants from the city of
Nola near Naples. Residents of Nola every summer celebrate the "Festa dei Gigli" (feast of lilies) in honor of St.
Paulinus of Nola, who was
bishop of Nola in the fifth century, and the immigrants brought this tradition over with them. For two weeks every summer, the streets surrounding
Our Lady of Mount Carmel church, located on Havemeyer and North 8th Streets, are dedicated to a celebration of Italian culture. The highlights of the feast are the "Giglio Sundays" when a tall statue, complete with band and a singer, is carried around the streets in honor of St. Paulinus and Our Lady of Mount Carmel. Clips of this awe-inspiring sight are often featured on NYC news broadcasts. A significant number of Italian-Americans still reside in the area, although the numbers have decreased over the years. The northeastern section of Williamsburg associated with "Italian Williamsburg" retains a significant Italian-American presence and is home to numerous Italian-American families, community centers, social clubs, businesses, and restaurants, such as
Bamonte's, the Fortunato Brothers Cafe, Anthony and Son Panini Shoppe, Carmine and Son's, Emily's Pork Store, Napoli Bakery, Metropolitan Fish Market, Jr and Son, and Salerno Autobody. Sections of Graham Avenue in the Italian section are named Via Vespucci in honor of
Amerigo Vespucci and the Italian character of the neighborhood. Despite the fact that an increasing number of Italian-Americans have moved away, many return each summer for the feast. The Giglio was the subject of a documentary,
Heaven Touches Brooklyn in July, narrated by actors
John Turturro and
Michael Badalucco. The neighborhood continues to have 27% Hispanic or Latino population, and Graham Avenue, between Grand Street and Broadway, is known as the "Avenue of Puerto Rico". Havemeyer Street is lined with Hispanic-owned
bodegas and barber shops. However, even though the Southside has the highest concentration of Hispanics in the neighborhood, this population is dispersed throughout all of Williamsburg, as far north as the Williamsburg-
Greenpoint border. The Latino community has several cultural institutions in Williamsburg. The Caribbean Social Club, the last remaining Puerto Rican social club in Williamsburg, preserves the neighborhood's culture. Another such institution is the "El Puente" Community Center, as well as the "San German" record store on Graham Avenue. Graham Avenue was renamed Avenue of Puerto Rico as a symbol of pride, just as the avenue's other alternate name, Via Vespucci, is meant to commemorate the neighborhood's Italian-American community.
Banco Popular de Puerto Rico has a branch on Graham Avenue. In addition, Southside United HDFC is a charity organization that helps residents with housing needs and other services, including mobilizing housing activists and residents, as well as providing affordable housing. The
Moore Street Market, often referred to as La Marqueta de Williamsburg, is located at 110 Moore Street. In addition, there have been several cultural events. In the past, Southside United HDFC has held Puerto Rican Heritage as well as Dominican Independence Day celebrations, and currently operates El Museo De Los Sures. The name "El Museo De Los Sures" roughly translates to "The Museum of the Southside". Williamsburg is also home to not one, but two campuses of
Boricua College: the Northside campus on North 6th Street, between Bedford Avenue and Driggs Avenue; as well as the East Williamburg/Bushwick campus on Graham Avenue. A place popular among Dominican-American residents is the Fula Lounge, where Merengue and Raggaeton artists from the Dominican Republic often frequent. Once a year, the Williamsburg/
Bushwick community hosts a Puerto Rican Day parade. The neighborhood has produced many prominent Latinos. Television chef
Daisy Martinez, who specializes in Puerto Rican cuisine grew up in the neighborhood. The neighborhood also is home to the office of U.S. representative
Nydia Velazquez. In addition to this, Williamsburg was the childhood home of City Councilwoman
Rosie Méndez, of
Puerto Rican descent. Williamsburg itself was represented in the City Council by
Dominican American Antonio Reynoso. The Hispanic sector as a whole was represented in a documentary called Living Los Sures, which documents the lives of Latino residents living in 1984 Southside before gentrification. Another documentary in 2013, ''
Toñita's'', depicts the Caribbean Social Club, and is named after the club's owner.
