Space: 1999

in the Mare Imbrium, the location of Moonbase Alpha in the series The premise of Space: 1999 centres on the plight of the inhabitants of Moonbase Alpha, a scientific research centre located within the crater Plato in the Moon's northern hemisphere. The runaway Moon, in effect, becomes the "spacecraft" on which the protagonists travel, searching for a new home. Not long after leaving Earth's Solar System, the wandering Moon passes through a black hole and later through a couple of "space warps" which push it even further out into the universe. During their interstellar journey, the Alphans encounter an array of alien civilisations, dystopian societies, and mind-bending phenomena previously unseen by humanity. Several episodes of the first series hinted that the Moon's journey was influenced, and perhaps initiated by, a "mysterious unknown force" which was guiding the Alphans toward an ultimate destiny. The second series used simpler action-oriented plots. The first series of Space: 1999 used a "teaser" introduction, sometimes called a "hook" or "cold open". This was followed by a title sequence that managed to convey prestige for its two main stars, Landau and Bain, both billed as 'starring', and to give the audience some thirty-plus fast-cut shots of the forthcoming episode. This opening sequence also duplicated that of Landau and Bain's previous television series, Mission: Impossible. The second series eliminated this montage. The programme had four ten-to-twelve minute long acts, allowing for commercial breaks in North America. It finished with a short, and, in the second series, often light-hearted epilogue scene. == Cast ==

The headline stars of Space: 1999 were American actors Martin Landau and Barbara Bain, who were married to each other at the time and had previously appeared together in Mission: Impossible. To appeal to the American television market and sell the series to one of the major American networks, Landau and Bain were cast at the insistence of Lew Grade over the objections of Sylvia Anderson, who wanted British actors. Also appearing as regular cast members were the Canadian-based British actor Barry Morse (as Professor Victor Bergman in the first series) and Hungarian-born, American-raised Catherine Schell, as the alien Maya in the second series. Before moving into the role of Maya during the second series, Catherine Schell had guest-starred as a different character in the Year One episode "Guardian of Piri". The programme also brought Australian actor Nick Tate to public attention. Roy Dotrice appeared in the first episode as Commissioner Simmonds and at the end of the episode it appeared that he would be a regular character. By the second (transmitted) episode the character vanished, reappearing partway through the first series in the episode "Earthbound", his only other appearance on the show, in which it is implied that he dies from asphyxia inside an alien spacecraft. Over its two series, the programme featured guest appearances from Christopher Lee, Margaret Leighton, Joan Collins, Jeremy Kemp, Peter Cushing, Judy Geeson, Julian Glover, Ian McShane, Leo McKern, Billie Whitelaw, Richard Johnson, Patrick Troughton, Peter Bowles, Sarah Douglas, David Prowse, Isla Blair, Stuart Damon, Peter Duncan, Lynne Frederick, Vicki Michelle and Brian Blessed. (Blair, Damon and Blessed each appeared in two episodes portraying different characters.) Main cast list == Production ==

Conception and development Space: 1999 was the last in a long line of science-fiction series that Gerry and Sylvia Anderson produced as a working partnership, beginning with Supercar in the early 1960s. In 1972, Sir Lew Grade, head of ITC Entertainment, proposed financing a second series of the Century 21 production UFO to show-runners Gerry and Sylvia Anderson. Grade had one stipulation: the new series would be set primarily on the Moon within the environs of an expanded SHADO Moonbase; the ratings indicated the Moon-centric episodes had proved the most popular with audiences. The Andersons and their team revamped the production, flashing ahead nearly twenty years for UFO: 1999 with Commander Ed Straker and the forces of SHADO fighting their alien foes from a large new Moonbase facility. Space: 1999 owes much of its visual design to pre-production work for the never-made second series of UFO. Toward the end of its run, UFO experienced a drop in ratings in both the US and the UK; ITC executives in both countries began to question the financial viability of the new series, and support for the project collapsed. In the meantime, production designer Keith Wilson and the art department had made considerable progress in envisioning the look and design of the new series. Their work was shelved for the foreseeable future. Anderson would not let the project die; he approached Grade's number two in New York, Abe Mandell, with the proposal for taking the research and development done for UFO: 1999 and creating a new science fiction series. Mandell was amenable, but stated he did not want a series set featuring people "having tea in the Midlands" and forbade any Earth-bound settings. Anderson responded that in the series