The subject was not common in
medieval art, only usually being painted as one of a number of
predella scenes of his life below an
altarpiece dedicated to the saint. From the Renaissance it gradually became popular as a subject for larger paintings. Apart from the religious significance, the subject allowed the artist to include landscape elements, a crowd of figures and horses. The drama of the event especially appealed to
Baroque painters. It was sometimes paired with the handing of the Keys to
Saint Peter, although in the Vatican
Cappella Paolina Michelangelo paired it with Peter's
Crucifixion in the 1540s, perhaps in a change to the original plan. The conversion of Paul has been depicted by many artists, including
Albrecht Dürer,
Francisco Camilo,
Giovanni Bellini,
Fra Angelico,
Fra Bartolomeo,
Pieter Bruegel the Elder,
William Blake,
Luca Giordano,
Sante Peranda, and
Juan Antonio de Frías y Escalante.
Michelangelo's fresco
The Conversion of Saul is in the
Cappella Paolina of the
Vatican Palace. The Renaissance Italian master
Caravaggio painted two works depicting the event:
The Conversion of Saint Paul and
Conversion on the Way to Damascus.
Peter Paul Rubens also produced several works on the theme. A large number of the many depictions show Paul, and often several of his companions, travelling the Damascus Road on horseback, Paul most often on a white horse. This is not mentioned in the biblical accounts (which do not say how he travelled), and certainly makes for a more dramatic composition. The horses are usually shown as disturbed by the sudden appearance of the vision, and have often fallen to the ground themselves. It may also reflect how people of the various periods expected a person of Paul's importance to travel a distance of 135 miles (or 218 km). Perhaps first appearing in the 14th century, Paul's horse appears in the most important depictions from the 15th century onwards. File:Conversão de São Paulo (c. 1562-95) - Francisco João (Igreja Matriz de São Paulo em Pavia, Mora).png|Conversão de São Paulo (c. 1562–1595) - Francisco João (Igreja Matriz de São Paulo em Pavia, Mora) File:Lille st pierre st paul cartellier.JPG|Lille st pierre st paul cartellier File:Musée d'art et d'archéologie du Périgord - Luca Giordano - Saint Paul sur le chemin de Damas.jpg|Musée d'art et d'archéologie du Périgord - Luca Giordano - Saint Paul sur le chemin de Damas File:Ferraù Fenzoni - The conversion of St Paul.jpg|Ferraù Fenzoni - The conversion of St Paul File:Francesco ruviale, conversione di saulo 04.jpg|Francesco ruviale, conversione di saulo 04 File:Schiavone 2.jpg|Schiavone 2 File:The Trinity Altar- Conversion of St. Paul.jpg|The Trinity Altar- Conversion of St. Paul File:Conversión de Saulo (Reni).jpg|Conversión de Saulo (Reni) File:Cárdenas - Conversión de San Pablo 20140710.jpg|Cárdenas - Conversión de San Pablo 20140710 File:Escalante 001.jpg|Escalante 001 File:Tríptico da Descida da Cruz (c. 1540-1545) - Pieter Coecke van Aelst (closed).png|Tríptico da Descida da Cruz (c. 1540–1545) - Pieter Coecke van Aelst (closed) File:Conversion on the Way to Damascus-Caravaggio (c.1600-1).jpg|
Conversion on the Way to Damascus, Caravaggio (c. 1600–01)
Literature Chapter seventeen of
Ralph Ellison's 1952 novel
Invisible Man includes a literary device related to the Saul to Paul conversion: "'You start Saul, and end up Paul,' my grandfather had often said. 'When you're a youngun, you Saul, but let life whup your head a bit and you starts to trying to be Paul – though you still Sauls around on the side.'" Paul's conversion is the subject of the medieval play
The Digby Conversion of Saint Paul.
Music The conversion of Paul is the main term of argument of
Felix Mendelssohn Bartholdy's oratorio
Paulus (St. Paul), MWV A 14 / Op. 36] (1833–36). It is also subject of the
choral motet Saule, Saule, quid me persequeris by
Giaches de Wert (1535–1596). It is also the focus of an eight part mixed choir
a cappella piece (The Conversion of Saul) composed by
Z. Randall Stroope.
Popular usage From the conversion of Paul comes the
metaphorical reference to the "Road to Damascus", meaning a sudden or radical conversion of thought or a change of heart or mind, even in matters outside of a Christian context. For example, Australian politician
Tony Abbott was described as having been "on his own road to Damascus" after pledging increased mental health funding, and a New Zealand drug dealer turned police officer was likewise described as taking "the first step on the road to Damascus." In
science fiction, the book
The Road to Damascus is based on a sudden political conversion of a self-aware tank, Unit SOL-0045, "Sonny," a
Mark XX Bolo, on the battlefield. In "
-30-", the finale episode of
The Wire,
Norman Wilson tells attorney
Rupert Bond he believes police commissioner
Bill Rawls is "about to have one of those Road to Damascus moments". In Episode 3, Season 4 of
Downton Abbey,
Lady Grantham referred to Lord Grantham’s change of heart towards his daughter Edith’s boyfriend as a "Damascene Conversion". In the mystery film
Wake Up Dead Man, former boxer turned Catholic priest Judd Duplenticy evokes the story of Paul's conversion on the road to Damascus to describe the incident that led him to the Church. He likens Paul's persecution of Christians to his accidental killing of another boxer whom he had a personal grudge against in the ring; unforgivable acts of hatred which God in his mercy nevertheless forgives and then invites the guilty to find salvation. == Feast day==