The old town of Brescia (characterized, in the northeast, by a rectangular plan, with the streets that intersect at right angles, a peculiarity handed down from Roman times) has a significant artistic and archaeological heritage, consisting of various monuments ranging from the ancient age to contemporary.
UNESCO World Heritage monuments In 2011,
UNESCO inscribed the monumental area with the monastic complex of San Salvatore-Santa Giulia in the
World Heritage List, belonging to the group known as "
Longobards in Italy: Places of Power (568–774 A.D.)".
Monumental area of the Roman forum This is the archaeological complex where there are the best-preserved Roman public buildings in the
northern Italy, Since the spring of 2015, the western room has opened to the public, while the rest of the building is still undergoing archaeological excavation and restoration. •
Capitolium of Brixia :The primary temple in the city, it was dedicated to the cult of the
Capitoline Triad. It was built in 73 AD and consists of three
cellae that have preserved much of the original polychrome
marble floors, today transformed into the
Museo di Santa Giulia, which contains about 11,000 works of art and archaeological finds. During the period of Longobard domination, Princess
Anselperga, daughter of King
Desiderius, headed the monastery. It consists of: •
Basilica of San Salvatore :It has been built in 753 by Duke of Brescia Desiderius, future Lombard king, and his wife Ansa. It is characterized by the simultaneous use of the Longobards stylistic elements and decorative motifs of classical and Byzantine art and it is one of the most important examples of High Middle Ages architecture in Italy. The basilica has a nave with two apses and has a transept with three apses. It is located over a pre-existing church, which had a single nave and three apses. Expanded in the following centuries, it houses various works of art, including the
Stories of St. Obizio painted by
Romanino and
Stories of the Virgin and the infancy of Christ by Paolo Caylina il Giovane, as well as others from the Carolingian age. •
Church of Santa Maria in Solario :It has been built in the mid-12th century as a chapel inside the monastery. It has a square base with an octagonal lantern and has two internal levels. • ''The nuns' choir'' :It is placed between the Basilica of San Salvatore and the church of Santa Giulia. It has been built between the late 15th and early 16th century and it is on two levels. The lower level is the old churchyard covered for access to the basilica. The upper floor is the real choir, made up by a room covered by a barrel vault, which is connected to the east with San Salvatore by three small windows with a grating, on the west by Santa Giulia through an arch. The interior of the choir is entirely decorated with frescoes painted by Ferramola and Caylina, and inside are shown different funerary monuments of the Venetian age, including the
Martinengo Mausoleum, a masterpiece of the Renaissance sculpture in Lombardy. •
Church of Santa Giulia :It has been built between 1593 and 1599. The façade, made of Botticino marble, is decorated with a double row of pilasters of the Corinthian order, separated by a rich marble frieze and connected to the sides by volutes. The inside consists of a spacious nave covered with a barrel vault. In the church, there are no sacred furniture and there are only a few scraps of the frescoes that originally decorated each surface. Although annexed to the monastery, it is not part of the
Museo di Santa Giulia and is used as a conference room. At the centre of the east side of the square stands the ''
Torre dell'Orologio'', a tower with a large astronomical clock (mid-16th-century) on top of which there are two copper anthropomorphic automata which strike the hours on a bell. On 28 May 1974, the square was targeted by the
terrorist bombing. •
Duomo Vecchio: the
Old Cathedral, also known as
La Rotonda, is a circular 11th-century
Romanesque church. The main structure, with rustic exteriors, was built atop ruins of an earlier basilica. Near the entrance is the pink marble
sarcophagus of Berardo Maggi, while in the presbytery is the entrance to the crypt of San Filastrio. The structure houses masterworks by
Alessandro Bonvicino (
il Moretto);
Girolamo Romanino,
Palma il Giovane,
Francesco Maffei, and others. •
Duomo Nuovo: construction of the
New Cathedral began in 1604 and it was only completed in 1825. Initially designed by Palladio, economic shortfalls led to younger local architects and artists completing initial work, including decorations by
Pietro Maria Bagnadore. The interior has major frescoes by
Il Moretto. The high altarpiece is by
Jacopo Zoboli (1735). The main attraction is the
Ark of Sts Apollonius and Filastrius (1510). •