opener, he would "blow up the Earth". Mandell countered that this concept might be off-putting to viewers, to which Anderson replied he would "blow up the Moon". The Andersons reworked UFO: 1999 so that the separation of Moon and Earth is caused by a nuclear accident rather than alien involvement. Group Three Productions, a partnership of the Andersons and production executive Reg Hill, was to produce the series; ITC Entertainment and Italian broadcaster RAI were to provide the funding. Grade, aiming for a US network sale, insisted the series have American leads and employ American writers and directors. George Bellak, a well-known American television writer, was brought on staff. As stated by series writers Christopher Penfold and Johnny Byrne, it was Bellak who created and polished the series' defining concepts. Bellak wrote a ninety-minute opening episode titled "The Void Ahead", which was a close forerunner of "Breakaway". Bellak also set up a writers' guide defining the three leads, the facilities of the Moonbase and potential storylines. For the lead characters of John Koenig and Helena Russell, Gerry Anderson approached the husband-and-wife acting team of Martin Landau and Barbara Bain. Landau and Bain were high-profile stars in America after three years in the popular CBS espionage series Mission: Impossible. Producer Sylvia Anderson would have preferred British lead actors; since Grade insisted on Americans, she would have chosen Robert Culp (star of the 1960s espionage series I Spy) and Katharine Ross (co-star of 1960s blockbuster movies The Graduate and Butch Cassidy and the Sundance Kid). Speaking about the show in 2010, Bain reflected: "We had some very good science fiction people as advisors who knew what they were talking about. For instance, they knew that sound up there wouldn't travel, and it would just be quiet up there. But then we wouldn't have a series, so we couldn't do that. There were various considerations that had to be made, but they were based on what is, or what was, known at the time." Special effects, design and music The show's vehicles, including the Eagle space shuttle and the Moon Buggy, were represented with a mixture of full-sized props, photographic blow-ups, and detailed scale models. Dozens of models for the various alien spaceships and the Mark IX Hawk from the "War Games" episode were built by model maker Martin Bower. The programme's special effects director Brian Johnson had previously worked on both Thunderbirds (as Brian Johncock) and 2001: A Space Odyssey (1968). Rather than relying on the expensive and time-consuming blue screen process, as for Star Trek, Johnson's team often employed a technique that went back to the earliest days of visual effects: spacecraft and planets would be filmed against black backgrounds, with the camera being rewound for each successive element. As long as the various elements did not overlap, this produced convincing results. In technical terms, the advantage was that all of the elements were recorded on the original negative, as opposed to blue screen, which would have involved several generations of duplication. Another benefit was that the camera's exposed negative contained completed effects thereby avoiding the costs of the blue screen "optical" technique. The disadvantage was that the number of possible angles was more limited. For instance, a spaceship could be seen approaching a planet from the side, but could not move in front of it without the elements overlapping. The Moonbase interiors were also upgraded for the second year, with the existing stock of wall panels, doors, and computer panels (along with some bits from other Anderson productions) being assembled for the first time—on Stage L—into a standing complex of interconnected sets (the first series' sets had been assembled as needed and the size of the Main Mission/Command Office complex was prohibitive for the construction of a lasting series of rooms). As the November 1973 start date approached, George Bellak fell out with Gerry Anderson over creative issues and left the production. Story consultant Christopher Penfold acted as head writer, bringing in American writer Edward di Lorenzo and Irish poet Johnny Byrne as script editors. Penfold reworked Bellak's opening episode into a one-hour draft first re-titled "Turning Point", then finalised as "Breakaway". Lee Katzin was a perfectionist and demanded take after take of scenes; even coverage of reaction shots of the background extras required running a whole scene from beginning to end. His two-hour director's cut was assembled and sent to ITC New York for a viewing. Abe Mandell was horrified by the finished product. Anderson re-wrote several key scenes and, after three days of re-shoots, re-edited the pilot into a one-hour episode that appeased the fears of ITC. Katzin was not asked back to the programme after the filming of his second episode "Black Sun", which also ran over schedule. Scheduled for a twelve-month shoot, the twenty-four episodes took fifteen months to complete, with the production experiencing a number of difficulties. Britain's mandatory three-day work week in the early months of 1974 and the unplugging of