Ethnic and inter-cultural tensions Around 2:00 a.m. on November 7, 1854, a riot occurred between sheriffs and "some Irishmen" at the poll of the First District, at the corner of 2nd and North 6th streets, in Williamsburg. It began after a deputy approached a citizen, and a fight started. Immediately, eight or ten deputies began freely using clubs on a group of "about one hundred Irishmen", resulting in a half-hour general fight and many injuries. Prior to the corporatization of Williamsburg in the new millennium, the district often saw tension between its Hasidic population and its black and Hispanic groups. In response to decades of rising crime in the area, the Hasidim created a volunteer patrol organization, called "
Shomrim" ("guardians" in Hebrew), to perform citizens' arrests, and to keep an eye out for crime. Over the years, the Shomrim have been accused of racism and brutality against blacks and Hispanics. In 2009, Yakov Horowitz, a member of Shomrim, was charged with assault, for striking a Latino adolescent on the nose with his Walkie Talkie. In 2014, five members of the Hasidic community, at least two of whom were Shomrim members, were arrested in connection with the December 2013 "gang assault" of a black gay man. The mid-century tension between the Hasidic and Modern Orthodox Jewish communities in Williamsburg was depicted in
Chaim Potok's novels
The Chosen (1967),
The Promise, and
My Name Is Asher Lev. One contemporary female perspective on life in the Satmar community in Williamsburg is offered by
Deborah Feldman's autobiographical
Unorthodox: The Scandalous Rejection of My Hasidic Roots. The Netflix miniseries
Unorthodox is loosely based on Feldman's autobiography.
Arts community Visual arts and interdisciplinary culture The first artists moved to Williamsburg in the 1970s, drawn by the low rents, large floor area, and convenient transportation. This continued through the 1980s and increased significantly in the 1990s as earlier destinations such as
SoHo and the
East Village became occupied by wealthier populations. In the 1990s a generation of interdisciplinary artists known as the
Brooklyn Immersionists began to focus their fusion of art and music in Williamsburg's streets, rooftops and industrial warehouses near the waterfront. The social and environmental engagement of the Immersionists was discussed in major arts journals and media, including
The Drama Review, Flash Art, Wired, The New York Times, The New Yorker, Domus, Die Zeit, At least four major art history books have included artists from the Immersionist movement. By 1996 Williamsburg had accumulated an artist population of about 3,000. Art galleries, interdisciplinary venues and immersive theater groups in the area included Sideshow Gallery, Minor Injury Gallery, The Lizard's Tail Cabaret, Nerve Circle, Epoché, The Green Room, Test-Site, Hit and Run Theater, El Sensorium, The AlulA Dimension, Mustard, Pierogi 2000 Gallery, Momenta Gallery, Galapagos Art Space and the
Front Room Gallery. Williamsburg and
Greenpoint are served by a monthly galleries listings magazine,
wagmag. Local arts media that began a discourse on neighborhood involvement in the early 1990s included
Breukelen, The Curse,
The Nose, The Outpost,
Waterfront Week,
Worm Magazine and
(718) Subwire. In September 2000,
11211 Magazine launched a four color glossy circulating 10,000 copies in Brooklyn and Manhattan. The publication focused on the historical and notable properties, arts and culture, and real estate development of the 11211 ZIP Code. Other publications attributed to
11211 Magazine:
Fortnight,
The Box Map (2002),
Appetite, and
10003 Magazine for the East Village in New York City. The magazine had published 36 issues (548,000 copies) of
11211 over a six-year period, and ceased circulation in 2006.
