1983–1990: Early work and breakthrough Sorkin moved to New York City where he spent much of the 1980s as a struggling, sporadically employed actor who worked odd jobs, such as delivering
singing telegrams, handing out flyers promoting a hunting-and-fishing show, One weekend, while house-sitting for a friend, he found a typewriter, started typing, and "felt a phenomenal confidence and a kind of joy that [he] had never experienced before in [his] life". Producer John A. McQuiggan saw the production of
Hidden in This Picture and commissioned Sorkin to turn the one-act into a full-length play called
Making Movies. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. When he returned home, he would transcribe the story and notes onto the computer, forming a basis from which he wrote many drafts for
A Few Good Men. In 1988, Sorkin sold the film rights for
A Few Good Men to producer
David Brown before it premiered, Brown had read an article in
The New York Times about Sorkin's one-act play
Hidden in This Picture, and found out Sorkin had a play called
A Few Good Men that was having Off Broadway readings. Sorkin continued writing
Making Movies and in 1990 it debuted
Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino.
1991–1997: Writing for Castle Rock Entertainment on August 31, 2005. Sorkin worked under contract for Castle Rock Entertainment, where he befriended colleagues
William Goldman and Rob Reiner, and met his future wife Julia Bingham, who was one of Castle Rock's business affairs lawyers. Sorkin wrote several drafts of the script for
A Few Good Men in his Manhattan apartment, The film, directed by Reiner, starred
Tom Cruise,
Jack Nicholson,
Demi Moore and
Kevin Bacon, and was produced by Brown.
A Few Good Men was released in 1992 and was a box office success, grossing $243 million worldwide. Goldman also approached Sorkin with a story premise, which Sorkin developed into the script for the thriller
Malice. Goldman oversaw the project as
creative consultant while Sorkin wrote the first two drafts. However, he had to leave the project to finish the script for
A Few Good Men, so screenwriter
Scott Frank stepped in and wrote two drafts of the
Malice screenplay. When production on
A Few Good Men was completed, Sorkin resumed working on
Malice right through the final
shooting script.
Harold Becker directed the 1993 thriller, which starred
Nicole Kidman and
Alec Baldwin.
Malice had mixed reviews;
Vincent Canby in
The New York Times described the film as "deviously entertaining from its start through its finish". Critic
Roger Ebert gave it 2 out of 4 stars, and
Peter Travers in a 2000
Rolling Stone review summarized it as having "suspense but no staying power". Sorkin's last screenplay under Castle Rock was
The American President; once again he worked with William Goldman who served as a creative consultant. It took Sorkin several years to write the screenplay for
The American President, which started off at 385-pages; it was eventually reduced to a standard shooting script of around 120 pages. The film, also directed by Reiner, was critically acclaimed;
Kenneth Turan of the
Los Angeles Times described it as "genial and entertaining if not notably inspired", and believed its most interesting aspects were the "pipe dreams about the American political system and where it could theoretically be headed".
A Few Good Men,
Malice and
The American President grossed approximately $400 million worldwide. Sorkin collaborated with
Warren Beatty on several scripts, one of which was 1998's
Bulworth.
1998–2006: Television series and theatre work Sports Night Sorkin conceived the idea to write about the behind-the-scenes happenings on a sports show while residing at the
Four Seasons Hotel in
Los Angeles writing the screenplay for
The American President. He would work late, with the television tuned into
ESPN, watching continuous replays of
SportsCenter. The show inspired him to try to write a feature film about a sports show but he was unable to structure the story for film, so instead he turned his idea into a television comedy series.