the National Grid during the coal shortages due to industrial unrest of the early 1970s did not delay filming, for Pinewood had its own generators, but it affected film processing because the lab was an off-site contractor. With Bergman gone, the role of the scientist on Alpha was filled by Maya, whose people's science was far in advance of mankind's. Her character was conceived to provide "outside observation of human behaviour" as had been provided by the character of Mr. Spock on Star Trek. Maya shared Spock's logical approach to problem-solving and advanced intelligence, but differed in that she was a charming, fully emotional person. Koenig and Russell went from a barely noticeable courtship to a physically passionate, full-fledged romance, in which the devotion ran so deep that they offered to die for each other ("Brian the Brain"). To keep the budget and filming schedule under control, Freiberger opted not to rehire any of the cast apart from Landau, Bain, and Morse, offering the rest appearances on an episode-by-episode basis only, with no series contract. Freiberger emphasised action-adventure in Year Two stories to the exclusion of metaphysical themes explored in Year One. Of Year One, he commented, "They were doing the show as an English show, where there was no story, with the people standing around and talking. In the first show I did, I stressed action as well as character development, along with strong story content, to prove that 1999 could stand up to the American concept of what an action-adventure show should be." Members of the Space: 1999 cast were disenchanted with the scripts. Martin Landau said: "They changed it because a bunch of American minds got into the act and they decided to do many things they felt were commercial. Fred Freiberger helped in some respects, but, overall, I don't think he helped the show, I think he brought a much more ordinary, mundane approach to the series." Byrne, who was contracted to write three episodes for series two, said of Freiberger, "I got along very well with him. But it was clear that we were in different universes as far as stories were concerned." An article regarding a third series was printed in the trade papers: "Now entrenched in its successful second season boom, ITC is looking forward to a third season with more fantastic events and additions, although mum's the word at the studio. They will only say that Maya and Miss Schell will be kept in and that the budget may be raised again, but that's all until final preparations and an official announcement are made." Cancelled series 3 The producers and studio intended to continue the show with a third series. This was to be shorter than the previous two, with 13 episodes, for budget reasons. Maya was considered to be a successful character, and the producers began grooming her for a spinoff show. The "Maya" series was also intended to run for 13 episodes a year. == Broadcast history ==

United Kingdom The series premiered in September 1975, on the ITV network but was not broadcast nationally at the same time (this remained the case until a repeat airing on BBC Two in 1998). Most ITV regions (including Yorkshire, Grampian, Ulster, Scottish, Border, ATV, and Tyne Tees) premiered the series on Thursday, 4 September 1975 in a 7.00 pm slot. London Weekend Television (LWT) and Anglia screened the first episode two days later on Saturday, 6 September at 5.50 pm. The Granada region began showing the series on Friday, 26 September 1975, initially at 7.35 pm before moving to 6.35 pm a few weeks later. The HTV region did not begin showing the series until October 1975, again in an early Friday evening slot. However, within a few weeks, various stations had moved the series elsewhere in their schedules. The second series premiered on LWT in a non-prime-time slot on Saturday, 4 September 1976 at 11.30 am, with ATV following on just a few hours later at 5.40 pm. Westward and Ulster started to screen the series in early 1977, while Grampian and Tyne Tees did not screen the series until later in the year. After showing some reruns from the first series on Sunday afternoons in early 1977, Granada began showing the second series on Friday, 15 April 1977 at 7.30 pm, but by June the series was moved back to Sunday afternoons. Scottish started to screen the series on 9 April 1978 on Sunday afternoons. HTV did not pick the second series up until 1984 and then only showed nineteen out of the twenty-four episodes (the last episodes were not screened in Wales until the series was repeated in the 1990s). Southern Television was the other ITV region known not to have broadcast series two. Even its successor broadcaster, Television South, failed to screen any series two episodes when Space: 1999 was reshown in other ITV regions between 1982 and 1985. In 1998, the entire series was reshown on BBC Two, which was the first time the show had been simulcast nationally in the UK. The series concluded, aptly, in 1999. After several reruns in the 2000s on ITV4, followed by runs on the Legend channel and the now defunct ForcesTV channel, as well as being added to the BritBox streaming service, the series became available for free in the UK