Remnants of Megalithic and Celtic paganism Although the earliest evidence of Christian worship in Asturias dates from the 5th century,
evangelisation did not make any substantial progress until the middle of the sixth century, when hermits like
Turibius of Liébana and monks of the Saint Fructuoso order gradually settled in the Cantabrian mountains and began preaching the Christian doctrine. Christianisation progressed slowly in Asturias and did not necessarily supplant the ancient pagan divinities. As elsewhere in Europe, the new religion coexisted syncretically with features of the ancient beliefs. In the sixth century, bishop San Martín de Braga complained in his work
De correctione rusticorum about the Galician peasants being attached to the pre-Christian cults: "Many demons, who were expelled from the heavens, settled in the sea, in the rivers, fountains and forests, and have come to be worshipped as gods by ignorant people. To them they do their sacrifices: in the sea they invoke Neptune, in the rivers the Lamias; in the fountains the Nymphs, and in the forests Diana." is still very important in Asturian folklore, where it stands as a link to the
afterlife and is commonly found planted beside churches and cemeteries. In the middle of the Sella valley, where
Cangas de Onís is located, there was a dolmen area dating back to the
megalithic era, and was likely built between 4000 and 2000 BC. Chieftains from the surrounding regions were ritually buried here, particularly in the Santa Cruz dolmen. Such practices survived the Roman and Visigothic conquests. Even in the eighth century, King Favila was buried there, along with the bodies of tribal leaders. Although the Asturian monarchy fostered the Christianisation of this site, by constructing a church, to this day there are still pagan traditions linked with the Santa Cruz dolmen. It is said that
xanas (Asturian fairies) appear to visitors, and magical properties are ascribed to the soil of the place. According to an inscription found in the Santa Cruz church, it was consecrated in 738 and was presided by a
vates called Asterio. The word
vates is uncommon in Catholic documents and epitaphs, where the word
presbyterus (for Christian priests) is preferred. However,
vates was used in Latin to denote a poet who was clairvoyant, and according to the Ancient Greek writers
Strabo,
Diodorus Siculus, and
Posidonius, the
vates (ουατεις) were also one of three classes of Celtic priesthood, the other two being the druids and the bards. Some historians think that Asterio held a religious office which combined elements of paganism and Christianity, while others think he may be linked to the Brythonic refugees that settled in
Britonia (Galicia) in the 6th century. The
Parrochiale Suevorum, an administrative document from the
Kingdom of the Suebi, states that the lands of Asturias belonged to the Britonian See, and some features of
Celtic Christianity spread to Northern Spain. This is evidenced by the Celtic
tonsure, which the Visigothic bishops who participated in the
Fourth Council of Toledo condemned. Still extant Galician legends relate to monks who travelled by sea to the Paradise Islands, like those of
Saint Amaro,
Trezenzonio or
The Legend of Ero of Armenteira. These stories have many parallels with those of
Brendan the navigator,
Malo of Wales, and the stories of the Irish
immrama. Asturian kings promoted Christianity and but also based their power on indigenous religious traditions, like other medieval European kings such as
Penda of Mercia or
Widukind, but also relied on Christian sacred scriptures (in particular, the books of
Revelation,
Ezekiel and
Daniel) and the
Church Fathers. These furnished the new monarchy with its foundational myths. They did not need to draft new laws since the
Visigothic Code was the referential code, at least since the arrival of new influences including exiles, prisoners from the central area of al-Andalus in the 770s along with their mixed Berber-Arabic and Gothic legacy. This combined with governmental and religious ideas imported from
Charlemagne's Frankish Kingdom (
Alcuin-
Beatus of Liébana).
