Cultural facilities With
Caen, Cherbourg-Octeville is the main cultural centre of
Lower Normandy. The city is the seat of several
learned societies, including the founded in 1755, formed in 1851, and the Artistic and Industrial society of Cherbourg, incorporated in 1871. The creation and dissemination of the performing arts are ensured by the
Trident, of Italian theatre, the theatre of Octeville and the
Vox. Amateur theatre is celebrated by
Les Téméraires. The
vocation prioritaire du Centre régional des arts du cirque [Priority Mission of the Regional Centre of Circus Arts] (CRAC) of La Brèche, opened in October 2006, is the residence of circus troops, but instead also offers programming for the public. CRAC participates in the festival of street arts,
Charivarue. In addition, the provision of artistic education is rich, with the Film Industry Institute of Normandy, the school of fine arts and the municipal music school, labelled as a conservatory for communal influence, which has 800 registrants. After the closure of
Ultrasound in
Équeurdreville-Hainneville, a unique room of contemporary music of Nord-Cotentin, several associations have come together within the network
"La Voix des oreilles" ["The voice of the ears"] and of the place
Épicentre, in the former yacht club on
Quai Lawton-Collins, where the festival
La Terra Trema takes place. However, the city lacks a large capacity venue, the theatre can accommodate only 700 spectators. After the bitter failure of
Cherbourg-Land, this problem has not been resolved at the level of the Cotentin. and composed essentially of works seized from emigrants and deportees. Several donations were then made, including a legacy of 3,000 works by in 1844 (with twenty-six
incunabula and a ninth-century manuscript
De bello iudaico [The Jewish War] of
Flavius Josephus, which remains the oldest document in the library) and a gift in 1877 from Jérôme-Frédéric Bignon, Mayor of
Le Rozel and heir to the king's librarians. It also has a Norman
fonds, an old fonds devoted to botany and another to travel. Cherbourg-Octeville is the seat of two publishing houses,
Isoète founded in 1985 and established in 1996.
Cherbourg-Octeville in literature •
Honoré de Balzac cites the engineer Joseph Cachin, constructor of the port of Cherbourg, among the men of genius in
Le Curé de village [The Village Priest] and
La Duchesse de Langeais [The Duchess of Langeais]. Cherbourg is also present in
Le Réquisitionnaire [The Recruit]. •
Octave Mirbeau,
''Le Journal d'une femme de chambre'' [The Diary of a Chambermaid], 1900: In the final chapter, Celestine became the owner of a cafe in Cherbourg •
Remy de Gourmont,
Un cœur virginal [A Virginal Heart], 1907 •
Ernest Psichari, ''L'Appel des armes'' [The Call to Arms], 1913 • Gilles Rosset,
Le Vent dominant [The Prevailing Wind], Grasset, 1979 •
Alexis Salatko,
Vingt deux nuances de gris [Twenty-two Shades of Grey], 1990 •
Jean-Philippe Arrou-Vignod,
L’omelette au sucre [The Omelette with Sugar], Gallimard, Folio Junior, 1999 • Robert Sinsoilliez,
Une balle pour rien à Cherbourg [A Bullet for Nothing to Cherbourg], 2000 • • Ken Follett's novel
The Pillars of the Earth features Cherbourg as the hometown of Jacques Cherbourg, a Frenchman washed ashore in England during the
European Middle Ages. His son, Jack Jackson, travels to France as an adult and meets his father's family in Cherbourg. • Kimberly Brubaker Bradley set her novel,
For Freedom: The Story of a French Spy in Cherbourg. The narrator, Suzanne Hall (née David), is a spy for the
French Resistance. • Cherbourg (or to be precise its analog in the
Lord Darcy universe) is the setting for
Randall Garrett's short story "A Case of Identity" and is part of the backdrop for his novel
Too Many Magicians.