Broletto: the 12th-and 13th-century Town Hall, now houses offices of both the commune and province. On the Piazza front is the balcony from where the medieval city officials spoke to the townsfolk; on the north side, rises a tall tower called "Tower of Pégol" or "Tower of the People" (the
Lombard:
Tòr del Pégol), whose bells were once used to summon the citizens in moments of distress. •
Piazza della Vittoria, an example of Italian
Art Déco architecture. It was built between 1927 and 1932 by architect
Marcello Piacentini through the demolition of part of the medieval old town and it has an L-shape. On the inside corner right there is the
Torrione INA, the first skyscraper built in Italy. In the north background there is the large
Palazzo delle poste ("Post Office building"), with its ocher-white two-tone upholstery. The
Torre della Rivoluzione ("Tower of the Revolution") and three other buildings, recalling the classical architecture, complete the square. •
Piazza del Foro: site of the Roman forum. In addition to the already mentioned
Capitolium,
republican sanctuary and
Roman theatre, various other remains are visible in the area. Among these, on the south side of the square, are scanty remains of a building called the
curia, which may have been a basilica. •
Palazzo Martinengo Cesaresco Novarino: mid-17th-century palace, now home to art exhibitions and an underground archaeological exhibit, depicting city's history from the early
Iron Age to the present day, concentrating in a single place 3,000 years of urban history of Brescia. •
Santa Maria dei Miracoli: (1488–1523) church with fine façade by
Giovanni Antonio Amadeo, decorated with bas-reliefs and a Renaissance
peristilium. It is considered a jewel of Renaissance sculpture in Lombardy. •
San Francesco: Romanesque-Gothic church and cloisters. •
Castle of Brescia: also known as ''Falcone d'Italia
("Falcon of Italy"), it is located atop Cidneo Hill in the northeast corner of the town. The castle was built between the 13th and the 16th century, and it is among the largest castles in Italy. Besides commanding a fine view of the city and a large part of the surrounding area, as well as being a local favorite recreational area, it hosts the Arms Museum, with a fine collection of weapons from the Middle Ages onwards; the Risorgimento Museum'', dedicated to the Italian independence wars of the 19th century; an exhibition of model railroads; and an astronomical observatory. •
Santi Nazaro e Celso: church housing the
Averoldi Polyptych by
Titian. •
San Faustino e Giovita: church also known as
San Faustino Maggiore. The interior has a fresco depicting
Apotheosis of Sts Faustino, Jovita, Benedict and Scholastica by
Giandomenico Tiepolo. •
Basilica of Santa Maria delle Grazie: basilica church built between the 16th and 17th centuries with Baroque frescoes and stucco, and a work of Il Moretto. •
San Giuseppe: 16th-century church houses frescoes and decoration including fourteen
Stations of the Cross of St. Joseph (1713) by
Giovanni Antonio Capello. The church houses the tombs of
Gasparo da Salò, one of the inventors of the modern violin and
Benedetto Marcello, Baroque musician. Inside it, there is one of the oldest
organs in the world. •
San Clemente: church with paintings by Bonvicino. •
Torre della Pallata: massive tower built in 1254 as part of the medieval walls. In the 15th century, the clock, merlons, and turret added. The fountain on the western side was designed in 1597 by Bagnadore. •
San Giovanni: church with a refectory painted jointly by il Moretto and il Romanino. •
San Marco Evangelista: a small 13th-century Romanesque-style church. •
San Mattia alle Grazie: a suppressed 13th-century former church. •
Monumental Cemetery: also known as
Vantiniano, is the largest cemetery in Brescia, designed around 1813 by
Rodolfo Vantini. It is the first monumental cemetery built in Italy and at its centre stands the
Lighthouse of Brescia (60 meters tall) which has inspired the architect
Heinrich Strack for the design of the
Berlin Victory Column. •
Teatro Grande: opera house renovated several times between the mid-17th and mid-19th century. The name
Grande ("Big") is derived from the former name
Il Grande ("The Great") in honour of
Napoleon Bonaparte. The horseshoe-shaped auditorium is richly decorated and has five galleries. Since 1912, the theatre is a
national monument. •
Biblioteca Queriniana, containing rare early manuscripts, including the
Codex Brixianus, a 14th-century manuscript of
Dante, and some rare
incunabula. •
Brescia Due: a
business district located in the southern part of the city. •
Crystal Palace: as a part of Brescia Due, is the tallest habitable structure of the city with a height of , The city has no fewer than seventy-two public fountains. The stone quarries of
Botticino, east of Brescia, supplied marble for the
Monument to Vittorio Emanuele II in Rome.