Adoptionism The foundations of
Asturian culture and that of Christian Spain in the
High Middle Ages were laid during the reigns of
Silo and Mauregatus, when the Asturian kings submitted to the authority of the
Umayyad emirs of the
Caliphate of Córdoba. The most prominent Christian scholar in the Kingdom of Asturias of this period was Beatus of Liébana, whose works left an indelible mark on the Christian culture of the Reconquista. . Beatus was directly involved in the debate surrounding adoptionism, which argued that
Jesus was born a man, and was adopted by God and acquired a divine dimension only after his
passion and
resurrection. Beatus refuted this theological position, championed by such figures as
Elipando, bishop of
Toledo. The adoptionist theology had its roots in Gothic
Arianism, which denied the divinity of Jesus, and in
Hellenistic religion, with examples of heroes like
Heracles who, after their death attained the
apotheosis. Likewise, as Elipandus's bishopric of Toledo was at the time within the Muslim Caliphate of Cordoba, Islamic beliefs which acknowledged Jesus as a Prophet, but not as the Son of God, influenced the formation of adoptionism. However, the adoptionist theology was opposed strongly by Beatus from his abbey in
Santo Toribio de Liébana. At the same time, Beatus strengthened the links among Asturias, the
Holy See, and the
Carolingian Empire, and was supported in his theological struggle by the
Pope and by his friend Alcuin of York, an Anglo-Saxon scholar who had settled among the Carolingian court in
Aachen.
Millennialism The most transcendental works of Beatus were his
Commentaries to Apocalypse, which were copied in later centuries in manuscripts called
beati, about which the Italian writer
Umberto Eco said: "Their splendid images gave birth to the most relevant iconographic happening in the History of Mankind". Beatus develops in them a personal interpretation of the
Book of Revelation, accompanied by quotes from the
Old Testament, the
Church Fathers and fascinating illustrations. In these
Commentaries a new interpretation of the apocalyptic accounts is given:
Babylon no longer represents the city of Rome, but Córdoba, seat of the Umayyad emirs of al-Andalus; the Beast, once a symbol of the Roman Empire, now stands for the Islamic invaders who during this time threatened to destroy Western Christianity, and who raided territories of the Asturian Kingdom. The prologue to the second book of the
Commentaries contains the
Beatus map, one of the best examples of a
mappa mundi of the high medieval culture. The purpose of this map was not to represent the world cartographically, but to illustrate the Apostles' diaspora in the first decades of Christianity. Beatus took data from the works of
Isidore of Seville,
Ptolemy and the
Bible. The world was represented as a land disc surrounded by the Ocean and divided in three parts: Asia (upper semicircle), Europe (lower left quadrant) and Africa (lower right quadrant). The Mediterranean Sea (Europe-Africa), the Nile River (Africa-Asia), the Aegean Sea, and the Bosphorus (Europe-Asia) were set as the boundaries between the different continents. Beatus believed that the
Apocalypse described in the book of Revelation was imminent, which would be followed by 1290 years of domination by the
Antichrist. Beatus followed the views of
Augustine of Hippo, whose work,
The City of God, influenced the
Commentaries which followed the premise that the history of the world was structured in six ages. The first five ones extended from the creation of
Adam to the Passion of Jesus, while the sixth, subsequent to Christ, ends with the unleashing of the events prophesied in the book of Revelation. (Revelation 17:4–5) (a Christian allegory of evil) was incarnated by the Emirate of Córdoba. Millennialist movements were very common in Europe at that time. Between 760 and 780, a series of cosmic phenomena stirred up panic among the population of
Gaul; John, a visionary monk, predicted the coming of the
Last Judgment during the reign of
Charlemagne. In this time the Apocalypse of Daniel appeared, a
Syriac text redacted during the rule of the empress
Irene of Athens, wherein wars between the
Arabs, the Byzantines and the Northern peoples were prophesied. These wars would end with the coming of the Antichrist. Events taking place in Hispania (Islamic rule, the adoptionist heresy, the gradual assimilation of the
Mozarabs) were, for Beatus, signals of the imminent apocalypse.