Sports Night was produced by
Disney and debuted on the
ABC network in fall of 1998. Sorkin fought with ABC during the first season over the use of a
laugh track and a
live studio audience. The laugh track was widely decried by critics as jarring, with
Joyce Millman of
Salon magazine describing it as "the most unconvincing laugh track you've ever heard". Sorkin commented that: "Once you do shoot in front of a live audience, you have no choice but to use the laugh track. Oftentimes [enhancing the laughs] is the right thing to do. Sometimes you do need a cymbal crash. Other times, it alienates me." Sorkin was triumphant in the second season when ABC agreed to his demands, unburdening the
crew of the difficulties of staging a scene for a live audience and leaving the cast with more time to rehearse. Sorkin entertained offers to continue the show on other television channels, but declined all the offers because they were dependent on his involvement and he was already working on
The West Wing. He told Wells about his visits to the White House while doing research for
The American President, and they found themselves discussing
public service and the passion of the people who serve. Wells took the concept and pitched it to
NBC, but was told to wait due to the
Clinton–Lewinsky scandal. There was a concern that television audiences would not be able to take a series about the White House seriously. A year later, other networks started showing interest in
The West Wing. NBC decided to give the project the green-light despite their previous reluctance. Following the awards
ceremony, there was a dispute about the acceptance speech for
Outstanding Writing for a Drama Series.
The West Wing episode "
In Excelsis Deo" won, which was awarded to Sorkin and
Rick Cleveland, but
The New York Times reported that Sorkin ushered Cleveland off the stage before he could say a few words. The story behind "In Excelsis Deo" is based on Cleveland's father, a
Korean War veteran who spent the last years of his life on the street, as Cleveland explained in an essay titled "I Was the Dumb Looking Guy with the Wire-Rimmed Glasses". Sorkin and Cleveland continued their dispute in a public web forum at
Mighty Big TV in which Sorkin explained that he gives his writers "Story By" credit on a rotating basis "by way of a gratuity" and that he had thrown out Cleveland's script and started from scratch. Sorkin eventually apologized to Cleveland. Cleveland and Sorkin also won the
Writers Guild of America Award for Television: Episodic Drama at the
53rd Writer Guild of America Awards for "In Excelsis Deo". In 2001, after completing the
second season of
The West Wing, Sorkin had a
drug relapse, and was arrested at
Hollywood Burbank Airport for possession of
hallucinogenic mushrooms,
marijuana, and
crack cocaine. He was ordered by a court to attend a drug diversion program.
The West Wing aired on the same network, and so at the request of NBC's Entertainment President
Jeff Zucker, Sorkin apologized, but later said, "there should be a difference between what NBC News does and what
The West Wing TV series does." Sorkin wrote 87 screenplays for
The West Wing, which is nearly every episode during the show's first four Emmy-winning seasons. Sorkin described his role in the creative process as "not so much [that of] a
showrunner or a producer. I'm really a writer." Sorkin never watched any episodes beyond his writing tenure apart from a minute of the fifth season's first episode, describing the experience as "like watching somebody make out with my girlfriend." Sorkin later returned in the series finale for a
cameo appearance as a guest at the inauguration of Matthew Santos.
Studio 60 on the Sunset Strip , November 2007 In 2005, Sorkin returned to theatre; he revised his play
A Few Good Men for a production at London's
West End. The play opened at the
Theatre Royal Haymarket in the fall of the same year and was directed by
David Esbjornson, with
Rob Lowe of
The West Wing in the lead role. Sorkin told
The Charlie Rose Show that he was developing a television series based on a late-night sketch comedy show similar to
Saturday Night Live. In October 2005, a pilot script dubbed
Studio 7 on the Sunset Strip, written by him and Schlamme as producer, started circulating in Hollywood and online. In that same month, NBC bought the rights from
Warner Bros. Television to air the series on their network for a near-record license fee after a bidding war with CBS. The show's name was later changed to
Studio 60 on the Sunset Strip. Sorkin described the show as having "autobiographical elements" to it and "characters that are based on actual people" but said that it departs from those beginnings to look at the backstage maneuverings at a late night
sketch comedy show. On September 18, 2006, the
pilot for
Studio 60 aired on NBC, directed by Schlamme. The pilot was critically acclaimed and viewed by an audience of over 12 million, but the show experienced a significant drop in viewership mid-season. Even before the first episode aired, there was a large amount of thoughtful and scrupulous criticism in the press, as well as negative analysis from
bloggers. In January 2007, Sorkin spoke out against the press for reporting heavily on the low ratings, and for using blogs and unemployed comedy writers as sources. After two months hiatus,
Studio 60 resumed airing the last episodes of season one, which would be its only season.
