The name has many variants in several languages: Atli and Atle in
Old Norse; Etzel in
Middle High German (
Nibelungenlied); Ætla in
Old English; Attila, Atilla, and Etele in
Hungarian (Attila is the most popular); Attila,
Atilla, Atilay, or Atila in
Turkish; and Adil and Edil in
Kazakh or Adil ("same/similar") or Edil ("to use") in
Mongolian.
Attila and Hun tradition in the medieval Hungarian Royal Court , 1358). The basic premise of the Hungarian medieval chronicle tradition that the
Huns, i.e. the
Hungarians coming out twice from
Scythia, the guiding principle of the chronicles was the Hun-Hungarian continuity. The Hungarian state founder royal dynasty, the
Árpád dynasty claimed to be a direct descendant of the great Hun leader Attila. Medieval Hungarian chronicles claimed that Grand Prince
Árpád of Hungary was the descendant of Attila. The
Chronica Hungarorum by
Johannes Thuróczy set the goal of glorifying Attila, which was undeservedly neglected, moreover, he introduced the famous "Scourge of God" characterization to the later Hungarian writers, because the earlier chronicles remained hidden for a long time. Thuróczy worked hard to endear Attila, the Hun king with an effort far surpassing his predecessor chroniclers. He made Attila a model for his victorious ruler, King Matthias of Hungary who had Attila's abilities, with this he almost brought "the hammer of the world" to life. According to the
Kunsthistorisches Museum, actually a Hungarian
sabre from the first half of the 10th.
Jordanes embellished the report of
Priscus, reporting that Attila had possessed the "Holy War Sword of the
Scythians", which was given to him by
Mars and made him a "prince of the entire world". The German chronicler
Lampert of Hersfeld, in his
Annales written up to 1077, recounts that
Anastasia, the mother of King
Solomon of Hungary, gave the
Sword of Attila to
Otto of Nordheim, Duke of Bavaria, as a token of gratitude for helping Solomon ascend to the throne. This sword, a cavalry
sabre now in the
Kunsthistorisches Museum in Vienna, appears to be the work of Hungarian goldsmiths of the ninth or tenth century.
Legends about Attila and his meeting with Pope Leo I (
Chronicon Pictum, 1358). An anonymous chronicler of the medieval period represented the meeting of
Pope Leo and Atilla as attended also by
Saint Peter and
Saint Paul, "a miraculous tale calculated to meet the taste of the time" This apotheosis was later portrayed artistically by the Renaissance artist
Raphael and sculptor
Algardi, whom eighteenth-century historian
Edward Gibbon praised for establishing "one of the noblest legends of ecclesiastical tradition". According to a version of this narrative related in the
Chronicon Pictum, a mediaeval Hungarian chronicle,
the Pope promised Attila that if he left Rome in peace, one of his successors would receive a holy crown (which has been understood as referring to the
Holy Crown of Hungary).
Attila in Germanic heroic legend Some histories and chronicles describe Attila as a great and noble king, and he plays major roles in three Norse texts:
Atlakviða,
Volsunga saga, and
Atlamál. The
Polish Chronicle represents Attila's name as
Aquila.
Frutolf of Michelsberg and
Otto of Freising pointed out that some songs as "vulgar fables" and made
Theoderic the Great, Attila and
Ermanaric contemporaries, when any reader of Jordanes knew that
this was not the case. This refers to the so-called historical poems about
Dietrich von Bern (Theoderic), in which Etzel (German for Attila) is Dietrich's refuge in exile from his wicked uncle Ermenrich (Ermanaric). Etzel is most prominent in the poems
Dietrichs Flucht and the
Rabenschlacht. Etzel also appears as
Kriemhild's second noble husband in the
Nibelungenlied, in which Kriemhild causes the destruction of both the Hunnish kingdom and that of her Burgundian relatives.
Early modern and modern reception (1798–1863). In 1812,
Ludwig van Beethoven conceived the idea of writing an opera about Attila and approached
August von Kotzebue to write the libretto. It was, however, never written. In 1846,
Giuseppe Verdi wrote the
opera, loosely based on episodes in Attila's invasion of Italy. In World War I, Allied propaganda referred to Germans as the "
Huns", based on a
1900 speech by
Emperor Wilhelm II praising Attila the Hun's military brutality and might, according to
Jawaharlal Nehru's
Glimpses of World History.
Der Spiegel commented on 6 November 1948, that the
Sword of Attila was hanging menacingly over
Austria. American writer
Cecelia Holland wrote
The Death of Attila (1973), a historical novel in which Attila appears as a powerful background figure whose life and death deeply affect the protagonists, a young Hunnic warrior and a Germanic one. In modern
Hungary and in
Turkey, "Attila" and its Turkish variation "Atilla" are commonly used as a male first name. In Hungary, several public places are named after Attila; for instance, in
Budapest there are 10 Attila Streets, one of which is an important street behind the
Buda Castle. When the
Turkish Armed Forces invaded
Cyprus in 1974, the operations were named after Attila ("The Attila Plan"). The 1954
Universal International film
Sign of the Pagan starred
Jack Palance as Attila. ==See also==