Museums The most important museums of Brescia are the following: •
Museo di Santa Giulia ("Santa Giulia Museum"): it is the city Museum, situated in the monastic complex of San Salvatore-Santa Giulia, which has a rich Roman section. One of the masterpieces is the bronze statue of a winged Victory, originally probably a Venus, converted in antiquity into the Victory by adding the wings; it is said to be in the act of writing the winner's name on her shield (now lost). Also very interesting, one of the very few places in the world where the remains of two Roman domus can be visited on their original site simply by strolling into one of the museum halls. •
Pinacoteca Tosio Martinengo, the municipal art gallery; it hosts works of the painters of the Renaissance Brescian school,
Girolamo Romanino,
Alessandro Bonvicino and
Giovanni Battista Moroni. After an extensive remodeling the museum reopened in 2018 with a refreshed interior showcasing the art hung on contemporary fabric covered walls. •
Museo della Mille Miglia ("Mille Miglia Museum"). Situated inside the former Monastery of S. Eufemia, the museum celebrates the history of the car race from Brescia to Rome and back that began in 1927. It shows films, memorabilia, dresses, posters, and a number of classic cars that are periodically replaced by other in case of participation in events. •
Museo Diocesano di Brescia ("
Diocesan Museum of Brescia"). It is located in the former Monastery of St. Joseph and houses a permanent collection of sacred artworks, including paintings,
illuminated manuscripts, as well as one of the most extensive collections of
vestments in Italy. •
Museo Nazionale della fotografia ("National Museum of Photography"). It hosts a collection of photographic and cinematographic machines, along with various camera accessories and a photo library with about 60,000 photographs. •
Museo delle Armi "Luigi Marzoli" ("Luigi Marzoli" Arms Museum"). Located in the Castle, it is one of the most important European collections of old armour and weaponry. It hosts about 600 pieces of armour, weapons and firearms from the 15th to the 19th century. •
Museo degli strumenti musicali e della liuteria bresciana ("Museum of the Musical Instruments and Brescian lutherie"). It hosts string and wind instruments, as well as a rich collection of
choirbooks and musical scores. •
Collezione Paolo VI – arte contemporanea ("Paul VI Collection – Contemporary Art"). It is located in
Concesio, on the northern outskirts of Brescia, and hosts the contemporary art collection of
Pope Paul VI, composed of about 7,000 works of many famous artists, including
Matisse,
Chagall,
Picasso,
Dalí and others. It was opened on 8 November 2009, inaugurated by
Pope Benedict XVI. Besides these, there are other museums in Brescia: •
Museo del Risorgimento ("Risorgimento Museum") •
Ma.Co.f. – Centro della fotografia italiana ("Centre of Italian photography") • ''Museo del Ferro – Museo dell'Industria e del Lavoro'' ("Museum of Industry and Labour") •
The Beatles Museum •
Museo Ken Damy della Fotografia contemporanea • ''AmbienteParco – Museo dell'Acqua'' ("Water Museum") •
Museo di Scienze Naturali ("Natural Science Museum") •
Museo Piamarta – Istituto Artigianeli •
Casa Museo Paolo VI di Concesio Parks Due to its location in the foothills of the Alps, Brescia has forests close to the city centre. About 80% of its municipal territory is covered by woodlands and farmlands: total amount of public green space is , or per inhabitant, while agricultural zones cover an area of . The largest park of Brescia is
Parco delle Colline di Brescia ("Brescia Hills Park") that has a total surface of , of which fall within the city limits. In 2018 another public park known as
Parco delle Cave was opened on the site of former sand quarries in the south of the city. After the full opening at the end of 2021, now the park covers an area of . Other parks are scattered throughout the city, such as
Parco del Castello ("Castle Park"),
Parco Tarello,
Parco Mazzolari,
Parco Ducos and
Campo di Marte. ==Education==