aeon. As Elipandus describes in his
Letter from the bishops of Spania to their brothers in Gaul, the abbot of Santo Toribio went so far as to announce to his countrymen the coming of the End of Time on Easter of the year 800. On the dawn of that day, hundreds of peasants met around the abbey of Santo Toribio, waiting, terrified, for the fulfillment of the prophecy. They remained in there, without eating for a day and half, until one of them, named Ordonius, exclaimed: "Let us eat and drink, so that if the End of the World comes we are full!". The prophetic and millennialist visions of Beatus produced an enduring mark in the development of the Kingdom of Asturias: the
Chronica Prophetica, which was written around 880 CE, predicted the final fall of the Emirate of Córdoba, and the conquest and redemption of the entire
Iberian Peninsula by king Alfonso III. Millennialist imagery is also reflected throughout the kingdom in the
Victory Cross icon, the major emblem of the Asturian kingdom, which has its origins in a passage of the Revelation book in which
John of Patmos relates a vision of the
Second Coming. He sees Jesus Christ seated in his majesty, surrounded by clouds and affirming: "I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty". It is true that usage of the
labarum was not restricted to Asturias, and dates back to the time of
Constantine the Great, who used this symbol during the
Battle of the Milvian Bridge. However, it was in Asturias where the Cruz de la Victoria attained a general use: in nearly every
pre-Romanesque church this icon is engraved, often accompanied with the expression "Hoc signo tuetur pius, in hoc signo vincitur inimicus", that became the royal motto of the Asturian monarchs.
Camino de Santiago Another of the major spiritual legacies of the Asturian kingdom is the creation of one of the most important ways of cultural transmission in European history: the
Camino de Santiago. The first text which mentions St. James' preaching in Spain is the
Breviarius de Hyerosolima, a 6th-century document which stated that the Apostle was buried in an enigmatic place called ''
. Isidore of Seville supported this theory in his work De ortu et obitu patrium
. One hundred and fifty years later, in the times of Mauregato, the hymn O Dei Verbum'' rendered St. James as "the golden head of Spain, our protector and national patron" and a mention is made of his preaching in the Iberian Peninsula during the first decades of Christianity. Some attribute this hymn to Beatus, although this is still discussed by historians. The legend of St. James gained support during the reign of
Alfonso II. The period was marked by Alfonso II's reaching out to Charlemagne for military assistance and importation of similar royal ceremonies and governmental structures. Galician
Pelagius the Hermit claimed to observe a mysterious brightness during several nights over the forest, in Iria Flavia diocese. Angelic songs accompanied the lights. Impressed by this phenomenon,
Pelayo appeared before the bishop of Iria Flavia,
Theodemir, who – after having heard the hermit – visited the location with his retinue. Legend has it that in the depths of the forest was found a stone sepulchre with three corpses, which were identified as those of
St. James, son of Zebedee, and his two disciples, Theodorus and Atanasius. According to the legend, King Alfonso was the first pilgrim who had come to see the Apostle. During his travels he was guided at night by the
Milky Way, which from then on acquired the name of
Camino de Santiago. The founding of the alleged St. James tomb was a formidable political success for the Kingdom of Asturias: Now Asturias could claim the honour of having the body of one of the apostles of Jesus, a privilege shared only with Asia (
Ephesus) where
John the Apostle was buried, and Rome, where the bodies of
Saint Peter and
Saint Paul rested. As of the early 12th century,
Santiago de Compostela grew to become one of the three sacred cities of Christianity, together with Rome and
Jerusalem. In later centuries, many Central European cultural influences travelled to Iberia through the Way of St. James, from the Gothic and Romanesque styles, to the Occitan lyric poetry. However, the story of the "discovery" of the remains of the Apostle shows some enigmatic features. The tomb was found in a place used as a
necropolis since the
Late Roman Empire, so it is possible that the body belonged to a prominent person of the area.