on ITVX from January 2023. United States In the United States, efforts to sell the series to one of the three networks for the 1974–75 or 1975–76 television seasons failed. The networks were uninterested in a project over which they had no creative control, being presented with twenty-four completed episodes. Abe Mandell of ITC had secured a handshake agreement with a network executive in 1974, but after the man's termination, all his projects were abandoned. While most of these were independent (such as WPIX in New York City, KHJ-TV in Los Angeles, WGN-TV in Chicago and WDRB-TV in Louisville), a handful were affiliated with the major networks (such as then-NBC affiliate WSOC-TV in Charlotte and then-CBS affiliate KFSN-TV in Fresno, California) and sometimes pre-empted regular network programming to show episodes of the series. Most US stations broadcast episodes in the weekday evening hour just before prime time or on weekends. ABC affiliate WCVB-TV in Boston, as well as NBC affiliate KPRC-TV in Houston both aired the first series in prime time, bumping the network shows to other time slots. Footage of a spacecraft flying over Moonbase Alpha from the series 1 episode "The Last Enemy" was later reused to depict a future civilisation in the Wonder Woman episode "Time Bomb," first broadcast on 10 November 1978. In August 2018, Comet announced it would be airing both series beginning in September. Canada In Canada, CBC Television was the broadcaster of Space: 1999 from 1975 into the 1980s. The first series in 1975–76 was shown regionally on some CBC-owned-and-operated stations, the airtime varying. With the start of the second series in September 1976, CBC Television upgraded Space: 1999 to full-network status, airing it Saturdays on all CBC-owned-and-operated stations, with affiliated, privately owned stations also offering the show on Saturdays. Most of the country saw Space: 1999 at 5 p.m. on Saturdays, a notable exception being the Atlantic Provinces in which it was broadcast at 6 or 6:30 p.m. or – as was the case in the summers – sometime earlier in the afternoon to accommodate live sports coverage, the airing of which crossed into or totally over the usual Space: 1999 airtime. After the 1976–77 broadcast year (in which second-series episodes were run and rerun), the show's ratings were sufficiently high for CBC Television to give the first series a full-network airing – and with further repeats – from 1977 to 1978. The French-language CBC Television, Radio-Canada, showed Cosmos: 1999 several times (both series) between 1975 and 1980, first on Mondays (1975–1976), then on Saturdays (1976–1977), then on Mondays (1979), and finally on Wednesdays (1979–1980). The series fared admirably on CBC in Canada, airing in English in a family viewing period, late Saturday afternoons before hockey broadcasts, with a mostly undisrupted run and rerun of all 24 episodes from September 1976 through September 1977. The French version was also broadcast, in early evening on Saturdays. Ratings were sufficient for a full additional year's transmission of Year One in the English CBC Saturday programming slot in 1977 and 1978. Episodes of both Year One and Year Two were repeated regionally in Canada in English and French through the early-to-mid-1980s. YTV Canada broadcast both series with reportedly good ratings from 1990 to 1992, in a late Saturday afternoon airtime closely matching that of the CBC English network in the 1970s. The full-network English CBC airing began with the series opener, "Breakaway", on 11 September 1976, then "The Metamorph", the Year Two opener, on 18 September. "The Exiles", "Journey to Where", "The Taybor", and "New Adam, New Eve" followed respectively in the subsequent weeks. Next were "The Mark of Archanon", "Brian the Brain", "The Rules of Luton", "The AB Chrysalis", "Catacombs of the Moon", and "Seed of Destruction". "Seed of Destruction" aired on 27 November, and then with December there came a month of repeats. And after a pre-emption for New Year's Day sports, new episodes resumed airing on 8 January 1977 with "A Matter of Balance", followed by "The Beta Cloud", "One Moment of Humanity", "The Lambda Factor", "All That Glisters", and "The Seance Spectre". The two-part episode, "The Bringers of Wonder", was shown on 19 and 26 February. And then "Dorzak", "The Immunity Syndrome", "Devil's Planet", and "The Dorcons" followed in March. "Space Warp" would not be shown until 21 May, after many weeks of repeats. By 10 September 1977, except for "The Exiles", all of the second-series episodes had been repeated. And thereafter, a 1977–1978 run of first-series episodes began with "War Games" on 17 September. Other markets It was shown in Italy as Spazio 1999; Argentina, Uruguay, Puerto Rico, Dominican Republic, Guatemala, francophone Canada, and France as Cosmos: 1999; Denmark as Månebase Alpha; Brazil and Portugal as Espaço: 1999; Germany as Mondbasis Alpha 1; Sweden as Månbas Alpha; Poland as Kosmos 1999 (1977–1979); Finland as Avaruusasema Alfa; Greece as Διάστημα 1999; Hungary as Alfa Holdbázis; Spain, Chile, Venezuela, and Colombia as Espacio: 1999; Mexico as Odisea 1999; Iran as 1999:فضا; Turkey as Uzay 