Cinema The cinema occupies a significant place in the life of Cherbourg. Many classics of French cinema have been filmed there, such as
La Marie du port directed by
Marcel Carné and starring
Jean Gabin. In 1981,
Claude Miller also located the action film
Garde à Vue there, though shot in the studio. However, the most emblematic is undoubtedly
The Umbrellas of Cherbourg directed by
Jacques Demy, a story about Madame Emery and her 17-year-old daughter Geneviève (
Catherine Deneuve) who sell umbrellas at their tiny boutique. The film was shot in the summer of 1963, and still contributes to the international renown of the city. Yet long before, at the time of the splendor of the transatlantic liners, Cherbourg was a port of arrival, departure or transit for many stars, including
Charlie Chaplin and
Burt Lancaster. The city was also birthplace of the filmmaker
Jean-Charles Tacchella and the actor
Jean Marais. , the
Cinemovida (festival of the cinema of Spain and Latin America), and Images d'Outre-Rhin (German cinema), as well as Cin'étoiles, screenings of films outdoors in July, animate the local cultural life. In 2003, the
EICAR film school was located in the old buildings of the . After three years of loss and liabilities estimated at €1.5 million, it was placed into liquidation in September 2006 and replaced the following month, under the leadership of elders of its teachers by the Institut des métiers du cinéma de Normandie (IMC Normandie) that itself closed its doors in 2011. The city has a fleet of 17 permanent cinema rooms, distributed over two sites, including one labelled as
Art et essai (
Revival house). •
Odéon (5 rooms) Following the opening of the
multiplex, the withdrawal of the , which operated
Club 6 (
Rue de la Paix) since 1983 and the
Odeon (
Rue Foch) since 1991, resulted in the closure in 2004 of the first and the revival of the latter city centre cinema, labelled as
Art et essai by Fadila Chambelland, the former manager. The cinema had 90,000 admissions in 2006. The damaged façade of the old cafe of the Grand balcon, which then became
Le Central cinema, is in the style of the Second Empire, with
caryatids and garlands of flowers. •
Méga CGR (12 rooms) Opened in 2003 near the
boulevard maritime with 2,557 seats; 400,000 admissions in 2006. •
Omnia (1 room) The historic cinema operated by
Pathé, located on the
Rue de la Paix, it was bought in the 1990s by the municipality and no longer welcomes any more than rare events. The interior frescoes of R. Lecoq, representing
Aeolus and
Vulcan, were distinguished in 2006 by the label "20th century heritage" of the
Ministry of Culture. Several cinemas have disappeared, such as the
Eldorado (destroyed,
Place de la Republique), the
Eden (
Rue Cachin), the
Vox (former
patronage room which became a second room of
Le Trident (theatre)), and the
Saint-Joseph (
Rue des Ormes), etc.
Films shot in Cherbourg • ''
Le p'tit Parigot'' (1926), by
René Le Somptier •
La Marie du port (1950), by
Marcel Carné, with
Jean Gabin •
The Umbrellas of Cherbourg (1964), by
Jacques Demy, starring
Catherine Deneuve • (1975), directed by
Claude Zidi, with
Pierre Richard and
Jane Birkin •
Roads to the South (1978),
Joseph Losey, with
Yves Montand •
The Green Ray (1986) of
Éric Rohmer • (2005), directed in part at the EICAR-Cherbourg •
La Boîte noire (2005), by
Richard Berry •
Lili and the baobab (2006),
Chantal Richard, with
Romane Bohringer •
Rumba (2008)
Fiona Gordon, Dominique Abel, , etc. •
Love Me No More (2008), by
Jean Becker, with
Albert Dupontel •
Q (2011), by
Laurent Bouhnik Language The Cherbourg population spoke
le haguais, a variant of
Cotentinais Norman, while having some specifics regarding the pronunciation of certain words. In Cotentinais Norman, Cherbourg is called
Tchidbouo and Octeville,
Otteville . Their inhabitants are the
Tchidbouorqŭais and the
Ottevillais and . While French was necessary in
Rouen in the 19th century, Norman remained widely used from Cherbourg to
Caen, up to the
First World War. was the leading local figure of the dialect authors of the 19th century. He published his
Chansonnettes normandes, among which
Sus la mé became an anthem of the
Cotentin Peninsula. At that time, was critical of its approximate spelling and poor mastery of the language. Various actors are now trying to promote the local use of the Norman. The Alfred Rossel society makes live folklore and language.