British historian
Henry Chadwick hypothesized the tomb of Compostela actually hold the remains of
Priscillian. Historian Roger Collins holds that the identification of the relics (at any rate nothing close to a full body) with Saint James is related to the translation of the remains found under a 6th-century church altar in Mérida, where various saint names are listed, Saint James among them. Other scholars, like Constantino Cabal, highlighted the fact that several Galician places, such as Pico Sacro, Pedra da Barca (Muxía) or San Andrés de Teixido, were already draws for pagan pilgrimage in pre-Roman times. Pagan beliefs held these places as the End of the World and as entrances to the Celtic
Otherworld. After the discovery of Saint James' tomb, the gradual Christianization of those pilgrimage routes began.
Mythology Since the Chronicles of the Asturian kingdom were written a century and a half after the battle of Covadonga, there are many aspects of the first Asturian kings that remain shrouded in myth and legend. Although the historicity of Pelayo is beyond doubt, the historical narrative describing him includes many folktales and legends. One of them asserts that, prior to the Muslim invasion, Pelayo went on a pilgrimage to Jerusalem, the sacred city of Christianity. However, there is no extant evidence of this. Likewise, it is also said that the
Cruz de la Victoria was at first carved in an oak's log by a lightning strike. The core of this story contains two elements of major importance in the Asturian folklore. On one hand, lightning was the ancient symbol of the Astur god
Taranis, and in Asturian mythology was thought to be forged by the
Nuberu, lord of clouds, rain and wind. On the other hand, the oak tree is the symbol of the Asturian royalty and in reliefs of the Abamia Church (where Pelayo was buried) leaves of that tree are shown. The Covadonga area is also rich with astonishing stories, such as the one which is said to have happened in a shepherd village where today
Lakes Enol and Ercina are situated.
Mary, mother of Jesus, disguised as a pilgrim, is said to have visited that village and asked for food and shelter from every house. She was rudely rejected by every person, except for a shepherd who gave her refuge and warmly shared everything he had. On the following day, as punishment for their lack of hospitality, a flood of divine origin devastated the village, which completely covered everything except the cottage of the good shepherd. In front of him, the mysterious guest started to cry, and her tears became flowers when they reached the floor. Then the shepherd realized that the pilgrim was actually Mary. There are also myths about the Asturian monarchy that are rooted in Jewish and Christian traditions rather than pagan ones: the
Chronica ad Sebastianum tells of an extraordinary event that happened when Alfonso I died. While the noblemen were holding a wake for him, there could be heard celestial canticles sung by angels. They recited the following text of the Book of Isaiah (which happens to be the same that was read by the Mozarabic priests during the
Vigil of the
Holy Saturday): This canticle was recited by
Hezekiah, king of Judah, after his recovery from a serious illness. In these verses, the king regretted with distress his departure to
sheol, the Jewish underworld, a shady place where he would not see God nor men any more. Asturias also has examples of the
king in the mountain myth. According to the tradition, it is still today possible to see king
Fruela walking around the (a part of the Oviedo Cathedral), and it is said that his grandson, the famous cavalier
Bernardo del Carpio, sleeps in a cave in the Asturian mountains. The story tells that one day a peasant went into a certain cave to retrieve his lost cow and heard a strong voice who declared to be Bernardo del Carpio, victor over the Franks in
Roncevaux. After saying he had lived alone for centuries in that cave, he told the peasant: "Give me your hand, so that I can see how strong are men today". The shepherd, scared, gave him the horn of the cow, which, when seized by the giant man, was immediately broken. The poor villager ran away terrified, but not without hearing Bernardo say: "Current men are not like those who helped me to kill Frenchmen in Roncevaux". File:ErcinaLakeHorse.jpg|
Ercina lake,
Covadonga. According to the legend, under its waters a village—or perhaps a city—is hidden. File:Folio 103v - Hezekiah's Canticle.jpg|Illustration of Hezekiah's Canticle belonging to the . The Asturian monarchs often took the kings of the Old Testament as their models. == Legacy ==