The Farnsworth Invention As early as 2003, Sorkin was writing a
spec script about inventor
Philo Farnsworth; he was approached by producer
Fred Zollo in the 1990s about adapting Elma Farnsworth's memoir into a
biographical film. The following year, he completed the film screenplay,
The Farnsworth Invention, which was acquired by
New Line Cinema with Schlamme as director. The story is about the
patent battle between Farnsworth and
RCA tycoon
David Sarnoff for the technology that allowed the first television transmissions in the United States. No additional details were released about the film. Shortly, Sorkin was contacted by Jocelyn Clarke of the
Abbey Theatre in
Dublin, requesting he write a play for them, a commission which he accepted. Sorkin decided to rewrite
The Farnsworth Invention as a play. The production opened under La Jolla's signature
Page To Stage program which allowed Sorkin and director
Des McAnuff to develop the play from show-to-show according to audience reactions and feedback; the play ran from February 20, 2007, through March 25, 2007. A Broadway production followed soon after, beginning in
previews, and opening on November 14, 2007; however, the play was delayed by the
2007 Broadway stagehand strike.
The Farnsworth Invention eventually opened at the Music Box Theatre on December 3, 2007, and closed on March 2, 2008.
2007–2015: Return to film and The Newsroom at the Screenwriting Expo, 2008|alt=|left In 2004, Sorkin was commissioned by
Universal Pictures to adapt
George Crile's non-fiction book ''
Charlie Wilson's War'' for
Tom Hanks' production company
Playtone. The biographical comedy, ''
Charlie Wilson's War,'' is about the colorful Texas congressman
Charlie Wilson who funded the
CIA's secret war against the former
Soviet Union in Afghanistan. Directed by
Mike Nichols, and written by Sorkin, the film was released in 2007 and starred Tom Hanks,
Julia Roberts and
Philip Seymour Hoffman. The film earned five nominations at the Golden Globes, including
Best Screenplay for Sorkin. In August 2008, Sorkin announced that he had agreed to write a script for
Sony Pictures and producer
Scott Rudin about the beginnings of
Facebook.
David Fincher's
The Social Network, based on
Ben Mezrich's non fiction book
The Accidental Billionaires, was released on October 1, 2010. It was a critical and commercial success; Sorkin won an
Academy Award,
BAFTA and a Golden Globe for the screenplay. A year later, Sorkin received nominations in the same award categories for co-writing
Moneyball. It is based on
Michael Lewis's 2003 non-fiction
book of the same name, an account of the
Oakland Athletics baseball team's
2002 season and their general manager
Billy Beane's attempts to assemble a competitive team. The film was directed by
Bennett Miller, and starred
Brad Pitt,
Jonah Hill, and
Philip Seymour Hoffman. Peter Travers of
Rolling Stone called the script "dynamite", in which Sorkin's "sharply witty touch is everywhere". In 2011, Sorkin played himself on the series
30 Rock, episode "
Plan B", where he did a "walk and talk" with
Liz Lemon played by
Tina Fey. While still working on the screenplay for
The Social Network, Sorkin was contemplating a television drama about the behind-the-scenes events at a
cable news program. Talks had been ongoing between Sorkin and
HBO since 2010. To research the news industry, Sorkin observed the production crew at
MSNBC's
Countdown with Keith Olbermann, and quizzed
Parker Spitzers staff. He also spent time shadowing
Hardball with Chris Matthews, as well as other programs on
Fox News and
CNN. Sorkin told
TV Guide that he intended to take a less cynical view of the media: "They're going to be trying to do well in a context where it's very difficult to do well when there are commercial concerns and political concerns and corporate concerns." Sorkin decided that rather than have his characters react to fictional news events as on his earlier series, it would be set in the recent past and track real-world stories largely as they unfolded, to give a greater sense of realism.HBO ordered a pilot episode in January 2011 with the working title