Le Boué-jaun a Cherbourg-based magazine, published his texts in Norman, and one of three popular Norman universities is based here. The so-called are small lobsters. Cherbourg is also located near three
oyster areas (
Blainville,
Saint-Vaast and
Isigny). The most traditional preparation is the
matelote.
Alexandre Dumas also presented the recipe of the
"queue de merlan à la mode de Cherbourg " [tail of whiting in the Cherbourg manner], with butter and oysters. From 1464, the bakers of Cherbourg held Royal permission to develop their breads based on seawater, thus avoiding paying for the salt and the
gabelle [salt tax]. On the occasion of the visit of
Napoleon, they would have created folded bread, country bread ball, oval, which is folded back on itself to be cooked, thus offering a tighter bicorn-shaped sandwich which came to be called
"pain Napoléon" [Napoleon bread]. More broadly, the kitchen of Nord-Cotentin is , in which dairy products (butter, cream, milk, cheese, etc.) and apples (as fruit or alcohol) dominate. Since 2010, the restaurant
le Pily, of the
Valognes restaurateur Pierre Marion, holds a star in the
Michelin Guide.
Heritage Civil monuments . The
Italian Theatre is one of the last
Italian theatres built in France (1880). Opened in 1882, it was built on the plans of , on the site of the
grain market. The façade pays homage to
Molière,
Boieldieu and
Corneille. It has been classified a historical monument since 1984 with its two side returns and corresponding roofing; also classified are the vestibule, the grand staircase, the hall and foyer, as well as the 13 original decorations. The ceiling is the work of
Georges Clairin. With three galleries, it accommodates up to 600 spectators. The Mouchel Fountain, named after the patron and director of the journal
Le Phare de la Manche, stands at the centre of the
Place Général-de-Gaulle. A monumental fountain in cast iron, it was created by
Louis Eugène Gutelle in 1895. The Hotel Epron de la Horie (named after the Vice Admiral and Marine Minister
Jacques Epron de la Horie, owner under the first Empire) or ancient customs is located at the corner of
Rue de Val-de-Saire and the wharf of the Old Arsenal. Built in 1781 by Jacques Martin Maurice, "contractor of the King's works" in
schist (cover and body of the building) and red brick (window frames), registered as a historical monument since 16 February 1965. Successively barracks of the Swiss, auxiliary Hospital of the work of the harbour, home of shipowners Richer, Cousin, Despréaux and Lias in the 19th century and a customs house during the interwar period, it is now the headquarters of the
Groupe Caisse d'Épargne. The
hôtel Atlantique [Atlantic Hotel], opposite the maritime station, was also built by , in iron and cement and in the
Art Deco style, for the three transatlantic companies which served Cherbourg, the
Cunard Line, the
White Star Line and the
Red Star Line, grouped into the
Société anonyme de l’Hôtel Atlantique. It hosted on the emigrants (third class passengers), mainly from Eastern Europe, who stayed there for an average of 12 days to undergo sanitary and customs controls. The building thus included a section for infected and a section for disinfected with a capacity of 2,000 people. Begun in 1920, opened in 1926, it closed eight years later. Requisitioned under the Occupation and Liberation, it was bought by
Félix Amiot to accommodate some of its shipyard employees. It has hosted the services of the since 1991. The central pavilion is included in the inventory of historic monuments since October 2001. The town hall was built at the beginning of the 19th century; It was enlarged twice, first in 1850 by a south-west wing forming an L-shape with the first building, and then under the
Second Empire (salon of the Empress), and reworked after the Liberation. Inside, a staircase serves the Grand Lounge and the lounge of the Empress, which houses portraits of Napoleon III and Eugénie by
Winterhalter, with - between the two – a rotunda room for the paintings of Michel-Adrien Servant recalling the major events in the history of the city. Since 1858, the Council Chamber contains the 16th century chimney of the abbot's house of the
Abbey of Notre-Dame-du-Vœu, purchased by the municipality in 1841 and classified as a historical monument since 1905.