1999, and South Africa as Alpha 1999 (1976, dubbed into Afrikaans). The series was also broadcast in the Netherlands, Belgium, New Zealand and Australia. On 30 October 2022, RAI and ITV Studios (successor of the former ITC) jointly released a restored version of the series on RaiPlay in Italy. The first episode was presented to the public at Lucca Comics & Games the previous day. In Finland the first series was originally aired by the commercial MTV (Mainostelevisio) channel in 1976 (at the time, it timeshared with the two YLE channels, the series first aired on Yle TV1 but moved to Yle TV2 after a few episodes), but it was withdrawn after twelve episodes, on demand of the national programme board, as the show was considered too brutal and horrifying. The same thing happened when MTV tried to air the second series in 1978 (this time, only eight episodes). The complete show was not seen in Finland until 1996–1997 when a small local channel, TV-Tampere, aired it. Since then it aired on TVTV! in 2000 and 2001, and later on MTV3 Scifi in 2008. ==Reception==

Response to the series varied: some critics praised it as a classic, citing the production values and multi-layered storytelling ("Space: 1999 is like Star Trek shot full of methedrine. It is the most flashy, gorgeous sci-fi trip ever to appear on TV..." and "Space: 1999 is a visually stunning, space-age morality play..."); others panned it for poor plotting and wooden acting, especially on the part of Barbara Bain ("the plots and characterisation on Space: 1999 have been primitive..." and "A disappointing collage of wooden characters, boring dialogue and incomprehensible plots..."). An impressed Stephen Earll wrote in the San Antonio Express, "If the first episode of the new Space: 1999 series is an overall indication of quality, devoted Star Trek followers will probably make an enthusiastic switch." Asimov's responses were based on the pilot episode only. Subsequent episodes (such as "Black Sun", third in production order, and "Another Time, Another Place", sixth in production order) suggest the Moon reaches the stars by passing through wormholes and hyperspatial tunnels, a plot point made more overt in the second series' episodes, notably "The Taybor" and "Space Warp". In the 28 February 1976 edition of TV Guide, critic Cleveland Amory panned the series. In his review he noted, "[T]here was practically no dialogue for quite a while, which, in view of what was to come, was a terrific idea. Then came lines like... 'We're sitting on the biggest bomb ever made.' In a show like this, that's one line they should have avoided at any price." He criticised the acting, saying, "The special effects are good, but the actors are awful, even Martin Landau and Barbara Bain, whom you will remember from Mission: Impossible; and Barry Morse, of The Fugitive. Miss Bain's part is the zombiest, which is some distinction, as the cast is huge." In an extensive article on Space: 1999, Michael Jahn recounted a conversation with Star Treks story editor D. C. Fontana: "According to [Fontana], 1999 suffers from the same problem problem its makers had with UFO. The technical effects are excellent, but they don't create people you care about." Reviewing the show as a whole, science fiction historian John Clute described Space: 1999 as "visually splendid" but criticised what he regarded as the show's "mediocre acting" and "rotten scripts". == Home video releases ==

Space: 1999s first home video releases were in the 1980s, when a number of compilation films were issued on VHS in the UK and US markets. The following decade, these were followed by VHS releases of the whole series in its original format. United Kingdom The full series was released on home video in the 1990s, with each cassette (or "volume") featuring two episodes. In 2001, it was released on DVD in the UK by Carlton Media, both in single disc volumes (each volume contained four episodes) and also as two complete series boxed sets (titled as "Year One" and "Year Two") comprising six discs each. Each DVD also contained various extra features, including a variety of archive production material, memorabilia, and interviews with the cast and crew from the time the series was being made. In 2005, Network re-issued Year One in the UK as a Special Edition seven-DVD boxed set. For this release, to coincide with the series' 30th Anniversary, each episode was digitally restored by creating new 35 mm film elements (a new interpositive made from the original negative which is then used to make further copies). High Definition digital transfers were then made from the interpositives using a state-of-the-art Philips Spirit DataCine. This vastly improved the picture quality in comparison to the previous DVD releases. However, the restoration process has actually made some of the space scenes (that involve special effects and model work) less realistic due to increased brightness and contrast. This boxed set also included two booklets and a new set of extra features that were not on the Carlton DVD releases, including featurettes on "Concept & Creation" and "Special Effects & Design" (edited from an earlier Fanderson documentary made in 1996), textless