More as This Story Develops, with Scott Rudin serving as an executive producer. A day after the second episode aired, HBO renewed the series for a second season. Sorkin said
The Newsroom "is meant to be an idealistic, romantic, swashbuckling, sometimes comedic but very optimistic, upward-looking look at a group of people who are often looked at cynically. The same as with
The West Wing, where ordinarily in popular culture our leaders are portrayed either as Machiavellian or dumb; I wanted to do something different and show a highly competent group of people." The series concluded after its third season. In 2015,
Danny Boyle's biographical drama
Steve Jobs was released. The screenplay by Sorkin was based on
Walter Isaacson's biography of
Steve Jobs, and starred
Michael Fassbender as Jobs,
Kate Winslet as
Joanna Hoffman,
Jeff Daniels as
John Sculley, and
Seth Rogen as
Steve Wozniak. Sorkin expressed hesitation for tackling the film, saying "it was a little like writing about the Beatles—that there are so many people out there who know so much about him [Jobs] and who revere him that I just saw a minefield of disappointment. [...] Hopefully, when I'm done with my research, I'll be in the same ball park of knowledge about Steve Jobs". He won a Golden Globe Award for
Best Screenplay, although some journalists were surprised that he did not receive an Academy Award nomination in the same category.
2016–present: Film directing debut and Broadway work To Kill a Mockingbird and Camelot In February 2016, it was announced that Sorkin would adapt
Harper Lee's
To Kill a Mockingbird for the stage, reuniting with
Jeff Daniels, who would portray
Atticus Finch. This would be Sorkin's first collaboration with director
Bartlett Sher. His
Broadway adaptation opened on December 13, 2018, to positive reviews at the
Shubert Theatre. It was announced that Sorkin would be reuniting with Sher to write a revised book for the Broadway revival of the
Lerner and Loewe musical
Camelot starring
Phillipa Soo and
Andrew Burnap. The production was set to begin at
Lincoln Center's
Vivian Beaumont Theater on November 3, 2022, but was moved back to April 13, 2023.
Work as film director Sorkin made his directorial debut with ''
Molly's Game'', an adaptation of entrepreneur
Molly Bloom's memoir. He also wrote the script for the film, which starred
Jessica Chastain and
Idris Elba. Production began in 2016 and the film was released in December 2017 to mostly positive reviews; Sorkin received his third Academy Award nomination for Best Adapted Screenplay. On review aggregator
Rotten Tomatoes, ''Molly's Game'' garnered an approval rating of 81% based on 297 reviews, with an average rating of 7.07/10. Sorkin told
Vanity Fair in July 2020 that Steven Spielberg offered him a job in 2006 about "a movie about the
riots at the 1968 Chicago Democratic Convention and
the trial that followed". However, after meeting at Spielberg's home, Sorkin said, "I left not knowing what the hell he was talking about." In March 2010, Sorkin's agent,
Ari Emanuel, had stated that the project was proving "tough to get together". In late July 2013, it was announced that
Paul Greengrass would be directing, but Sorkin eventually both wrote and directed the film. Focusing on the
Chicago Seven (and
Bobby Seale), the film began a
limited release on September 25, 2020, before streaming on
Netflix. At the
78th Golden Globes, Sorkin won Best Screenplay, and was nominated for Best Director. In September 2015,
Entertainment Weekly reported that Sorkin was writing a
biopic that would focus on the twenty-year marriage of
Lucille Ball and
Desi Arnaz, and their work on a comedy series,
I Love Lucy.
Cate Blanchett was originally to star as Ball. In 2017,
Amazon Studios acquired the rights to the film. In January 2021, it was announced that Blanchett had been replaced by
Nicole Kidman, and
Javier Bardem had been cast as Desi Arnaz. Titled
Being the Ricardos (2021), it was directed by Sorkin and received a limited theatrical release on December 10, 2021, before streaming on
Prime Video on December 21. Paul Byrnes of
The Sydney Morning Herald praised the film's dialogue, while the critic from
The Irish Times opined that the film lacked "spark or insight". ==Prospective projects==