Musical community Williamsburg has become a notable home for live music and an incubator for new bands. Beginning in the late 1980s, and through the late 1990s, a number of unlicensed performance, theater, and music venues operated in abandoned industrial buildings and other spaces in the streets. A new culture has evolved in the area surrounding
Bedford Avenue subway station. Venues attracted a mix of artists, musicians and the urban underground for late night music, dance, and performance events, which were occasionally interrupted and the venues temporarily closed by the fire department. The first large gathering of artists and musicians, with nearly 100 presenters and hundreds of attendees, took place at a three-day festival with the humorous name, The Sex Salon. The event opened on Valentine's Day, 1990 at Epoché, a warehouse space located near the Williamsburg Bridge. Five months later another interdisciplinary event, the Cat's Head, opened in a section of the Old Dutch Mustard Factory on N. 1st Street. Soon after that a series of other warehouse and street events merged live music, dancing and other art forms: Cats Head II, Flytrap, Human Fest (I & II), El Sensorium and Organism. Taking over most of the Old Dutch Mustard Factory on June 12, 1993, Organism drew in more than 2,000 people according to
Newsweek,''
and was described by Suzan Wines in Domus Magazine as a "climax to the renegade activity"'' that was emerging in Williamsburg in the 1990s. A fusion of urban environmentalism and interdisciplinary culture, the entire generation of experimental venues, events and zines in the 1990s has come to be known as the
Brooklyn Immersionists and celebrated in art and music history books such as Cisco Bradley's The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront. A number of smaller, fleeting spaces, and several Manhattan-based venues also opened locations here. In the summers of 2006, 2007, and 2008, events including concerts, movies, and dance performances were staged at the previously abandoned pool at
McCarren Park in
Greenpoint. Starting in 2009, these pool parties are now held at the Williamsburg waterfront. The neighborhood has also attracted a respectable
funk,
soul and
worldbeat music scene spearheaded by labels such as
Daptone and
Truth & Soul Records – and fronted by acts such as the
Antibalas Afrobeat Orchestra and
Sharon Jones & The Dap-Kings.
Jazz and
World Music has found a foothold, with classic jazz full-time at restaurant venues like Zebulon and Moto, and – on the more
avant and
noise side – at spots like the Lucky Cat, B.P.M., Monkeytown (closed in 2010), and Eat Records. A
Latin Jazz community continues among the Caribbean community in Southside and East Williamsburg, centered around the many
social clubs in the neighborhood. In the early 2000s, the neighborhood also became a center of
electroclash. Friday and Saturday parties at Club Luxx (now Trash) introduced electronic acts like W.I.T.,
A.R.E. Weapons,
Fischerspooner, and
Scissor Sisters. Williamsburg is also the place where innovative fusions of music, art and living systems emerged such as Nerve Circle's "media organism's" at Minor Injury Gallery in 1990 and 1991, and the "web jam," the aesthetic algorithm informing the large warehouse event Organism in 1993. In 1994, Lalalandia's "techno-organic" club, El Sensorium, gave birth to a new form of
electronic music called
illbient. Other new genres of electronic music emerged in Williamsburg at that time, including dark,
hip hop-,
ambient- and
dub-influenced varieties.
Theatre and cinema ,
Jane Lynch, and
Carol Leifer at the Williamsburg Independent Film Festival in 2016 In the 1990s a large number of experimental media groups and street theater troupes emerged in Williamsburg which deliberately situated their screens and interactive performances in social and physical environments. These Immersionist groups included the Floating Cinema, Fake Shop, Nerve Circle, The Outpost, Ocularis, The Pedestrian Project and Hit and Run Theater. Galapagos Art Space, which first opened in Williamsburg in 1996, hosted the Ocularis media collective's roof screenings and was a major host of New Burlesque theater. More recently Williamsburg contains indie theater spaces such as
the Brick Theater. The Williamsburg Independent Film Festival was founded in 2010. Williamsburg also contains the first-run multiplex theater known as
Williamsburg Cinemas, which opened on December 19, 2012.
Effects of corporate subsidization Low rents were a major reason artists first started settling in the area, but that situation has drastically changed since the late-1990s when the City of New York began rezoning the district in favor of large developers. The City furthered the process by providing them billions of dollars in tax abatements. Williamsburg's takeover by corporate development is the subject of
Princeton University film professor
Su Friedrich's 2013 documentary
Gut Renovation.
Effect on borough's court system In June 2014, the
New York Post reported that northwestern Brooklyn's growth of a wealthier population, especially in Williamsburg, has led to an increasing number of convictions against defendants in the borough's
criminal cases, as well as to reductions in plaintiff's awards in civil cases. Brooklyn defense lawyer Julie Clark said that these new jurors are "much more trusting of police". Another lawyer, Arthur Aidala, said: ==Demographics==