Memorials The faces the basilica, on the
Place Napoléon. The work of
Armand Le Véel, it represents the Emperor contemplating the
harbour and the
military port. On the base, reads an excerpt from the
Memorial of Sainte-Hélène, dated 15 July 1816:
I had resolved to renew to Cherbourg the wonders of Egypt, i.e. a pyramid with central fort and a new
Lake Moeris, for the outer harbour, dug into the rock. The statue, erected in 1858 on the occasion of the visit of
Napoleon III, recalls the importance of the Emperor in the expansion of Cherbourg. Around this emblematic monument of the city, registered in August 2006 and classified as an
historic monument on 31 January 2008, extends the
Plage verte, the old artificial beach until the postwar period, which runs along the marina. The monument of the
Duke of Berry, in the
Place de la République, commemorates the landing of the son of the future
Charles X, back in France on the British frigate
Eurotas on 13 April 1814, after the fall of the Empire. Completed in 1816, it consists of an obelisk of in pink granite of Flamanville, surmounting a fountain of grey granite, where four bronze lions' heads spew water into a basin dug in the same block. is a bronze of
David d'Angers on a column of granite of the architect Lemelle, on which one can read the name of four battles where Bricqueville is illustrated:
Wagram,
Krasnoi,
Antwerp and
Versailles. Two bronze reliefs evoke the military (a sword) and parliamentary (a forum), were melted by the Germans in 1944. The monument has been listed as an
historical monument since August 2006. The statue of
Jean-François Millet, inaugurated in the on 22 September 1892, for the centenary of the
First Republic, honours the "painter of peasants", student at the Museum of Cherbourg. Funded by a subscription launched by the municipality in 1886 and taken over by Parisian circles, the realisation of the
marble bust ( high) was entrusted to
Henri Chapu; after his death, it was completed by his pupil
Jean-Ernest Bouteiller who had assisted him in the allegorical group in bronze ( high) of a peasant woman with her daughter in arms and laying flowers of the fields on the bust, supported on a pedestal and granite rocks ( high, wide, of depth). The monument is inscribed since August 2006.
Military monuments Cherbourg Harbour is the largest artificial harbour of the world. Begun in 1783, the central wall was completed in 1853 and equipped with three forts in 1860. Built from the coast, the offshore seawall is long, with an average width of at its base and at its peak, and a height of . The three sea walls cover over combined. The fort de l’Île Pelée [fort of Pelée Island], a defensive element to the east of the sea wall, was designed by Ricard and Decaux and built between 1777 and 1784. It was named
fort Royal, fort National, fort Imperial, before taking the name of the island on which it was built. It served as a prison during the Revolution. Fort du Roule (Museum of the War and Liberation) is located on the
Montagne du Roule. The location in 1650 of the Chapel of Notre-Dame-de-Protection, abandoned during the Revolution, razed in 1870, this highest point of the city [] welcomed a redoubt to protect the harbour in 1793. In 1853, the present fort was built. The place of the last fighting in 1940, it was reinforced by the Germans in 1943 with a battery located on the hillside overlooking the harbour, below the fort. Composed of four
casemates for guns and a position for the direction of firing, with several tunnels and access dug into the rock, for the Germans it became the strong point of the
fortresse de Cherbourg and of the
Atlantic Wall. On 6 June 1954,
René Coty inaugurated the first French Museum of Liberation there. At the end of a winding road named
chemin des Résistants [Path of Resistants], the fort offers a panoramic view of the city and the harbour. The battery and a part of the German ammunition storage tunnels were classified as a historic monument in 1995, and another part is converted into an underground laboratory for measurement of radioactivity for the school of military application of atomic energy.