and alternative opening and closing title sequences, a two-part Clapperboard special on Gerry Anderson from 1975, and also a brand new 70-minute documentary entitled "These Episodes" in which Anderson, Christopher Penfold, Johnny Byrne, Zienia Merton and David Lane reflect on the making of key episodes from the first series. Network released Year One on Blu-ray in the UK on 1 November 2010, in full high definition (1080p), and simultaneously re-released their Special Edition DVD boxed set of Year One with new cover artwork at the same time. The Blu-ray set includes all of the extras on the 2005 Network DVD release as well as some of the extras that were on the 2001 Carlton DVD release (including a Lyons Maid ice-lolly commercial, and an SFX segment from the British documentary series Horizon). It also includes several new extras including a "Memories of Space" featurette, a Sylvia Anderson interview (in which she frankly discusses the series and her thoughts about Landau and Bain), an expanded version of the "These Episodes" documentary from the DVD set, several PDF files containing scripts and annuals, an extensive set of photo galleries with hundreds of stills, and the first episode of Year Two, "The Metamorph", in digitally restored hi-definition. Network DVD began a similar restoration process for Year Two in 2007. However, progress was slow due to higher production costs in comparison to remastering Year One. (The audio for Year One had already been digitised prior to Network's restoration, but Year Two's had not). In late 2014, Network finally announced that Year Two would be released in 2015. As part of this announcement, Network released a limited edition (of 1999 copies) of a special preview disc of the two-part story "The Bringers of Wonder" on 8 December 2014. This release also contains a restored version of the feature length Destination: Moonbase Alpha film. The remastered Year Two was eventually released on Blu-ray and DVD in September 2015, to coincide with the series' 40th Anniversary. Again containing a wealth of extra features, the sets include galleries, vintage interviews, a blooper, behind the scenes footage, original source audio recordings, scripts and annuals PDF files, a stock footage archive, a textless opening title sequence, trailers and promos, "music only" options for all episodes, a stop-motion fan film from 1979, and a specially re-edited/rescored version of the episode "Seed of Destruction" as if it were made for Year One. United States In the mid-1990s, the series was partially available on VHS tapes through the Columbia House subscription service. A total of 10 tapes were released, with 2 episodes per tape, one each from Series 1 and Series 2. A&E Home Video (under licence from Carlton International Media Limited) has released the entire series on DVD in Region 1. It was initially released in 8 sets with 6 episodes each in 2001 and 2002. On 24 September 2002, a 16-disc "Mega Set" boxed set featuring all 48 complete, uncut, original broadcast episodes of the series was released. On 31 July 2007, A&E released Space: 1999 – Complete Series, 30th Anniversary Edition. This is essentially the same as the 2002 "mega set" release (and does not use the 2005 hi-def remasters), but does includes a special bonus disc full of extra features. Year One was released on Blu-ray in the US on 2 November 2010 by A&E Home Entertainment, with new High-Definition restored transfers and a newly remastered 5.1 DTS-HD MA surround sound re-mix. In July 2019, Shout Factory released both series of Space: 1999 on Blu-ray using restored and remastered HD transfers and remastered 5.1 DTS-HD MA surround sound re-mix. ==Revival attempts==

In the late 1990s, Johnny Byrne and Christopher Penfold attempted to revive the franchise as a film series, similar to the way Star Trek had been revived cinematically in the late 1970s. The first film would have picked up the story several years after the series ended, and would have featured a heavily redesigned Moonbase Alpha. Ultimately, the project failed. In February 2012, a new series, provisionally titled Space: 2099, was announced as a reboot of the original. It was planned to be made by ITV Studios America in conjunction with HD Films. On 15 August 2018, Brian Johnson, special effects director for the original series, announced that the reboot was on track for production in the UK, pending "confirmation of the deal". The series remains unmade. == Other media ==

The series has been adapted into other media, including episode novelisations and original novels, audio plays, comic books, compilation films and toys and games. In the 1970s and 1980s, a number of episode compilations, some re-edited with original material, were produced for TV syndication and foreign theatrical release. The year 1999 saw the release of a fan-made short film, Message from Moonbase Alpha. Written by series script editor Johnny Byrne and featuring Zienia Merton reprising the role of Sandra Benes, this production is set many years after the TV episodes and serves as an epilogue to the series. From 2019 to 2023, Big Finish Productions released a series of Space: 1999 audio dramas. ==See also==