Development boardwalk.
The Wrestler was written by
Robert D. Siegel, a former writer for
The Onion, and entered development at director
Darren Aronofsky's company
Protozoa Pictures.
Nicolas Cage entered talks to star in October 2007. He left the project a month later, with Mickey Rourke replacing him. According to Aronofsky, Cage pulled out of the movie because Aronofsky wanted Rourke as the lead character. He said in a 2008 interview with
/Film, "[Cage] was a complete gentleman, and he understood that my heart was with Mickey and he stepped aside. I have so much respect for Nic Cage as an actor and I think it really could have worked with Nic but [...] Nic was incredibly supportive of Mickey and he is old friends with Mickey and really wanted to help with this opportunity, so he pulled himself out of the race." However, Cage denied Aronofsky's account in a 2009 interview with
Access Hollywood and explained, "I wasn't 'dropped' from the movie. I resigned from the movie because I didn't think I had enough time to achieve the look of the wrestler who was on
steroids, which I would never do." Rourke was initially reluctant when first approached for the lead role, later stating, "I didn't really care for the script, but I wanted to work with Darren and I kind of thought that whoever wrote the script hadn't spent as much time as I had around these kind of people and he wouldn't have spoken the way the dude was speaking. And so Darren let me rewrite all my parts and he put the periods in and crossed the T's. So once we made that change, I was okay with it." Wrestler
Hulk Hogan claimed in 2012 on
The Howard Stern Show that he was also offered the lead role, and that he turned down the role because he felt he was not the right man to portray the character. Aronofsky disputed these claims and
tweeted that "the role of the Wrestler was always [Rourke's]; it was never Hulk Hogan's as he claims on [
The Howard Stern Show]".
Filming The film's shoot began in January 2008 and lasted approximately 40 days, with filming taking place on
16mm film using some areas of
New York City but primarily New Jersey locations such as
Asbury Park,
Bayonne (in a supermarket where Rourke served and improvised with real customers),
Dover,
Elizabeth,
Garfield,
Hasbrouck Heights,
Linden,
Rahway, and
Roselle Park. Scenes were also shot at
The Arena in
Philadelphia.
Afa Anoa'i, a former professional wrestler, was hired to train Rourke for his role. He brought his two main trainers,
Jon Trosky and Tom Farra, to work with Rourke for eight weeks. Both trainers also have parts in the film. One scene features a fictional
Nintendo Entertainment System video game called ''Wrestle Jam '88'', featuring the characters of Robinson and The Ayatollah. Aronofsky requested a fully functioning game for the actors to play. Programmer Randall Furino and the film's title designer Kristyn Hume created a playable demo with a working interface and
AI routines that also featured 1980s era-appropriate graphics and music. To add more realism, the locker room scenes were improvised. Some of the supermarket deli scenes were also improvised. Marisa Tomei was made to do 36 takes to get her pole dancing right.
Music acts such as
Ratt.
Clint Mansell, the composer for Aronofsky's previous films,
π,
Requiem for a Dream, and
The Fountain, reprised his role as composer for
The Wrestler.
Slash played the guitars on the score. A new
Bruce Springsteen song, also titled "
The Wrestler", plays over the film's closing credits. Springsteen wrote the song while on tour in Europe after receiving a letter and a copy of the script from Rourke. The
Guns N' Roses song "
Sweet Child o' Mine" is played during Randy's
entrance at the end of the film. In his
Golden Globe Award acceptance speech, Rourke mentioned that
Axl Rose donated the song for free due to the film's modest budget, and the film's closing credits thank Rose for this. Rourke had also used the same song as his intro music during his stint as a boxer in the early 1990s. In the film, Randy mocks
Kurt Cobain, one of Rose's biggest rivals during the early 1990s. Also featured in the film are the
Ratt songs "
Round and Round" and "I'm Insane", the
Quiet Riot song "
Metal Health" (which is Randy's entrance song except for the last match), the
FireHouse song "Don't Walk Away", the
Slaughter song "Dangerous", the
Scorpions song "Animal Magnetism", the
Accept song "
Balls to the Wall", the
Rhino Bucket song "Soundtrack to a War", and the
Cinderella song "
Don't Know What You Got (Till It's Gone)". The two Ratt tunes are actually recordings by Rat Attack, a project featuring Ratt lead singer
Stephen Pearcy and guitarists
George Lynch and
Tracii Guns. The
Madonna song "
Jump" is played in the bar scene. The
Birdman and
Lil Wayne song "
Stuntin' Like My Daddy" can be heard in the strip club. Also in the film is a song called "Let Your Freak Out" by Deesha, which can be heard during the strip club scene where Pam rebuffs Randy at the club after their date at the thrift shop. In the
Toronto International Film Festival interview conducted by James Rocchi, Aronofsky credited the 1957
Charles Mingus song "
The Clown" (an instrumental piece with a poem read over the music about a clown who accidentally discovers the bloodlust of the crowds and eventually kills himself in performance) as a major source of inspiration for the movie. Aronofsky also said the brief reprise of U.S. senator and one-time presidential candidate
John McCain's "Bomb bomb
Iran" to the tune of
The Beach Boys' "
Barbara Ann" in the movie evolved as improvisation on the set. The Ayatollah wrestling character's persona had developed more than 20 years before but, in part through this musical moment and its connection with the character, came to still feel appropriate to Aronofsky in 2008. ==Release==