Religious monuments The was founded in 1145, on the coast of
Équeurdreville, at the
Croûte du Homet, by
Empress Matilda. Located outside the city walls, it was regularly looted and burned during the incessant Anglo-French battles, then during the
Wars of Religion. Subject to the regime of a
commendatory abbot in 1583, it declined until its closure in 1774. Its lands were annexed in 1778 for the construction of the
military port, and it became the residence of the
Duke of Harcourt, who sheltered the King in 1786. The place was then transformed into a hospital, into a
prison, and into the Martin des Pallières Barracks for the
marine infantry. The
company town of Chantereyne was built in 1928, until its destruction in June 1944. Bought by the Town Hall in 1961, the Abbey has been slowly restored since 1965. The smokestack of the Abbey House (16th century) is kept in the council room of the city hall, the west portal of the Church (13th century) is placed in the . The remains of Martin des Pallières barracks were classified in 1913, then all of the buildings, remains and soil of the abbey, in September 2002. The grave slab of Guillaume de Margerai, priest of
Querqueville, who died in the 1280s, uncovered, has been classified as an
historic monument since 1995. The , begun in the 11th century at the request of
William the Conqueror, remained the only parish church of the city until the 19th century. The stately church dedicated to
Our Lady in the castle was destroyed along with the fortress, in the 17th century. The Trinité was enlarged and transformed significantly in the 13th century, the
nave was rebuilt, the
choir and the bell tower is recorded from after 1450. After a rampage by January 1794, it had added a new square bell tower in 1828 and restored in neo-
flamboyant style in 1865. Registered as a historical monument since March 1944, Trinité has a rich religious furniture, including a high
altar of 1809, a wood
pulpit carved by (1767), a
retable of
Armand Fréret (1814) and the great
organs by
Cavaillé-Coll. The church of Notre-Dame du Roule was built at the foot of the
Montagne du Roule between 1832 and 1842 under the leadership of the "poet-Barber" Michel Legoupil and by the subscription of the faithful of the peripheral quarters of Roule which grew, such as the districts of the Vœu and the Polle. The church of Notre-Dame-du-Vœu, begun in 1850 on subscription of the parishioners and in the
Romanesque style due to the scarcity of resources, was erected on a pasture, known as
les briques, offered by Mr. de Virandeville. In 1855, the municipality completes the nave inaugurated in 1852 by a
transept and a more ornate choir, and in 1862 the façade and two bell towers. A work of in length, the church houses a large organ by Duputel (1885), classified as a historic monument since 1990 and the stained glass windows of 1834, 1858–60 and 1949–58. The Church of Saint-Clément was built within the quarter of the Val-de-Saire, facing the Pasteur hospital, between June 1853 and 1856 by the architect of the city, Geufroy. long, it is of Greco-Roman inspiration, with a porch in the triangular pediment supported by four columns with
Doric capitals. It houses the altars of the Virgin (1863) by François Fréret and Saint-Clément (1864) by Louis-Victor Fréret, acquired from the Basilica of Sainte-Trinité in 1846, an organ (1881), painting of the
twelve apostles (1935) the Rock of Césigné and stained glass (1953) of Mauméjean. The Church of Saint-Pierre and Saint-Paul, on the area of Octeville, was built between 1967 and 1969 while the "grand ensemble" of Provinces was born. The triangular and irregular modern architecture of
Paul Vimond symbolises "the tent of God in among the houses of men", a sacred art inspired by the
Second Vatican Council (1962-1965). Another Church was built on Octeville during those years: The Church of Sainte-Marie-Madeleine-Postel opened in 1966 in the quarter of Fourches and decommissioned in 1990. The Church of Saint-Martin of Octeville, dating from the 12th century, is the historic parish church of Octeville which depended on the . Romanesque, it has an octagonal . The nave was remodelled in the 18th century. A
relief depicting the
Last Supper has been classified as a historic monument since 1908. ==Military life==